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Singer Chris Brown Accused of Battery in Las Vegas

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In this Jan. 15, 2015 file photo, R&B singer Chris Brown appears in Los Angeles Superior Court in Los Angeles. Brown faces another battery accusation just days after he performed in Las Vegas over the weekend. Las Vegas police said Monday, May 4, 2015, that Brown is suspected of beating a man who was found hospitalized earlier in the day. (AP Photo/Lucy Nicholson, Pool, File)

In this Jan. 15, 2015 file photo, R&B singer Chris Brown appears in Los Angeles Superior Court in Los Angeles. Brown faces another battery accusation just days after he performed in Las Vegas over the weekend. Las Vegas police said Monday, May 4, 2015, that Brown is suspected of beating a man who was found hospitalized earlier in the day. (AP Photo/Lucy Nicholson, Pool, File)

SALLY HO, Associated Press

LAS VEGAS (AP) — Singer Chris Brown faces another battery accusation just days after he performed at an after-party to the weekend’s much hyped boxing match, which was also billed as the kickoff to his residency at the Drai’s nightclub.

Las Vegas police said Brown, 25, is suspected of beating a man who was found at the Sunrise Hospital & Medical Center at 3:42 a.m. Monday.

The man said he was playing basketball at the Palms Casino Resort when he got into a verbal argument on the court with the singer. He claimed Brown punched him and, as he was preparing to defend himself, another person with the singer also hit him.

The man took himself to the hospital where he was treated for non-life threatening injuries and released.

Las Vegas police said they went to the hotel after they were called to the hospital but didn’t locate Brown.

Authorities say they have given Brown the option to sign off on a misdemeanor battery citation or have the case turned over to the Clark County District Attorney’s office. As of 2 p.m., police said Brown has not responded.

Officer Larry Hadfield said signing off on the citation is not an admission of guilt but an acknowledgement of the accusation. Similar to accepting a traffic ticket, the accused would be given a court date in Clark County Justice Court scheduled for months from now.

Police said the investigation continues but declined to address the other person with Brown who also allegedly hit the man.

“We haven’t cited anybody. We have not had the opportunity,” Hatfield said.

The incident happened at the Palms Casino Resort, which features a basketball-themed luxury suite for $25,000 per night, officials said.

The 10,000-square-foot Hardwood Suite features an indoor basketball court, locker room with a gym shower, “NBA-sized” beds and 24-hour butler, according to the hotel.

A hotel spokesman deferred all other comment to police.

On Saturday, Brown performed a sold-out show at Drai’s nightclub atop the Cromwell Hotel as after-party entertainment to the much anticipated boxing match between Floyd Mayweather and Manny Pacquiao. He also attended the fight at the MGM Grand Garden Arena.

At his show, Brown reportedly commanded $100 and $200 cover charges with table reservations with bottle-service ranging in price from a $2,000 minimum for a small four-seater as far away from the stage as it can go, to at least $20,000 for a table in the middle of the action.

The full-length concert was also billed as the launch to Brown’s new residency at Drai’s. His next show in the series of concerts is scheduled for July 4, according to an announcement.

The statement sent Sunday also said Brown is expected to celebrate his birthday at the venue’s night time pool party on Tuesday.

The troubled R&B singer was freed from probation for felony assault just six weeks ago. In 2009, Brown pleaded guilty to a brutal attack on his then-girlfriend, the singer Rihanna, hours before the Grammy Awards.

Brown’s legal woes have since been in the spotlight.

His probation was revoked briefly, in January for performing in Northern California without permission and in 2013 for a fender bender filed as a hit-and-run case. He was also charged that same year with misdemeanor assault in Washington.

In February, Canadian immigration officials also refused to allow him into the country, forcing him to cancel two shows, and British officials blocked his entry in 2010 forcing the cancellation of four performances.

Brown’s attorney and publicist could not immediately be reached for comment.

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Oakland Post: Week of February 11 = 17, 2026

The printed Weekly Edition of the Oakland Post: Week of – February 11 – 17, 2026

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Arts and Culture

Book Review: Books on Black History and Black Life for Kids

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

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Photo of Black History Month book covers by Terri Schlichenmeyer.
Photo of Black History Month book covers by Terri Schlichenmeyer.

By Terri Schlichenmeyer

Authors: Various, Copyright: c. 2025, 2026, Publishers: Various, SRPs: $17.99-$18.99, Page Counts: Various, 

Everybody in your family has stories to share.

