#NNPA BlackPress
Inside the BMA’s Galleries and Exhibitions: Africa to the Americas
BIRMINGHAM TIMES — The Birmingham Museum of Art (BMA)—located at 2000 Rev. Abraham Woods Jr. Blvd., Birmingham, AL 35203—has more than 27,000 paintings, sculptures, prints, drawings, and decorative pieces representing diverse cultures: Asian, European, African, American, Pre-Columbian, Native American, and others.
By Erica Wright
The Birmingham Museum of Art (BMA)—located at 2000 Rev. Abraham Woods Jr. Blvd., Birmingham, AL 35203—has more than 27,000 paintings, sculptures, prints, drawings, and decorative pieces representing diverse cultures: Asian, European, African, American, Pre-Columbian, Native American, and others.
It also houses an extensive Contemporary Art Gallery and features a broad range of special exhibitions, including the currently running “Barbie: Dreaming of a Female Future” (Aug. 10, 2019 through Jan. 26, 2020, in the Arrington Gallery) and the soon to come “Ways of Seeing: Portrait” (Aug. 31, 2019, through March 8, 2020, in the Bohorfoush Gallery).
Here’s a closer look at some of the BMA’s galleries.
Contemporary Art
Contemporary art is defined as the art of today, produced by artists who are living in the 21st century. At the BMA, the contemporary art collections consist of artworks created after the 1970s up to today.
In the contemporary gallery, located on the first floor of the museum, hangs a large portrait of Birmingham-born artist Kerry James Marshall’s “School of Beauty, School of Culture.” The piece depicts a scene of black males and females in a beauty school, but its meaning is far more complex. It is a setting, familiar to most African Americans, that not only teaches a trade but also educates its clientele about African American culture through fellowship.
“When I was going through the permanent collection, I was very much thinking about the artists I know, love, and am familiar with, and then the different themes I’ve observed having been here in Birmingham,” said Hallie Ringle, the BMA’s Hugh Paul Curator of Contemporary Art, who has been in the Magic City since October 2018.
The work of prominent African American artists, many of whom hail from Birmingham and across the state of Alabama, are important in the gallery, said Ringle, who is responsible for planning exhibitions and caring for the permanent art collections.
“There are so many artists from Birmingham that I think are incredibly significant, like Joe Minter. We have his ‘Reparations Now’ piece; it’s a new acquisition,” she said. “I want to think about what labor meant. What does it mean to spend your whole life working for something, especially when that labor isn’t always visible or isn’t always credited? … I kept thinking about those things in terms of Birmingham. We see all these things happening around us, but who actually does [the work] and what does this mean in terms of a larger society?”
Aside from the “School of Beauty, School of Culture” and “Reparations Now” pieces, the Contemporary Art gallery features many other notable pieces, including a portrait of activist and Birmingham native Angela Davis titled “Revolutionary” by Wadsworth A. Jarrell. Words from her speeches—struggle, resist, black, beautiful, revolution—swirl around her and emanate from her hair.
In selecting works that will be displayed in the gallery, Ringle’s goal is to bring people closer to the artists.
“I want to recognize how they experience art wherever they are,” she said. “Birmingham is a very creative city. … Maybe it’s in a sign that you’ve seen or a mural that you painted or whatever you do in your life that’s creative and artistic.”
In addition to considering how she can connect viewers to the piece or the audience, Ringle does extensive research when selecting works for the gallery.
“My process is a little different from that of my colleagues because the artists are living for the most part. One of my favorite things to do is work with living artists and make sure their dreams are executed in our galleries,” she said. “Sometimes I pick art that’s on the walls. Sometimes I might commission an artist to make something. Sometimes it’ll be a work in our collection that already exists. For the pieces that are currently in the gallery, I picked some pieces that already existed in our collection and built a show around them.
“[For instance], I started with ‘Reparations Now’ … [and] ‘School of Beauty, School of Culture.’ Then I included [pieces from] Amy Sherald, [who was commissioned to paint the official portrait of former First Lady Michelle Obama for the Smithsonian Institution’s National Portrait Gallery]. [Then I added the] Angela Davis [piece], and I was like, ‘Oh, my God, these don’t make any sense together.’ Then I thought, ‘What are these really about?’ Even though it’s not always apparent, Amy Sherald’s [‘All Things Bright and Beautiful’] looks like a portrait and is a portrait, but it’s also about childhood, who we see as children, and, as a society, what we are protecting these children from—that is labor, often invisible labor.”
