AARP Pennsylvania’s first 2024 election survey shows that candidates should pay close attention to Pennsylvanian voters ages 50 and older and highlights the priorities and concerns of Black voters ages 50 and older that will likely influence the outcome of the 2024 elections. Seventy-nine percent of Black voters in Pennsylvania are extremely motivated to vote this year. When asked about the issues that are important as they decide whom to vote for this November, older Black voters cited Social Security (92% say extremely or very important), Medicare (89%), policies to help seniors live independently at home as they age (87%), the cost of prescription drugs (86%) as key issues. Social Security and Medicare emerged as their top priority issue in their vote for Senate this year, with nearly twice as many Black voters 50+ choosing Social Security and Medicare as any of the other dozen issues tested.

“With inflation and the rising costs of living squeezing all Pennsylvania households, Black voters 50+ are looking for leaders with a plan,” said Bill Johnston-Walsh, AARP Pennsylvania State Director.  “Candidates would be wise to listen to their opinions and concerns if they want to win in November.” Among Black voters 50+, President Joe Biden (D) leads former President Donald Trump (R) by a large margin: 84% to 8%. In the race for U.S. Senate, Senator Bob Casey (D) leads Dave McCormick 87% to 7%.

Other key takeaways include:

• 96% of Black voters 50+ say they are more likely to vote for a candidate for the U.S. Senate who advocated making sure workers get the Social Security they paid for through a lifetime of hard work.
• Four of the five issues measured as cost concerns are important to many Black voters 50+: health care/prescription drugs, utilities, food, and housing; and
• 58% of Black voters 50+ are worried about their financial situation including 63% of women. Health care/prescription drugs and housing are the biggest cost concerns.
• 66% of Black voters 50+ and 73% of Black voters 65+ say Social Security is or will be a major source of their income.

AARP commissioned the bipartisan polling team of Fabrizio Ward & Impact Research to conduct a survey. The firms interviewed 1,398 likely Pennsylvania voters, which includes a statewide representative sample of 600 likely voters, with an oversample of 470 likely voters aged 50 and older and an additional oversample of 328 Black likely voters aged 50 and older, between April 24-30, 2024. The interviews were conducted via landline, cellphone, and SMS-to-web. The margin of sampling error for the 600 statewide samples is ±4.0%; for the 800 total sample of voters 50+ is ±3.5%; for the 400 total sample of Black voters 50+ is ±4.9%.

View the full survey results at aarp.org/PApolling.

For more information on how, when, and where to vote in Pennsylvania, visit aarp.org/PAVotes.

The post PRESS ROOM: New AARP Pennsylvania Poll: Black Voters 50+ Say Social Security, Inflation, and Medicare Will Influence 2024 Vote first appeared on BlackPressUSA.

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By Kimberly Marsh | The Oklahoma Eagle

According to Tulsans who knew him and the actor who plays him in the musical Tina, The Tina Turner Musical, Ike Turner may have had multiple sides to his personality. However, the Ike Turner the public has seen is a violent man.

The arc of Tina Turner’s career is well-known. Although Ike’s story is lesser known, he had a powerful influence on Tina’s life and career. They had a family together, and he witnessed Tina rise to superstardom.

Naomi Rodgers performing ‘What’s Love Got to Do with It?” as Tina Turner in the North American touring production of “TINA – THE TINA TURNER MUSICAL.” Photo by Matthew Murphy for MurphyMade.

The 1993 movie, “What’s Love Got to Do with It,” portrayed the relationship between Ike and Tina Turner as abusive before their breakup. Ike was also said to victimize Tina, as she shared in a 2018 interview with Oprah Winfrey. But Deon Releford-Lee, the actor who plays Ike in the Broadway musical, says there is more to Ike’s story than is told on screen. In preparing for the part, the Broadway actor searched for the triggers that made Ike who he was known to be.

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Ike is part of the musical until the breakup and the start of Tina’s solo career in the second act. Because of the problematic themes of domestic violence, the musical is recommended for ages 14 and older.

