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Creating Her Own Vision: LisaRaye McCoy

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LisaRaye McCoy greets a fan in Atlanta in May to celebrate the premiere of VH1's "Single Ladies.'' The show is taped in Atlanta. McCoy plays a character named, Keisha. (Special/AP Images for VH1)

LisaRaye McCoy greets a fan in Atlanta in May to celebrate the premiere of VH1’s “Single Ladies.” The show is taped in Atlanta. McCoy plays a character named, Keisha. (Special/AP Images for VH1)

 

by Mary L. Datcher
Special to the NNPA from The Chicago Defender

If one can say their life was an open book then LisaRaye McCoy would probably agree that hers have been on display ever since she made her feature film debut as “Diamond” in the Ice Cube directed film, “The Player’s Club” nearly 18 years ago. Since then, we’ve witnessed her acting career gradually gain momentum from the large screen playing opposite Omar Epps in “The Wood” and other films-Rhapsody, All About You and Go for Broke. Her most familiar connection to households is her role as Neesee James in the CW sitcom, “All of Us” which had a comfortable run for almost 5 years.

During this time, she never missed a beat as the First Lady of Turks and Caicos Islands, married to Michael Misick- the island’s first-ever Premier. After a very public and messy divorce in 2008, the Chicago native immediately brushed herself off and dived into her work. Through her entrepreneurial spirit- she’s had her own reality show, launched a jean collection and hair line as well as segueing into the romantic comedy series, Singles Ladies on VH1.

Just recently, we can also add ‘director’ to her long laundry list of talent. In February, McCoy made her directorial debut with the independent film release of “Skinned” at the Pan African Film Festival in Los Angeles. Sharing co-director credits with Avery O Williams, a writer-director and professor at Morehouse College, the film was produced by fellow Chicago native, Sharon Tomlinson of Studio 11 Films, Divine Entertainment International and Lot 10 Productions. It also features Van Vicker, Jasmine Burke (Drum Line 2), Brad James (Tyler Perry’s For Better or Worse), Drew Sidora (The Game, Step Up, Crazy Sexy Cool) and newcomer, Cycerli Ash.

Shot in Atlanta, “Skinned” tells the story of Jolie, a young girl that is so uncomfortable in her own skin and the stigma of what society places on dark skin that she uses skin lightening creams to alter her complexion. The film is slated to be released in select theaters nationally.

Never too far from the comfort levels of her hometown, she is in Chicago this weekend to host a special event, Life Rocks Vision Board Workshop where she shares how instrumental creating vision boards are to building personal success. We talked with LisaRaye on her new projects and how her personal and professional milestones have been a catalyst to her success.

 

Tell us about your experience co-directing and acting in the independent film, “Skinned”.

LR: It was a fantastic opportunity in so many ways. Not just being the boss on the set, but both showcasing both angles of my creativity coming into play. I was able to direct and bring out what was needed from the actors during their performances.

I nurtured them the way that I would like a director to work with me. I received that treatment and nourishment from Ms. Debbie Allen when she was the director on the set of ‘All of Us’. I knew how and what kind of director I wanted to be. The storyline was good, breathing life into the scenes of this movie- creatively was great as well. It’s an independent film so you start out slow and on the low budget side but the kick off of the cast was phenomenal.

Do you find the transition from actress to director is something that you can carry for your own future projects on the production side? 

LR: Believe or not, I felt more comfortable behind the scenes than I really do in front of the camera because of my maturity. I’ve been in the business for the last 15 years and now I have a little more fire in me. It’s exciting to me because it’s new.

Just being in that position where I can call the shots for something that I created brings a certain amount of freedom to you. I am ready to pass the torch and do something different while staying in show business. With this role, I didn’t have to stay in the makeup trailer before ‘action’ starts. As a director, I just showed up to be ready to work and bring the creativity to life.

People seem to find a real connection to you. Who do you credit for your ‘down to earth’ attitude?

LR: My father was a ‘people’ person and a paraplegic so he handled his business from the bedside. He would have a lot of meetings from the bedroom. So, I would see him get up with very little sleep from the night before and wake up so ‘happy-go-lucky’. All the time! I never saw him wake up mad or mean with any discomfort. Everyone liked him and he helped everyone so as a kid, you really don’t understand what that gift means. I grew up learning how to keep that together. Coming from a two-part family, my mother was the housewife, but she was also the strength and backbone of the family. From her, I learned how to be a girl, a woman, a nurturer and a cook. She keeps me grounded to this day.

What kind of advice can you offer to younger actors who are seeking a career in the film business?

LR: To stand strong because we do get to that desperate state when we just want to be on television – we feel like, we want to be famous. I understand it, it sparks and stems from something. Once you get into it, you have to realize it really is business behind the ‘business’. The show is the ‘show’ but if you’re lacking the business- you’re going to lose anyway. A great personality and having morals will go a long way.

How do you sustain balance in your life?

LR: Having God, family, a good circle of friends and your conscious is balance for me. You know when you’re doing something that is not good. Our conscious reminds us, if you listen to that inner voice and stop continuing to be complacent-then change may come.

I am on a spiritual journey right now. I was baptized about nine months ago. I think even the bad experiences helps you. When I came out of my divorce, I thought at first,’Oh my God, how did I get here?’. It put me on my knees and God asked me, ‘Are you ready to listen? Are you ready to give me the reigns of your life instead of the reigns that you’ve taken?’ I had a great amount of success but now I’m learning that it is easier to turn it over to Him. Be able to build my strength with the wisdom to be able to tackle the things I know is going to come into my life. Life has its ‘ups and downs’ and ‘valleys and peaks’. When you know that, you don’t have to get ready for what you know is coming. I want to stay ready.

