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AfroComicCon offers a platform for diversity in pop culture

NNPA NEWSWIRE — One relatively unsung product of Oakland’s liberal sway is the founder of the annual AfroComicCon, Michael James. Now in its third iteration, AfroComicCon is a three-day event showcasing comic books and pop culture related to (but assuredly not limited to) the African Diaspora.

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“(Convention-goers can) come away with a sense of ownership and collaboration.” —AfroComicCon founder Michael James. (Photo: Afro ComicCon)

By Gregg Reese, Our Weekly Contributor, with additional reporting by Stacy M. Brown, NNPA Newswire Senior Correspondent

The Bay Area is the most progressive bastion of the historically liberal state of California (although the sweep towards gentrification may soon turn the political tide in the opposite direction) and none of the cities and towns within it upholds the standard of progressiveness higher than the East Bay municipality of Berkeley.

One relatively unsung product of its liberal sway is the founder of the annual AfroComicCon, Oakland’s Michael James. Now in its third iteration, AfroComicCon is a three-day event showcasing comic books and pop culture related to (but assuredly not limited to) the African Diaspora.

The event is held in the cities of Oakland and neighboring Emeryville, California and aims to be an inclusive entity as opposed to other, similar conventions geared towards special groups and demographics. It is a 501(c)(3) non-profit organization affiliated with the Oakland Technology and Education Center.

Comic book conventions showcase comic books and related areas of entertainment, and feature exhibits, panels, and features of interest.

Initially, low-brow affairs concentrating solely on comics and special interest groups (the first San Diego Comic-Con was held in a hotel basement with perhaps 300 people in 1970), these “cons” have mushroomed to multi-genre affairs drawing tens of thousands of participants and showcasing gaming, sci-fi, horror, and other facets of pop culture.

Film and television companies use these venues to showcase their wares and gauge public response to shows prior to general release.

Monetarily, they are a financial windfall, generating millions in revenue and contributing significantly to the surrounding community’s economy. A major component of these events is the practice of cosplay, in which fans dress up as their favorite superheroes and animated characters.

Growing Pains

The story behind AfroComicCon can be traced back to the roots of its founder. James came up under the sway of Oakland’s Allen Temple Baptist Church and its progressive pastor, the Rev. J. Alfred Smith, Sr. Among the luminaries passing through its portals were former Congressman and Oakland Mayor Ron Dellums, and civil rights activists the Rev. Jesse Jackson and the Rev. Al Sharpton.

The seeds of social liberalism firmly planted, young James graduated from UC Davis, with a bachelor’s in Environmental Planning to begin his tenure in corporate America, a period he found stifling and restrictive.

The millennium era found him politicized through work with various non-profit concerns and travels overseas where he participated in the 2007 release of South African dissident Nelson Mandela. These events were intertwined by his work to promote computer literacy among the Bay Area’s disadvantaged during a period where he became disenchanted with the educational system’s methodology in distributing state and federal funding to the community. During this time, he had been involved in a successful literacy program under the umbrella of UC Berkeley.

The experience soured him, however, as he saw how the non-profit apparatus worked. He did quite well with the $850,000 allotted to his program until he found out it was just part of the $7 million the university was receiving over a seven-year period.

A series of discussions he had with like-minded people, and a chance visit to the San Diego Comi-con (the benchmark for all such gatherings), spawned the nucleus of what would become the AfroComicCon, a platform in which to promote reading through graphic novels, comic books, and other paraphernalia.

Supporting him and co-founding AfroComicCon with him since the beginning has been a kindred spirit and fellow Berkeley High School alum, Hally Bellah-Guther.

A career professional dancer in the United States and in Europe, Bellah-Guther, who has taught ballet and fitness locally for 20 years, was a passionate volunteer and board member of D.U.S.T.Y. (Oakland Technology & Education Center) and had been Michael’s partner working on literacy and arts programs since 2012. She caught the bug and became completely devoted to the project. She has been overseeing every aspect of AfroComicCon since prepping for the first year because it combined two passions of hers: the arts and the fight against injustice and inequity.