African, Native-American and Pre-Columbian
The BMA’s African, Native American, and Pre-Columbian galleries are on the second floor. Art from the pre-Columbian era line the walls, along with sculptures, paintings, and traditional clothing from that era. Farther down, the African and Native American galleries feature similar works, as well as head masks and a section of African ceramics.
“The African ceramics … are pretty new. We acquired a big collection of 403 African pots, so we decided to open a brand new gallery dedicated to just that art form,” said Emily Hanna, PhD, senior curator of the Arts of Africa and the Americas. “It’s really beautiful. People love to just stop, sit, and watch the video [of African women making pottery] in that section.”
The BMA has about 2,000 works of African art, which is much more than what’s on display. Because the collection is so large, Hanna changes the gallery out about every six months or so. She does the same with the pre-Columbian and Native American galleries.
“Anything that is fabric, works on paper, anything that is light-sensitive has to be changed out often. You just can’t leave them out [because they] will fade,” said Hanna. “Some of our galleries don’t change out; the things that change are for special exhibitions. In my galleries, I try to keep things moving. I have enough textiles that if you come every three to four months, you’re going to see something different.”
Hanna considers visitors who haven’t seen these types of work before and how they can connect to them.
“People might have preconceptions about [certain works] if they haven’t had the chance to visit, so you have a really short opportunity to capture people’s interests and get them to read a label if they wander in,” she said. “Maybe they’re interested in the way something looks, but think about it: How much time will you give a label or really take to learn something?
“That’s the challenge: to create an installation that will attract someone to look at and learn about something. A lot of people who saw [the movie] ‘Black Panther’ are now very interested in textiles, costumes, clothing, architecture, and Afro-futurism. [We offer] a window for people to come in and see if what we have here is what they saw in the film.”
The Birmingham Museum of Art is open Tuesday through Saturday, from 10 a.m. to 5 p.m., and Sunday, from noon until 5 p.m. For more information, call 205-254-2565; visit www.artsbma.org; or follow on Facebook @Birmingham Museum of Art and on Twitter and Instagram @Bhammuseum.
This article originally appeared in The Birmingham Times.
#NNPA BlackPress
A Nation in Freefall While the Powerful Feast: Trump Calls Affordability a ‘Con Job’
BLACKPRESSUSA NEWSWIRE — There are seasons in this country when the struggle of ordinary Americans is not merely a condition but a kind of weather that settles over everything.
By Stacy M. Brown
Black Press USA Senior National Correspondent
There are seasons in this country when the struggle of ordinary Americans is not merely a condition but a kind of weather that settles over everything. It enters the grocery aisle, the overdue bill, the rent notice, and the long nights spent calculating how to get through the next week. The latest numbers show that this season has not passed. It has deepened.
Private employers cut 32,000 jobs in November, according to ADP. Because the nation has been hemorrhaging jobs since President Trump took office, the administration has halted publishing the traditional monthly report. The ADP report revealed that small businesses suffered the heaviest losses. Establishments with fewer than 50 workers shed 120,000 positions, including 74,000 from companies with 20 to 49 workers. Larger firms added 90,000 jobs, widening the split between those rising and those falling.
Meanwhile, wealth continues to climb for the few who already possess most of it. Federal Reserve data shows the top 1 percent now holds $52 trillion. The top 10 percent added $5 trillion in the second quarter alone. The bottom half gained only 6 percent over the past year, a number so small it fades beside the towering fortunes above it.
“Less educated and poorer people tend to make worse mistakes,” John Campbell said to CBS News, while noting that the complexity of the system leaves many families lost before they even begin. Campbell, a Harvard University economist and coauthor of a book examining the country’s broken personal finance structure, pointed to a system built to confuse and punish those who lack time, training, or access.
“Creditors are just breathing down their necks,” Carol Fox told Bloomberg News, while noting that rising borrowing costs, shrinking consumer spending, and trade battles under the current administration have left owners desperate. Fox serves as a court-appointed Subchapter V trustee in Southern Florida and has watched the crisis unfold case by case.
During a cabinet meeting on Tuesday, Trump told those present that affordability “doesn’t mean anything to anybody.” He added that Democrats created a “con job” to mislead the public.
However, more than $30 million in taxpayer funds reportedly have supported his golf travel. Reports show Kristi Noem and FBI Director Kash Patel have also made extensive use of private jets through government and political networks. The administration approved a $40 billion bailout of Argentina. The president’s wealthy donors recently gathered for a dinner celebrating his planned $300 million White House ballroom.
