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BMA’s Barbie Exhibit: How Society Views Beauty and Women of Color

BIRMINGHAM TIMES — What has Barbie done for you, and what has Barbie done to you? These are the questions curators at the Birmingham Museum of Art (BMA) want visitors to ponder as they explore the new exhibit “Barbie: Dreaming of a Female Future.” The exhibition, which opened on August 10 and will be open through January 2020, takes a critical look at Barbie as toy-manufacturing company Mattel marks the 60th anniversary of the iconic doll.

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Barbie: Dreaming of a Female Future, depicting a view of a modern Barbie's house is displayed at the Birmingham Museum of Art. (Photo by: Mark Almond)

By Javacia Harris Bowser

What has Barbie done for you, and what has Barbie done to you?

These are the questions curators at the Birmingham Museum of Art (BMA) want visitors to ponder as they explore the new exhibit “Barbie: Dreaming of a Female Future.”

The exhibition, which opened on August 10 and will be open through January 2020, takes a critical look at Barbie as toy-manufacturing company Mattel marks the 60th anniversary of the iconic doll.

While Barbie has sparked the imaginations of children around the world for six decades, the doll has also promoted narrow beauty standards and body ideals that are unattainable for most women, particularly for girls and women of color. The exhibit is the brainchild of Hallie Ringle, the BMA’s Hugh Paul Curator of Contemporary Art.

“Many of us have a very complicated relationship with Barbie,” Ringle said. “While she is very much a figure promoting white womanhood and white standards of beauty, she was also the only doll—for many years, at least—that was telling girls to aspire to different careers; telling girls they didn’t have to have a Ken in their life, that their existence didn’t have to rely on a man or a baby, and that they could build their own spaces.”

Black Barbie

For the exhibit, Ringle wanted to create a literal space for visitors to explore as they examined their relationship to Barbie. The first Barbie Dreamhouse launched in 1962, and for this exhibit Ringle called on interior designers from the Chattanooga, Tenn.-based Studio BOCA to create a life-size Barbie Dreamhouse in the BMA’s Arrington Gallery that guests can walk through and view contemporary art inspired by the doll.

Ringle said one of her inspirations for the exhibit was the work of Atlanta, Ga-based photographic artist Sheila Pree Bright, whose pieces hang over the sofa in Barbie’s BMA living room. These works are from Bright’s 2003 collection “Plastic Bodies,” which explores the complex relationship women of color have with white beauty standards by combining images of real women’s faces and bodies with those of Barbie dolls.

“I started looking at how multiethnic women perceived themselves when it came to beauty and looking at African American women and how they viewed themselves and their bodies based on the Western concepts and narrative,” Bright explained to The Birmingham Times.

Though Bright didn’t play with Barbie dolls herself as a child, thinking of American beauty standards led her to thinking of Mattel’s mainstay.

“Barbie is a cultural icon and the most popular doll in America. Even to this day, it’s the number-one fashion doll,” Bright said. “So, I started looking at how this applied to society’s views of beauty and women, especially women of color.”

Bright believes that in popular American culture, the essence of natural beauty is replaced by fantasy, a fantasy of which Barbie is both a product and promotion.

“In the media, we fabricate the illusion of the perfect body or beauty, even with the Barbie doll, and it’s rooted in Western concepts,” Bright said. “As a society, we get caught up in this illusion. I think that, as a metaphor, Barbie has become human and we have become plastic.”

Bright pointed out that even as voluptuous shapes and sizes have become more celebrated in mainstream media, this too has an element of artificiality. The American Society of Plastic Surgeons estimates that buttock augmentation surgery increased by 252 percent between the years 2000 and 2015. And it’s not lost on Bright that rapper Nicki Minaj calls herself “Black Barbie.”

Barbie has had black friends since the release of Christie in 1968. The first diverse dolls named “Barbie” were released in 1980, and Barbie’s Dolls of the World collection hit shelves in 1981. It wasn’t until 2016 that Mattel introduced three new Barbie body types: curvy, petite, and tall. According to the company’s website, the new body types were meant to “reflect the world girls see today.” The launch landed Barbie on the cover of Time magazine.

