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Radio personality Jasmine Sanders gets intimate

ROLLINGOUT — Jasmine Sanders is a media maven known for her powerful voice, warm spirit and infectious personality. With years of experience under her belt, she has become a multi-media powerhouse, youth mentor and burgeoning author. She currently dominates the airwaves alongside comedian, actor and REACH Media Syndicated Radio host DL Hughley as co-host of the top-ranked, nationally syndicated “The DL Hughley Show.”

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By Daron Pressley

Jasmine Sanders is a media maven known for her powerful voice, warm spirit and infectious personality. With years of experience under her belt, she has become a multi-media powerhouse, youth mentor and burgeoning author. She currently dominates the airwaves alongside comedian, actor and REACH Media Syndicated Radio host DL Hughley as co-host of the top-ranked, nationally syndicated “The DL Hughley Show.

Sanders’ most recently premiered her new podcast “Brunch Therapy with Jasmine Sanders” available on iTunes and Google Play. Her compelling story of success – from growing up in foster care and being a teenage mother to surviving sexual and domestic abuse – provides a platform for her to mentor and motivate women all over the world.

Rolling Out spoke with Sanders about her new show, experience as a foster child, and advice for women who have endured similar life experiences.

What differentiates “The DL Hughley Show” from other programs?

The things that you hate the most are sometimes the things that we need the most.  The 24-hour news cycle and community-focused news shows do a good job, but I believe it is good to hear from the perspective of a DL Hughley. With myself added to the show, it gives a black male and female balance providing a true reflection of who we are as a community.

Who can we expect to see appear on The DL Hughley Show  

We have A-listers, B-Listers, and C-Listers on our show. The important thing to us is that you have self-respect and are you willing to play. Often times we put too much emphasis on only listening to people who are at the very top. A lot of times we forget that the people you can touch have important things to say.

You’ve been very open about sharing your experience as a foster care child and an adopted child. Why did you feel the need to share your story?

I recognize that if it had not been for my foster family who helped create and nurture me, and ultimately adopt me when I had nobody, I have no idea where I would be today. … As we go through life we think about animal adoptions but no one is thinking about these children that are left to fend for themselves.

How do you plan to use your platform to raise awareness about Foster Care?

One goal is to get rid of the stigma that comes along with the phrase foster care child. … I have been encouraging people to share their experiences as much as possible through a hashtag I started a few years ago which is #adoptedandwinning. 

What advice do you have for women and young girls who share a similar experience as you?

Do your best to tune out the noise around you even if it is the noise of your own pain. Center yourself as much as possible and decide what it is that you want to do with your life.

This article originally appeared in Rollingout.com.

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Activism

Oakland Post: Week of July 1 – 7, 2026

The printed Weekly Edition of the Oakland Post: Week of July 1 – 7, 2026

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Arts and Culture

Prescott Circus Theatre Presents Free Summer Performance Series

Now in its 41st year, the Prescott Circus Theatre is a nationally recognized performing arts education program for Oakland youth. The circus offers safe environments that challenge Oakland youth, through circus arts training, to develop the skills and confidence to thrive on stage, in school, and in life.

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Prescott Circus showcase pathways pyramid. Photo courtesy of Prescott Circus.
Prescott Circus showcase pathways pyramid. Photo courtesy of Prescott Circus.

By Post Staff

The Prescott Circus, Oakland’s longest-running youth circus, is returning this summer with its free shows. Join the Prescott Circus’s young stars as they share their joys and talents through stilt-dancing, tumbling, juggling, and more.

At the heart of this one-hour show, which demonstrates teamwork, pride, and joy, are Oakland Unified School District students ages 8 – 17 from more than 10 different schools

Now in its 41st year, the Prescott Circus Theatre is a nationally recognized performing arts education program for Oakland youth. The circus offers safe environments that challenge Oakland youth, through circus arts training, to develop the skills and confidence to thrive on stage, in school, and in life.

This is accomplished through no-cost school and community programs for more than 300 Oakland youth each year. Performing company members from Prescott, where the program began, perform and make appearances at as many as 40 Bay Area events each year.

