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Inglewood “wind of change”: Good or bad for community?

NNPA NEWSWIRE — Although cheaper than Hollywood or Koreatown, for the community of Inglewood, that already suffers from inequality issues, the price for housing is not affordable. According to rentcafe.com, Inglewood saw a seven percent increase from 2018 to 2019. The average rent used to be $1,654 and is now by $1,770.

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By Isabell Rivera, Our Weekly Contributor

Inglewood, known to many as the mecca of local sports, hip hop culture, gang activity and long-standing inequality is receiving a wind of change. It could be considered a bigger storm for some by virtue of gentrification.

The term gentrification means, “The process of repairing and rebuilding homes and businesses in a deteriorating area such as an urban neighborhood, accompanied by an influx of middle-class or affluent people and that often results in the displacement of earlier, usually poorer residents.”

Opinions vary among residents

Opinions are split, doubts are high. All with good reason. Since Los Angeles County decided that Inglewood will be the location for Los Angeles Stadium at Hollywood Park, the new home for the Los Angeles Rams, Chargers and Clippers (scheduled for completion in 2020), the neighborhood has seen quite a difference.

Although cheaper than Hollywood or Koreatown, for the community of Inglewood, that already suffers from inequality issues, the price for housing is not affordable. According to rentcafe.com, Inglewood saw a seven percent increase from 2018 to 2019. The average rent used to be $1,654 and is now by $1,770.

“We have heard many stories about businesses closing and moving out. Several shops on our block have closed in the four years we have been here,” said Renie Schoenkerman, owner of MiddleBar. “Hard to survive with rent increases. Our staff who lives in the neighborhood has had to contend with these issues as well.”

More Whites are returning

Looking back, Inglewood wasn’t always a predominantly Black or Latino neighborhood. In the 1940s up to the late 1960s, Inglewood was a staunchly segregated White neighborhood.

However, more African-Americans moved to the city, which resulted in the familiar White flight toward the suburbs. But with change, also comes hardships, such as poverty, high crime and food deserts. But besides its issues, Inglewood was also considered the Harlem of the West, with its Jazz bars and entertainment that attracted various celebrities, such as Marilyn Monroe, and Rita Hayworth.

“Over the years, the neighborhoods are changing as more White folks move into Inglewood,” local resident and architect Christopher L. Mercier said. “It’s a funny flip on diversity as Inglewood gets more diverse. The hope is that this influx of new residents, and new businesses can quickly learn to grow into the existing culture this area has and help to grow its positive aspects with minimal displacement.”

MiddleBar owners, Renie Schoenkerman and partner Corrie Scully, have been in Inglewood since 2014 and love its diversity. The power couple, that specializes in craft cocktails and hosts pop ups, looked for a place that offered space and affordable rent.

What they’re saying on Market Street

Scully, a New Orleans native, found similarities on Market Street that is the home to many for southern comfort cooking.

‘We were on the search for a commercial kitchen when we came across our space in Inglewood. It was so cute and we saw the potential on Market St. well before the announcement of the stadium and revitalization,” Scully said. “We just felt we could bring some good hospitality to this historic neighborhood.”

Located at 129 N. Market St., MiddleBar’s mission is to grow with the change and serve the Black community, as well as the White community. But the increase of rent makes is hard for residents and business owners to stick around.

“One of our waitresses, an Inglewood resident, has seen a $500 hike in the last year alone,” Scully said. “Our rent increases at a rate of 5 percent per year and is set to go higher this year.”

Although gentrification can have a positive impact on a community, it could also result in backlash, hurting the people who have been there their entire life. Business owners and residents fear the change and plans for the new stadium will push old residents, which are mostly Black and Latino, out of the area.

Differing views of gentrification

“As business owners, we see the changes as very positive for business and communities. Overall, the vision of the new Inglewood that Mayor [James T.] Butts is promoting will bring long lasting, positive change to the city,” Schoenkerman said. “As humanists, we see the greed of landowners who hike up prices and force people out of their homes as morally corrupt.”

Despite Inglewood’s gentrification process, it’s still not Disneyland. Crime rates are still high, according to city-data.com. But does this really keep White people away from this new prime real-estate?

“At MiddleBar, our goal is to create an excellent experience in Inglewood. An experience that residents will not have to travel to Culver City or Westchester to get,” Scully said. “We focus on music, food, drink, hospitality and service. We host local artists and chefs and rent our dining room for residents’ special events. MiddleBar on Market is a community-driven, community building business that brings people together to gather with loved ones, relax, and enjoy a precious moment on earth. We aim to promote happiness.”

