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A Cold Case Investigation: The Fatal Shooting of Milton X Scott, 50 Years Later: Scott’s Family, FBI Agents Talk About the Emotional Toll

LOUISIANA WEEKLY — They had been sent to arrest Scott, a Black Muslim, who charged the officers after they kicked in the front door of his home. During the struggle, Hahn shot Scott twice when he thought Scott had taken Wood’s gun only to learn afterward that Scott had picked up Hahn’s blackjack.
The post A Cold Case Investigation: The Fatal Shooting of Milton X Scott, 50 Years Later: Scott’s Family, FBI Agents Talk About the Emotional Toll first appeared on BlackPressUSA.

Published

3 years ago

August 15, 2023

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By Myracle Lewis, Amelia Gabor and Birdie O’Connell
Contributing Writers, Louisiana Weekly

Editor’s Note: This is the second of a two-part series.

(LSU Manship School News Service) — Beverly Shabazz did not have a job and was seven months pregnant with her second child when her husband, Milton X Scott, was shot and killed outside their home in 1973 by FBI agents attempting to arrest him.

“I was thinking I have these two kids to raise,” she said. “I don’t have any help from their father, and it was a while before I could adjust to the situation.”

Shabazz depended on Social Security benefits for their children and then went back to school so she could work as both a cosmetologist and an elementary school teacher. As they grew up, the children hardly saw her, and they missed the emotional support and stability that their father could have provided.

It was a loss compounded by the fact that the shooting arose from a case of mistaken identity. The FBI agents had thought Scott was an Army deserter, and the fatal battle outside his door would not have happened if they had known he had never been in the Army.

“The toughest day of my life happened before I was even born,” his son, Milton Scott Jr., said recently.

When he was little, Scott said, none of the other children believed him when he said that his father was killed by the FBI before he was born. The mockery so traumatized him that he kept quiet about it until George Floyd was murdered in police custody in 2020, intensifying concerns about Black men killed by law-enforcement officers and the impact on their families.

“I didn’t get to grow up with either parent because my mom always had two jobs, and she was in college,” Shabazz’s daughter, Andrea Grant, said.

Grant, now 52 and a college admissions coordinator, said she and her brother, a businessman in Atlanta, were largely raised by their grandparents.

“I regret that my father never got to meet his grandkids,” Grant said, and “the fact that he will never be able to see all that Milton and I have accomplished.”

Floyd’s death, along with the deaths of others like Tamir Rice, Michael Brown, Alton Sterling and Daunte Wright, show how in the years since Scott’s death, officer-involved shootings have continued to haunt Black communities and rupture families.

While some of these cases resulted in discipline or convictions for officers, others – like Scott’s – ended in the officers’ actions being deemed justifiable. Experts say that regardless of the legal outcome, families have to deal with the agony of losing a loved one and often a loss of income, which can compound the pain.

According to Russell Jones, an emeritus professor at Southern University Law Center, these incidents also escalate a distrust of law enforcement and induce resentment.

“The common thread within all of these incidents is that we don’t have that same right that the white society has to protect our homes,” Jones said.

Former FBI agents Delbert Hahn and William Wood also struggled with the aftermath of Scott’s death.

They had been sent to arrest Scott, a Black Muslim, who charged the officers after they kicked in the front door of his home. During the struggle, Hahn shot Scott twice when he thought Scott had taken Wood’s gun only to learn afterward that Scott had picked up Hahn’s blackjack.

Wood recently said that Scott’s shooting caused him to suffer from post-traumatic stress disorder.

Twenty years after the shooting, Wood taught a PTSD class at the FBI’s training academy in Quantico, Virginia, and invited Hahn, believing he would benefit from it.

“It became personal for me,” Hahn said in an interview with the LSU Cold Case Project. He said the FBI “stuck me in a position where something awful happened, and they didn’t have to do that.”

Hahn said the workshop helped him because he and Wood had never had an in-depth conversation with each other about the incident.

Multiple investigations

Hours after the shooting, the FBI realized that Scott’s identity had been stolen and found the thief, Calvin Wallace, in prison in California. Wallace had juggled at least five stolen aliases in committing various misdemeanors and felonies.

Wallace told the FBI that he had met Scott when Scott was on a trip to California in the early 1970s. Wallace pried into Scott’s background and learned his date of birth, the name of his parents and his Social Security number. Wallace was able to recite the number to agents, missing only one digit.

Wallace lived a transient life. When a childhood acquaintance, Robert King, saw him more than 20 years ago in San Diego, he said Wallace showed signs of heroin addiction. Wallace, then 82, died last October in a San Diego nursing home.

Black leaders demanded investigations into Scott’s death, which came just eight months after an East Baton Rouge sheriff’s deputy had killed two Black students at Southern University.

Emmett Douglas, then the president of the Louisiana NAACP, questioned how two trained FBI agents could not subdue a man weighing less than 180 pounds without shooting him.