By 2017, they’d secured enough funding to compile a shoestring budget, and they were ready to mount the first tentative steps towards realizing the vision.

The Chance for Inclusion

They had no intention of replicating the success of the decades-old Comic-con (convention-goers this past summer for that event reached in excess of 130,000), but in their inaugural staging, they attracted some 400 to 500 attendees, a more than respectable gathering, considering their resources and financial limitations.

Among the notables on hand to greet visitors were special effects wizard Christa Burton (“Iron Man,” “The Lone Ranger,” and “Transformers”); movie producer and Vice President of Programming at BOUNCE TV Ri-Karlo Handy; Sifu Kisu martial arts choreographer for Avatar: The Last Air Bender; Power Rangers, and other major motion pictures; and television writer Ty Scott (“CSI: Miami” and “Saints and Sinners”).

“Everyone has a story and we can all be superheroes in our own right,” says James, as an explanation for the interest in this new and novel venue for popular culture.

Attendance for the next calendar year 2018 increased to 1000 plus. Among those appearing for the 2019 AfroComicCon were writer/producer Rodney Barnes (“American Gods,” “The Boondocks,” “Everybody Hates Chris, “ and the upcoming “Wu-Tang: An American Saga”); spoken word poet, street lit author and UC Berkeley professor Aya de Leon; and actress Onika Day (“Orange is the New Black,” “Wu-Tang: An American Saga”).

In keeping with AfroComicCon’s pledge of inclusion, guests consisted of Lebanese director of photography Jean-Claude Kalache of Pixar, and Vietnamese American filmmaker and theater director Khai Thu Nguyen (who helped judge the film competition).

As in past years, the convention sought to provide a wide variety of educational and interactive experiences meant to engage the whole family. These included a fashion show mounted by Jasline Berry (fashionista and Afro-renaissance woman) and James Head (costume designer for rapper M.C. Hammer), promotion by and about the gaming industry, and other venues to prompt event-goers to, in James’ words, “move away from commercialism that doesn’t support us.”

FLASH- Fit Like A Super Hero- which was spearheaded by Bellah-Guther since 2018, includes multi-disciplines to encourage the public to engage in healthier lifestyles through physical activity and healthy diets. A notable component in this is a demonstration of Brazilian martial arts, Malandro Mandingo: The Body Magic of Capoeira. There has also been Hip Hop and Turf Dance, Worldbeat/Salsa and Kung fu demos and classes and performances.

An attendee who has transitioned from volunteer to active participation, comic book creator and graphic artist “Sketch” Smith now serves as AfroComicCon’s art director, web designer, and all-around gadfly.

“I try to help out in any capacity that I can,” she says.

An attendee of similar events prior to joining AfroComicCon, she notes that they were generally slanted towards a heterosexual White male demographic, to the exclusion of minorities and women.

A Bay Area transplant who is opening up her own brick and mortar book store (“Hella Novella” at 2301 Mission Street in San Francisco), Smith sees this undertaking as a sanctuary for “geeks” like herself who have never fit in at any of the other conventions she’s attended as the “odd person out.” It is a relief from the overwhelming xenophobia she’s experienced as a Black woman, and she cherishes the shared cultural experience that AfroComicCon offers (for more on Sketch, visit http://www.sketchsmith.com/).

Inclusion for Everyone

“(Convention-goers can) come away with a sense of ownership and collaboration.”
—AfroComicCon founder Michael James.

While AfroComicCon takes place within the confines of the Bay Area and is primarily meant, in the words on its Facebook page, “…to empower artists who have been denied access to equal opportunity,” everyone cordially received an invite.

For more information, visit the website at www.afrocomiccon.org or call (510) 333-9653.

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Beloved Actor and Activist Louis Cameron Gossett Jr. Dies at 87

NNPA NEWSWIRE — Louis Gossett Jr., the groundbreaking actor whose career spanned over five decades and who became the first Black actor to win an Academy Award as Best Supporting Actor for his memorable role in “An Officer and a Gentleman,” has died. Gossett, who was born on May 27, 1936, in Brooklyn, N.Y., was 87. Recognized early on for his resilience and nearly unmatched determination, Gossett arrived in Los Angeles in 1967 after a stint on Broadway.
The post Beloved Actor and Activist Louis Cameron Gossett Jr. Dies at 87 first appeared on BlackPressUSA.

