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African American Museum of History and Culture Opens in Washington, D.C.

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Opening last weekend on the National Mall in Wash., D.C., the African American Museum of History and Culture depicts the experience of Black people in the United States from the era of the Atlantic Slave Trade to Barack Obama’s historic presidency. 

 

The three-day opening celebration included concerts on the National Mall, ranging from Spirituals to Classical, R&B to Gospel, Hip-Hop to Jazz including Oakland’s Latin Jazz band led by Bobi Cespedes, featuring John Santos.

 

Thousands of people attended: family groups, couples, toddlers in strollers, white-haired elders in wheelchairs and babes in arms.

 

Advised to begin their museum experience on the bottom floor where relics from a slave ship were displayed, they waited patiently in long lines.

 

The curators did more than identify the objects –ballast from the slave ship São José Paquete Africa, found off the coast of South Africa in 2010. They mounted quotes about the experience of the captives on the ships.

 

“Their singing was always in tears, so much that one captain threatened the women with a flogging because their mournfulness of her song was painful for his feelings.” William Corbett, 1806.

 

The exhibits make clear that chattel slavery, the buying and selling of human beings as if they were domestic animals or furnishings, was unprecedented in human history.

 

Accompanied by voice overs and testimony and observances of the time, the brutality of the kidnapping and capture of Africans is uncontested as is the benefit to the slavers:

 

“Are we not indebted to these valuable people – the Africans – for our sugars, tobaccos, rice and rum? Malachy Postelthwayt, 1745.

 

Standing under the quote on the wall, “We’ve got to tell the unvarnished truth” by historian John Hope Franklin, Courtney Hester-Green of Washington D.C. explained that she has been a student of Black history since she was six, when her uncle gave her a Golden Legacy Series Comic Book.

 

Now 32, her great pleasure was “Being able to see the stories told how they should be told.”

 

“I thought I would hold it together,” Hester-Green said. “But I’m misty now. I hope the story is made real to people who haven’t studied it all their lives.”

 

Gallery after gallery, photos and artifacts show the African American experience on its own terms. It felt like nothing was left out.

 

Second to the slave-ship exhibit, the display of Emmett Till’s casket was perhaps the most moving.

 

Till was 14 in 1955 when he was brutally lynched in Money, Miss., for allegedly whistling at a white woman. The killing brought international attention to the racism of the South when his mother insisted on an open casket.

 

Exhumed in 2005 for DNA testing on his body, the Till family had initially wanted to put his casket in a museum of their own but instead donated it to the museum.

 

There are life-size statues everywhere on all floors including freedom fighters of many generations and leaders in all arenas of life from art and entertainment to food, activism, entrepreneurship and sports, including one of John Carlos and Tommie Smith with fists raised and bowed heads at the 1968 Olympics.

 

Eight-year-old T.C. Washington of Atlanta, Ga., stared up at them, put his hand over his heart and grudgingly agreed to let his father take a photo, where he struck a pose just like them.

 

Not knowing what it meant, his father, Terance Washington, told him it was like what Colin Kaepernick is doing. The boy nodded and skipped on to the next gallery, where paraphernalia from the National Council of Negro Women was on display and a recorded speech by Mary McLeod Bethune was heard in the background.

“What’s a Negro?” the little boy asked.

 

“It’s good to know how far we have come,” said Shay Moor of Baltimore, MD.

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Arts and Culture

Isaiah Saucer’s Achievements Prove Something Good Can Come out of Richmond

Throughout his life he has been good in sports, particularly baseball and basketball. At age 6, he started playing baseball in the San Pablo Baseball League and at the age of 9 went on to the El Cerrito Baseball League and was on the All-Star Team from ‘Mustang’ to ‘Pony’ level.

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Isaiah Saucer, in cap and gown, is flanked by his father Marvin Saucer, left, and his mother, Altrinice Grant Saucer, right. Photo by Joe L. Fisher.
Isaiah Saucer, in cap and gown, is flanked by his father Marvin Saucer, left, and his mother, Altrinice Grant Saucer, right. Photo by Joe L. Fisher.

From birth, it appeared that Richmond native Isaiah Daniel Saucer was on a journey destined for excellence and achievement.

He showed musical talent playing drums at age 2 and demonstrated athletic prowess and academic excellence once he started school, culminating in receiving a bachelor’s degree in Business Administration Marketing on May 20, 2022. In his entire academic life, he never made less than an ‘A’ in any of his subjects or classes.