Neither of the agents was suspended as federal and state authorities looked into what happened.

J. Stanley Pottinger, then the assistant U.S. general attorney for civil rights, instructed the FBI to conduct a preliminary civil rights investigation.

FBI documents say that the bureau did not request an interview with Shabazz shortly after the shooting because she had seemed hostile.

“Well, I was upset because of the way they treated him. I wanted to tell my story, but I never got the chance to,” Shabazz said recently.

The FBI chose not to talk to many neighbors since the area, bureau documents said, was frequented by Nation of Islam members. Authorities feared that would worsen racial tensions and lead to more confrontations like one on North Boulevard 19 months earlier that led to the death of two police officers and two Black men.

A city sanitation worker gave the FBI a signed statement saying he saw a Black man pushing two white men off the porch of Scott’s house before a car blocked his vision of the fight. Seconds later he heard two shots fired.

Two other sanitation workers and one of Scott’s neighbors only noticed what was happening after the shots rang out, and bureau investigators determined that the agents had shot Scott in self-defense.

On Nov. 19, 1973, an East Baton Rouge Parish grand jury also chose not to bring charges against the agents.

One of the jurors, Baton Rouge native George Kilcrease, still believes the agents acted in good faith.

“In hindsight, maybe they could have approached it a little differently, he said, but “all the facts of the case led the jury to conclude that they acted reasonably. If Mr. Scott would’ve been white or Black, I don’t think that played into the FBI’s actions of that day.”

Shabazz’s legal struggles

Shabazz also sought redress in a civil case.

In May 1974, she hired Baton Rouge attorney Walter Dumas, who filed a $1 million lawsuit against the FBI under the Federal Tort Claims Act, claiming that Scott’s death was a “direct and proximate result of the negligence, carelessness, and unlawful conduct.”

Dumas did not respond to a request for comment. Shabazz also hired other lawyers, but the case was eventually dismissed by U.S. District Judge Gordon West, who noted that her complaints continually gave the impression that the FBI agents shot and killed the wrong man.

“This is not so,” he wrote. “They shot and killed the man they intended to shoot and kill. They did not shoot the man because he was a deserter from the Army but because he physically attacked and attempted to destroy the two FBI agents.”

Justice Department officials spoke with Scott’s family in 2020 after Congress encouraged the department to investigate a wider range of cold cases from the civil rights era. But the case was closed again in September 2021.

With the grand jury’s decision not to indict, the failure of Shabazz’s lawsuits in civil court and the FBI’s decision to close its new investigation, the family finds memories of Scott and the opportunity to tell his story as the best way to honor him today.

Shabazz later remarried and still lives in Baton Rouge. Now 75, she said Scott had made her “proud to be Black” and “proud to be a Black woman. I was proud of my Black husband.”

‘I’m sorry for her and her family’

On the day of Scott’s death, FBI agents Hahn and Wood were treated at the hospital for minor injuries. When Hahn returned home, he did not tell his wife anything.

“I remember I had blood on the suit, mostly mine,” he said. “I took it off and stuffed it under the bed. It was there for a year.”

Retired FBI agent Theodore “Ted” Jackson, a Black agent who had investigated the shooting at Southern University months before the Scott shooting, said it is important for law-enforcement officers to talk things out after troubling events, especially a fatal shooting.

They never know what the day will bring, but “they all want to go home to their families” after work, Jackson said.

Hahn, now 89, said he believes the bureau should have performed a thorough background check before assigning the deserter case to him. In fact, the FBI, which had earlier quit checking fingerprints of deserters, quickly returned to that practice after Scott was killed.

Hahn said that the force used on Scott was justified. But he does wish there had been more time for negotiation.

In a recent interview, Wood, Hahn’s partner that day, said: “I still have PTSD from a number of incidents. This is one of the main ones.”

Hahn still lives in Baton Rouge. But he said he is not interested in a sit-down or attempt at reconciliation with the Scott family since it would not change what happened. He also doubts that it would bring Shabazz peace.

“I wasn’t happy that Milton Leon Scott was dead,” Hahn said. “I’m sorry for her and her family. I understand they probably don’t like me. That doesn’t bother me; I don’t expect them to. I’d feel the same way if somebody shot my husband or my father.”

This story was written by Myracle Lewis and reported by Lewis, Amelia Gabor, Birdie O’Connell, McKinley Cobb, Brooke Couvillon, Hannah Rehm and MacKenzie Wallace. A companion video by Maria Pham is available at: https://www.youtube.com/watch?v=LhTThAmpQnY.

This article originally appeared in The Louisiana Weekly.

The post A Cold Case Investigation: The Fatal Shooting of Milton X Scott, 50 Years Later: Scott’s Family, FBI Agents Talk About the Emotional Toll first appeared on BlackPressUSA.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Published

1 week ago

May 3, 2026

Oakland Post

The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.

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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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1 week ago

May 3, 2026

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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May 3, 2026

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

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