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By Stacy M. Brown
NNPA Newswire Senior National Correspondent

@StacyBrownMedia

Louis Gossett Jr., the groundbreaking actor whose career spanned over five decades and who became the first Black actor to win an Academy Award as Best Supporting Actor for his memorable role in “An Officer and a Gentleman,” has died. Gossett, who was born on May 27, 1936, in Brooklyn, N.Y., was 87. Recognized early on for his resilience and nearly unmatched determination, Gossett arrived in Los Angeles in 1967 after a stint on Broadway.

He sometimes spoke of being pulled over by law enforcement en route to Beverly Hills, once being handcuffed to a tree, which he remembered as a jarring introduction to the racial tensions of Hollywood. In his memoir “An Actor and a Gentleman,” Gossett recounted the ordeal, noting the challenges faced by Black artists in the industry. Despite the hurdles, Gossett’s talent shone brightly, earning him acclaim in groundbreaking productions such as “A Raisin in the Sun” alongside Sidney Poitier. His Emmy-winning portrayal of Fiddler in “Roots” solidified his status as a trailblazer, navigating a landscape fraught with racial prejudice.

According to the HistoryMakers, which interviewed him in 2005, Gossett’s journey into the limelight began during his formative years at PS 135 and Mark Twain Junior High School, where he demonstrated early leadership as the student body president. His passion for the arts blossomed when he starred in a “You Can’t Take It With You” production at Abraham Lincoln High School, catching the attention of talent scouts who propelled him onto Broadway’s stage in “Take A Giant Step.” His stellar performance earned him the prestigious Donaldson Award for Best Newcomer to Theatre in 1952. Though initially drawn to sports, Gossett’s towering 6’4” frame and athletic prowess led him to receive a basketball scholarship at New York University. Despite being drafted by the New York Knicks in 1958, Gossett pursued his love for acting, honing his craft at The Actors Studio under the tutelage of luminaries like John Sticks and Peggy Fury.

In 1961, Gossett’s talent caught the eye of Broadway directors, leading to roles in acclaimed productions such as “Raisin in the Sun” and “The Blacks,” alongside legends like James Earl Jones, Cicely Tyson, Roscoe Lee Brown, and Maya Angelou. Transitioning seamlessly to television, Gossett graced small screens with appearances in notable shows like “The Bush Baby” and “Companions in Nightmare.” Gossett’s silver screen breakthrough came with his role in “The Landlord,” paving the way for a prolific filmography that spanned over 50 movies and hundreds of television shows. From “Skin Game” to “Lackawanna Blues,” Gossett captivated audiences with his commanding presence and versatile performances.

However, his portrayal of “Fiddler” in Alex Haley’s groundbreaking miniseries “Roots” earned Gossett critical acclaim, including an Emmy Award. The HistoryMakers noted that his golden touch extended to the big screen, where his role as Sergeant Emil Foley in “An Officer and a Gentleman” earned him an Academy Award for Best Supporting Actor, making him a trailblazer in Hollywood history.

Beyond the glitz and glamour of Hollywood, Gossett was deeply committed to community activism. In 1964, he co-founded a theater group for troubled youth alongside James Earl Jones and Paul Sorvino, setting the stage for his lifelong dedication to mentoring and inspiring the next generation. Gossett’s tireless advocacy for racial equality culminated in the establishment of Eracism, a nonprofit organization dedicated to combating racism both domestically and abroad. Throughout his illustrious career, Gossett remained a beacon of strength and resilience, using his platform to uplift marginalized voices and champion social change. Gossett is survived by his children, Satie and Sharron.

The post Beloved Actor and Activist Louis Cameron Gossett Jr. Dies at 87 first appeared on BlackPressUSA.