Naomi Rodgers performed “Proud Mary” as Tina Turner and the cast of the North American touring production of “TINA – THE TINA TURNER MUSICAL.” Photo by Matthew Murphy and Evan Zimmerman for MurphyMade.

Ike Turner 

In an interview with The Oklahoma Eagle, Releford-Lee said playing Ike Turner was a healing experience for him. While “villains” have challenging roles, Releford-Lee said it is liberating in some respects, and he embraces the challenge.

“I have a wealth of knowledge of difficult things to play. My focus is to do as much…research as possible to figure out who this human was, what happened in his path, and what maybe led him to the places to do some of the horrible things he did. Not to excuse their behavior because it’s deplorable, right? We don’t just walk around hating people, throwing them around, forcing them, and manipulating them to do things,” Releford-Lee said. He described Ike’s aggressive behavior, especially with his wife.

Channeling that aggressive hyper-masculine energy takes a toll but also frees Releford-Lee to be softer, more feminine, more free, and more in touch with his emotions off-stage. Having played many villains in the past, he said he learned to become “Okay with my ugliness because that ugliness is in all of us.”

“Ike was a Black man who wrote music and was one of the fathers of Rock ‘n’ Roll but never received the credit,” Releford-Lee said. As Tina took center stage and became the superstar she was, Ike was overlooked.

Zurin Villanueva performed as Tina Turner and Garrett Turner as Ike Turner in the North American touring production of “TINA – THE TINA TURNER MUSICAL.” Photo by Matthew Murphy and Evan Zimmerman for MurphyMade.

“Those are the things that I focus on to help ground me in the (character) because being rejected for being Black, being talented, being othered, is something that I can connect to.”

Tulsa Connections 

In an article published in June 2023 following Tina’s death, The Oklahoma Eagle Editor Gary Lee reflected on the days when the Ike and Tina Revue came to Tulsa and performed at the Big Ten Ballroom. The Ike and Tina Revue was a Big Ten headliner several times in the 1960s, and they performed together until their 1976 divorce.

Tulsa musician and radio personality Bobby Eaton Jr. knew them both and witnessed much of what was happening around them on the road. Eaton recently held a launch party for his new band, Eaton Out.  During the performance, he recounted working with Ike and Tina Turner as the youngest guy in the band. Eaton said he appreciated Ike as a band leader, a musician/composer, and a businessman who showed him the ropes in the industry. But Eaton acknowledged that the relationship was not easy.

“Tina was there, and a lot of fights and a lot of crazy stuff went on back in those days, but at the same, I couldn’t wait to get away because they had too much drama going on.”

Singer Michelle Love, a/k/a Sweet Randi Love, became an Ikette in 1993 and knew him during the last decade of his life when he revived his career as a frontman. She joined the band despite being familiar with the tumultuous relationship Tina described.

“We were more like a family unit. When it came to work, though, he was a real hard ass. I don’t want to say it like that. But you know what I mean? He was serious when it came to work. As far as that goes, he didn’t play any games because he was like, this is me on stage, and it represents me.

“After the Tina stuff, Ike was self-conscious…about every little thing that he did because he had already gotten kind of a bad rap behind the movie. So, he was a real stickler as far as that goes,” Love said, “But when it was time for everybody to go home and we were calming down, Ike was just a big old teddy bear. Honestly, he was really. I think a lot of what he went through, you know, in the past team as well, had a lot to do with his insecurities. During the Jim Crow days, he went through quite a bit. So, there’s a lot that people don’t know about him. As far as his background story goes, I’m not trying to take away from Tina’s background story because she has a story to tell, but it might explain why he was the way he was.”

Ike was released from prison in 1991 after serving 18 months for drug offenses. Cocaine was his drug of choice, and it flowed freely, in large quantities, around him. Ike’s drug addiction relapse in 2004 led to his drug overdose in 2007.

Love has returned to Tulsa and continues to sing and perform with Sweet Randi Love and The Love Thang band.

