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AfroComicCon offers a platform for diversity in pop culture

NNPA NEWSWIRE — One relatively unsung product of Oakland’s liberal sway is the founder of the annual AfroComicCon, Michael James. Now in its third iteration, AfroComicCon is a three-day event showcasing comic books and pop culture related to (but assuredly not limited to) the African Diaspora.

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“(Convention-goers can) come away with a sense of ownership and collaboration.” —AfroComicCon founder Michael James. (Photo: Afro ComicCon)

By Gregg Reese, Our Weekly Contributor, with additional reporting by Stacy M. Brown, NNPA Newswire Senior Correspondent

The Bay Area is the most progressive bastion of the historically liberal state of California (although the sweep towards gentrification may soon turn the political tide in the opposite direction) and none of the cities and towns within it upholds the standard of progressiveness higher than the East Bay municipality of Berkeley.

One relatively unsung product of its liberal sway is the founder of the annual AfroComicCon, Oakland’s Michael James. Now in its third iteration, AfroComicCon is a three-day event showcasing comic books and pop culture related to (but assuredly not limited to) the African Diaspora.

The event is held in the cities of Oakland and neighboring Emeryville, California and aims to be an inclusive entity as opposed to other, similar conventions geared towards special groups and demographics. It is a 501(c)(3) non-profit organization affiliated with the Oakland Technology and Education Center.

Comic book conventions showcase comic books and related areas of entertainment, and feature exhibits, panels, and features of interest.

Initially, low-brow affairs concentrating solely on comics and special interest groups (the first San Diego Comic-Con was held in a hotel basement with perhaps 300 people in 1970), these “cons” have mushroomed to multi-genre affairs drawing tens of thousands of participants and showcasing gaming, sci-fi, horror, and other facets of pop culture.

Film and television companies use these venues to showcase their wares and gauge public response to shows prior to general release.

Monetarily, they are a financial windfall, generating millions in revenue and contributing significantly to the surrounding community’s economy. A major component of these events is the practice of cosplay, in which fans dress up as their favorite superheroes and animated characters.

Growing Pains

The story behind AfroComicCon can be traced back to the roots of its founder. James came up under the sway of Oakland’s Allen Temple Baptist Church and its progressive pastor, the Rev. J. Alfred Smith, Sr. Among the luminaries passing through its portals were former Congressman and Oakland Mayor Ron Dellums, and civil rights activists the Rev. Jesse Jackson and the Rev. Al Sharpton.

The seeds of social liberalism firmly planted, young James graduated from UC Davis, with a bachelor’s in Environmental Planning to begin his tenure in corporate America, a period he found stifling and restrictive.

The millennium era found him politicized through work with various non-profit concerns and travels overseas where he participated in the 2007 release of South African dissident Nelson Mandela. These events were intertwined by his work to promote computer literacy among the Bay Area’s disadvantaged during a period where he became disenchanted with the educational system’s methodology in distributing state and federal funding to the community. During this time, he had been involved in a successful literacy program under the umbrella of UC Berkeley.

The experience soured him, however, as he saw how the non-profit apparatus worked. He did quite well with the $850,000 allotted to his program until he found out it was just part of the $7 million the university was receiving over a seven-year period.

A series of discussions he had with like-minded people, and a chance visit to the San Diego Comi-con (the benchmark for all such gatherings), spawned the nucleus of what would become the AfroComicCon, a platform in which to promote reading through graphic novels, comic books, and other paraphernalia.

Supporting him and co-founding AfroComicCon with him since the beginning has been a kindred spirit and fellow Berkeley High School alum, Hally Bellah-Guther.

A career professional dancer in the United States and in Europe, Bellah-Guther, who has taught ballet and fitness locally for 20 years, was a passionate volunteer and board member of D.U.S.T.Y. (Oakland Technology & Education Center) and had been Michael’s partner working on literacy and arts programs since 2012. She caught the bug and became completely devoted to the project. She has been overseeing every aspect of AfroComicCon since prepping for the first year because it combined two passions of hers: the arts and the fight against injustice and inequity.

By 2017, they’d secured enough funding to compile a shoestring budget, and they were ready to mount the first tentative steps towards realizing the vision.