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COMMENTARY: D.C. Crime Bill Fails to Address Root Causes of Violence and Incarceration

WASHINGTON INFORMER — The D.C. crime bill and so many others like it are reminiscent of the ‘94 crime bill, which produced new and harsher criminal sentences, helped deploy thousands of police and surveilling methods in Black and brown communities, and incentivized more states to build prisons through a massive infusion of federal funding. While it is not at the root of mass incarceration, it significantly accelerated it, forcing a generation of Black and brown families into a never-ending cycle of state-sanctioned violence and incarceration.
The post COMMENTARY: D.C. Crime Bill Fails to Address Root Causes of Violence and Incarceration first appeared on BlackPressUSA.

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By Kaili Moss and Jillian Burford | Washington Informer

Mayor Bowser has signed the “Secure DC” omnibus bill passed by the D.C. Council last month. But we already know that this bill will be disastrous for all of D.C., especially for Black and brown residents.

While proponents claim that this legislation “will make D.C. residents safer and more secure,” it actually does nothing to address the root of the harm in the first place and instead maintains a cycle of violence, poverty, and broken community ties. The omnibus bill calls for increased surveillance, drug-free zones, and will expand pre-trial detention that will incarcerate people at a significantly higher rate and for an indeterminate amount of time before they are even tried. This bill will roll back decades of nationwide policy reform efforts and initiatives to keep our communities safe and whole, which is completely contradictory to what the “Secure” D.C. bill claims it will do.

What is unfolding in Washington, D.C., is part of a dangerous national trend. We have seen a resurrection of bad crime bills in several jurisdictions across the country — a phenomenon policy experts have named “zombie laws,” which are ineffective, costly, dangerous for communities of color and, most importantly, will not create public safety. Throwing more money into policing while failing to fund preventative measures does not keep us safe.

The D.C. crime bill and so many others like it are reminiscent of the ‘94 crime bill, which produced new and harsher criminal sentences, helped deploy thousands of police and surveilling methods in Black and brown communities, and incentivized more states to build prisons through a massive infusion of federal funding. While it is not at the root of mass incarceration, it significantly accelerated it, forcing a generation of Black and brown families into a never-ending cycle of state-sanctioned violence and incarceration. Thirty years later, despite spending billions each year to enforce these policies with many of these provisions remaining in effect, it has done very little to create long-term preventative solutions. Instead, it placed a permanent moving target on the backs of Black people, and the D.C. crime bill will do the same.

The bill calls for more pretrial detention. When our loved ones are held on pretrial detention, they are held on the presumption of guilt for an indeterminate amount of time before ever seeing a judge, which can destabilize people and their families. According to experts at the Malcolm Weimer Center for Social Policy at Harvard University, just one day in jail can have “devastating consequences.” On any given day, approximately 750,000 people are held in jails across the nation — a number that beats our nation’s capital population by about 100,000. Once detained, people run the risk of losing wages, jobs, housing, mental and health treatments, and time with their families. Studies show that pretrial detention of even a couple of days makes it more likely for that person to be rearrested.

The bill also endangers people by continuing a misguided and dangerous War on Drugs, which will not get drugs off the street, nor will it deter drug use and subsequent substance use disorders (SUDs). Drug policies are a matter of public health and should be treated as such. Many states such as Alabama, Iowa and Wisconsin are treating the current fentanyl crisis as “Crack 2.0,” reintroducing a litany of failed policies that have sent millions to jails and prisons instead of prioritizing harm reduction. Instead, we propose a simple solution: listen to members of the affected communities. Through the Decrim Poverty D.C. Coalition, community members, policy experts and other stakeholders formed a campaign to decriminalize drugs and propose comprehensive legislation to do so.

While there are many concerning provisions within the omnibus bill, car chases pose a direct physical threat to our community members. In July 2023, NBC4 reported that the D.C. Council approved emergency legislation that gave MPD officers the ability to engage in vehicular pursuits with so-called “limited circumstances.” Sgt. Val Barnes, the head of MPD’s carjacking task force, even expressed concern months before the decision, saying, “The department has a pretty strict no-chase policy, and obviously for an urban setting and a major metropolitan city, that’s understandable. If our law enforcement officers themselves are operating with more concern than our elected officials, what does it say about the omnibus bill’s purported intention to keep us safe?

