Arts and Culture
Bay Area African American Women in Music: How Pittsburg Vocalist Leola Jiles Transitioned From Gospel to Pop
During their debut at the Sweet Chariot – a nightclub in Manhattan, allegedly run by the Mafia, that presented African American gospel music to largely white audiences – the Bay Area gospel-singing group, the Apollos suddenly found themselves on the national news when Mahalia Jackson began picketing in front of the New York establishment.
Jackson, the gospel music queen, accused the club of “blaspheming the Holy Ghost.”
Group member Leola Jiles received a call from her husband back home in Pittsburg, California, who had seen the story on TV.
“He said, ‘Why are you on the six o’clock news and Halie [Jackson] is outside picketing?’” Jiles recalled last week at her home in Pittsburg.
Jiles had no problem singing music usually heard in church in a place where people drank alcohol and smoked cigarettes. She had performed slightly earlier at the world-famous hungry i in San Francisco when the Apollos were opening for headliner Barbra Streisand.
“It didn’t bother me at all because we were still doing gospel,” she explained.
Frank Sinatra, Johnny Mathis and actress Loretta Young were among the celebrities who attended the trio’s Sweet Chariot engagement.
The Apollos also caught the attention of hit-making songwriter-producers Jerry Leiber and Mike Stoller, who agreed to record them on the condition that they record secular songs and change their name to the Lovejoys, with Jiles as lead singer.
After recording one single each for Leiber and Stoller’s Tiger and Red Bird labels – including a secularized adaptation of Rev. James Cleveland’s “It’s Mighty Nice to Love the Lord” – the group changed its name to the Apollas and signed with Warner Bros. Records in Burbank.
They made eight singles for Warner Bros. between 1965 and ’57. None were hits, but the trio kept busy touring the country opening for such stars as Glen Campbell, Billy Eckstine and the Monkees.
The Apollas broke up in the early ‘70s. But in 2012, the three women – Jiles, San Franciscan Ella Jamerson and Southern Californian Billie Barnum – reunited in London to celebrate the UK release of a 25-song CD titled, “Absolutely Right! The Complete Tiger, Loma and Warner Bros.”
Art
Marin Fair Competitive Exhibits Open for Entry
“We are thrilled to provide an array of online competitions for our community during our outdoor only 2022 Fair,” said Director of Cultural Services Gabriella Calicchio. “The Competitive Exhibits program is the heart and soul of the Fair and we’re excited to bring our talented community together again to participate.”

Marin County Fair “So Happy Together!” returns June 30-July 4
Courtesy of Marin County
2022 Marin County Fair Poster depicting a variety of farm animals with the Marin County Civic Center and Marin Fairgrounds property in the background. San Rafael, California — With Marin County Fair’s June 30 opening day just around the corner, the Competitive Exhibits categories for the 2022 Fair are now available on the Fair’s website MarinFair.org.
The competitive exhibit program, which usually takes place indoors, will remain online for one more year and will include competitions such as fine art and photography, decorated cakes and cookies, wine and beer label design, clothing and textiles, cartoon art, exceptional art, poetry and creative writing, hobbies and crafts, and more. The Plein Air painting competition on the first day of the Fair will take place outdoors. The agriculture competitions will remain outdoors and will include poultry, rabbits, sheep dog trials, pocket pets, dog care and training, and small animal round robin showmanship, to name a few.
“We are thrilled to provide an array of online competitions for our community during our outdoor only 2022 Fair,” said Director of Cultural Services Gabriella Calicchio. “The Competitive Exhibits program is the heart and soul of the Fair and we’re excited to bring our talented community together again to participate.”
The full list of categories and entry guidelines is available online at MarinFair.org. Submissions will be accepted from May 6 to May 31 and winners will be announced online during Fair time.
