Arts and Culture

Leader of Smithsonian’s African American Museum to Direct Entire Institution

Published

5 years ago

May 30, 2019

Heralded for the success of the museum he led from idea to fruition, Lonnie G. Bunch III is the first African American to lead the Smithsonian Institution.

Lonnie G. Bunch III, the museum leader who opened the Smithsonian’s National Museum of African American History and Culture to critical applause and huge crowds, will serve as the next secretary of the entire Smithsonian, its most senior position.

Bunch, 66, will be the first historian and the first African American to oversee the Smithsonian’s 19 museums and galleries, the National Zoological Park and research centers. He will take over on June 16, the Smithsonian announced Tuesday.

Mr. Bunch, who began his career in 1978 at the Smithsonian’s Air and Space Museum, said in an interview that, as the Smithsonians’s 14th secretary, he hoped to figure out how to make the institution “more effective in the digital space” so that it could reach a broader audience than those who might have the time to visit Washington.

“I want to help it transform America,” he said.

As founding director of the African-American museum, Mr. Bunch led a decade-long effort to create a space that would recognize the achievements of Black Americans, as well as the horrors of slavery and the struggle for civil rights. It fittingly opened on the National Mall in September 2016 at a ceremony at which President Barack Obama spoke.

“Lonnie Bunch guided, from concept to completion, the complex effort to build the premier museum celebrating African American achievements,” John G. Roberts Jr., Smithsonian chancellor and the chief justice of the United States, said in a statement. “I look forward to working with him as we approach the Smithsonian’s 175th anniversary, to increase its relevance and role as a beloved American institution and public trust.”

When Mr. Bunch joined the National Museum of African American History in 2005, he faced an uphill task: constructing a new museum from scratch, working with Congress to fund the museum, attracting big name donors and building a collection from nothing.

The result was a new public museum at the heart of Washington’s cultural landscape designed by the Tanzanian-born architect David Adjaye to evoke a crown motif from ancient Yoruban sculpture, or alternatively women’s hands lifted to the sky in prayer.

From the beginning, Mr. Bunch insisted he did not want to create a public space for a black audience only, but for all Americans. The African-American story, he said, was an American story, as central to the country’s narrative as any other, and understanding black history and culture is essential to understanding American history and culture.

Mr. Bunch said that he is open to the changes a successor might make at the museum he founded, but that one thing should not change: the mission of its being a museum that perceives its audience as all Americans. “That is the most important of all that we have done,” he said.

On Tuesday, the Smithsonian said the distinctive museum he had helped bring into being had gathered a collection of 40,000 objects and attracted 4 million visitors since it opened.

Many of the objects gathered by Mr. Bunch’s team were treasures donated by ordinary people. It ran an “Antiques Roadshow”-style project in 15 cities that encouraged people to give heirlooms from their closets and attics.

He was appointed to the secretary position following a search by an 11-member committee led by David Rubenstein, chairman of the Smithsonian Board of Regents, and Steve Case, its vice chairman.

Mr. Bunch replaces David J. Skorton, a cardiologist and former president of Cornell, who announced in December he was leaving his position to return to the world of health care and medicine as head of a nonprofit organization. He had served as secretary since July 2015.

Dr. Skorton had succeeded G. Wayne Clough, another former university president, who had led the Smithsonian for seven years.

Graham Bowley, The New York Times

Posts by Graham Bowley, The New York Times

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Arts and Culture

Richmond Preps for Full Weekend of Cinco de Mayo Festivities

Cinco de Mayo festivities in Richmond and San Pablo are some of the bests in Bay, and organizers say that tradition will be alive and well at this weekend’s annual parade and festival. The action kicks off Saturday, May 4, with the 16th Annual Cinco de Mayo Richmond/San Pablo Peace & Unity Parade. The parade of floats, performances, and community organizations starts at 10 a.m. at 24th Street and Barrett Avenue and Richmond and ends at 12:30 p.m. at St. Paul’s Church, 1845 Church Lane in San Pablo.

Published

9 hours ago

May 4, 2024

Oakland Post

Scene from the 2023 Cinco de Mayo parade from Richmond to San Pablo. Photo courtesy The Richmond Standard.

By Mike Kinney

The Richmond Standard

Cinco de Mayo festivities in Richmond and San Pablo are some of the bests in Bay, and organizers say that tradition will be alive and well at this weekend’s annual parade and festival.

The action kicks off Saturday, May 4, with the 16th Annual Cinco de Mayo Richmond/San Pablo Peace & Unity Parade. The parade of floats, performances, and community organizations starts at 10 a.m. at 24th Street and Barrett Avenue and Richmond and ends at 12:30 p.m. at St. Paul’s Church, 1845 Church Lane in San Pablo.

The parade’s Grand Marshall this year will be community organizer Diego Garcia, owner of Leftside Printing.

