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After Incarceration, Former Prisoners Face a Tough Journey Home to Find Work, Reunite with Family and Begin Again

NNPA NEWSWIRE — With tens of thousands of prisoners being released each year from jails and prisons across the country, experts agree that a major test on the journey home for these individuals is navigating rocky shoals of the transition between prison and society. Will they be productive citizens, or will they engage in a repeat offense and return to prison? Or will they end up homeless in the streets – or worse?

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By Rachel Holloway, Trice Edney Newswire

Try to imagine what freedom must be like for many prisoners who’ve been released after serving sentences of 10, 15 or 20 years behind bars.

Sure, there is the initial sense of elation among some of the men and women about the prospect of a second chance in society. But that elation frequently gives way to frustration, dismay and even fear over how to begin picking up the pieces of their shattered lives.

Indeed, the questions and obstacles they face can be overwhelming. Will they ever find a job, especially if they lack the skills employers need? What about affordable housing? And where will they find money to pay for food and transportation?

Then there are all the societal changes, starting with the disappearance of transit tokens, not to mention the array of other new technologies, including smartphones, social media platforms, video streaming, e-readers, GPS devices and tablets. These technologies are often dizzyingly unfamiliar to individuals who in many cases went to prison at a time when the lowly flip phone was a high technological achievement. And yet, being able to use those technologies-from Microsoft Word for a resume to LinkedIn for job searching -is critical.

Thousands of ex-convicts face this reality in communities across the country, from Boston, New York City, Philadelphia, Washington, Atlanta and Miami to Chicago, Detroit, Houston and Los Angeles. To hear these sort of coming home stories is the first step to understand the daunting journey undertaken by these individuals – often unsuccessfully – to rebuild their lives and re-establish ties to family, friends and community after prison.

With tens of thousands of prisoners being released each year from jails and prisons across the country, experts agree that a major test on the journey home for these individuals is navigating rocky shoals of the transition between prison and society. Will they be productive citizens, or will they engage in a repeat offense and return to prison? Or will they end up homeless in the streets – or worse?

Ex-convicts continue to pay after release

How to help ease the transition for inmates returning home has become part of the growing national debate on reforming the criminal justice system at a time when critics say it has incarcerated a disproportionate number of Black and Hispanic men while focusing on punishment rather than rehabilitation.

That debate is playing out in Washington, D.C.’s  predominantly black Ward 5, where a proposal to open a residential reentry facility for ex-prisoners has provoked a not-in-my-backyard furor. It has also sparked a larger discussion about the need for programs that confront systemic needs of ex-convicts-including providing housing, job training or drug treatment-while helping them work through the psychological issues that returning home can provoke.

At the center of this debate is CORE DC, a minority-owned, social-services group seeking to open a residential reentry center in Ward 5. The Federal Bureau of Prisons (BOP) on November 1, 2018 awarded CORE DC the contract to open a 300-bed center and the facility was scheduled to start taking in residents on March 1 of this year.

But plans were put on hold amid concerns from some community members. The delay dealt a blow to efforts to address the pressing needs of former inmates returning home with what CORE DC and supporters say is the organization’s humane approach to helping the former prisoners assimilate into a society with obsolete notions of crime and punishment.

“How do you genuinely engage in criminal justice reform when you still have ancient and outdated attitudes?” CORE DC chairman and CEO Jack Brown said. “These are the kind of monsters under the bed that CORE has to deal with. If you have an organization that is providing these services and their reputation is questionable, of course the community should have concerns. But that is not what the community is getting with CORE.”

Lingering concerns about past service providers

The only reentry center in Washington, D.C., today is Hope Village, located in Southeast Washington. Opened in the late 1970s, it has faced criticism in the past on issues ranging from the treatment of residents to its security practices. In a 53-page 2013 memo, the independent agency in charge of monitoring conditions inside of District correctional facilities found that Hope Village lacked “job readiness resources” and substandard care for residents with mental health needs. In 2016, a nonprofit criminal justice advocacy group called the Council for Court Excellence implored the BOP to end its contract with Hope Village.

When Northeast Washington residents got word that a new reentry center would open in Ward 5, some expressed reservations. Chief among their questions was whether CORE DC’s reentry home would be a good neighbor, a concern that seemingly reflected lingering concerns the community had from past experiences.

In fact, just weeks after CORE DC’s Ward 5 project was announced, two former Hope Village residents who had escaped and committed crimes were sentenced to prison, one for a 27-month term and the other for 33 months. The episode seemed to fuel falsehoods and misconceptions about the indispensable role that experts say transitional services such as temporary housing and job training have in ensuring former inmates have the tools needed for a second chance.

As the drip-drip of troubling reports coming out of Southeast Washington cast a dark shadow over a possible new reentry center in Northeast Washington, CORE DC reached out to local lawmakers while the organization’s leadership joined community hearings convened to address questions surrounding the planned facility.

CORE DC says it hoped to provide facts and clarity to the discussion.

“At our facilities, the program director is in daily communication with Bureau of Prisons,” Brown said. “Most people in the community believe you get to hang out from 8 a.m. to 9 p.m at outside of the center, not at CORE. We don’t see too many program failures because our clients have jobs that we work with them to get in the construction industry, technology sector and other livable wage jobs.”

But dialogue has sometimes been elusive-and sometimes heated.

Halfway houses, a loaded term

At one community meeting, a pamphlet was left behind that warned of the grave dangers of “halfway houses,” a term that those in the criminal-justice world say is outdated and filled with a negative connotation. “Halfway houses accept sex offenders, drug offenders, convicted murders and rapists,” the pamphlet read. A group of 12 Northeast residents sued, and on December 21, CORE DC lost its lease on the property.

There is also the fact that Hope Village, which has won more than $125 million in federal contracts since 2006, filed a protest against the BOP contract with CORE DC. The protest, filed with the Government Accountability Office (GAO), leveled a number of charges, including that Hope Village lost the contract because it refused to take in sex offenders. In a decision made on Feb. 21, the GAO dismissed Hope Village’s highly charged claim, while raising technical questions about CORE DC’s use of the property it proposed for its center.

CORE DC said that it remains committed to the DC area.

“We remain committed to reunifying the families and restoring the communities that these individuals leave behind,” Brown said, “But in order to address these complicated issues, the community deserves a productive, fact-driven dialogue, not falsehoods and fear-mongering.”

In recent weeks, CORE Services Group, of which CORE DC is an affiliate, has invited Ward 5 leaders to tour other reentry centers the organization operates. The nonprofit, founded in 2005, has invited local representatives to a reentry center in Brooklyn, New York, where security standards have been lauded in routine reviews by the BOP.

Meanwhile, it remains to be seen whether the community will embrace CORE DC as a new neighbor. But with an estimated 8,000 former inmates returning home to Washington every year, advocates say reentry centers are a proven part of the solution, even as they caution that the District, just like communities around the country, need a comprehensive approach.

The writer, Rachel Holloway, can be contacted at holloway75@gmail.com.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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