About Deon Releford-Lee 

Releford-Lee attended Fayetteville State University in North Carolina, an HBCU. At the university, he studied dance and theater. He began working professionally when he was still not old enough to play certain roles, portraying more mature characters. Although getting attention was difficult, he worked his way from ensemble to lead roles. A move to New York City followed, leading to his current role as Ike.

Deon Releford-Lee plays Ike Turner in the TPAC production TINA: The Tina Turner Musical.

Releford-Lee plays Ike full-time every night but has two understudy actors for this incredibly physical and emotional role.  A self-described Bohemian, Releford-Lee’s personality is very different from Ike’s, and he is shocked when audience members have no idea who he is when the cast goes out to greet them.

Following a night onstage, he does breathwork to unwind and get out of character, which can take about 15 minutes to exit.

“I realized that when I’m feeling anxious, it’s mostly because physically I’m not breathing at all. I’m holding my breath, so I’m just reminding myself to breathe. I’m someone who doesn’t leave the theater right away. I just kind of sit there for a bit, take off my costume, take off my wig, put my jewelry on, put my own clothes back on, and just kind of sit and listen to music, and then move on.”

Releford-Lee said people will learn a little more through Ike’s backstory, how the industry treated him, and why he was the way he was.

“And in the same breath, you’re also seeing him being manipulative and hurtful. And the audience is kind of on his side in one second, and then the very next second, betrayed by him.

“I love the moment where Tina and Ike first meet because you see them laughing, you see them enjoying each other. It’s one of the only times of fun between them. And I think that’s beautiful. I love watching Tina discover herself in the second act.”

Celebrity Attractions describes “Tina-The Tina Turner Musical” as the inspiring journey of a woman who broke barriers and became the Queen of Rock ‘n’ Roll. “Set to the pulse-pounding soundtrack of her most beloved hits, this electrifying sensation will send you soaring to the rafters.” Tina Turner won 12 Grammy Awards and her live shows were seen by millions, with more concert tickets sold than any other solo performer in music history. Featuring her songs, “Tina–The Tina Turner Musical” is written by Pulitzer Prize-winning playwright Katori Hall and directed by the internationally acclaimed Phyllida Lloyd.  

The post The TINA TURNER Musical Reveals Trials and Triumphs first appeared on BlackPressUSA.

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By Rachel Patterson | New York Amsterdam News

Columbia has a long history of nurturing not just academics, but leaders, like former President Barack Obama and former Supreme Court Justice Ruth Bader Ginsberg, who used their education and influence to make an impact on the world. It is humbling to know that I am amongst the ranks of those charged with creating the next generation of these dynamic individuals. As a faculty member, my goals each semester are to help my students graduate and secure jobs by ensuring that they have good research and writing skills, underpinned by critical thinking, so that they know when and how to apply their talents.

On April 17, as I got off the subway and prepared to walk through the college en route to watch my students give their final presentations of the semester, I was stopped by the makeshift security entrance. I was utterly confused. I’d never had to show my campus ID to walk across the lawn before as a student or faculty member. Unsettled, I proceeded toward my classroom.

As I hurried through campus, I saw the protesters with their tents and signs; one read, “Liberated Zone” in bold red letters. I slowed down and smiled, proud that these students were taking action. After the presentations, on my way back through campus, I paused to hear the student protesters who were speaking to the attentive crowd. They told the crowd why they were there: To give a voice to the people in Palestine that are victims of a brutal genocide. The speakers noted that they would stay right there until the school divested financially from the genocide. That was powerful to me. These students were putting their academic careers and futures on the line, willing to camp out everyday on this lawn, to make sure that the university administration heard them. To make sure that the institution they pay to attend, that they trust to educate them, ends up on the right side of history. I was glad that they were taking a stand, being seen, and that they had a specific demand for the university. For a moment, I wished I could join them.

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I thought about the students, the protest, and the genocide in Palestine for my entire two-hour trip home. I sat there in a daze, sad and frustrated, and prayed for the thousands of Palestinians who face uncertain futures every day. As a person of faith, I was deeply frustrated because leaders always tell people to send thoughts and prayers in light of widespread tragedy, and yet more than 30,000 Palestinians have died, with more civilian deaths promised as this genocide presses on. It highlighted the fact that my prayers aren’t doing much. I felt hopeless. It reminded me of the times I felt compelled to express myself via protest in the past.

