Bay Area

Unapologetically Black Mayor of Bay View Hunters Point Charlie Walker Leaves SF Legacy

A celebration of life for the mayor of Bay View Hunters Point, businessman Charlie Walker, was held on Friday, Feb. 10 at Third Street Baptist Church in San Francisco. Walker passed away just six months shy of his 90th birthday on Jan. 26.

Published

3 years ago

February 18, 2023

Oakland Post

Homecoming services of entrepreneur and community leader Charlie Walker at Third Baptist Church in San Francisco. Flowers formed letters spelling out Walker as the mayor of Bay View Hunters Point BVHP. Photo by Carla Thomas

By Carla Thomas

Born in the South, Walker relocated to San Francisco in his early teens and faked his birth certificate to join the Air Force, where he served for three years. He returned to the city and started — with one truck — his first trucking business.

He went on to become such a renowned figure in the community that he became its unofficial mayor: Arching over Walker’s casket were hundreds of flowers in blue and red spelling: Mayor of BVHP, Bay View Hunters Point.

Through an all day and night series of events, Walker was remembered as a community titan who never gave up as he fought racism and blazed a legacy for his family and the community, while opening doors for fairness in contracting in San Francisco.

Eulogized by Third Baptist pastor Rev. Dr. Amos Brown, Walker was described as a fearless businessman who never gave up a fight.

Brown described one of the many times Walker spoke up for the community. To get his point across at a school board meeting where others were backing down, Brown said Walker jumped up on the table and demanded support for youth of the San Francisco Unified School District.
Story after story revealed the truth about a man that stood for racial equity in contracts and civil rights.

“Today we are celebrating a servant of the people, a champion of social justice, an entrepreneur, and our brother in ‘good trouble,’” said Brown.

Close friend, former San Francisco Mayor Willie Brown recalled the early days and their longtime friendship. Brown described Walker as extraordinary in that while Walker’s companies held some of the largest civic contracts like BART, he and his wife of 63 years, Annette Walker, demonstrated kindness by inviting people with nowhere else to go to his home for every holiday.

“He did social work and wasn’t a social worker. He was heavy duty into education, a community organizer and he was able to brilliantly drown out the noise of racism and distractions to change the city for the better,” said Willie Brown.

In the 1970s, Walker was known for chaining trucks together on construction sites where Black people had not been hired. In 1971, he secured a lucrative contract to clean up an oil spill after two oil tankers collided under the Golden Gate Bridge spilling tons of oil in the Bay.

In a 30-page commemorative booklet of his life, Walker said: “I made $5 million in 30 days.”

“America is still the place” he was often quoted as saying. In Walker’s heart, only in America could a son of sharecroppers, a grandson of slaves, with not even a high school education garner such success. “America Is Still the Place,” the book Walker wrote on that chapter in his life has been adapted into the major 2022 film, “I’m Charlie Walker,” funded by his friend Bill O’Keefe and starring actor Mike Colter as Walker.

San Francisco Mayor London Breed fondly remembered Walker as a friend, supporter and fighter who stood up to white people at a time when Blacks could suffer repercussions.
“He drew attention to the many injustices and stood up for what was right at a time when Black people could be concerned for their lives. Charlie did not back down,” she said.

For San Francisco Councilmember Shamann Walton, Walker was a mentor he referred to as “Uncle Charlie.” “He knew his power when he entered a room and no matter where he was, no matter the conversation, and no matter who was around, he was unapologetically Black and paved the way for me to do the same.”

Businessmen Shelly Tatum and Timothy Alan Simon referred to Walker as a “once-in-a-generation thought leader, businessman, advocate and revolutionary.”

“This gathering is a testament to how much he loved the community, and the community loved him,” said Simon. “His legacy will live on,” said Tatum.

Businessman Dwayne Jones, former Young Community Developers director, said, “He helped me transform my trajectory from a nonprofit director into an entrepreneur and to be unapologetically Black about it.”