This year, Mattel debuted a doll with a prosthetic leg and another that comes with a wheelchair as part of the 2019 Barbie Fashionista line, which aims to offer youngsters more diverse representations of beauty. Nonetheless, Bright is not convinced that the message Barbie conveys has changed, especially when she browses Barbie’s social media influencer style Instagram account @BarbieStyle.

“When you look at the images on their Instagram, you still see that Western narrative,” Bright said. “They’re not promoting those body types. It’s the same old narrative and a few different ethnic dolls as Barbie’s friends. So, what has changed?”

Click to view slideshow.

Barbie’s Dreamhouse

The BMA’s “Barbie: Dreaming of a Female Future” was created to be an interactive exhibit. There are no “Please Do Not Touch” signs in Barbie’s Dreamhouse. Visitors are encouraged to make themselves at home. Guests can lounge on the sofa in Barbie’s living room or go to the sitting room and watch artist Lauren Kelley’s thought-provoking video vignettes. There are iPads visitors can use to scroll through to learn more about the exhibit.

Barbie’s library is stocked with feminist literature by the likes of Margaret Atwood, Naomi Wolf, and Betty Friedan. There are children’s books, too, such as “Malala’s Magic Pencil” by Malala Yousafzai. Ringle has said her dream is to find people reading to their children in the exhibit. Kids can also have a make-believe meal in Barbie’s dining room and even write a letter to Barbie at her computer.

Visitors can check their makeup or hair at Barbie’s vanity in her dressing room, which features glowing furniture by Kim Markel. Then they can strike a pose in front of the Grace Hartigan painting hanging in Barbie’s foyer or the rhinestone-studded pink wallpaper by the New York design studio Flat Vernacular.

Artists from Flat Vernacular also created the eye-catching work that hangs just outside Barbie’s Dreamhouse. “If the Shoe Fits” reimagines a mariner’s quilt with hundreds of Barbie shoes to honor and highlight women’s labor in the American South.

Studio BOCA, the architectural and interior design company tasked with building Barbie’s Dreamhouse for the exhibit, is run by sisters Kate Taylor Boehm and Kirby Caldwell.

“We just wanted to honor the process of female imagination,” Boehm said. “So, we figured rather than trying to convey a particular message, our approach would be just to incorporate the work of all female designers.”

Fond Memories

Boehm and Caldwell played with Barbie dolls as girls, and their memories of Barbie are mostly fond ones.

“She was just this strong female lead. When we were growing up in the 1980s, almost all movies had these male leads, and the female characters were all secondary,” Boehm said. “Barbie was a place where we could write our own story and have the female be the hero.”

Through Barbie, these two sisters also began to imagine themselves as business owners, a dream they would eventually make come true.

“Barbie planted a lot of seeds in our heads of what it meant to be a career woman and have a vision and have drive,” Caldwell said.

Boehm, however, does have a memory of one day looking at her thighs when she was only 7 years old and thinking they were too big: “I guess that may have had something to do with seeing Barbie’s unrealistic thighs for so many years, but I never had a moment where I was like, ‘Oh I wish I looked like Barbie.’ It wasn’t really about that for me.”

It was about imagination.

“She was this blank canvas to which we could apply our imagination,” Boehm said. “Once we got a taste of being career women, even if it was only in our imaginations, there was no going back.”

A Female Future

The title of the exhibit is a nod to the phrase “The future is female,” which was first used in the 1970s but gained mainstream popularity in the past few years as it’s shown up on social media, T-shirts, lapel pins, and onesies. The phrase was adopted by supporters of former First Lady and U.S. Secretary of State Hillary Clinton during her historic run for president and has even been used by Clinton herself.

“A female future to me means control over our bodies and future and lives,” Ringle said, adding that she hopes the exhibit, filled with works by female artists and designers, will help visitors dream of that day. She also hopes men who view the exhibit will recognize the role and importance of womanhood in their own lives.