The Chance for Inclusion

They had no intention of replicating the success of the decades-old Comic-con (convention-goers this past summer for that event reached in excess of 130,000), but in their inaugural staging, they attracted some 400 to 500 attendees, a more than respectable gathering, considering their resources and financial limitations.

Among the notables on hand to greet visitors were special effects wizard Christa Burton (“Iron Man,” “The Lone Ranger,” and “Transformers”); movie producer and Vice President of Programming at BOUNCE TV Ri-Karlo Handy; Sifu Kisu martial arts choreographer for Avatar: The Last Air Bender; Power Rangers, and other major motion pictures; and television writer Ty Scott (“CSI: Miami” and “Saints and Sinners”).

“Everyone has a story and we can all be superheroes in our own right,” says James, as an explanation for the interest in this new and novel venue for popular culture.

Attendance for the next calendar year 2018 increased to 1000 plus. Among those appearing for the 2019 AfroComicCon were writer/producer Rodney Barnes (“American Gods,” “The Boondocks,” “Everybody Hates Chris, “ and the upcoming “Wu-Tang: An American Saga”); spoken word poet, street lit author and UC Berkeley professor Aya de Leon; and actress Onika Day (“Orange is the New Black,” “Wu-Tang: An American Saga”).

In keeping with AfroComicCon’s pledge of inclusion, guests consisted of Lebanese director of photography Jean-Claude Kalache of Pixar, and Vietnamese American filmmaker and theater director Khai Thu Nguyen (who helped judge the film competition).

As in past years, the convention sought to provide a wide variety of educational and interactive experiences meant to engage the whole family. These included a fashion show mounted by Jasline Berry (fashionista and Afro-renaissance woman) and James Head (costume designer for rapper M.C. Hammer), promotion by and about the gaming industry, and other venues to prompt event-goers to, in James’ words, “move away from commercialism that doesn’t support us.”

FLASH- Fit Like A Super Hero- which was spearheaded by Bellah-Guther since 2018, includes multi-disciplines to encourage the public to engage in healthier lifestyles through physical activity and healthy diets. A notable component in this is a demonstration of Brazilian martial arts, Malandro Mandingo: The Body Magic of Capoeira. There has also been Hip Hop and Turf Dance, Worldbeat/Salsa and Kung fu demos and classes and performances.

An attendee who has transitioned from volunteer to active participation, comic book creator and graphic artist “Sketch” Smith now serves as AfroComicCon’s art director, web designer, and all-around gadfly.

“I try to help out in any capacity that I can,” she says.

An attendee of similar events prior to joining AfroComicCon, she notes that they were generally slanted towards a heterosexual White male demographic, to the exclusion of minorities and women.

A Bay Area transplant who is opening up her own brick and mortar book store (“Hella Novella” at 2301 Mission Street in San Francisco), Smith sees this undertaking as a sanctuary for “geeks” like herself who have never fit in at any of the other conventions she’s attended as the “odd person out.” It is a relief from the overwhelming xenophobia she’s experienced as a Black woman, and she cherishes the shared cultural experience that AfroComicCon offers (for more on Sketch, visit http://www.sketchsmith.com/).

Inclusion for Everyone

“(Convention-goers can) come away with a sense of ownership and collaboration.”
—AfroComicCon founder Michael James.

While AfroComicCon takes place within the confines of the Bay Area and is primarily meant, in the words on its Facebook page, “…to empower artists who have been denied access to equal opportunity,” everyone cordially received an invite.

For more information, visit the website at www.afrocomiccon.org or call (510) 333-9653.

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Mother and Son, United in Purpose: How Regina and Judah Are Changing the Future of Early Childhood Education—Together

BLACKPRESSUSA NEWSWIRE — This Mother’s Day, we honor not just the love between a mother and her child, but the shared dreams, grit, and determination that can make those dreams a reality.