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Oakland Post: Week of February 11 = 17, 2026

The printed Weekly Edition of the Oakland Post: Week of – February 11 – 17, 2026

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To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

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Arts and Culture

Book Review: Books on Black History and Black Life for Kids

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

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Photo of Black History Month book covers by Terri Schlichenmeyer.
Photo of Black History Month book covers by Terri Schlichenmeyer.

By Terri Schlichenmeyer

Authors: Various, Copyright: c. 2025, 2026, Publishers: Various, SRPs: $17.99-$18.99, Page Counts: Various, 

Everybody in your family has stories to share.

Your parents have told you some, no doubt. Your grandparents have offered a few, too, and aunties and uncles have spun some good tales. But there’s so much more to know, so grab one of these great books and learn about Black History and Black life.

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

If someone said you couldn’t do something that you were clearly able to do, would you fight to do it anyhow?  In the new book, “Remember Her Name! Debbie Allen’s Rise to Fame” by Tami Charles, illustrated by Meredith Lucius (Charlesbridge, $17.99), a young girl in the Jim Crow South is told that she can’t dance because of the color of her skin.

She didn’t listen, though, and neither did her mother, who took her daughter to Mexico, where the girl soared! This is an inspiration for any 5-to-7-year-old; be sure to check out the back-of-the-book information, if you’re an adult fan.

Do you often hear your elders say things that sound like lessons?  They might be, so “Where There is Love: A Story of African Proverbs” by Shauntay Grant, illustrated by Leticia Moreno (Penguin Workshop, $18.99) is a book you’ll like. It’s a quick-to-read collection of short proverbs that you can say every day. Kids ages 4-to-6 will easily remember what they find in this book; again, look in the back for more information.

Surely, you love your neighborhood, which is why the tale inside “Main Street: A Community Story about Redlining” by Britt Hawthorne and Tiffany Jewell, illustrated by David Wilkerson (Penguin Kokila, $18.99) is a book for you.

Olivia’s neighborhood is having a block party, but she’s sad when no one shows up. That’s when she learns that “the government” is discriminating against the people and businesses near where she lives. So, what can she and her neighbors do? The answer might inspire 6-to-8-year-old kids to stand up to wrongs they see, and to help make their neighborhoods stronger and safer.

And finally, if a kid wants a book, where can they go to find it? In “I’m So Happy You’re Here: A Celebration of Library Joy” by Mychal Threets, illustrated by Lorraine Nam (Random House, $18.99) is a good introduction to the best of what a library has to offer. The freedom to walk into a library and borrow a book is the theme here, as is the sheer happiness of being welcomed, no matter who you are.  This is an easy book for kids as young as two and as old as five to enjoy.

On that note, if you want more, head to that library, or a nearby bookstore. They’ll be glad to see you. They’ve got stories to share.

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Activism

Art of the African Diaspora Celebrates Legacy and Community at Richmond Art Center

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996.

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‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.
‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.

By Carla Thomas

The 2026 Art of the African Diaspora exhibition is on display at the Richmond Art Center (RAC) through March 14. The one-room gallery bursts with more than 100 works – paintings, photographs, sculptures, and mixed-media pieces – each affirming the power, beauty, and vitality of cultural expression across the African diaspora.

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996. Their vision was to showcase the creativity of emerging and established Black artists, bridging communities and widening access to audiences historically excluded from mainstream art spaces.

Over the decades, that founding vision has expanded and evolved, carried forward by artists, family members, and the Richmond Art Center after the loss of Hart-Schuyers and Hayward. In 2018, a new generation of artists formed a steering committee to organize the event; a year later, the exhibition was renamed Art of the African Diaspora to embrace the broader global connections of people of African descent.

The new name reflects not only a broader cultural lens but also an empowered community network that supports artists across the Bay Area. As part of this year’s programming, RAC will host ‘Art of the African Diaspora: Public Art in Our Communities,’ a free panel on Sat., Feb. 21, from 12 to 1:30 p.m. Artists Kristine Mays, James Moore, and Malik Seneferu will join arts administrator Denise Pate for a conversation on the impact and process of public art. The discussion will be moderated by longtime arts advocate and producer Flo Wiley.

Each panelist brings a distinctive voice to the conversation. Mays, known for her ethereal wire sculptures that capture movement and spirit, has exhibited internationally and is represented in collections ranging from the Smithsonian to the Crocker Art Museum.

Sculptor and painter James Moore creates abstract metal works and colorful field paintings that explore movement, balance, and emotion. His recent public art installations include large-scale pieces in Richmond’s Shields-Reid Park. Malik Seneferu, a self-taught San Francisco native, has built a large body of work celebrating African American life through vibrant murals and expressive figurative art.

Representing the institutional side, Denise Pate oversees public arts investments as director of Community Investments at the San Francisco Arts Commission, advancing racial and cultural equity through funding and advocacy. Together, these artists and administrators will trace how public art emerges, from concept to community collaboration, and why it matters.

The Art of the African Diaspora exhibition runs through March 14 at the Richmond Art Center, 2540 Barrett Ave., Richmond. The center is open Wednesday through Saturday from 10 a.m. to 4 p.m. Admission and programs are free and open to the public.

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