Walker’s granddaughter Lyn-Tise Jones read the opening scripture at the service (2 Timothy 1:7) “God has not given us a spirit of fear, but of power, love, and a sound mind.”

“If you knew anything about my grandfather you knew he wasn’t afraid of nothing or nobody. He lived fiercely and ferociously for his family, his friends and his beloved community,” said Jones.

Walker’s granddaughter Geoffrea Morris read letters of acknowledgement from U.S. Vice President Kamala Harris, U.S. Congresswoman Barbara Lee, Gov. Gavin Newsom, Assemblymember Matt Haney and State Controller Malia Cohen.

A reading included Walker’s favorite poem entitled, “A Gentleman” written by Beverly Al-Kareem.

Family member Crystal Walker sang “Trouble of the World.”

While fighting the troubles of the world Walker blazed a trail creating businesses, opportunities, and promoting education. Walker’s dreams produced lawyers, doctors, engineers and dentists in the family.

Until her untimely death, Walker’s daughter, Yolanda Jones took up the trucking business, which was how her father started out. She had headed Yolanda’s Construction Administration and Traffic Control, where the company secured government contracts and hired and trained people of the community on the business, opening doors of opportunity to members of a sidelined community.

For Minister Abdul Rashidullah Muhammad, Walker was a welcoming bridge when his mosque moved into the neighborhood. “Charlie’s living was not in vain. He didn’t let anyone put him down. He used his time to help people,” he said.

Maestro Curtis of the Curtis Family C-Notes credited Walker with helping him create a music studio early in his career. “Walker took me to the music store and purchased everything I needed, $20,000 worth of equipment. Who does that? Because of the quality of music I was able to produce in that studio, I was signed to Earth, Wind and Fire’s label.

A procession of vehicles from Gilman Street traveled past Walker’s Bret Harte Middle School to the New Southeast Community Center along Third Street. A flatbed truck bearing Walker’s mega image with a dozen of his grandchildren in tow, led the way with police and the Kings of Cali Motorcycle Club as traffic escorts.

At the New Southeast Community Center, an art tribute in honor of Walker produced by Malik Seneferu showed the many facets of Walker’s life. From articles of clothing to photographs in Africa and meetings with heads of state, each item included a scannable QR code providing the item’s context with additional video.

Later that evening, SF Black Wallstreet presented a Lenny Williams concert in Walker’s honor. The audience danced and sang along to Williams’ hits, as the famous R&B crooner belted out “’Cause I Love You,” “This Time It’s Real,” and “You’re Still A Young Man,” among others. “Charlie was a man of the people, and we will miss him,” said Williams.

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At the event, 16 entities signed the EIP pledge, vowing to take steps to increase public contracting opportunities in their spheres for small and historically underutilized businesses. The pledge signees included Hub International, the Port of San Francisco, the San Francisco Public Utilities Commission, California High-Speed Rail Authority, the Port of Oakland, Robert Graham of Webcor Builders, Holder Construction, the Weitz Company, Sky Blue Builders, Hornblower, Swinerton, Luster National, Talson Solutions, Center for Community Wealth Building, and the Construction Contractors Alliance.

Published

1 week ago

June 24, 2026

Oakland Post

Toks Omishakin, secretary of the California State Transportation Agency, was one of the speakers at the event. Photo by Shellee Fisher Photography and Design.

By Calvin Naito, Special to The Post

On June 4, a national nonprofit named the Equity in Infrastructure Project (EIP) – which aims to increase public construction contracting opportunities for small and historically underutilized businesses – held a day-long event in downtown San Francisco to rally supporters and build momentum to its cause.

It was attended by more than 100 individuals from public agencies, private firms, and other organizations committed to increasing contracting opportunities with governmental agencies, thereby creating more competition and lowering public costs.

The EIP event was held the Hyatt Regency San Francisco in conjunction with BuildIT, which aims to increase contracting opportunities for LGBT-owned businesses.

