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COMMENTARY: Black Representation and Appearance in Japanese Pop Culture

NNPA NEWSWIRE — We as Black nerds are entitled to characters that we can identify with and can show to children for them to take pride in. Growing up I loved Goku, Cloud, and Sora. But it would have been nice to have a stalwart and cool character that I was a kid could look up to that I could identify with that looked like me.

Published

5 years ago

October 14, 2019

Oakland Post

This issue extends outside of classic cartoon anime. Japanese video games are also guilty of unequal and stereotypical representation. There are many different types of representation and all of these entertainment companies are missing the mark on all of them. (Photo: iStockphoto / NNPA)

THE BLERD BINDER

By Noah Washington, NNPA Newswire Pop Culture Contributor

With the release of Netflix’s “Cannon Busters,” we go back to the age-old conversation of representation of African Americans in anime. The most well-known characters in Japanese pop culture have often been represented with European features and fairer skin tones such as Naruto, Ichigo, Luffy, or Spike Spiegel. Even in live-action adaptations, some of these characters have been played by Caucasian actors.

Even when there is a Black character written into a storyline, their features are often exaggerated or they are made into a stereotype, most infamously with Mr. Popo of “Dragon Ball” fame; his dark as night skin and big red lips reminiscent of Blackface.

The closest thing we have gotten to a fair and entertaining anime representation is in Aaron Mcgruder’s “The Boondocks.” Yes, I know that The Boondocks is not considered an anime, but it has anime influences, and development by Madhouse Studios made it the closest thing we have gotten to an enjoyable anime with a predominantly Black-filled cast.

Unfortunately though, as much as I enjoyed “The Boondocks” and how it cleverly portrays stereotypes, they are stereotypes nonetheless.

“Cannon Busters,” which is a part of Netflix’s anime initiative to bring about more original content was recently released, and I have to say the quality of it and the writing are outstanding.

“Cannon Busters,” has all the qualities of a traditional anime, giant mecha’s, over the top protagonists, and a dramatic impossible plot, but I am disappointed with “Cannon Busters” in one aspect. In Episode two of the series, we are introduced to the Gearbolt Empire. “Cannon Buster’s” has Black Warriors, a Black Prince, a Black King and most importantly a Black hero named Odin. I see Odin as a double-edged sword.

This presented a chance to show off powerful deities with African origins. There are plenty of gods to choose from in the Yoruba and Egyptian pantheon such as Ogun, Sango, or Horus. On the other side of this problem is the fact that a Black man is depicted as a powerful larger than life figure named Odin who has traditionally looked like a grizzled caucasian male with an eye patch.

Video games also have their own role in this dilemma. Kingdom Hearts and Final Fantasy are two of the most popular video game series and have cemented themselves in American pop culture.

Kingdom Hearts is a joint venture with Disney Interactive and Square Enix. Kingdom Hearts combines the worlds of Final Fantasy and Disney films. The third entry in the Kingdom Hearts series was released early in 2019 and the game overall is good, but yet again another missed opportunity.

Several Disney worlds were featured in the game, but the easy slam dunk world that is missing is “The Princess and the Frog.” For some fans of the series, this was a disappointment.

Kingdom Hearts is overflowing with the themes of dark vs light, love conquers all, magic (good and bad), and whimsically simple-minded villains such as Dr. Facilier. Even the Bayou would have made a great location for the main characters of Sora, Donald Duck, and Goofy to play around in, you could have even turned them into frogs like the design mechanic that was done when the characters went to see Simba from the Lion King in Kingdom Hearts II which visualized them as Lions.

Final Fantasy faces a different issue. More than thirteen plus games make up the Final Fantasy series and there has barely been a handful of memorable characters. Barret Wallace and Sazh Katzroy are practically the same characters. They both use guns as their main style of fighting and have operated as comic relief at various points in the main story.

Sazh is a mild-mannered character who represents a big problem. Sazh himself isn’t a bad character, but it’s what he is carrying around with him constantly: A Chocobo.

Chocobo’s are like horses in the Final Fantasy series and to any uninformed viewer, kind of cute, but to the informed it carries the stereotype that Black people love chicken which is an insulting character choice. Barret Wallace, on the other hand, is made to look like a stereotype, a muscled up Black man with a gun (as I previously stated).

I hope they treat Barrett a cut above his old self in the Final Fantasy VII remake set to release March 3, 2020. I just want a Black Final Fantasy character that has a slim muscular build who carries around an awe-inspiring sword that one day my kids would want to dress up as for Halloween.