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By Stacey Finkel

This Mother’s Day, we honor not just the love between a mother and her child, but the shared dreams, grit, and determination that can make those dreams a reality. Regina, 44, and her son Judah, 18, are proof that purpose has no age limit—and that it’s never too late or too early to answer a calling. Regina knows what perseverance looks like. It took her ten years to earn her first college degree, an Associate Degree in Early Childhood from Ashworth College. Life, as it so often does, had other plans—plans that called her away from school and into the real world. But she never let go of her goals or her belief in the power of education. That steadfast commitment planted a seed not only for herself but for her son. Now, Regina and Judah are both enrolled in a scholarship program at the Early Childhood Innovation Center (ECIC), housed at Delaware State University (DSU) in Wilmington, Delaware’s only Historically Black College and University. This program allows them to study in any early childhood education-related degree program across the entire state of Delaware.  Regina attends Wilmington University, where she is pursuing her bachelor’s degree in Education Studies with a concentration in Early Childhood Education. Judah attends DSU and is pursuing his bachelor’s degree in Early Childhood Education. They are shoulder to shoulder, heart to heart—committed to equity, access, and the transformational power of teaching.

There’s something uniquely beautiful about a mother and son learning at the same time, not just in life, but in the classroom. They study together, encourage each other, and even bring their academic lessons to life while working at Chosen Children’s Child Care in Wilmington, where they support the development of the next generation of learners. Their shared experiences, both as students and as educators, deepen their bond and strengthen their shared commitment to the children they serve. But what truly sets their story apart is the community surrounding them. The Early Childhood Innovation Center is more than a scholarship program. It’s a lifeline, a launchpad, and a promise: You can do this. The faculty and staff meet students where they are—whether they’re returning to school after a decade or stepping into college for the first time. Regina and Judah both credit ECIC with giving them the resources, mentorship, and belief they need to succeed. For Black families, and especially Black mothers, the road to higher education can be long and often filled with obstacles. But what Regina and Judah show us is that when one person refuses to give up, they can inspire an entire legacy. Education becomes not just a goal, but a family value passed down. “I used to feel like I was falling behind because it took me so long to finish,” Regina says. “But now I see that every step was preparing me for this moment—alongside my son, showing him and others that no matter how long it takes, you can finish. You just can’t give up.” This Mother’s Day, let’s celebrate mothers like Regina, who never stop striving, and sons like Judah, who walk beside them with pride. Let’s celebrate the power of Black institutions like DSU and innovative spaces like the Early Childhood Innovation Center that don’t just educate—they uplift.

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Trump Abruptly Fires First Carla Hayden: The First Black Woman to Serve as Librarian of Congress

BLACKPRESSUSA NEWSWIRE — Hayden made history in 2016 as the first woman and first African American to run the Library of Congress. Her firing arrived in the form of an abrupt email in the evening hours.

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By Lauren Burke

President Donald Trump abruptly fired the Librarian of Congress Carla Hayden on May 8. Hayden made history in 2016 as the first woman and first African American to run the Library of Congress. Her firing arrived in the form of an abrupt email in the evening hours. There are fears that President Trump may also target a second prominent Black federal official, Smithsonian Chief Lonnie Bunch, for no other reason than the perceived political bias in a position not known for partisan activity. “Carla, on behalf of President Donald J. Trump, I am writing to inform you that your position as the Librarian of Congress is terminated effective immediately. Thank you for your service,” the terse communication to Hayden read. The Library of Congress confirmed that Hayden had been informed she was fired by The White House. According to the Associated Press, Hayden “recently faced criticism from a conservative advocacy group aligned with Trump’s political allies. The group, the American Accountability Foundation, accused her and other library officials of promoting children’s books with what it called “radical” themes.”

Since his return to office Trump’s Administration has been focused on removing anyone who may disagree with their policy agenda. Many of the removals have introduced a sense of partisanship that Washington hasn’t seen in certain sectors such as the Library of Congress. “This is yet another example in the disturbing pattern of the President removing dedicated public servants without cause—likely to fill the position with one of his ‘friends’ who is not qualified and does not care about protecting America’s legacy,” wrote House Democrat Rosa DeLauro in a statement on Hayden’s firing. “President Trump’s unjustified decision to fire Dr. Carla Hayden as the Librarian of Congress is deeply troubling and just the latest example of Trump’s assault on the legislative branch of government. It’s also the latest demonstration of his blatant disregard for public servants who dedicate their lives to serving the American people,” wrote U.S. Senator Alex Padilla of California in a statement late on May 8.

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Black America Celebrates African Descent Heritage of Pope Leo XIV

BLACKPRESSUSA NEWSWIRE — The Pope’s factual anthropological roots are not just symbolic. According to genealogist Jari Honora, his maternal lineage traces directly to the Black community of New Orleans’ 7th Ward, with family ties to Haiti, and census records identifying his ancestors as “Black” or “Mulatto.”