At the event, 16 entities signed the EIP pledge, vowing to take steps to increase public contracting opportunities in their spheres for small and historically underutilized businesses.

The pledge signees included Hub International, the Port of San Francisco, the San Francisco Public Utilities Commission, California High-Speed Rail Authority, the Port of Oakland, Robert Graham of Webcor Builders, Holder Construction, the Weitz Company, Sky Blue Builders, Hornblower, Swinerton, Luster National, Talson Solutions, Center for Community Wealth Building, and the Construction Contractors Alliance.

Following the workshop, BuildIT hosted a VIP evening reception honoring EIP, whose principals – Phil Washington, John Procari, and Rick Jacobs – accepted the award.

The event also set in motion the coalition’s efforts to implement recommendations from EIP’s “Procurement for Prosperity: A Playbook.”

The Playbook is a practical guide for public agency leaders and procurement and contracting practitioners to grow the capacity of small and first-time contractors, strengthen competition, and deliver better value for taxpayers.

Toks Omishakin, Secretary of the California State Transportation Agency (CalSTA), a long-time EIP supporter, also told attendees, “This is about commitment. This has been a life’s work. This is a tailwind moment.”

The event’s presenting sponsor was Hub International, one of the largest insurance brokerages in the nation, which was joined by partners Travelers Insurance and the State Compensation Insurance Fund.

After the pledge-signing ceremony, attendees participated in a workshop in which they examined the policies, practices, and programs needed to meet EIP goals, learned from practitioners, and identified next steps toward utilizing the Playbook.

Ingrid Meriwether, formerly of Merriwether & Williams Insurance Services (MWIS) and current president of Hub International’s Aligned Risk Management, MWIS, described the hard-fought lessons she and her MWIS team have learned over the last three decades administering contractor development programs (CDPs) for the City and County of San Francisco, Alameda County, City of Los Angeles, LA Metro, and other municipalities.

The CDPs help small and local construction firms win public infrastructure contracts with these government agencies. The program provides bonding assistance, contract financing, technical support, training, and other services to underrepresented businesses funded by public agencies who seek greater contracting participation with these firms.

Merriwether said programs like these “break down systemic barriers, create greater fairness, and save taxpayers money by enabling more competition. The contractor development programs have, cumulatively, over two decades, helped contractors access over $1 billion in bonding, supporting over $380 million in awarded contracts, and maintaining a loss ratio 250 times lower than the industry average – while saving participating municipalities more than $27 million in contracting costs as a result of enabling more competition.”

Rick Jacobs, EIP co-founder and co-chair urged attendees make plans to meet again in the near future “to continue building on this work, share progress on organizational commitments, and discuss how we can collectively advance the goals of the EIP pledge.”

For more information on the EIP and to access a copy of the Playbook, go online to https://equityininfrastructure.org/

Calvin Naito is communications manager for Equity in Infrastructure Project.

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Oakland Museum Presents Landmark Retrospective Celebrating Beloved Bay Area Artist Mildred Howard

“Poetics of Memory” coincides with a year of major recognition for Howard. In 2026, she received the California Arts Council’s 50th Anniversary Award, honoring artists whose work has shaped California’s cultural and civic life, as well as the Museum of the African Diaspora’s Artist Impact Award. In 2025, she was awarded a prestigious Guggenheim Fellowship in recognition of her transformative contributions to American cultural life.

Published

1 week ago

June 24, 2026

Oakland Post

Mildred Howard. Photo by Christine Cueto for the Oakland Museum of California, 2025.

Special to The Post

The Oakland Museum of California (OMCA) opened “Mildred Howard: Poetics of Memory,” the first major museum survey of Bay Area artist Mildred Howard, on June 12.

The exhibition spans five decades of Howard’s influential work, bringing together immersive installations, found-object sculptures, archival materials, and new commissions that explore memory, identity, and power in American life.

Howard was born in San Francisco in 1945 and raised in the East Bay, where she went on to study Afro-Haitian dance, make and sell clothing, and experiment with collage and sculpture.