Is this an issue of the Japanese studios not interacting enough with people of African heritage or is it a matter of malevolence?

We notice the trend of African American stereotypes even outside of Japanese anime and video game culture. In Jordan Peele’s critically acclaimed movie “Get Out.” There is a scene where the main character Chris, played by Daniel Kaluuya is attending a “get together’’ for his girlfriend’s family which is filled with nothing but Caucasian Americans with the exception of a man played by the Japanese actor, Yasuhiko Oyama.

On IMDB the character is listed as Hiroki Tanaka, a Japanese name. Is this a commentary on how Asian Americans are allowed opportunities that African Americans are not? Is this a way for Jordan Peele to say that the Japanese see African people the same way Caucasians do? Or is this a way of saying that the Japanese identify with Caucasian Americans more than the other marginalized and oppressed groups due to their colonization by the English?

We as Black nerds are entitled to characters that we can identify with and can show to children for them to take pride in. Growing up I loved Goku, Cloud, and Sora. But it would have been nice to have a stalwart and cool character that I was a kid could look up to that I could identify with that looked like me.

The good news is that the release of Marvel’s “Black Panther” brings in a new era of representation that does not have the word “stereotype” anywhere around it. The bad news is that there is not a character of color that stands out in the world of anime like Goku or Naruto.

Noah Washington was born in Richmond, VA. Noah has been a black nerd since birth. He is a Media Entrepreneur major at Georgia State University. He loves everything in from “Ant-man” to “Z-Gundam” He has written for the SCADCONNECTOR writing exposés and TV interviews such as NBC’s “New Amsterdam. Follow him on Instagram under Riotboyatl and on Facebook.

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IN MEMORIAM: Ramona Edelin, Influential Activist and Education Advocate, Dies at 78

NNPA NEWSWIRE — Born on September 4, 1945, in Los Angeles, California, activist Ramona Edelin’s early years were marked by a commitment to education and social justice. According to her HistoryMakers biography, after graduating from Fisk University with a Bachelor’s degree in 1967, she pursued further studies at the University of East Anglia in England. She earned her master’s degree before completing her Ph.D. at Boston University in 1981.
The post IN MEMORIAM: Ramona Edelin, Influential Activist and Education Advocate, Dies at 78 first appeared on BlackPressUSA.

Published

4 weeks ago

April 3, 2024

Stacy M. Brown

By Stacy M. Brown, NNPA Newswire Senior National Correspondent
@StacyBrownMedia

Once upon a time, Black Americans were simply known as colored people, or Negroes. That is until Ramona Edelin came along. The activist, renowned for her pivotal roles in advancing civil rights, education reform, and community empowerment, died at her D.C. residence last month at the age of 78. Her death, finally confirmed this week by Barnaby Towns, a communications strategist who collaborated with Dr. Edelin, was attributed to cancer.

Born on September 4, 1945, in Los Angeles, California, Edelin’s early years were marked by a commitment to education and social justice. According to her HistoryMakers biography, after graduating from Fisk University with a Bachelor’s degree in 1967, she pursued further studies at the University of East Anglia in England. She earned her master’s degree before completing her Ph.D. at Boston University in 1981.

Edelin’s contributions to academia and activism were manifold. She was pivotal in popularizing the term “African American” alongside Rev. Jesse L. Jackson in the late 1980s.

Jackson had announced the preference for “African American,” speaking for summit organizers that included Dr. Edelin. “Just as we were called Colored, but were not that, and then Negro, but not that, to be called Black is just as baseless,” he said, adding that “African American” “has cultural integrity” and “puts us in our proper historical context.”

Later, Edelin told Ebony magazine, “Calling ourselves African Americans is the first step in the cultural offensive,” while linking the name change to a “cultural renaissance” in which Black Americans reconnected with their history and heritage.

“Who are we if we don’t acknowledge our motherland?” she asked later. “When a child in a ghetto calls himself African American, immediately he’s international. You’ve taken him from the ghetto and put him on the globe.”

The HistoryMakers bio noted that Edelin’s academic pursuits led her to found and chair the Department of African American Studies at Northeastern University, where she established herself as a leading voice.

Transitioning from academia to advocacy, Edelin joined the National Urban Coalition in 1977, eventually ascending to president and CEO. During her tenure, she spearheaded initiatives such as the “Say Yes to a Youngster’s Future” program, which provided crucial support in math, science, and technology to youth and teachers of color in urban areas. Her biography noted that Edelin’s efforts extended nationwide through partnerships with organizations like the National Science Foundation and the United States Department of Education.