Sharp increase in tourism

The number of Whites moving into Inglewood is increasing dramatically. Businesses, such as Airbnb, have witnessed an increase in bookings via tourism. The so-called “Jewel of the South Bay” might actually become the next Rodeo Drive, with the nearby plans of the makeover of the Baldwin Hills Crenshaw Plaza, investors see a new mecca of opportunities.

“I think gentrification in the Inglewood/Crenshaw area is a good thing,” Mercier said, “as long as it is bracketed to focus on the existing cultural condition of that area as an opportunity to inspire what re-gentrification is. How it includes local business and local residents at the heart of its creation. Gentrification should be home grown and not transplanted if that makes any sense.”

And although hip, new places have moved to Inglewood’s busy shopping mile, Market Street, others have left. The change is sneaking up slowly, like a big, bad storm. Once the new stadium is built, things will happen quickly.

“I think there is a mixed response,” Mercier said. “Many realize the city needs the improvements and has for years. At the same time, there is tremendous fear, everyone is going to get pushed out. The recent approval of the rent control measure is a first step in helping to keep local residents in their homes. I think, more things like this need to be developed that result in some form of help to mix incoming new residents with the existing, so that the notion of a truly diverse community can really develop here in a unique way. That I think, is the real opportunity Inglewood has.”

Affordable housing a high priority

Various media outlets have reported that Inglewood residents demand affordable housing, as well as the access to healthier food options, such as a weekly farmer’s market.

Earlier this month, Butts, in support of the community, proposed an emergency ordinance to put a hold on rent increases for a 45-day period, while the city determines its next steps. In a unanimous 5-0 vote, the emergency ordinance took full effect. It prevents landlords from raising rent more than 5 percent and will prohibit the eviction of tenants for reasons other than criminal activities. However, as great as it sounds, the ordinance doesn’t count units built after 1995, including all single-family homes, condominiums and hotels. If the city needs more time to decide, the council has the option to extend the ordinance for up to one year.

“It was clear that we have to figure out something that respects the property rights of owners but gives options to tenants that can’t afford a rental increase,” Butts said. “We’ll figure out a balance between that.”

Nevertheless, the Inglewood community could possibly see more job opportunities, than are currently available.

“If gentrification can bring life to a community without forcing out the community then there is positivity. Good business, good jobs, good community,” Schoenkerman said. “It’s the greedy landlords I wish we could force out of town.”

Neighborhood culture a mainstay

On Market Street, it isn’t all about southern comfort, but also about the culture that is to be found at the nearby Residency Art Gallery at 310 E. Queen St. Owner Rick Garzon has mixed feelings about the current situation.

“I think Inglewood is already a great place to live, and has been for decades,” said Garzon, a 30-year Inglewood resident. “We would like to see more of the services that are offered in more affluent neighborhoods such as graffiti removal, better landscaping, more public art, all-inclusive city-led engagement programming and etc.”

But there’s more going on than building a new sports stadium at a projected cost of $4 billion. A little over four miles north, in the Baldwin Hills/Crenshaw neighborhood, the Baldwin Hills Crenshaw Plaza got approved for a third phase renovation project. One-tenth of the new units will be designated as moderate-income housing for those with household earnings between roughly $51,000 and $77,000, according to city officials.

However, the median household income of Inglewood is about $44,377 and the poverty rate is about 20.7 percent. The median household income in the Crenshaw District is a reported $40,042, which means majority of the local residents likely cannot afford the rent and may be forced to move to surrounding southeast neighborhoods.

Because Inglewood has so much potential to be a living, vibrant region of opportunity, assistance is needed to help the city reach its full potential. Architects such as Christopher L. Mercier are working on new ideas to make Inglewood more attractive. He has worked on the Guggenheim Museum Bilbao in Spain, among other architectural icons, and developed the idea of the Inglewood Living City Project a few years ago. A project, that would include green areas, and eco-friendly resources. Unfortunately, the idea has not found a home in the mayor’s office, just yet.

“The main piece of the puzzle in really about identity,” said Mercier, who has resided in Inglewood since 2003. “What we think about an area is an environment we create in the mind, and that in turn supports an environment of the physical world and vice-a-verse. Inglewood is already changing. The trick is to ensure that all [the] new and old residents support the existing local cultural icons and places of this community and help them to grow. Inglewood and the surrounding communities have some great and unique conditions that need to become recognized and celebrated even more as the cultural identity of the area shifts, so none of us loose the great pieces, places, and cultures that make Inglewood Inglewood.”

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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