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If You Can Make It There: Acts Try Out for NY Subway Spots

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Seth Myers of Receta Secreta, carries his bass away from the stage after auditioning for judges in Grand Central Terminal's Vanderbilt Hall in New York, Tuesday, May 19, 2015. About 70 musicians and others showed up Tuesday at the station to vie for official permission to set up their acts on an underground platform or walkway. (AP Photo/Kathy Willens)

Seth Myers of Receta Secreta, carries his bass away from the stage after auditioning for judges in Grand Central Terminal’s Vanderbilt Hall in New York, Tuesday, May 19, 2015. About 70 musicians and others showed up Tuesday at the station to vie for official permission to set up their acts on an underground platform or walkway. (AP Photo/Kathy Willens)

VERENA DOBNIK, Associated Press

NEW YORK (AP) — It’s a rite of spring: performers auditioning for the privilege of doing their thing in grubby, noisy subway stations.

Seventy showed up Tuesday at Grand Central Terminal, vying for permission to set up their underground acts for tips. They appeared before a jury of musicians and transit employees in the elegant Vanderbilt Hall above the train tracks.

This year’s motley musical crew, from countries around the world, will soon find out who won the right to be part of the Music Under New York program run by the Metropolitan Transportation Authority, which operates the nation’s biggest mass transit system.

“I always dreamed of arriving in New York City,” said Oliver Dagum, a Philippine-born U.S. Air Force sergeant stationed in New Jersey who left the military last week. “I always believed that there’s something between me and the city. It’s amazing. It’s grandiose. I feel uplifted.”

He said playing in the subway system is a gauge of how good he is.

“If you’re able to convince one or two rushing people to take the time to listen to you, that’s the biggest acknowledgment,” he said.

Dagum switched his military uniform for a woolen cap and guitar at Grand Central, a long way from the battlefields of Iraq and Afghanistan where he once served. He sang a mellow “Sunday Morning” by Maroon 5.

Drummer Louis Conselatore, an Ivy League law school graduate who worked as an ordained Unitarian minister, played his five-minute stint with two other musicians who call themselves the Viva Vallenato Badass Accordion Band.

“Two of us are Italians, one of us is Puerto Rican, and we’re all from New Jersey and we fell in love with Colombian music,” said Phil “Felipe” Passantino, the accordionist. “It has a rhythm that’s very infectious and makes people dance and laugh. It’s a peasant’s music, poor people’s music that springs from the soul.”

Three hundred performers entered the Music Under New York contest months ago to even be selected for Tuesday’s live, six-hour contest. The jury picks about two dozen winners, who’ll rake in up to hundreds of dollars a day when they’re dispersed at subway spots around the city. It’s illegal for unapproved artists to perform in the subway system.

Jacinta Clusellas, a Brooklyn resident from Buenos Aires with a guitar, wore giant blue wings on Tuesday to reflect a short story by the Nicaraguan poet Ruben Dario.

“It’s about a man with a brilliant mind who had a hard time expressing himself, and he said, ‘I have a bluebird trapped inside my head,'” she explained.

The man kills himself, she said, leaving a note that reads, “I leave the door open to let my bluebird fly away.”

Clusellas attended Boston’s elite Berklee College of Music.

After all, some of New York’s finest musicians don’t appear at Carnegie Hall. They also practice and practice to get to a subway station.

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Oakland Post: Week of February 11 = 17, 2026

The printed Weekly Edition of the Oakland Post: Week of – February 11 – 17, 2026

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To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

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Arts and Culture

Book Review: Books on Black History and Black Life for Kids

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

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Photo of Black History Month book covers by Terri Schlichenmeyer.
Photo of Black History Month book covers by Terri Schlichenmeyer.

By Terri Schlichenmeyer

Authors: Various, Copyright: c. 2025, 2026, Publishers: Various, SRPs: $17.99-$18.99, Page Counts: Various, 

Everybody in your family has stories to share.

Your parents have told you some, no doubt. Your grandparents have offered a few, too, and aunties and uncles have spun some good tales. But there’s so much more to know, so grab one of these great books and learn about Black History and Black life.

