Arts and Culture

Book Review: “We Speak for Ourselves: A Word From Forgotten Black America”

Published

5 years ago

April 29, 2019

You could be rich someday.

That’s what they say: you could have a great job, a nice car, and a crib on the beach, if you want them. They say it could happen, if you seize opportunities that come your way. They say it’s possible to be successful if you just pull yourself up by some imaginary bootstraps. And according to D. Watkins in his new book “We Speak for Ourselves,” they are lying.

Oprah, Jay-Z, Beyonce, Kanye. Of course, you know who they are but did you ever notice that they aren’t like most black people?

That’s something D. Watkins sees in the books he reads on race, in the TV he watches, and events he attends: there are “different types of black people” and when it comes to news and “maybe even in society…. People from the street are absent…”

In Watkins’ world – “Down Bottom” in Baltimore – gunshot is a common background noise. It’s also common for multiple generations of black men to die by bullets, for girls to get pregnant early, and for boys to sling drugs.

What else do they know, except what they see? Kids on the street are not “dumb,” he says, but a “street hustler mentality” is given to them as a sort of heritage because there aren’t a lot of choices, opportunities are few, and the need for money is powerful. It doesn’t help that education for black students is often underfunded, proper nourishment is sometimes lacking, housing may be sub-par, “open-air drug markets are real,” cops can be “more crooked than the crooks,” and “Black Taxes” exist.

And yet – Watkins is proof that success is possible, but it’ll take action: promote literacy. Teach a child something. Get to know people who are different than you. “Be the person you needed growing up.” Speak up, but remember that your voice won’t mean a thing “if action is not added to those words.”

Sometimes it happens: your eyes are open but you can’t see. When author D. Watkins writes, though, you’re smacked with the very thing you’re missing.

Watkins, who starts “We Speak for Ourselves” with a cocktail party attended by elite blacks, turns his attention quickly to the majority of black people he knows, none of whom are rich or famous. This tour, if you will, takes readers into his neighborhood through a voice that quietly hammers home the realities of privilege, inequality, poverty, and feelings of helplessness, but Watkins doesn’t let us linger there.

Observant readers will find simple actions for change-making, and reminders that we always hold the power to act. There’s quiet advice for keeping a cool head when wrongs are presented, and a gently-urgent plea that differently-backgrounded people spend time together. There’s also one hilariously subtle thread of humor, so look for it.

No matter which part of the sidewalk you occupy, this short, quick book is a must-read if you worry about our future. “We Speak for Ourselves” offers the beginnings of a map forward, and in thought-provoking ideas, it’s rich.

“We Speak for Ourselves: A Word from Forgotten Black America” by D. Watkins, c.2019, Atria, $26.00 / $35.00 Canada, 208 pages.

Terri Schlichenmeyer, The Bookworm Sez

Posts by Terri Schlichenmeyer, The Bookworm Sez

Arts and Culture

Richmond Preps for Full Weekend of Cinco de Mayo Festivities

Cinco de Mayo festivities in Richmond and San Pablo are some of the bests in Bay, and organizers say that tradition will be alive and well at this weekend’s annual parade and festival. The action kicks off Saturday, May 4, with the 16th Annual Cinco de Mayo Richmond/San Pablo Peace & Unity Parade. The parade of floats, performances, and community organizations starts at 10 a.m. at 24th Street and Barrett Avenue and Richmond and ends at 12:30 p.m. at St. Paul’s Church, 1845 Church Lane in San Pablo.

Published

1 day ago

May 4, 2024

Oakland Post

Scene from the 2023 Cinco de Mayo parade from Richmond to San Pablo. Photo courtesy The Richmond Standard.

By Mike Kinney

The Richmond Standard

Cinco de Mayo festivities in Richmond and San Pablo are some of the bests in Bay, and organizers say that tradition will be alive and well at this weekend’s annual parade and festival.

The action kicks off Saturday, May 4, with the 16th Annual Cinco de Mayo Richmond/San Pablo Peace & Unity Parade. The parade of floats, performances, and community organizations starts at 10 a.m. at 24th Street and Barrett Avenue and Richmond and ends at 12:30 p.m. at St. Paul’s Church, 1845 Church Lane in San Pablo.

The parade’s Grand Marshall this year will be community organizer Diego Garcia, owner of Leftside Printing.

The festivities continue Sunday with the Cinco de Mayo Festival along 23rd Street, which last year drew over 100,000 people, according to the 23rd Street Merchants Association. This year’s festival will again run from 10 a.m. to 5 p.m. between the intersections of Rheem Avenue and Clinton Avenue. It will feature two entertainment stages, one sponsored by La Raza 93.3 FM at 23rd and Rheem, and another sponsored by Radio Lazer FM at 23rd and Clinton.