Your parents have told you some, no doubt. Your grandparents have offered a few, too, and aunties and uncles have spun some good tales. But there’s so much more to know, so grab one of these great books and learn about Black History and Black life.

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

If someone said you couldn’t do something that you were clearly able to do, would you fight to do it anyhow?  In the new book, “Remember Her Name! Debbie Allen’s Rise to Fame” by Tami Charles, illustrated by Meredith Lucius (Charlesbridge, $17.99), a young girl in the Jim Crow South is told that she can’t dance because of the color of her skin.

She didn’t listen, though, and neither did her mother, who took her daughter to Mexico, where the girl soared! This is an inspiration for any 5-to-7-year-old; be sure to check out the back-of-the-book information, if you’re an adult fan.

Do you often hear your elders say things that sound like lessons?  They might be, so “Where There is Love: A Story of African Proverbs” by Shauntay Grant, illustrated by Leticia Moreno (Penguin Workshop, $18.99) is a book you’ll like. It’s a quick-to-read collection of short proverbs that you can say every day. Kids ages 4-to-6 will easily remember what they find in this book; again, look in the back for more information.

Surely, you love your neighborhood, which is why the tale inside “Main Street: A Community Story about Redlining” by Britt Hawthorne and Tiffany Jewell, illustrated by David Wilkerson (Penguin Kokila, $18.99) is a book for you.

Olivia’s neighborhood is having a block party, but she’s sad when no one shows up. That’s when she learns that “the government” is discriminating against the people and businesses near where she lives. So, what can she and her neighbors do? The answer might inspire 6-to-8-year-old kids to stand up to wrongs they see, and to help make their neighborhoods stronger and safer.

And finally, if a kid wants a book, where can they go to find it? In “I’m So Happy You’re Here: A Celebration of Library Joy” by Mychal Threets, illustrated by Lorraine Nam (Random House, $18.99) is a good introduction to the best of what a library has to offer. The freedom to walk into a library and borrow a book is the theme here, as is the sheer happiness of being welcomed, no matter who you are.  This is an easy book for kids as young as two and as old as five to enjoy.

On that note, if you want more, head to that library, or a nearby bookstore. They’ll be glad to see you. They’ve got stories to share.

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Art of the African Diaspora Celebrates Legacy and Community at Richmond Art Center

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996.

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‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.
‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.

By Carla Thomas

The 2026 Art of the African Diaspora exhibition is on display at the Richmond Art Center (RAC) through March 14. The one-room gallery bursts with more than 100 works – paintings, photographs, sculptures, and mixed-media pieces – each affirming the power, beauty, and vitality of cultural expression across the African diaspora.

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996. Their vision was to showcase the creativity of emerging and established Black artists, bridging communities and widening access to audiences historically excluded from mainstream art spaces.

Over the decades, that founding vision has expanded and evolved, carried forward by artists, family members, and the Richmond Art Center after the loss of Hart-Schuyers and Hayward. In 2018, a new generation of artists formed a steering committee to organize the event; a year later, the exhibition was renamed Art of the African Diaspora to embrace the broader global connections of people of African descent.

The new name reflects not only a broader cultural lens but also an empowered community network that supports artists across the Bay Area. As part of this year’s programming, RAC will host ‘Art of the African Diaspora: Public Art in Our Communities,’ a free panel on Sat., Feb. 21, from 12 to 1:30 p.m. Artists Kristine Mays, James Moore, and Malik Seneferu will join arts administrator Denise Pate for a conversation on the impact and process of public art. The discussion will be moderated by longtime arts advocate and producer Flo Wiley.

Each panelist brings a distinctive voice to the conversation. Mays, known for her ethereal wire sculptures that capture movement and spirit, has exhibited internationally and is represented in collections ranging from the Smithsonian to the Crocker Art Museum.

Sculptor and painter James Moore creates abstract metal works and colorful field paintings that explore movement, balance, and emotion. His recent public art installations include large-scale pieces in Richmond’s Shields-Reid Park. Malik Seneferu, a self-taught San Francisco native, has built a large body of work celebrating African American life through vibrant murals and expressive figurative art.

Representing the institutional side, Denise Pate oversees public arts investments as director of Community Investments at the San Francisco Arts Commission, advancing racial and cultural equity through funding and advocacy. Together, these artists and administrators will trace how public art emerges, from concept to community collaboration, and why it matters.

The Art of the African Diaspora exhibition runs through March 14 at the Richmond Art Center, 2540 Barrett Ave., Richmond. The center is open Wednesday through Saturday from 10 a.m. to 4 p.m. Admission and programs are free and open to the public.

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