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By Stacy M. Brown
Black Press USA Senior National Correspondent

Black America is taking pride in a truth shaking up the Vatican and resonating through the streets of New Orleans: Pope Leo XIV—formerly Cardinal Robert Prevost of Chicago—has Black and Creole roots. The Pope’s factual anthropological roots are not just symbolic. According to genealogist Jari Honora, his maternal lineage traces directly to the Black community of New Orleans’ 7th Ward, with family ties to Haiti, and census records identifying his ancestors as “Black” or “Mulatto.” “By the Europeans’ own ‘1/8th’ rules, we have a Black Pope,” noted author Elie Mystal declared. “Anyway, Pope’s grandfather is Haitian. We kind of got a Black Pope. ‘End Woke’ is not gonna be happy about this.” Further, New Orleans historian Jari Christopher Honora also speaking to the National Catholic Reporter and Black Catholic Messenger, detailed how the pope’s grandparents married in 1887 at Our Lady of the Sacred Heart Church on Annette Street in New Orleans before migrating north. His mother, Mildred Martínez, was the first child in the family born in Chicago. “The Holy Father’s ancestors are identified as either Black or Mulatto,” Honora said.

The Chicago Tribune and New York Times also reported on Pope Leo’s mixed-race background and Creole lineage, noting that his election marks a defining moment in the Church’s evolving identity. “As a Black man, a proud son of New Orleans, and the U.S. Congressman representing the very 7th Ward neighborhood where our new Pope’s family hails from, I am bursting with pride today,” said Rep. Troy Carter. “This is history! The first American Pope, with Creole and Haitian roots, rising from the streets of New Orleans to the Vatican. As a Xavier University alum, I know how deeply faith and resilience run in our community. We celebrate this moment—with joy, with prayers, and with pride.” Former New Orleans Mayor Marc Morial called Leo XIV’s background “universal,” saying, “Here’s an American whose ministry was in Peru, who has roots in the American South and also ancestry in the American Black community.” Leo XIV is a member of the Augustinian Order, named after the African theologian St. Augustine of Hippo. His election came from a conclave in which two other leading contenders—Cardinal Peter Turkson of Ghana and Cardinal Fridolin Ambongo Besungu of the Democratic Republic of Congo—were also men of African descent.

But Leo XIV stood apart—not just as the first pope from the U.S. but as one known for his outspokenness on racial justice, immigrant rights, gun reform, and the abolition of the death penalty. TIME Magazine reported that his selection represented a Vatican rebuke of efforts by wealthy Americans and political operatives aligned with Donald Trump to influence the papal outcome. Known in Rome as “The Latin Yankee,” Leo XIV used his verified X account (@drprevost) to amplify criticism of Trump-era immigration policies, often reposting commentary from respected Catholic figures. The New York Post reported that his last post before his election was a retweet of Catholic journalist Rocco Palmo slamming Trump’s alliance with El Salvador’s President Nayib Bukele over migrant deportations. Back in 2017, the Roman Catholic leader also reposted a message quoting Chicago Archbishop Blase Cupich, calling Trump’s refugee bans “a dark hour of US history.”

Though Trump offered lukewarm congratulations from the White House driveway, his far-right allies were quick to lash out. Laura Loomer tweeted, “WOKE MARXIST POPE,” calling Pope Leo “just another Marxist puppet in the Vatican.”But outside the MAGA echo chamber, in Black communities across the globe, the emotion is pride. “The pope is Black,” journalist Clarence Hill Jr. said bluntly. And that means something in the Black neighborhoods of Chicago and the Creole corridors of New Orleans. Many said it means representation, resilience, and the reshaping of history at the highest level of the Catholic Church. “We celebrate this moment—not because it erases the struggles of our past, but because it affirms that our faith, our heritage, and our presence matter,” Rep. Carter said. “This is history, and it belongs to all of us.” The. Reverend Dr. Benjamin F. Chavis, Jr. affirmed, “On behalf of the Black Press of America as the authentic voice of 50 million African Americans and millions more throughout the African diaspora, we join to celebrate Pope Leo XVI, a world leader of African descent who speaks truth to power with courage and grace.”

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