Protesting makes you feel like you’re doing something—and you are. You are raising the public consciousness, educating people, and exposing the truth in a way that cannot be ignored. The news, social media, and on-the-ground accounts of the devastating brutality abroad are not enough to inform the public. Many Americans still don’t seem to understand the issue—that the Israeli state was born by violently and forcibly overtaking Palestinian lands and peoples, and over the last seven decades, millions of Palestinians have fled, while those who’ve stayed have been systematically marginalized, murdered, and starved.

It is unfortunate how consistently academic institutions struggle with having an educated, critical, and capable student body. The very tools we hope the students use to secure jobs, become successful, and change the world, are the skills that they are applying to determine just how much the university is failing them. It is not surprising that Columbia students had the awareness and talent to discover the university’s financial ties to this particular genocide; and, given the legacy of leadership cultivated by the university, it is not surprising that some brave students took action.

What did surprise me was the forceful and unprecedented response from university president Namet Shafik.

Though the students assembled in peace—in a space designated for student protests—Shafik responded in full force with armed officers. Instead of being met with respect through civil conversation, they were publicly humiliated through actions intended to create shame and dissuade future protesters. Shafik prioritized her position of leadership over the wellbeing of young people, without consideration of the fact that these are students paying a hefty tuition and in turn relying on the university for shelter, food, and health insurance.

True leaders come to the table prepared for discourse; cowards find something to hide behind. In an egregious display of weakness, the university affirmed that it feared the political views of its students. By arresting more than 100 peacefully assembled young adults, Columbia demonstrated just how vulnerable it is to the leaders they’ve created. What Shafik fails to understand is that silencing protest through force only validates the need for protest and inspires more civil unrest.

As Shafik continues to stoke fear among our academic community, she must ask herself: What is the goal of the institution? How are her actions serving this goal? Is Columbia University not meant to develop critical thinkers and leaders who will change the world with their education? If Columbia genuinely intends to “advance knowledge and learning at the highest level and convey the products of its efforts to the world,” as the mission statement claims, suspending students mere weeks before graduation drastically misses the mark.

While Shafik can set aside her morals for her high perch, it is heartening to know that the students cannot. They refuse to let the ivory towers of the Ivy League institution erode their ethics. They are willing to forgo their fancy degrees and contend with an armed police force in the name of justice. Ultimately, though my goal as a faculty member is to help my students graduate and get jobs; the true victory comes when they apply their skills and knowledge to real life problems and make an impact.

Columbia University and Namet Shafik, it is time to be on the right side of history. The side that celebrates critical thought and application of knowledge. The side that seeks and speaks the truth. The side that puts ethics and human decency above pride and prestige. It is time to divest from financial ties to Israel.

Since the encampment was established, the university has made no indication that they are willing to engage respectfully with the student protesters. Overnight on April 29, protesters entered Hamilton Hall and barricaded themselves inside. Hundreds of police officers in riot gear descended upon a few dozen students and physically removed them from campus the following day. Faculty were encouraged to hold their last classes and finals virtually, and a police presence remains on campus. Columbia has canceled commencement due to the unrest, and some protesters have continued demonstrating outside of the homes of board of trustee members. The Department of Education has since opened an investigation into Columbia University due to allegations of anti-Palestinian discrimination.

Rachel Patterson is an alumnae of the Columbia School International and Public Affairs, and is currently an adjunct faculty member at Columbia University. Rachel is a climate justice advocate, a law student, and a proud member of Delta Sigma Theta Sorority Inc.

Disclaimer: The views and opinions expressed in this article do not necessarily reflect the official policy or position of BlackPressUSA.com or the National Newspaper Publishers Association.

The post OP-ED: To Fear a Protest: Columbia University’s Forceful Response to Peaceful and Legitimate Protest first appeared on BlackPressUSA.

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