During an appearance on CNBC, Mark Zandi, an economist, warned that the country could face serious economic threats. “We have learned that people make many mistakes,” Campbell added. “And particularly, sadly, less educated and poorer people tend to make worse mistakes.”
#NNPA BlackPress
The Numbers Behind the Myth of the Hundred Million Dollar Contract
BLACKPRESSUSA NEWSWIRE — Odell Beckham Jr. did not spark controversy on purpose. He sat on The Pivot Podcast and tried to explain the math behind a deal that looks limitless from the outside but shrinks fast once the system takes its cut.
By Stacy M. Brown
Black Press USA Senior National Correspondent
Odell Beckham Jr. did not spark controversy on purpose. He sat on The Pivot Podcast and tried to explain the math behind a deal that looks limitless from the outside but shrinks fast once the system takes its cut. He looked into the camera and tried to offer a truth most fans never hear. “You give somebody a five-year $100 million contract, right? What is it really? It is five years for sixty. You are getting taxed. Do the math. That is twelve million a year that you have to spend, use, save, invest, flaunt,” said Beckham. He added that buying a car, buying his mother a house, and covering the costs of life all chip away at what people assume lasts forever.
The reaction was instant. Many heard entitlement. Many heard a millionaire complaining. What they missed was a glimpse into a professional world built on big numbers up front and a quiet erasing of those numbers behind the scenes.
The tax data in Beckham’s world is not speculation. SmartAsset’s research shows that top NFL players often lose close to half their income to federal taxes, state taxes, and local taxes. The analysis explains that athletes in California face a state rate of 13.3 percent and that players are also taxed in every state where they play road games, a structure widely known as the jock tax. For many players, that means filing up to ten separate returns and facing a combined tax burden that reaches or exceeds 50 percent.
A look across the league paints the same picture. The research lists star players in New York, Philadelphia, Chicago, Detroit, and Cleveland, all giving up between 43 and 47 percent of their football income before they ever touch a dollar. Star quarterback Phillip Rivers, at one point, was projected to lose half of his playing income to taxes alone.
A second financial breakdown from MGO CPA shows that the problem does not only affect the highest earners. A $1 million salary falls to about $529,000 after federal taxes, state and city taxes, an agent fee, and a contract deduction. According to that analysis, professional athletes typically take home around half of their contract value, and that is before rent, meals, training, travel, and support obligations are counted.
The structure of professional sports contracts adds another layer. A study of major deals across MLB, the NBA, and the NFL notes that long-term agreements lose value over time because the dollar today has more power than the dollar paid in the future. Even the largest deals shrink once adjusted for time. The study explains that contract size alone does not guarantee financial success and that structure and timing play a crucial role in a player’s long-term outcomes.
Beckham has also faced headlines claiming he is “on the brink of bankruptcy despite earning over one hundred million” in his career. Those reports repeated his statement that “after taxes, it is only sixty million” and captured the disbelief from fans who could not understand how money at that level could ever tighten.
Other reactions lacked nuance. One article wrote that no one could relate to any struggle on eight million dollars a year. Another described his approach as “the definition of a new-money move” and argued that it signaled poor financial choices and inflated spending.
But the underlying truth reaches far beyond Beckham. Professional athletes enter sudden wealth without preparation. They carry the weight of family support. They navigate teams, agents, advisors, and expectations from every direction. Their earning window is brief. Their career can end in a moment. Their income is fragmented, taxed, and carved up before the public ever sees the real number.
The math is unflinching. Twenty million dollars becomes something closer to $8 million after federal taxes, state taxes, jock taxes, agent fees, training costs, and family responsibilities. Over five years, that is about $40 million of real, spendable income. It is transformative money, but not infinite. Not guaranteed. Not protected.
Beckham offered a question at the heart of this entire debate. “Can you make that last forever?”
#NNPA BlackPress
FBI Report Warns of Fear, Paralysis, And Political Turmoil Under Director Kash Patel
BLACKPRESSUSA NEWSWIRE — Six months into Kash Patel’s tenure as Director of the Federal Bureau of Investigation, a newly compiled internal report from a national alliance of retired and active-duty FBI agents and analysts delivers a stark warning about what the Bureau has become under his leadership.
Six months into Kash Patel’s tenure as Director of the Federal Bureau of Investigation, a newly compiled internal report from a national alliance of retired and active-duty FBI agents and analysts delivers a stark warning about what the Bureau has become under his leadership. The 115-page document, submitted to Congress this month, is built entirely on verified reporting from inside field offices across the country and paints a picture of an agency gripped by fear, divided by ideology, and drifting without direction.
