Entertainment

AFRO Exclusive: Disney on Ice Enchants with Black Skater as Line Captain

THE AFRO — For three years, professional ice skater Chelsea Ridley has been dazzling audiences with performances.

Published

8 years ago

February 24, 2019

Oakland Post

By Micha Green

For three years, professional ice skater Chelsea Ridley has been dazzling audiences with performances through Feld Entertainment, and this year she is not only shining on ice as a member of the ensemble, but keeping her fellow cast mates in formation as ladies line captain for Disney On Ice “Worlds of Enchantment.”

“I’m an ensemble kid, which means you can see me anywhere. You just got to keep your eyes open, because you never know when you can see me. But I’m also the ladies line captain, so I’m the person that’s in charge of making sure the numbers get taught, and they’re nice and clean, spick and span and beautiful for every night’s performance,” Ridley told the AFRO.

The 25-year-old skater did not simply stumble into the sport and is now getting to tour with the renowned show. Ridley has been putting in work on the ice since she was 4 years old, however the sport was not always her first love or career choice.

“I would not say it was love at first sight, because I did not love it,” she said. Yet, Ridley’s Caribbean parents forced her to keep up with skating and decades years later she’s a pro.

“I think that’s a good message for the kids out there, that sometimes you just have to be resilient, because you never know what could happen. Just don’t give up too fast. By the end of the session, I really found my love for it, and here we are 21 years later and I’m still loving it everyday,” Ridley told the AFRO.

Now Ridley loves skating, finding a liberating property on the ice.

“I love that you can express yourself in anyway that you want,” she said. “I think that skating is the closest you can get to flying without actually leaving the ground. You can go and just feel so free.”

Having skated competitively for years, Ridley said she particularly finds joy in being able to perform for audiences regularly.

“I’ve always just really loved performing and I think that’s what’s gravitated me towards being part of Disney and going where I can go with that performance aspect,” Ridley said. “I just love being able to perform and put smiles on people’s faces, everyday.”

With this being her third year with Feld Entertainment, the producers of Disney On Ice, Ridley is somewhat of a vet when it comes to these shows, having even starred as Princess Tiana from the “Princess and the Frog,” with another Disney on Ice production. However she said that audiences who see this “Worlds of Enchantment” are in store for a treat.

Unfortunately for D.C. readers, the show was only in the District for a short time (Feb. 14- Feb. 18) at the Capital One Arena, however, this reporter can confirm after seeing the show on Valentine’s Day, it’s a colorful and entrancing trip for all ages if able to catch “Worlds of Enchantment” in another city.

“It’s a really fun show. I’ll just say that sometimes the shows can be a little more princess-based, but this show is really different because we have a lot of different stories that are told, which is really fun for audiences of all ages, boys, girls, kids of all ages. It’s so fun,” Ridley said.

“Worlds of Enchantment” is particularly special because it features four different Disney films told on ice.

“We have ‘Toy Story,’ we have ‘The Little Mermaid,’ we have Disney Pixar’s ‘Cars and we even have ‘Frozen,’” she said. “Fun fact: We are the only Disney show that has Disney Pixar’s ‘Cars,’ so you got to make sure you see those cars, because they are great on ice.”

Beyond the joy she brings to Disney audiences, Ridley also inspires the next generation of skaters. As one of the few people of color in Disney On Ice, and as a Black skater in a sport that is still developing in terms of diversity, Ridley takes her job as a coach seriously.

“I teach a lot of African American skaters at home, and I always try to let them know and teach them that, ‘You need to be yourself, and just really do you and don’t let anyone ever tell you no, because you know yourself the best and what you’re capable of, and you need to go out and do what you want to do because it makes you happy.’ And I think that’s the biggest thing that I’ve learned throughout my career,” Ridley told the AFRO.

The 25-year-old also has one last piece of advice for those that want to follow in her footsteps: “Push the envelope always.”

This article originally appeared in The Afro.

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Oakland Post: Week of September 30 – October 6, 2026

The printed Weekly Edition of the Oakland Post: Week of September 30 – October 6, 2026

Published

3 days ago

October 4, 2026

Oakland Post

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From Historic Memories to New Possibilities: Oakland Celebrates Coliseum 60

More than 75 people gathered at Youth UpRising in East Oakland on Friday, September 18, for Coliseum 60, an event marking six decades of sports, entertainment, employment, and community memories at the Oakland-Alameda County Coliseum Complex. Held 60 years to the day after the Coliseum first opened, the celebration featured cultural performances and a mini-documentary highlighting its history. Speakers reflected on the venue’s significant role in the community and its future possibilities. Read more to learn about the individuals and stories honored during this special event.