President Bill Clinton recognized Edelin’s expertise by appointing her to the Presidential Board on Historically Black Colleges and Universities in 1998. She also co-founded and served as treasurer of the Black Leadership Forum, solidifying her standing as a respected leader in African American communities.

Beyond her professional achievements, Edelin dedicated herself to numerous boards and committees, including chairing the District of Columbia Educational Goals 2000 Panel and contributing to the Federal Advisory Committee for the Black Community Crusade for Children.

Throughout her life, Edelin received widespread recognition for her contributions. Ebony magazine honored her as one of the 100 Most Influential Black Americans, and she received prestigious awards such as the Southern Christian Leadership Award for Progressive Leadership and the IBM Community Executive Program Award.

The post IN MEMORIAM: Ramona Edelin, Influential Activist and Education Advocate, Dies at 78 first appeared on BlackPressUSA.

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Tennessee State University Board Disbanded by MAGA Loyalists as Assault on DE&I Continues

NNPA NEWSWIRE — Recent legislative actions in Tennessee, such as repealing police reform measures enacted after the killing of Tyre Nichols, underscore a troubling trend of undermining local control and perpetuating racist agendas. The new law preventing local governments from restricting police officers’ authority disregards community efforts to address systemic issues of police violence and racial profiling.
The post Tennessee State University Board Disbanded by MAGA Loyalists as Assault on DE&I Continues first appeared on BlackPressUSA.

Published

4 weeks ago

April 3, 2024

Stacy M. Brown

By Stacy M. Brown, NNPA Newswire Senior National Correspondent
@StacyBrownMedia

Tennessee State University (TSU), the state’s only public historically Black college and university (HBCU), faces a tumultuous future as Gov. Bill Lee dissolved its board, a move supported by racist conservatives and MAGA Republicans in the Tennessee General Assembly, who follow the lead of the twice-impeached, four-times indicted, alleged sexual predator former President Donald Trump. Educators and others have denounced the move as an attack on diversity, equity, and inclusion (DE&I) and a grave setback for higher education.

Critics argue that TSU’s purported financial mismanagement is a manufactured crisis rooted in decades of underinvestment by the state government. They’ve noted that it continues a trend by conservatives and the racist MAGA movement to eliminate opportunities for Blacks in education, corporate America, and the public sector.

Gevin Reynolds, a former speechwriter for Vice President Kamala Harris, emphasizes in an op-ed that TSU’s financial difficulties are not the result of university leadership because a recent audit found no evidence of fraud or malfeasance.

Reynolds noted that the disbanding of TSU’s board is not an isolated incident but part of a broader assault on DE&I initiatives nationwide. Ten states, including Tennessee, have enacted laws banning DE&I policies on college campuses, while governors appointing MAGA loyalists to university trustee positions further undermine efforts to promote inclusivity and equality.

Moreover, recent legislative actions in Tennessee, such as repealing police reform measures enacted after the killing of Tyre Nichols, underscore a troubling trend of undermining local control and perpetuating racist agendas. The new law preventing local governments from restricting police officers’ authority disregards community efforts to address systemic issues of police violence and racial profiling.

The actions echo historical efforts to suppress Black progress, reminiscent of the violent backlash against gains made during the Reconstruction era. President Joe Biden warned during an appearance in New York last month that Trump desires to bring the nation back to the 18th and 19th centuries – in other words, to see, among other things, African Americans back in the chains of slavery, women subservient to men without any say over their bodies, and all voting rights restricted to white men.

The parallels are stark, with white supremacist ideologies used to justify attacks on Black institutions and disenfranchise marginalized communities, Reynolds argued.

In response to these challenges, advocates stress the urgency of collective action to defend democracy and combat systemic racism. Understanding that attacks on institutions like TSU are symptomatic of broader threats to democratic norms, they call for increased civic engagement and voting at all levels of government.

The actions of people dedicated to upholding the principles of inclusivity, equity, and justice for all will determine the outcome of the ongoing fight for democracy, Reynolds noted. “We are in a war for our democracy, one whose outcome will be determined by every line on every ballot at every precinct,” he stated.

The post Tennessee State University Board Disbanded by MAGA Loyalists as Assault on DE&I Continues first appeared on BlackPressUSA.

Stacy M. Brown

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Braxton Haulcy and the Expansion of Walker|West Music Academy

May 24, 2023 – Walker West Music Academy gets an early start on expansion. Join us for a Wednesday episode of The …
The post Braxton Haulcy and the Expansion of Walker|West Music Academy first appeared on BlackPressUSA.