In 2018, the Barbie brand launched The Dream Gap Project, a global initiative aimed at giving girls the resources and role models they need to dream big and make those dreams come true.

“The exhibit really is just a celebration of people who have had the opportunity for their dreams to become reality and for their visions to be made tangible,” Boehm said. “It’s an expression of our hope that every person and, especially for this moment, every young girl will have the opportunity for her dreams to be made real at some point in her life.”

“Barbie: Dreaming of a Female Future,” on exhibit through Jan. 26, 2020, in the Birmingham Museum of Art’s Arrington Gallery

This article originally appeared in The Birmingham Times.

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A Nation in Freefall While the Powerful Feast: Trump Calls Affordability a ‘Con Job’

BLACKPRESSUSA NEWSWIRE — There are seasons in this country when the struggle of ordinary Americans is not merely a condition but a kind of weather that settles over everything.

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By Stacy M. Brown
Black Press USA Senior National Correspondent

There are seasons in this country when the struggle of ordinary Americans is not merely a condition but a kind of weather that settles over everything. It enters the grocery aisle, the overdue bill, the rent notice, and the long nights spent calculating how to get through the next week. The latest numbers show that this season has not passed. It has deepened.

Private employers cut 32,000 jobs in November, according to ADP. Because the nation has been hemorrhaging jobs since President Trump took office, the administration has halted publishing the traditional monthly report. The ADP report revealed that small businesses suffered the heaviest losses. Establishments with fewer than 50 workers shed 120,000 positions, including 74,000 from companies with 20 to 49 workers. Larger firms added 90,000 jobs, widening the split between those rising and those falling.

Meanwhile, wealth continues to climb for the few who already possess most of it. Federal Reserve data shows the top 1 percent now holds $52 trillion. The top 10 percent added $5 trillion in the second quarter alone. The bottom half gained only 6 percent over the past year, a number so small it fades beside the towering fortunes above it.

“Less educated and poorer people tend to make worse mistakes,” John Campbell said to CBS News, while noting that the complexity of the system leaves many families lost before they even begin. Campbell, a Harvard University economist and coauthor of a book examining the country’s broken personal finance structure, pointed to a system built to confuse and punish those who lack time, training, or access.

“Creditors are just breathing down their necks,” Carol Fox told Bloomberg News, while noting that rising borrowing costs, shrinking consumer spending, and trade battles under the current administration have left owners desperate. Fox serves as a court-appointed Subchapter V trustee in Southern Florida and has watched the crisis unfold case by case.

During a cabinet meeting on Tuesday, Trump told those present that affordability “doesn’t mean anything to anybody.” He added that Democrats created a “con job” to mislead the public.

However, more than $30 million in taxpayer funds reportedly have supported his golf travel. Reports show Kristi Noem and FBI Director Kash Patel have also made extensive use of private jets through government and political networks. The administration approved a $40 billion bailout of Argentina. The president’s wealthy donors recently gathered for a dinner celebrating his planned $300 million White House ballroom.

During an appearance on CNBC, Mark Zandi, an economist, warned that the country could face serious economic threats. “We have learned that people make many mistakes,” Campbell added. “And particularly, sadly, less educated and poorer people tend to make worse mistakes.”

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The Numbers Behind the Myth of the Hundred Million Dollar Contract

BLACKPRESSUSA NEWSWIRE — Odell Beckham Jr. did not spark controversy on purpose. He sat on The Pivot Podcast and tried to explain the math behind a deal that looks limitless from the outside but shrinks fast once the system takes its cut.

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By Stacy M. Brown
Black Press USA Senior National Correspondent

Odell Beckham Jr. did not spark controversy on purpose. He sat on The Pivot Podcast and tried to explain the math behind a deal that looks limitless from the outside but shrinks fast once the system takes its cut. He looked into the camera and tried to offer a truth most fans never hear. “You give somebody a five-year $100 million contract, right? What is it really? It is five years for sixty. You are getting taxed. Do the math. That is twelve million a year that you have to spend, use, save, invest, flaunt,” said Beckham. He added that buying a car, buying his mother a house, and covering the costs of life all chip away at what people assume lasts forever.