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

If someone said you couldn’t do something that you were clearly able to do, would you fight to do it anyhow?  In the new book, “Remember Her Name! Debbie Allen’s Rise to Fame” by Tami Charles, illustrated by Meredith Lucius (Charlesbridge, $17.99), a young girl in the Jim Crow South is told that she can’t dance because of the color of her skin.

She didn’t listen, though, and neither did her mother, who took her daughter to Mexico, where the girl soared! This is an inspiration for any 5-to-7-year-old; be sure to check out the back-of-the-book information, if you’re an adult fan.

Do you often hear your elders say things that sound like lessons?  They might be, so “Where There is Love: A Story of African Proverbs” by Shauntay Grant, illustrated by Leticia Moreno (Penguin Workshop, $18.99) is a book you’ll like. It’s a quick-to-read collection of short proverbs that you can say every day. Kids ages 4-to-6 will easily remember what they find in this book; again, look in the back for more information.

Surely, you love your neighborhood, which is why the tale inside “Main Street: A Community Story about Redlining” by Britt Hawthorne and Tiffany Jewell, illustrated by David Wilkerson (Penguin Kokila, $18.99) is a book for you.

Olivia’s neighborhood is having a block party, but she’s sad when no one shows up. That’s when she learns that “the government” is discriminating against the people and businesses near where she lives. So, what can she and her neighbors do? The answer might inspire 6-to-8-year-old kids to stand up to wrongs they see, and to help make their neighborhoods stronger and safer.

And finally, if a kid wants a book, where can they go to find it? In “I’m So Happy You’re Here: A Celebration of Library Joy” by Mychal Threets, illustrated by Lorraine Nam (Random House, $18.99) is a good introduction to the best of what a library has to offer. The freedom to walk into a library and borrow a book is the theme here, as is the sheer happiness of being welcomed, no matter who you are.  This is an easy book for kids as young as two and as old as five to enjoy.

On that note, if you want more, head to that library, or a nearby bookstore. They’ll be glad to see you. They’ve got stories to share.

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Activism

Art of the African Diaspora Celebrates Legacy and Community at Richmond Art Center

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996.

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‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.
‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.

By Carla Thomas

The 2026 Art of the African Diaspora exhibition is on display at the Richmond Art Center (RAC) through March 14. The one-room gallery bursts with more than 100 works – paintings, photographs, sculptures, and mixed-media pieces – each affirming the power, beauty, and vitality of cultural expression across the African diaspora.

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996. Their vision was to showcase the creativity of emerging and established Black artists, bridging communities and widening access to audiences historically excluded from mainstream art spaces.

Over the decades, that founding vision has expanded and evolved, carried forward by artists, family members, and the Richmond Art Center after the loss of Hart-Schuyers and Hayward. In 2018, a new generation of artists formed a steering committee to organize the event; a year later, the exhibition was renamed Art of the African Diaspora to embrace the broader global connections of people of African descent.

The new name reflects not only a broader cultural lens but also an empowered community network that supports artists across the Bay Area. As part of this year’s programming, RAC will host ‘Art of the African Diaspora: Public Art in Our Communities,’ a free panel on Sat., Feb. 21, from 12 to 1:30 p.m. Artists Kristine Mays, James Moore, and Malik Seneferu will join arts administrator Denise Pate for a conversation on the impact and process of public art. The discussion will be moderated by longtime arts advocate and producer Flo Wiley.

Each panelist brings a distinctive voice to the conversation. Mays, known for her ethereal wire sculptures that capture movement and spirit, has exhibited internationally and is represented in collections ranging from the Smithsonian to the Crocker Art Museum.

Sculptor and painter James Moore creates abstract metal works and colorful field paintings that explore movement, balance, and emotion. His recent public art installations include large-scale pieces in Richmond’s Shields-Reid Park. Malik Seneferu, a self-taught San Francisco native, has built a large body of work celebrating African American life through vibrant murals and expressive figurative art.

Representing the institutional side, Denise Pate oversees public arts investments as director of Community Investments at the San Francisco Arts Commission, advancing racial and cultural equity through funding and advocacy. Together, these artists and administrators will trace how public art emerges, from concept to community collaboration, and why it matters.

The Art of the African Diaspora exhibition runs through March 14 at the Richmond Art Center, 2540 Barrett Ave., Richmond. The center is open Wednesday through Saturday from 10 a.m. to 4 p.m. Admission and programs are free and open to the public.

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