The 2022 fair will also focus on outdoor entertainment including the headline concerts, performers roaming the grounds such as jugglers, unicyclists, and stilt walkers, and interactive art experiences for fans of all ages. Returning fair favorites will include traditional carnival rides, the Global Marketplace, the Barnyard, food and drinks, and fireworks every night over the Civic Center’s Lagoon Park.
Early bird tickets sold out within one day of release. Discounted Fair tickets are still available for adults and teens through June 29. The Fair is a one-price gate featuring 28 carnival rides, exciting exhibits, spectacular firework displays, first-rate concerts and exciting attractions are FREE with gate admission. Tickets are available online only at MarinFair.org.
Headline concerts will soon be announced, and reserved gold circle tickets will go on sale May 16. Reserved concert seating in a special section is $60 per person and includes Fair admission.
Special Admission Days:
Kids Day at the Fair – Thursday, June 30
Children 12 and under are FREE on Thursday, June 30.
Senior Day at the Fair – Thursday, June 30
Seniors 65+ are admitted FREE
Activism
Installation Invoking Black Struggle for Justice in Opens May 14 at Oakland City Hall
Society’s Cage is an open air, accessible pavilion featuring 500 hanging steel bars that form a cavernous cube with a habitable void allowing visitors to experience the symbolic weight of institutional racism. This immersive experience offers the opportunity to consider the severity of racial biases within our institutional structures of justice and allows for moments of reflection and healing.

By Randolph Belle
A traveling exhibit that invokes the history of repression of Blacks in the United States arrived in Oakland for installation this week at Frank Ogawa Plaza.
Support Oakland Artists, an Oakland based 501(C)3, partnered with Society’s Cage to bring the acclaimed social justice art installation as a feature in front of Oakland City Hall from May 9-30, 2022.
Society’s Cage is an open air, accessible pavilion featuring 500 hanging steel bars that form a cavernous cube with a habitable void allowing visitors to experience the symbolic weight of institutional racism.
This immersive experience offers the opportunity to consider the severity of racial biases within our institutional structures of justice and allows for moments of reflection and healing.
The designers, Dayton Schroeter, Julian Arrington, Monteil Crawley and Ivan O’Garro, created the installation to contextualize the contemporary phenomenon of police killings of Black Americans within the 400+ year continuum of racialized state violence in the United States.
It is a data-driven installation shaped in response to the question “What is the value of Black life in America?”
The Oakland installation will be the first on the West Coast as it travels nationally to sites of symbolic power related to justice, freedom & democracy. Originating in Washington, D.C. on the National Mall in response to the 2020 murders of George Floyd and Breonna Taylor, Society’s Cage has continued its journey as an interpretive lens highlighting the historic forces of racialized state violence in the United States.
Other sites have included War Memorial Plaza in Baltimore, Maryland, and the site of the Vernon AME Chapel in Tulsa, Oklahoma, for the 100th anniversary of the Tulsa Race massacre and destruction of the Greenwood District, known as Black Wall Street.
Oakland is an ideal host site for the installation as the home of the Black Panther Party, which was founded to combat the legacy of police oppression, inequitable incarceration practices, and remnants of slavery in the form of state-sponsored terrorism against Black people.
In 2009, the killing of Oscar Grant, a 22-year-old, unarmed Black transit rider by the BART police in Oakland set off local and regional organized protests that catalyzed a national movement.

Support Oakland Artists Executive Director Randolph Belle atop the installation called ‘Society’s Cage’ as it was being assembled. Photo courtesy of Facebook.
“We were inspired to create the installation as a response to the murders of George Floyd and Breonna Taylor,” explains Dayton Schroeter, lead designer of Society’s Cage and design director at SmithGroup, which has offices in San Francisco. “The pavilion is a real and raw reflection of the conversations about racism happening now. It’s a physical manifestation of the institutional structures that have undermined the progress of Black Americans over the history of this country.
“The name Society’s Cage refers to the societal constraints that limit the prosperity of the Black community,” says Julian Arrington, who led the design with Schroeter, and is an associate at SmithGroup. “The pavilion creates an experience to help visitors understand and acknowledge these impacts of racism and be moved to create change.”