The reaction was instant. Many heard entitlement. Many heard a millionaire complaining. What they missed was a glimpse into a professional world built on big numbers up front and a quiet erasing of those numbers behind the scenes.

The tax data in Beckham’s world is not speculation. SmartAsset’s research shows that top NFL players often lose close to half their income to federal taxes, state taxes, and local taxes. The analysis explains that athletes in California face a state rate of 13.3 percent and that players are also taxed in every state where they play road games, a structure widely known as the jock tax. For many players, that means filing up to ten separate returns and facing a combined tax burden that reaches or exceeds 50 percent.

A look across the league paints the same picture. The research lists star players in New York, Philadelphia, Chicago, Detroit, and Cleveland, all giving up between 43 and 47 percent of their football income before they ever touch a dollar. Star quarterback Phillip Rivers, at one point, was projected to lose half of his playing income to taxes alone.

A second financial breakdown from MGO CPA shows that the problem does not only affect the highest earners. A $1 million salary falls to about $529,000 after federal taxes, state and city taxes, an agent fee, and a contract deduction. According to that analysis, professional athletes typically take home around half of their contract value, and that is before rent, meals, training, travel, and support obligations are counted.

The structure of professional sports contracts adds another layer. A study of major deals across MLB, the NBA, and the NFL notes that long-term agreements lose value over time because the dollar today has more power than the dollar paid in the future. Even the largest deals shrink once adjusted for time. The study explains that contract size alone does not guarantee financial success and that structure and timing play a crucial role in a player’s long-term outcomes.

Beckham has also faced headlines claiming he is “on the brink of bankruptcy despite earning over one hundred million” in his career. Those reports repeated his statement that “after taxes, it is only sixty million” and captured the disbelief from fans who could not understand how money at that level could ever tighten.

Other reactions lacked nuance. One article wrote that no one could relate to any struggle on eight million dollars a year. Another described his approach as “the definition of a new-money move” and argued that it signaled poor financial choices and inflated spending.

But the underlying truth reaches far beyond Beckham. Professional athletes enter sudden wealth without preparation. They carry the weight of family support. They navigate teams, agents, advisors, and expectations from every direction. Their earning window is brief. Their career can end in a moment. Their income is fragmented, taxed, and carved up before the public ever sees the real number.

The math is unflinching. Twenty million dollars becomes something closer to $8 million after federal taxes, state taxes, jock taxes, agent fees, training costs, and family responsibilities. Over five years, that is about $40 million of real, spendable income. It is transformative money, but not infinite. Not guaranteed. Not protected.

Beckham offered a question at the heart of this entire debate. “Can you make that last forever?”

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FBI Report Warns of Fear, Paralysis, And Political Turmoil Under Director Kash Patel

BLACKPRESSUSA NEWSWIRE — Six months into Kash Patel’s tenure as Director of the Federal Bureau of Investigation, a newly compiled internal report from a national alliance of retired and active-duty FBI agents and analysts delivers a stark warning about what the Bureau has become under his leadership.

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By Stacy M. Brown
Black Press USA Senior National Correspondent

Six months into Kash Patel’s tenure as Director of the Federal Bureau of Investigation, a newly compiled internal report from a national alliance of retired and active-duty FBI agents and analysts delivers a stark warning about what the Bureau has become under his leadership. The 115-page document, submitted to Congress this month, is built entirely on verified reporting from inside field offices across the country and paints a picture of an agency gripped by fear, divided by ideology, and drifting without direction.

The report’s authors write that they launched their inquiry after receiving troubling accounts from inside the Bureau only four months into Patel’s tenure. They describe their goal as a pulse check on whether the ninth FBI director was reforming the Bureau or destabilizing it. Their conclusion: the preliminary findings were discouraging.

