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NNPA Employs Mark Thompson as Global Digital Transformation Director

NNPA NEWSWIRE — “In this pivotal time as it pertains to the Black Press of America, we need new blood and new vision that would take us to higher heights which include making a huge footprint in the digital transformation of Black-owned media,” NNPA National Chairman and Westside Gazette Publisher Bobby Henry added. “Mark has a proven track record in his endeavors of achieving success in bringing Black-owned media to the forefront. We are positioned at the right time where a fresh undertaking would complement the 197 years of the rich history of the Black Press. Digital transformation is on the horizon for all media, and this is especially of benefit to Black-owned media. The Black Press is here to stay and to be complemented by our digital platforms will only enhance our presence.”
The post NNPA Employs Mark Thompson as Global Digital Transformation Director first appeared on BlackPressUSA.

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2 years ago

January 7, 2024

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By Stacy M. Brown, NNPA Newswire Senior National Correspondent
@StacyBrownMedia

The Rev. Mark Thompson’s illustrious and groundbreaking journalism career, which found its roots in the Black Press of America nearly 40 years ago, has come full circle as he assumes a pivotal leadership role with the National Newspaper Publishers Association (NNPA).

From his early days as a journalist with the historic AFRO newspaper in Washington, D.C., under the mentorship of the legendary Frances L. Murphy II, to trailblazing moments as the first talk show host on XM Satellite Radio, Thompson has consistently championed the cause of African American-owned media. Now, in his role as the new NNPA Global Digital Transformation Director, he is poised to drive a new era of innovation, guiding member publishers through the intricate landscape of digital transformation and content distribution.

“After serious contemplation and after a review of the capabilities of more than 75 others who inquired about the job, not only did Mark’s resume and experience rise to the top in the digital space, but in his longevity of advocating the power and impact of the Black Press of America, this was not a difficult decision,” stated NNPA President and CEO Dr. Benjamin F. Chavis Jr.

“In fact,” Dr. Chavis continued, “it was providential. We look forward to working as a team, and I’m very honored to invite Mark to join the NNPA’s national staff as a full-time Global Digital Transformation Director. In addition to Mark’s experience in America, he also has an international perspective, particularly in the African diaspora, where the content produced and distributed by the Black Press of America will also, with his assistance, have extended reach and impact for communities of color throughout the world as the NNPA continues to be the most respected, vital, and trusted voice of Black America.”

Currently a political, human rights, and breaking news podcast host, Thompson’s work in digital social media won his “Make It Plain” recognition among Best Civil Rights Podcasts, Best Human Rights Podcasts, Best Podcasts About Social Justice, and Best Broadcast Television Podcasts in 2021.

A 40-year veteran on the frontlines of the ongoing struggle of African Americans and others, the 104th Annual NAACP Convention in Orlando in 2013 awarded Thompson “For 25 years of crusading journalism and outstanding leadership in furthering the work of civil and human rights.” He not only has been a part of every significant social justice movement and event over the past 40 years, but he has also been a radio broadcaster and journalist for over three decades and has spent over ten years as a national network television commentator.

“In this pivotal time as it pertains to the Black Press of America, we need new blood and new vision that would take us to higher heights which include making a huge footprint in the digital transformation of Black-owned media,” NNPA National Chairman and Westside Gazette Publisher Bobby Henry added. “Mark has a proven track record in his endeavors of achieving success in bringing Black-owned media to the forefront. We are positioned at the right time where a fresh undertaking would complement the 197 years of the rich history of the Black Press. Digital transformation is on the horizon for all media, and this is especially of benefit to Black-owned media. The Black Press is here to stay and to be complemented by our digital platforms will only enhance our presence.”

Among Thompson’s many academic and professional achievements, he graduated from the University of the District of Columbia with a bachelor’s degree in mass media journalism long before the advent of the internet and social media, a testament to his foresight in the ever-evolving journalism world. He said his mandate with NNPA extends beyond technical aspects, encompassing a strategic approach to content distribution that emphasizes revenue generation.

“As media evolves, we’ve all had to adjust. I learned the importance of digital and social media at least ten years ago and jumped right in when others were resistant,” Thompson asserted. “When ‘Make It Plain’ was on Sirius XM, I pioneered a lot of digital and social media. Some people didn’t like it; only some were ready to embrace going into social media. However, we’ve all found something critically important: reaching a larger audience because more information is consumed via social media, and it’s an ever-growing and ever-standing market to reach our audience. We must keep ourselves on the pulse of that and make our publications more and more accessible digitally and on social media. That is important to the future and survival of the African American print media.”

Thompson noted that he and Chavis began the “Meet the Black Press” segment on his “Make It Plain” show some years ago and said the importance of that component was again amplified at the time of his NNPA hire.

“Without realizing it, this moment for the NNPA is timelier than we may have thought,” Thompson insisted. “On the very weekend that ‘Meet the Press’ has given a platform to someone (GOP Rep. Elise Stefanik of New York) who questioned the legitimacy of the past election and called insurrectionists hostages, shows how relative and timely it is to meet the Black Press not just as a segment, but to meet the Black Press as a way of life going forward.”

Hiring Thompson in this role underscores the NNPA’s commitment to fortifying the 250 African American-owned newspapers and media companies within its membership, Chavis exclaimed.

Chavis and Thompson proclaimed that the NNPA Digital Network is now positioned as the most prominent African American-owned digital network in America, with an ultimate goal of global dominance in becoming the most influential, engaging, and impactful digital news and content distribution network globally.

“Everyone knows about the downsizing and contraction of print newspapers,” Thompson said. “What the NNPA represents is what really boils down to is more than 200 bureaus, independent to some extent, but each local Black-owned newspaper has an important role in letting the world know what’s happening in local communities. The more we work together and promote that, the more it sets NNPA apart because there are so few major print media have organizations of that size and depth anymore.”

Already, in a testament to the NNPA’s commitment to innovation, strategic collaborations have been forged with key players such as the Google News Initiative (GNI), the US Black Chambers of Commerce, the National Association of Black-Owned Broadcasters, the NAACP, and the National Urban League. Chavis said those partnerships are designed to aggregate and disseminate digital content, solidifying the NNPA’s position as a frontrunner in the digital realm.

“With NNPA, journalism is still taking place, not sensationalism,” Thompson continued. “We’re seeing much of the mainstream [seeking] click-bait material. As the Black Press, we must continue to be the moral conscious and moral authority of objective journalism. That’s most important as we set the example to educate the next generation of journalists because we want Black students inspired.”

Chavis cautioned that, since 1827, when Freedom’s Journal was first published, there have been naysayers and turncoats that have tried unsuccessfully to silence the Black Press.

“I see clearly that 2024 will be another year of growth and expansion for the NNPA and the Black Press of America,” he said. “The acquisition of Mark Thompson as the Global Digital Transformation Director will greatly enhance not only what we do in 2024 in the digital and print space, but also as we approach the 200th anniversary of the Black Press of America in 2027, we are all grateful that Mark Thompson has agreed to join the NNPA for this vital and transformational objective.”

The post NNPA Employs Mark Thompson as Global Digital Transformation Director first appeared on BlackPressUSA.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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2 weeks ago

May 3, 2026

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.

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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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2 weeks ago

May 3, 2026

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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2 weeks ago

May 3, 2026

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

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