National

A Push to Address Black-on-Black Violence

Published

11 years ago

June 2, 2015

Oakland Post

Yusef Shakur (center) counseling a young man [Courtesy Photo]

Yusef Shakur (center) counseling a young man. (Nick Kozak)

By Jazelle Hunt
NNPA Washington Correspondent

WASHINGTON (NNPA) – As cities across the country have mobilized massive street protests over police violence and misconduct, a familiar question has been raised by their opponents: Why does violence within the Black community garner less concern than police violence?

According to crowd-sourced database, Mapping Police Violence, 304 Black people died at the hands of police last year, 101 of them unarmed. But Black offenders were responsible for 90 percent of the nearly 2,500 Black homicide victims in 2013, according to data compiled by the FBI. Between 2002 and 2011, the homicide rate was 6.3 times higher for Blacks than Whites.

Detroit-based community organizer, Yusef Shakur is on a personal mission to end the community violence he once perpetrated. By the age of 19, he had co-founded a gang and was given up to 15 years in prison, where he met his father for the first time. Through positive guidance from his father and a personal decision to do better, Shakur left prison determined to repay his debt directly to his community.

“Urban environments are like a dried-up lake; so people turn on each other out of survival. They don’t know what they’re doing is out of hatred and anger, they take it out on the person that’s next to them, because they don’t know how to take it out on the people downtown in the City Council building,” he says. “They don’t know how to articulate themselves…how to organize a boycott, so you take it out on other folks. Throw in drugs, lack of education, guns all those things are a recipe for genocide.”

Shakur’s organization, Restoring the Neighbor Back to the Hood, seeks to rebuild a sense of community in the “Zone 8” section of Detroit through back-to-school bag giveaways, block parties, survival kits for indigent residents and families, and one-on-one mentorship. Fourteen years after his release, he is an award-winning organizer and remains embedded in his neighborhood as a positive influence, particularly on those who commit the crimes that have made Detroit infamous.

To him, the victims of these crimes are just as important as those slain at the hands of racist authority figures.

“When any [deaths] happen, there’s outrage. We know tons of people who get killed but the media doesn’t talk about it,” Shakur says. “There are folks who do candlelight vigils, folks crying on the floor and things, but there’s no media coverage. But if it’s a high-profile situation, that brings Jesse Jackson and Al Sharpton, then we see the outrage.”

Many of the stories that have become major headlines and have fueled national protests began as local efforts. Trayvon Martin’s murder, for example, only became a major media story after relentless social media campaigning and Sanford, Florida’s “Justice for Trayvon” protests spread across the country – and it still took 44 days of action to secure George Zimmerman’s arrest.

It was Zimmerman’s subsequent acquittal that sparked the Black Lives Matter organization.

“The local is the national. There’s no way that there would be a national conversation about state violence if local residents in Ferguson and St. Louis didn’t take to the streets,” said Patrisse Cullors, a co-founder of the nationwide Black Lives Matter activist network, which began in 2012. “The other piece is, there’s lots of Black people, for the last 40 years, who have been figuring [out] how do we deal with harm inside of our communities.”

While the death toll of “Black-on-Black crime” is distressing, it is worth noting that most crime happens within communities and races. White offenders were responsible for 83 percent of White victims in 2013, and Latino offenders were responsible for 74 percent of Latino victims.

Cullors said that the tug-of-war between community violence and state violence is among the most common criticisms Black Lives Matter receives.

“The focal point is state violence, but that is not the end-all be-all. When myself, Alicia Garza, [and] Opal Tometi created Black Lives Matter, it was never just to talk about law enforcement or vigilantes. It was actually about a broader conversation about anti-Black racism and the impact in our communities,” she explained. “It’s about broadening what state violence means. If someone is homeless…if people in the community aren’t able to have jobs, that’s state violence.”

Shakur lives and works in the crosshairs between state and community violence. Sometimes, he uses the respect he’s earned in his neighborhood by inserting himself to break up fights and conflicts. But he’s also seen a police officer roll up to a group of young boys and hop out of the car to say, “I can’t wait to put you in prison.”

He believes that community violence and police/state violence are different issues that share a link as effects of White supremacy.

“Folks are not using a historical context. When Trayvon Martin gets killed or Michael Brown, et cetera, it reminds you of Emmett Till. It reminds you of your grandfather getting lynched. It reminds you of the reality of being Black in America,” he said. “But the work has to be twofold. It has to be 30 percent police, 70 percent on us. We have to do the work internally to restore interpersonal relationships. If we clean up what we have to clean up, it makes it easier for us to organize against the police, because the police are going to do what they’re going to do.”

Each of the Black Lives Matter co-founders is also a grassroots community organizer.

Cullors is a founding board member of Dignity and Power Now, a Los Angeles-based grassroots group working to empower incarcerated people, their families, and their communities. Alicia Garza has been involved in several grassroots groups across the Bay Area, including People Organized to Win Employment Rights, and the National Domestic Workers Alliance, where she has held leadership roles. Opal Tometi is executive director of the Black Alliance for Just Immigration, a New York-based Black advocacy group.

Cullors believes that community violence is largely a reflection of state violence, both literal and in the form of oppression. For this reason, the two issues, though separate, are not at odds.

“Much of the harm happening in our communities has a lot to do with the trauma of living in a racist, capitalist country. The trauma of not having a job, the trauma of not being able to feed your own children. The trauma of being abandoned at a young age because your family are drug users, the trauma of being in the foster system,” Cullors said.

She added, “Let’s actually deal with the root causes of that trauma. The fight around intra-community violence is a fight about not only the state…but our conversation – it looks like an internal conversation – is about what do we do to take care of ourselves. Where are the spaces that we fight for our communities to have what they need so we don’t harm each other? ‘Black Lives Matter’ means a new way of fighting for freedom.”

Oakland Post

Posts by Oakland Post

Up Next

VIDEO: Dennis Rodman Wants to Date Caitlyn Jenner

Don't Miss

A Push to Address Black-on-Black Violence

Oakland Post

Click to comment

Pingback: It’s Time to Address Black on Black Crime … Again
Pingback: It’s Time to Address Black on Black Crime … Again | 107.9 Jamz

Activism

Oakland Post: Week of May 6 – 12, 2026

The printed Weekly Edition of the Oakland Post: Week of may 6 – 12, 2026

Published

4 days ago

May 10, 2026

Oakland Post

To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

Oakland Post

Posts by Oakland Post

#NNPA BlackPress

2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Published

2 weeks ago

May 3, 2026

Oakland Post

The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.

AutoNetwork helps serious car shoppers inspect any new vehicle online before walking into a dealership. I’m Roosevelt — I’ve been reviewing cars and shaping digital car buying and credit union auto leasing since before YouTube car reviews existed.
You’ll find detailed walkaround reviews, POV test drives, and buyer-focused breakdowns covering comfort, space, features, and real-world value.
How to use the channel:

Watch the walkaround of the car you’re considering
Visit AutoNetwork.com for the full review
Check CouponsOffersAndDeals.com for current dealer specials
Walk in already knowing what you want — and what it should cost

Live talk show “AutoNetwork Reports” — Thursdays 3:00 PM ET.
AutoNetwork.com
CouponsOffersAndDeals.com
Affiliate disclosure: some links earn a small commission at no cost to you and help support the channel. Insta360 is one of those partners.

Oakland Post

Posts by Oakland Post

#NNPA BlackPress

Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

Published

2 weeks ago

May 3, 2026

admin

Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.