He also is the manager at the Pinole Valley Bowling Alley and a watchmen/longshoreman at the Oakland Port at only 21 years of age.

Saucer attended St. John the Baptist in El Cerrito from kindergarten to eighth grade, graduating with honors and receiving a scholarship from the California High School Achievement Society in order to attend St. Mary’s College High School in Berkeley. There, he made the dean’s list and graduated with honors, earning a scholarship to the University of San Francisco.

During every semester at USF, Saucer made the dean’s list, graduating on May 20, 2022.

“His study ethics was way beyond comprehension” said Mr. Walton, his eighth-grade teacher at St. John the Baptist.

Throughout his life he has been good in sports, particularly baseball and basketball. At age 6, he started playing baseball in the San Pablo Baseball League and at the age of 9 went on to the El Cerrito Baseball League and was on the All-Star Team from ‘Mustang’ to ‘Pony’ level.

Saucer also played on advanced travel ball teams and won many championships with many of those teams. He played many positions: pitcher, catcher and performed well at first and third base.

At St. John the Baptist in El Cerrito, he was part of a basketball team that won championships each year. On St. Mary’s JV baseball team and he was the manager for both the varsity basketball and football teams for handling all of the team’s players’ scoring and stats.

His musical talents emerged again at St. Mary’s where, in the advanced concert band, he played several wind instruments, including the clarinet and saxophone.

Saucer also does helpful things for others, like tutoring his peers at the high school in various subjects after school and weekends. He also looked after his cousin Asia, who is blind in one eye and has epilepsy and cerebral palsy.

As a hobby, Saucer has recorded music, which he has shared on various media outlets and with some of his friends. His family thanks the many people in the community who supported him as he proved that something good can come out of Richmond CA.

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Art

Jean-Michel Basquiat, A Troubled Soul

Basquiat often said that he “felt friendless and misunderstood.” After his parents separated, Gerard moved with his children to Brooklyn’s Boerum Hill neighborhood. When he was 7, Basquiat’s mother was diagnosed as mentally ill and was eventually institutionalized. This part of his life troubled him greatly.

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Untitled, 1981 by Jean-Michel Basquiat. Wikipedia photo.
Untitled, 1981 by Jean-Michel Basquiat. Wikipedia photo.

By Tamara Shiloh

It was the early summer of 1980. More than 100 artists converged on an abandoned four-story building at Seventh Avenue and 41st Street in New York City that had once served as a massage parlor. Among those in the group was Jean-Michel Basquiat (1960–1988). His work on exhibit was believed to have been his first painting on canvas.

Although the exhibition, dubbed “The Times Square Show,” drew critical attention, it boosted 18-year-old Basquiat’s career as a painter. His contribution, a mural painted on a patch of wall, was described by Art in America as “a knockout combination of de Kooning and subway paint scribbles.”

The path to that shuttered massage parlor and his rise to success during the 1980s as part of the Neo-expressionism movement were not without difficulty.

Basquiat was born into a middle-class family in Brooklyn. His father, Gerard, a Haitian immigrant, was an accountant. His mother, Mathilde, was a homemaker. Despite her frequent hospital stays for depression, Mathilde spent countless hours in the Museum of Modern Art and the Brooklyn Museum with Jean-Michel, encouraging his interest in painting.

Gerard, physically abusive, wasn’t involved in his son’s career. Biographies and films have chronicled the strained relationship between the two, according to DNA Info.

Basquiat often said that he “felt friendless and misunderstood.” After his parents separated, Gerard moved with his children to Brooklyn’s Boerum Hill neighborhood. When he was 7, Basquiat’s mother was diagnosed as mentally ill and was eventually institutionalized. This part of his life troubled him greatly.

By age 17, Basquiat dropped out of high school. Gerard then threw him out of the house. He stayed with friends, slept in Washington Square Park, and lived-in run-down hotels.

It was then that he partnered with other graffiti artists and created the persona, SAMO, meaning “same old sh––.” For money, he panhandled and sold sweatshirts and postcards marked with his drawings. He got by on “cheap red wine and 15¢ bags of Cheetos.”

With no formal training, Basquiat created work that mixed graffiti and signs with the gestural and intuitive approach of Abstract Expressionist painting.

He expressed his personal angst in highly stylized self-portraits. In the early ’80s, race entered his work for the first time as a reflection of a “growing consciousness of his own position within the New York art world.”