Her multimedia art practice emerged from these experiences, later becoming associated with West Coast conceptual art, San Francisco funk, and a vibrant community of artists like Oliver Jackson, Betye Saar, and Raymond Saunders. Since the 1970s, she has used found materials and family stories to explore memory—both individual and collective.

At OMCA, visitors enter “Poetics of Memory” through a series of intimate galleries featuring Howard’s early mixed-media pieces and sculptures, along with a large video projection of a number of her public artworks.

Together, they emphasize Howard’s interest in everyday objects as powerful carriers of individual and shared stories. Highlights include collages that remix images of the artist herself; found-object sculptures like The History of the United States with a few Parts Missing (2007) that address omissions in dominant narratives; and public works like “Locks and Keys for Harry Bridges” (2001) that transform urban space into a meditation on access and labor.

This culminates in a richly detailed “studio” environment, where works in progress, archival exhibition flyers, historic photographs of Howard and her community, postcards from fellow artists, and other materials offer insight into her creative process and daily life.

The exhibition then opens into a high-ceilinged, dramatically lit space that brings together Howard’s signature immersive installations. On one end, “Crossings” (1997/2026) – a field of hundreds of ceramic eggs leading to an ornate mirror – suggests cycles of birth, motherhood, and transition, while drawing on the emotional echoes of the Middle Passage. On the other end, “Blackbird in a Red Sky” (a.k.a. “Fall of the Blood House”) (2002) – a red glass shack bordered by a pond – also uses reflection and transparency to draw viewers into the work and prompt consideration of themes of identity and home.

Howard’s newest video installation, “Moving Stills” (2026), repurposes never-before-seen family footage she took as a teenager on a train trip to the American South. Projected onto cascading layers of translucent fabric that stretch across an entire gallery wall, the piece immerses viewers in a layered meditation on memory, migration, and time.

The “Mildred Howard: Poetics of Memory” exhibit will be on display through Oct. 11 at the Oakland Museum of California, 1000 Oak St., Oakland, CA 94612. Museum hours are Wednesday through Sunday, 11 a.m. to 5 p.m., with extended hours on Fridays to 9 p.m.

This story is sourced from the Oakland Museum of California press office.

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Alameda County

Ferry Fares to Increase July 1 as Ridership Hits Record Highs

The Oakland and Alameda routes will increase from $4.90 to $5.10, the South San Francisco route will go up from $7.40 to $7.60, and the Vallejo route will increase from $9.90 to $10.

Published

1 week ago

June 24, 2026

Oakland Post

Courtesy photo.

By Mike Aldax, The Richmond Standard

Starting July 1, the standard adult fare for the San Francisco Bay Ferry route between Richmond and San Francisco will increase to $5.20, up from the current $4.90.

Discounted fares for eligible passengers, including youth, seniors, people with disabilities, and Clipper START users, will rise to $2.60 from the current $2.40. Children under 5 will continue to ride for free.

The Oakland and Alameda routes will increase from $4.90 to $5.10, the South San Francisco route will go up from $7.40 to $7.60, and the Vallejo route will increase from $9.90 to $10.

The adjustments are part of a systemwide fare update approved by the agency’s Board of Directors, which is moving away from a flat 3% annual increase to route-specific pricing for the 2027 and 2028 fiscal years.

This fare update arrives as San Francisco Bay Ferry celebrates a historic May, transporting 301,270 passengers. The record-breaking figure represents an 8% increase over May 2025 and marks the third consecutive month of record-setting ridership.

Furthermore, it is the sixth month in a row that passenger numbers have exceeded pre-pandemic levels. Weekend travel has been a primary driver of this growth, with average weekend ridership seeing a 56% increase compared to pre-pandemic trends.

The agency states that the fare adjustments are necessary to ensure the long-term fiscal sustainability of public ferry services. By shifting to route-specific adjustments, the agency aims to offset rising operating costs while maintaining the high levels of service frequency and reliability.