“It only took an instant for me to commit to this project,” said Randolph Belle, executive director of Support Oakland Artists. “In my over 30 years in Oakland as an artist and community developer, I’ve strived to utilize the arts to engage the public in thoughtful ways around important and timely topics. This project, this site, and these times are an unprecedented example of that.”
Visitors are encouraged to participate in a shared experience upon entering the pavilion. After holding their breath for as long as they can, evoking the common plea among victims of police killings, “I can’t breathe,” visitors then post a video reflection of their experience on social media using the hashtag #SocietysCage. This exercise is meant not only to build empathy but expand the installation’s impact online to allow anyone to participate in this shared exercise.
The pavilion was fabricated by Gronning Design + Manufacturing LLC in Washington, D.C., and Mejia Ironworks in Hyattsville, Maryland. A soundscape was commissioned from a pair of composers, Raney Antoine Jr. and Lovell “U-P” Cooper.
Comprised of four pieces, each eight minutes and 46 seconds in length in recognition of the time George Floyd suffered under the knee of police, they are themed to reflect each of the four institutional forces that sculpted the pavilion’s interior — mass incarceration, police terrorism, capital punishment and racist lynchings.
Early sponsors who have made the hosting of the Society’s Cage Oakland installation possible include the Akonadi Foundation, Tarbell Family Foundation, individual sponsors including principals from SmithGroup’s San Francisco office, corporate sponsorship including SmithGroup and many community partners including BIG Oakland.
Jeremy Crandall and Emax Exhibits were the Oakland Installation team.
A public unveiling is scheduled for Saturday, May 14, 2022, at 11 a.m., and a programmed event featuring local cultural artists is scheduled for Sunday, May 29, 2022, at 7 p.m. Participating individuals and organizations include original members of the Black Panther Party, the Black Cultural Zone, HipHopTV, and a host of local artists.
For more information, visit www.societyscage.com to find a link to the donation site. Additional donations will assist with programming and documentation related to the Oakland activation.
Randolph Belle is the executive director of Support Oakland Artists and RBA Creative studio in Oakland.
Arts and Culture
Four Seasons Arts Honors Founder Dr. W. Hazaiah Williams with Annual Concert
Dr. W. Hazaiah Williams was one of the first African American presenters of a major classical music concert series in the United States. Dr. Williams presented artists of all races and organized racially diverse audiences, and for over 40-plus years in the San Francisco Bay Area and beyond, he introduced to the world some of the finest musicians of our time.

On Saturday, May 7 at 3 p.m., Four Seasons Arts will honor Founder Dr. W. Hazaiah Williams with a piano recital by Dr. Rochelle Sennet. The concert takes place at St. John’s Presbyterian Church, 2727 College Ave. in Berkeley.
Sennet’s May 7 program, entitled “Bach to Black,” features two Partitas by Johann Sebastian Bach, “Four Dances for Boris” by African-American composer Jeffrey Mumford (b. 1955) and “In the Bottoms” Suite by African-American composer R. Nathaniel Dett.
Dr. W. Hazaiah Williams led the concert organization from its beginning in 1958 until his death in 1999, and it is because of his vision that the concert series continues.
Dr. Williams was one of the first African American presenters of a major classical music concert series in the United States. Dr. Williams presented artists of all races and organized racially diverse audiences, and for over 40-plus years in the San Francisco Bay Area and beyond, he introduced to the world some of the finest musicians of our time.
Pianist Dr. Rochelle Sennet is a well-known performer, teacher and scholar. She has performed throughout the world as a soloist and orchestra collaborator and is a sought-after guest lecturer and adjudicator.
Free tickets to this event are available by emailing fsa.info@fsarts.org, calling 510-845-4444 or clicking the “Get Free Tickets” button at www.fsarts.org/2022-founders-concert/.
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