And what does it mean when the risk of bodily harm is posed by the pursuit itself? On Saturday, Feb. 10, an Eckington resident had a near-miss as a stolen car barreled towards her and her dog on the sidewalk with an MPD officer in pursuit. What responsibility does the city hold if this bystander was hit? What does restitution look like? Why are our elected officials pushing for MPD officers to contradict their own policies?

Just a few summers ago during the uprisings of 2020, we saw a shift in public perspectives on policing and led to legislation aimed at limiting police power after the highly-publicized murders of loved ones Breonna Taylor and George Floyd — both victims of War on Drugs policing and the powers gained from the ’94 crime bill. And yet here we are. These measures do not keep us safe and further endanger the health of our communities.  Studies show that communities that focus on harm reduction and improving material conditions have a greater impact on public safety and community health. What’s missing in mainstream conversations about violent crime is the violence that stems from state institutions and structures that perpetuate racial and class inequality. The people of D.C. deserve to feel safe, and that includes feeling safe from the harms enacted by the police.

Kaili Moss is a staff attorney at Advancement Project, a national racial justice and legal organization, and Jillian Burford is a policy organizer at Harriet’s Wildest Dreams.

The post COMMENTARY: D.C. Crime Bill Fails to Address Root Causes of Violence and Incarceration first appeared on BlackPressUSA.

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Mayor, City Council President React to May 31 Closing of Birmingham-Southern College

THE BIRMINGHAM TIMES — “This is a tragic day for the college, our students, our employees, and our alumni, and an outcome so many have worked tirelessly to prevent,” Rev. Keith Thompson, chairman of the BSC Board of Trustees said in an announcement to alumni. “We understand the devastating impact this has on each of you, and we will now direct our efforts toward ensuring the smoothest possible transition for everyone involved.”
The post Mayor, City Council President React to May 31 Closing of Birmingham-Southern College first appeared on BlackPressUSA.

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By Barnett Wright | The Birmingham Times

Birmingham-Southern College will close on May 31, after more than a century as one of the city’s most respected institutions.

“This is a tragic day for the college, our students, our employees, and our alumni, and an outcome so many have worked tirelessly to prevent,” Rev. Keith Thompson, chairman of the BSC Board of Trustees said in an announcement to alumni. “We understand the devastating impact this has on each of you, and we will now direct our efforts toward ensuring the smoothest possible transition for everyone involved.”

There are approximately 700 students enrolled at BSC this semester.

“Word of the decision to close Birmingham Southern College is disappointing and heartbreaking to all of us who recognize it as a stalwart of our community,” Birmingham Mayor Randall Woodfin said in a statement. “I’ve stood alongside members of our City Council to protect this institution and its proud legacy of shaping leaders. It’s frustrating that those values were not shared by lawmakers in Montgomery.”

Birmingham City Council President Darrell O’Quinn said news of the closing was “devastating” on multiple levels.

“This is devastating for the students, faculty members, families and everyone affiliated with this historic institution of higher learning,” he said. “It’s also profoundly distressing for the surrounding community, who will now be living in close proximity to an empty college campus. As we’ve seen with other institutions that have shuttered their doors, we will be entering a difficult chapter following this unfortunate development …   We’re approaching this with resilience and a sense of hope that something positive can eventually come from this troubling chapter.”

The school first started as the merger of Southern University and Birmingham College in 1918.

The announcement comes over a year after BSC officials admitted the institution was $38 million in debt. Looking to the Alabama Legislature for help, BSC did not receive any assistance.

This past legislative session, Sen. Jabo Waggoner sponsored a bill to extend a loan to BSC. However, the bill subsequently died on the floor.

Notable BSC alumni include former New York Times editor-in-chief Howell Raines, former U.S. Sen. Howell Heflin and former Alabama Supreme Court Chief Justice Perry O. Hooper Sr.

This story will be updated.

The post Mayor, City Council President React to May 31 Closing of Birmingham-Southern College first appeared on BlackPressUSA.

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