Black History

Amenhotep III: A Peaceful Reign in Ancient Egypt

Amenhotep suffered from severe dental problems, arthritis, and possibly obesity in his later years. After ruling Egypt for 38 years, he died in 1353 BCE.

Published

3 years ago

August 4, 2021

Isabelle Price

Stone image of Egypt’s King Amenhotep III. Wikipedia.org photo.

Tuthmosis IV left his son an empire of immense size, wealth, and power: the 18th Dynasty of Egypt.

At 12 years old, Amenhotep III (c. 1386–1353 BCE) came to the throne and married Tiye in a royal ceremony. Tiye, who was among several of Amenhotep’s wives, would bear seven children. However, immediately after the marriage she became the one—the great royal wife, an honor that her own mother-in-law never held. Tiye could then outrank her in courtly matters.

Although Amenhotep and Tiye were by today’s standards still in their youth, Egypt’s wealthy and powerful often ruled at an early age. According to Egyptologist Zahi Hawass, “Amenhotep III was born into a world where Egypt reigned supreme. Its coffers were filled with gold, and its vassals bowed down before the mighty rulers of the Two Lands [Egypt].”

After his marriage to Tiye, Amenhotep continued his father’s work in implementing new building programs throughout Egypt. During his reign, he ordered the construction of more than 250 buildings, temples, and stone slabs erected as monuments. All were immense in size and boasted intricate details. Today, the statues known as the Colossi of Memnon, are all that is left of Amenhotep III’s mortuary temple. According to historians, Amenhotep envisioned an “Egypt so splendid that it would leave one in awe.”

A master of diplomacy, Amenhotep placed surrounding nations in his debt by giving them gold. Doing so encouraged loyalty and made them followers. These relationships soon grew profitable and his generosity to friendly kings became well established.

Amenhotep was known for his hunting skills which were noted in inscriptions: “the total number of lions killed by His Majesty with his own arrows, from the first to the tenth year [of his reign] was 102 wild lions.” He was also an adept military leader. Some historians say that he “probably fought, or directed his military commanders, in one campaign in Nubia and he had inscriptions made to commemorate that expedition.”

Many foreign rulers wanted Amenhotep to provide them Egyptian wives. Respecting the women of his land, he swore that “no daughter of Egypt had ever been sent to a foreign land and would not be sent under his reign.”
Amenhotep was also humble in his practice of the ancient Egyptian religion, which proved to be the foundation for his interest in the arts as well as construction. His greatest contribution to Egyptian culture was his ability to maintain peace and prosperity, which enabled him to devote his time to the arts.

Amenhotep suffered from severe dental problems, arthritis, and possibly obesity in his later years. After ruling Egypt for 38 years, he died in 1353 BCE.

Letters penned by foreign rulers expressed their grief and condolences to Queen Tiye. The letters confirmed that these monarchs hoped to continue the same good relations with Egypt under the new king as they had with Amenhotep III. With Amenhotep’s passing, his son, then called Amenhotep IV, began his reign.

Isabelle Price

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Black History

Book Review: ‘The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America’

Your toes didn’t wait long before they started tapping. They knew what was coming, almost as soon as the band was seated. They knew before the first notes were played and the hep cats and jazz babies hit the floor to cut a rug. Daddy, it was the bee’s knees but in the new book “The Jazzmen” by Larry Tye, if you were the Sheik on the stage, makin’ cabbage wasn’t all that swank.

Published

3 days ago

May 17, 2024

Oakland Post

Courtesy of Lisa Frusztajer

By Terri Schlichenmeyer

Your toes didn’t wait long before they started tapping.

They knew what was coming, almost as soon as the band was seated. They knew before the first notes were played and the hep cats and jazz babies hit the floor to cut a rug. Daddy, it was the bee’s knees but in the new book “The Jazzmen” by Larry Tye, if you were the Sheik on the stage, makin’ cabbage wasn’t all that swank.

Louis Armstrong was born in 1900 or thereabouts in a “four-room frame house on an unpaved lane” in a section of New Orleans called “Back o’Town … the Blackest, swampiest, and most impoverished” area of the city. His mother was a “chippie,” and the boy grew up running barefoot and wild, the latter of which led to trouble. At age twelve, Armstrong was sent to the Colored Waif’s Home for recalcitrant Black boys, and that changed his life. At the “home,” he found mentors, father-figures and love, and he discovered music.

For years, Bill “Count” Basie insisted that he’d grown up with “no-drama, no-mystery, and nobody’s business but his,” but the truth was “sanitized.” He hated school and dropped out in junior high, hoping to join the circus. Instead, he landed a job working in a “moving-picture theater” as a general worker. When the theater’s piano player didn’t come to work one day, Basie volunteered to sit in. He ultimately realized that “I had to get out … of Red Bank [New Jersey], and music was my ticket.”

Even as a young teenager, Edward Ellington insisted that he be treated like a superstar. By then, his friends had nicknamed him “Duke,” for his insistence on dressing elegantly and acting like he was royalty. And he surely was — to his mother, and to millions of swooning female fans later in his life.

Three men, born at roughly the same time, had more in common than their ages. Two of them had mothers “who doted” on them. All three were perform-aholics. And, for all three, “Race … fell away as America listened.”

Feel up to a time-trip back a century or more? You won’t even have to leave your seat, just grab “The Jazzmen” and hang on.

In his introduction, author Larry Tye explains why he so badly wanted to tell the story of these three giants of music and how Basie’s, Ellington’s, and Armstrong’s lives intersected and diverged as all three were near-simultaneously performing for audiences world-wide. Their stories fascinated him, and his excitement runs strong in this book. Among other allures, readers used to today’s star-powered gossip will enjoy learning about an almost-forgotten time when performers took the country by storm by bootstrapping without a retinue of dozens.

And the racism the three performers encountered disappeared like magic sometimes, and that’s a good tale all by itself.

This is a musician’s dream book, but it’s also a must-read story if you’ve never heard of Basie, Ellington, or Armstrong. “The Jazzmen” may send you searching your music library, so make note.