His painting, “The Death of Michael Stewart” commemorates the killing of the young Black artist by New York City Transit Police. “Black people are never really portrayed realistically…. I mean, not even portrayed in modern art enough,” Basquiat had said.

Basquiat died of a drug overdose in 1988. Toward the end of his life, his works were selling around $25,000 to the Whitney Museum and the Museum of Modern Art.

Earlier though, both museums had rejected his work.

Be inspired by Basquiat’s paintings, read “Life Doesn’t Frighten Me” by Maya Angelou, Jean-Michel Basquiat and Sarah Jane Boyers.

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Arts and Culture

Deputy Library Director Bestowed National Honor

A respected national publication called Library Journal took notice and awarded Deputy MCFL Director Raemona Little Taylor in its 2022 Movers & Shakers class of community builders for her outstanding leadership and impact to the library industry as a change agent. Only 41 people were in the 2022 class, and just over 1,000 librarians nationwide have earned such status since the awards were first given in 2002.

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Deputy MCFL Director Raemona Little Taylor did not let the pandemic get in the way of her equity work to benefit library patrons. (Photo: Library Journal)
Deputy MCFL Director Raemona Little Taylor did not let the pandemic get in the way of her equity work to benefit library patrons. (Photo: Library Journal)

Raemona Little Taylor earns accolade as advocate and literacy partner

Courtesy of Marin County

Advancing equity, from talk to action, is a trademark for Raemona Little Taylor, Deputy Director of the Marin County Free Library (MCFL). And there’s no way the COVID-19 pandemic was going to get in her way.

A respected national publication called Library Journal took notice and awarded Little Taylor in its 2022 Movers & Shakers class of community builders for her outstanding leadership and impact to the library industry as a change agent. Only 41 people were in the 2022 class, and just over 1,000 librarians nationwide have earned such status since the awards were first given in 2002.

Library Journal has provided features and news reporting about American libraries since 1876 and is the top trade publication in that industry. Movers & Shakers profiles up-and-coming, innovative, creative individuals from around the world — both great leaders and behind-the-scenes contributors — who are providing inspiration and model programs for others, including programs developed this year in response to the COVID-19 pandemic. Little Taylor is just the second MCFL employee to receive the national recognition; Diana Lopez, manager of the Marin City MCFL branch, was selected in 2016.

The publication noted that Little Taylor “worked tirelessly” to develop successful initiatives that are considered widely inclusive, stepping up to serve people in need and in marginalized populations. Her signature projects have included offering services to incarcerated youth, developing school partnerships, providing direct tutoring services, and overseeing the day-to-day operations of the Learning Bus, a “green” vehicle that brings literary and education outreach services to children and their families living in rural areas of West Marin. She also piloted a Reading Buddies program and implemented blueprints for safety around children working with adult volunteers.

Undeterred by the pandemic, Little Taylor moved the Reading Buddies program online, teamed with partners to create 500 new wireless hotspots for school-age children who were rushed into online learning for the first time, and led efforts to create a licensed day care center for children of health care and essential workers at an MCFL branch.

“The entire Marin County Free Library team stands with Raemona in our commitment to racial equity in Marin County,” said MCFL Director Lana Adlawan. “Raemona works tirelessly to ensure that community and staff voices are heard and that library programs are inclusive for all. She isn’t afraid to dream big and work hard to make new things happen. I am excited to see what she dreams up next!”

Little Taylor’s passion lies in offering services around literacy and education that are appropriate to the realities of disproportionately affected communities. The first step is acknowledging what she described as a long history of libraries as segregated spaces.

“Until libraries and librarians grapple with their history as gatekeepers for white-dominant culture, they will struggle to create welcoming and inclusive workplaces where diverse workers feel like they truly belong,” Little Taylor told the Library Journal. “It can be a real challenge to work within institutions as the one and only Black, Indigenous and people of color [BIPOC] staff member. We need to move beyond being tolerated to being celebrated.”

Little Taylor, an MCFL employee since 2017, is the public services administrator of the 10 MCFL branches and two mobile vehicles serving patrons in the field. Previously she was a teen and adult services librarian at the Fairfax branch and then senior librarian and education initiatives coordinator for four branches in West Marin. After earning her master’s degree from the University of Tennessee at Knoxville, she began her professional career as a public records researcher and in several roles with the Nashville Public Library prior to joining MCFL.

Nominations for annual awards were vetted by the editors of Library Journal, giving weight to factors such as innovation, the impact of the person’s work, and the potential for programs to serve as models and inspiration for others in the field.

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