The report’s authors write that they launched their inquiry after receiving troubling accounts from inside the Bureau only four months into Patel’s tenure. They describe their goal as a pulse check on whether the ninth FBI director was reforming the Bureau or destabilizing it. Their conclusion: the preliminary findings were discouraging.
Reports Describe Widespread Internal Distrust and Open Hostility Toward President Trump
Sources across the country told investigators that a large number of FBI employees openly express hostility toward President Donald Trump. One source reported seeing an “increasing number of FBI Special Agents who dislike the President,” adding that these employees were exhibiting what they called “TDS” and had lost “their ability to think critically about an issue and distinguish fact from fiction.” Another source described employees making off-color comments about the administration during office conversations.
The sentiment reportedly extends beyond domestic lines. Law enforcement and intelligence partners in allied countries have privately expressed fear that the Trump administration could damage long-term international cooperation according to a sub-source who reported those concerns directly to investigators.
Pardon Backlash and Fear of Retaliation
The President’s January 20 pardons of individuals convicted for their roles in the January 6 attack ignited what the report calls demoralization inside the Bureau. One FBI employee said they were “demoralized” that individuals “rightfully convicted” were pardoned and feared that some of those individuals or their supporters might target them or their family for carrying out their duties. Another source described widespread anger that lists of personnel who worked on January 6 investigations had been provided to the Justice Department for review, noting that agents “were just following orders” and now worry those lists could leak publicly.
Morale In Decline
Morale among FBI employees appears to be sinking fast. There were a few scattered positive notes, but the weight of the reporting describes morale as low, bad, or terrible. Agents with more than a decade of service told investigators they feel marginalized or ignored. Some are counting the days until they can retire. One even uses a countdown app on their phone.
Culture Of Fear
Layered over that unhappiness is something far more corrosive. A culture of fear. Sources say Patel, though personable, created mistrust from the start because of harsh remarks he made about the FBI before taking office. Agents took those comments personally. They now work in an atmosphere where employees keep their heads down and speak carefully. Managers wait for directions because they are afraid a wrong move could cost them their jobs. One source said agents dread coming to work because nobody knows who will be reassigned or fired next.
Leadership Concerns
The report also paints a picture of leaders unprepared for the jobs they hold. Multiple sources said Patel is in over his head and lacks the breadth of experience required to understand the Bureau’s complex programs. Some said Deputy Director Dan Bongino should never have been appointed because the role requires deep institutional knowledge of FBI operations. A sub-source recounted Bongino telling employees during a field office visit that “the truth is for chumps.” Employees who heard it were stunned and offended.
Social Media and Communication Breakdowns
Communication inside the Bureau has become another source of frustration. Sources said Patel and Bongino spend too much time posting on social media and not enough time communicating with employees in clear and official ways. Several told investigators they learn more about FBI operations from tweets than from internal channels.
ICE Assignments Raise Alarm
Nothing has sparked more frustration inside the FBI than the orders requiring agents to assist Immigration and Customs Enforcement. The reporting shows widespread resentment and fear over these assignments. Agents say they have little training in immigration law and were ordered into operations without proper planning. Some said they were put in tactically unsafe positions. They also warned that being pulled away from counterterrorism and counterintelligence investigations threatens national security. One sub-source asked, “If we’re not working CT and CI, then who is?”
DEI Program Removal
Even the future of diversity programs became a point of division. Some agents praised Patel’s removal of DEI initiatives. Others said the old system left them afraid to speak honestly because they worried about being labeled racist. The reporting shows a deep and unresolved conflict over whether DEI strengthened the organization or weakened it.
Notable Incidents
The document also details several incidents that have become part of FBI lore. Patel ordered all employees to remove pronouns and personal messages from their email signatures yet used the number nine in his own. Agents laughed at what they saw as hypocrisy. In another episode, FBI employees who discussed Patel’s request for an FBI-issued firearm were ordered to take polygraph examinations, which one respected source described as punitive. And in Utah, Patel refused to exit a plane without a medium-sized FBI raid jacket. A team scrambled to find one and finally secured a female agent’s jacket. Patel still refused to step out until patches were added. SWAT members removed patches from their own uniforms to satisfy the demand.
A Bureau at a Crossroad
The Alliance warns that the Bureau stands at a difficult crossroads. They write that the FBI faces some of the most daunting challenges in its history. But even in despair, a few voices say something different. One veteran source said “It is early, but most can see the mission is now the priority. Case work and threats are the focus again. Reform is headed in the right direction.”
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