Reports Describe Widespread Internal Distrust and Open Hostility Toward President Trump

Sources across the country told investigators that a large number of FBI employees openly express hostility toward President Donald Trump. One source reported seeing an “increasing number of FBI Special Agents who dislike the President,” adding that these employees were exhibiting what they called “TDS” and had lost “their ability to think critically about an issue and distinguish fact from fiction.” Another source described employees making off-color comments about the administration during office conversations.

The sentiment reportedly extends beyond domestic lines. Law enforcement and intelligence partners in allied countries have privately expressed fear that the Trump administration could damage long-term international cooperation according to a sub-source who reported those concerns directly to investigators.

Pardon Backlash and Fear of Retaliation

The President’s January 20 pardons of individuals convicted for their roles in the January 6 attack ignited what the report calls demoralization inside the Bureau. One FBI employee said they were “demoralized” that individuals “rightfully convicted” were pardoned and feared that some of those individuals or their supporters might target them or their family for carrying out their duties. Another source described widespread anger that lists of personnel who worked on January 6 investigations had been provided to the Justice Department for review, noting that agents “were just following orders” and now worry those lists could leak publicly.  

Morale In Decline

Morale among FBI employees appears to be sinking fast. There were a few scattered positive notes, but the weight of the reporting describes morale as low, bad, or terrible. Agents with more than a decade of service told investigators they feel marginalized or ignored. Some are counting the days until they can retire. One even uses a countdown app on their phone.  

Culture Of Fear

Layered over that unhappiness is something far more corrosive. A culture of fear. Sources say Patel, though personable, created mistrust from the start because of harsh remarks he made about the FBI before taking office. Agents took those comments personally. They now work in an atmosphere where employees keep their heads down and speak carefully. Managers wait for directions because they are afraid a wrong move could cost them their jobs. One source said agents dread coming to work because nobody knows who will be reassigned or fired next.

Leadership Concerns

The report also paints a picture of leaders unprepared for the jobs they hold. Multiple sources said Patel is in over his head and lacks the breadth of experience required to understand the Bureau’s complex programs. Some said Deputy Director Dan Bongino should never have been appointed because the role requires deep institutional knowledge of FBI operations. A sub-source recounted Bongino telling employees during a field office visit that “the truth is for chumps.” Employees who heard it were stunned and offended.

Social Media and Communication Breakdowns

Communication inside the Bureau has become another source of frustration. Sources said Patel and Bongino spend too much time posting on social media and not enough time communicating with employees in clear and official ways. Several told investigators they learn more about FBI operations from tweets than from internal channels.

ICE Assignments Raise Alarm

Nothing has sparked more frustration inside the FBI than the orders requiring agents to assist Immigration and Customs Enforcement. The reporting shows widespread resentment and fear over these assignments. Agents say they have little training in immigration law and were ordered into operations without proper planning. Some said they were put in tactically unsafe positions. They also warned that being pulled away from counterterrorism and counterintelligence investigations threatens national security. One sub-source asked, “If we’re not working CT and CI, then who is?”  

DEI Program Removal

Even the future of diversity programs became a point of division. Some agents praised Patel’s removal of DEI initiatives. Others said the old system left them afraid to speak honestly because they worried about being labeled racist. The reporting shows a deep and unresolved conflict over whether DEI strengthened the organization or weakened it.

Notable Incidents

The document also details several incidents that have become part of FBI lore. Patel ordered all employees to remove pronouns and personal messages from their email signatures yet used the number nine in his own. Agents laughed at what they saw as hypocrisy. In another episode, FBI employees who discussed Patel’s request for an FBI-issued firearm were ordered to take polygraph examinations, which one respected source described as punitive. And in Utah, Patel refused to exit a plane without a medium-sized FBI raid jacket. A team scrambled to find one and finally secured a female agent’s jacket. Patel still refused to step out until patches were added. SWAT members removed patches from their own uniforms to satisfy the demand.

A Bureau at a Crossroad

The Alliance warns that the Bureau stands at a difficult crossroads. They write that the FBI faces some of the most daunting challenges in its history. But even in despair, a few voices say something different. One veteran source said “It is early, but most can see the mission is now the priority. Case work and threats are the focus again. Reform is headed in the right direction.”  

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