Both events are important for the city and the region’s Latino community.

San Pablo Mayor Genoveva Calloway, who co-chairs the parade alongside John Marquez, president of the Contra Costa Community College District Board of Trustees, says Saturday’s festivities are about bringing the Richmond and San Pablo communities together in unity.

“This truly connects the spectators and people in the parade as one,” Calloway said. “The parade showcases the real communities of Richmond and San Pablo – our nonprofits, schools, horse riders, classic cars and trucks, our local businesses. All of these people represent the heartbeat of our community.”

Rigo Mendoza, vice president of the 23rd Street Merchants Association, said that at its heart, Richmond’s Cinco de Mayo Festival celebrates the date the Mexican army’s victory over France at the Battle of Puebla on May 5, 1862.

But John Marquez started up the popular festival to bring the community together and also to exhibit the community’s businesses and culture to visitors, Mendoza said. The gathering was also a way to promote peace in the community.

Oakland Post

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Art

Mario Van Peebles’ ‘Outlaw Posse’ Screened at Oakland’s Grand Lake Theatre

Published

1 day ago

May 4, 2024

Oakland Post

Film director Mario Van Peebles, who also stars in “Outlaw Posse,” appeared at a press conference held at RBA Creative on MacArthur Boulevard hosted by the Oakland International Film Festival. Photo By Carla Thomas.

By Carla Thomas

The Oakland International Film Festival hosted a screening of “Outlaw Posse” at the Grand Lake Theatre on Monday. Special guests included director/actor Mario Van Peebles and his co-star, Oakland native Scytorya Rhodes. The film is Peebles’ second western, the first being ‘Posse,’ 13 years ago. Filmmaker Van Peebles shared his passion for independent artistry and producing projects with his son, Mandela, who also starred in the film, along with Whoopi Goldberg and Cedric the Entertainer. Next week, The Post will publish an in-depth interview featuring Peebles’ reflections on his work, future projects, and continuing his father’s legacy and Rhodes on her grandfather, a real-life cowboy.

Oakland Post

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Arts and Culture

Kedrick Armstrong: New Music Director for the Oakland Symphony

The Oakland Symphony Announced Kedrick Armstrong as its Next Music Director. In addition to conducting the orchestra’s public concerts, Armstrong will also actively participate in the Oakland Symphony’s many education and community engagement programs, designed to inspire a love of music in people of all ages.

Published

2 weeks ago

April 20, 2024

Oakland Post

Kedrick Armstrong is the new music director for the Oakland Symphony. Photo credit Scott Chernis.

By Post Staff

The Oakland Symphony Announced Kedrick Armstrong as its Next Music Director.
In addition to conducting the orchestra’s public concerts, Armstrong will also actively participate in the Oakland Symphony’s many education and community engagement programs, designed to inspire a love of music in people of all ages.

Armstrong is the successor to previous music director and Conductor Michael Morgan, who passed away in 2021 after a 30-year tenure at the Symphony.

Armstrong will open the Oakland Symphony 2024-2025 season on October 18.

Armstrong, who is 29 and hails from Georgetown, South Carolina, is currently the creative partner and principal conductor of the Knox-Galesburg Symphony.

The Chicago Tribune has praised Armstrong for his ability to “simply let the score speak for itself.” He enjoys a wide range of repertoire, spanning early music to premiering new works, using his joy and curiosity for all music to cultivate understanding and collaboration within diverse communities.
“I am deeply honored and grateful for the opportunity to serve as the new music director of the Oakland Symphony,” Armstrong said. “As a Black conductor, I find it humbling to stand on the shoulders of both Michael Morgan and Calvin Simmons,” the most recent and the first African American music directors of the Symphony, respectively.

Armstrong led three programs at the Symphony between 2022 and early 2024, which showcased his broad knowledge of the classical repertoire and enthusiasm for spotlighting diverse voices.
On his Oakland Symphony subscription debut on Feb. 16, Armstrong led the world premiere of “Here I Stand: Paul Robeson,” an oratorio by Carlos Simon on a libretto by Dan Harder, commissioned by the Oakland Symphony.

Armstrong was selected unanimously by the Oakland Symphony’s board of directors and musicians after an extensive two-year search. “The search committee was overwhelmed by Kedrick’s scholarship and curiosity about all kinds of music, from classical and jazz to gospel and hip-hop,” said. Dr. Mieko Hatano, executive director of the Oakland Symphony. “We are thrilled to have him join us at the Oakland Symphony.”