The summer program is funded in part by Oakland Fund for Children and Youth, California Arts Council, Port of Oakland, and the West Davis & Bergard Foundation.

Performances will be held Tuesday, July 14, 11 a.m. and 1:30 p.m. (ASL interpreted) and Wednesday, July 15, 11 a.m., at the Malonga Casquelourd Center for the Arts, 1428 Alice St., Oakland. For free reservations go to

https://PrescottCircusSummerShows.eventbrite.com

For group reservations for camps, childcare centers, senior centers, go to www.prescottcircus.org

A community show will be held Saturday, July 18, 2 p.m. to 3 p.m., at DeFremery Park,1651 Adeline St., Oakland.

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Activism

50 Years Later, ‘Wake Up Everybody!’ Still Resonates During Black Music

The words of the song, “Wake Up Everybody,” debuted by Harold Melvin & The Blue Notes in 1975, still resonate today as those words are just as relevant more than a half century later.

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iStockphoto.
iStockphoto.

By Hazel Trice Edney, Special to The Post

Hazel Trice Edney

Hazel Trice Edney

“Wake up, everybody, No more sleepin’ in bed

No more backward thinkin’. Time for thinkin’ ahead

The world has changed so very much from what it used to be.

There is so much hatred, war, and poverty. 

The world won’t get no better If we just let it be. 

Naw, naw, naw, naw, naw, naw, naw.

The world won’t get no betterWe gotta change it, yeah– just you and me.”

The words of the song, “Wake Up Everybody,” debuted by Harold Melvin & The Blue Notes in 1975, still resonate today as those words are just as relevant more than a half century later.

In a rare, nearly somber moment, the group’s celebrated lead singer, Teddy Pendergrass, introduced the song on Soul Train, the weekly dance and live performance TV show that aired roughly between 1971 and 2006. Pendergrass told the attentive live audience and thousands watching by television that Wake Up Everybody, the title tune of their most recent album, was intended to inspire people to take action with a goal to change America for the better.

“I’m sure that you will all agree that there are things that need to be done in this country today,” he said. “So, what I’d like for you to do is listen very carefully to see what you can do to lend a hand.”

The song’s appeal worked.

“I played that song over and over and over again because it was a constant warning to keep ourselves prepared for the society that we were living in,” says A. Peter Bailey, then a 37-year-old former aide to Malcolm X.

When “Wake Up Everybody” hit the airwaves, Bailey was working as an associate editor of Ebony Magazine. “It was a call to be aware of what we were dealing with in the country that we lived in, the world we lived in, the neighborhood we lived in, the cities that we lived in,” Bailey said in an interview with the Trice Edney News Wire.

He concluded that during Black Music Month 2026, such songs should be recalled and celebrated as a key to changes for the good across America; especially because such songs successfully encouraged people to deal with the issues that might otherwise denigrate the promises of America, including the promise that “All men are created equal,”as stated in the Declaration of Independence.

“The rhythms and blues expressed our joys, our sorrows and our fears,” Bailey recalls. “It was those songs and the singing of those songs by our people that attracted us to the campaigns for justice.”

With his life inspired by that song and others, Bailey, now 88, went on to establish and teach a Black Press class at Virginia Commonwealth University. Also, he has since written three books, including a memoir, “Witnessing Brother Malcolm X, the Master Teacher,” in which he expounded upon successful principles of social justice, some of which are reflected in “Wake Up Everybody.”

Long before the term “woke” became associated with campaigns for justice, Pendergrass led the song that reverberated across America and still holds deep meaning.

The ‘wake up’ call exhorts teachers to ‘teach a new way,’ doctors to heal elders, and builders to ‘build a new land… we can do it if we all lend a hand.”

The song concludes:

“The world won’t get no better if we just let it be. Naw, naw, naw, naw, naw, naw, naw. The world won’t get no better. We gotta change it, yeah – just you and me.”

Hazel Trice Edney wrote this story as part of a four-part series powered by AARP in commemoration of Black Music Month, June 2026.

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