Published

1 week ago

September 27, 2026

Post News Group

Quixote Atkins of VillageGIVE moderates a panel discussion at the Coliseum 60 celebration at Youth UpRising featuring Keith Brown, a member of IATSE Local 107; author, historian and former Black Panther Party member Tareka Lewis; and African American Sports and Entertainment Group President Ray Bobbitt.

By Carla Thomas

More than 75 people gathered at Youth UpRising in East Oakland on Friday, Sept. 18, for Coliseum 60, a celebration honoring six decades of sports, entertainment, employment and community memories connected to the Oakland-Alameda County Coliseum Complex.

Held 60 years to the day after the Coliseum opened, the event carried the theme, “One Community. One Legacy. One Future. Forward Together.”

The celebration opened with the national anthem performed by sisters Anese Jade, Amina Benjamin and Zaza Benjamin. Diamano Coura West African Dance Company contributed African dance and drumming, bringing movement, rhythm and cultural expression to the program.

A mini documentary highlighted the Coliseum’s sports history and its broader role as an entertainment destination. Archival material recalled performances by Prince and Tina Turner, along with memorable games featuring the Warriors, Oakland A’s and Raiders.

“The Coliseum 60 is about much more than celebrating a building or looking back at 60 years of history,” said event organizer Quixote Atkins of VillageGIVE.

“It’s about the people who made that history possible: the families, workers, athletes, artists, community leaders, fans and generations who gathered there and created memories together.”

A panel exploring that history featured author, historian and former Black Panther Party member Tareka Lewis; stagehand and union representative Keith Brown; and Ray Bobbitt, president of the African American Sports and Entertainment Group AASEG. Lewis described her family as fourth-generation Bay Area pioneers.

“My family and Black families who arrived even earlier helped build the Bay Area, grew businesses and established culture here,” Lewis said. “This should be taught in the public schools.”

Lewis recalled Oakland’s influence on sports, music and literature, from the Raiders’ beginnings at Laney College to stars such as The Pointer Sisters and Rickey Henderson who attended Oakland public schools. She also advocated for school museums, historical timelines, entrepreneurship training and investments benefiting corridors such as Bancroft Avenue and High Street.

Keith Brown, a member of Local 107 of the International Alliance of Theater and Stage Employees (IATSE) who began working at the Coliseum in 2011, remembered the Ringling Bros. and Barnum & Bailey Circus, the Ice Capades, baseball bat giveaways and Nelson Mandela’s 1990 appearance.

“The special events are amazing, but it’s the workers that make the memories real for everyone,” Brown said. “They make the magic happen at the Coliseum.”

The program recognized longtime workers, including beer-stand manager Robert Preston, who served for 40 years, and Kenyatta Gentry, who worked as a vendor for 24 years and used her earnings to purchase her first apartment. Union workers Jose Gonzales and Carmen Sandoval were also honored. Speakers emphasized that Coliseum employment provided generations of residents with union wages and benefits.

Dr. Denise Saddler, the superintendent of the Oakland Unified School District (OUSD) was also honored. Saddler shared her family’s history of working at the Coliseum.

District 7 Oakland City Councilmember Ken Houston discussed the complex ownership arrangements involving the city, county and private interests.

“This was the most complex deal of its kind in the country,” Houston said.

Prior to moving from the East Coast, Alameda County Supervisor and Coliseum Joint Powers Authority Chair Nate Miley recalled learning about Oakland through its three professional sports teams. As an elected official and public servant, Miley fought hard to keep the Golden State Warriors, Oakland As, and the Raiders, but he is hopeful for the future.

“The story is not over for the Coliseum,” Miley said. “We’re entering a new chapter.”

Bobbitt said the departure of three teams had once seemed unimaginable, but he maintained that Oakland’s future remains bright.

“Oakland is a cultural superpower worldwide,” Bobbitt said. “We’re going to write the future where we participate and drive the redevelopment.”

Bobbitt highlighted AASEG’s four-year partnership with Castlemont High School’s architecture program, which engages students in reimagining and creating redevelopment concepts for the Coliseum property. “The youth will always move us forward. They are the future.”

In closing, Atkins said, “September 18 is the celebration, but what we build together afterward is the legacy.”