The festivities continue Sunday with the Cinco de Mayo Festival along 23rd Street, which last year drew over 100,000 people, according to the 23rd Street Merchants Association. This year’s festival will again run from 10 a.m. to 5 p.m. between the intersections of Rheem Avenue and Clinton Avenue. It will feature two entertainment stages, one sponsored by La Raza 93.3 FM at 23rd and Rheem, and another sponsored by Radio Lazer FM at 23rd and Clinton.

Both events are important for the city and the region’s Latino community.

San Pablo Mayor Genoveva Calloway, who co-chairs the parade alongside John Marquez, president of the Contra Costa Community College District Board of Trustees, says Saturday’s festivities are about bringing the Richmond and San Pablo communities together in unity.

“This truly connects the spectators and people in the parade as one,” Calloway said. “The parade showcases the real communities of Richmond and San Pablo – our nonprofits, schools, horse riders, classic cars and trucks, our local businesses. All of these people represent the heartbeat of our community.”

Rigo Mendoza, vice president of the 23rd Street Merchants Association, said that at its heart, Richmond’s Cinco de Mayo Festival celebrates the date the Mexican army’s victory over France at the Battle of Puebla on May 5, 1862.

But John Marquez started up the popular festival to bring the community together and also to exhibit the community’s businesses and culture to visitors, Mendoza said. The gathering was also a way to promote peace in the community.

Oakland Post

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Art

Mario Van Peebles’ ‘Outlaw Posse’ Screened at Oakland’s Grand Lake Theatre

Published

10 hours ago

May 4, 2024

Oakland Post

Film director Mario Van Peebles, who also stars in “Outlaw Posse,” appeared at a press conference held at RBA Creative on MacArthur Boulevard hosted by the Oakland International Film Festival. Photo By Carla Thomas.

By Carla Thomas

The Oakland International Film Festival hosted a screening of “Outlaw Posse” at the Grand Lake Theatre on Monday. Special guests included director/actor Mario Van Peebles and his co-star, Oakland native Scytorya Rhodes. The film is Peebles’ second western, the first being ‘Posse,’ 13 years ago. Filmmaker Van Peebles shared his passion for independent artistry and producing projects with his son, Mandela, who also starred in the film, along with Whoopi Goldberg and Cedric the Entertainer. Next week, The Post will publish an in-depth interview featuring Peebles’ reflections on his work, future projects, and continuing his father’s legacy and Rhodes on her grandfather, a real-life cowboy.

Oakland Post

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Arts and Culture

Kedrick Armstrong: New Music Director for the Oakland Symphony

The Oakland Symphony Announced Kedrick Armstrong as its Next Music Director. In addition to conducting the orchestra’s public concerts, Armstrong will also actively participate in the Oakland Symphony’s many education and community engagement programs, designed to inspire a love of music in people of all ages.

Published

2 weeks ago

April 20, 2024

Oakland Post

Kedrick Armstrong is the new music director for the Oakland Symphony. Photo credit Scott Chernis.

By Post Staff

The Oakland Symphony Announced Kedrick Armstrong as its Next Music Director.
In addition to conducting the orchestra’s public concerts, Armstrong will also actively participate in the Oakland Symphony’s many education and community engagement programs, designed to inspire a love of music in people of all ages.

Armstrong is the successor to previous music director and Conductor Michael Morgan, who passed away in 2021 after a 30-year tenure at the Symphony.

Armstrong will open the Oakland Symphony 2024-2025 season on October 18.

Armstrong, who is 29 and hails from Georgetown, South Carolina, is currently the creative partner and principal conductor of the Knox-Galesburg Symphony.

The Chicago Tribune has praised Armstrong for his ability to “simply let the score speak for itself.” He enjoys a wide range of repertoire, spanning early music to premiering new works, using his joy and curiosity for all music to cultivate understanding and collaboration within diverse communities.
“I am deeply honored and grateful for the opportunity to serve as the new music director of the Oakland Symphony,” Armstrong said. “As a Black conductor, I find it humbling to stand on the shoulders of both Michael Morgan and Calvin Simmons,” the most recent and the first African American music directors of the Symphony, respectively.

Armstrong led three programs at the Symphony between 2022 and early 2024, which showcased his broad knowledge of the classical repertoire and enthusiasm for spotlighting diverse voices.
On his Oakland Symphony subscription debut on Feb. 16, Armstrong led the world premiere of “Here I Stand: Paul Robeson,” an oratorio by Carlos Simon on a libretto by Dan Harder, commissioned by the Oakland Symphony.

Armstrong was selected unanimously by the Oakland Symphony’s board of directors and musicians after an extensive two-year search. “The search committee was overwhelmed by Kedrick’s scholarship and curiosity about all kinds of music, from classical and jazz to gospel and hip-hop,” said. Dr. Mieko Hatano, executive director of the Oakland Symphony. “We are thrilled to have him join us at the Oakland Symphony.”