Arts and Culture
Oakland Girl Broadens her knowledge by Studying Abroad
I am a theatre student at Fordham University and this past January I was fortunate to embark on a journey that changed my life. I partook in a study abroad program in which I studied acting and lived in London. I attended the London Dramatic Academy (LDA) for a total of three months.
After my studies had ceased I spent the next month traveling and was able to visit four additional European countries including Spain, Italy, France, and the Czech Republic. My travels opened my eyes to vastly different cultures and altered my view of the world. But it was the education that I received at LDA that truly transformed me.
Our eclectic group of teachers spear headed by the lovely Ellen Newman, were very in- vested in us individually and collectively. The fierce pas- sion that they all possessed for the art of theatre was infectious. They were immensely strict yet remarkably nurturing. Attendance to every class was absolutely mandatory. When students developed colds they would wrap up in a blanket, arm themselves with tissues and would sit in the back of class as to not miss any of the pearls of wisdom that our teachers gave to us each and every day.
We quickly realized that lateness was forbidden. When the clock hit 9 am and a fellow student was in not in attendance at one of our first acting classes, our teacher, Kathryn Pogson, explained that we would all have to do push-ups until he arrived. When the late student walked in, he then had to complete the 20 pushups we had done while we watched. An outsider may view this method of teaching harsh, but so is life. “Time and tide waits for no man” and that is not harsh but rather an un- avoidable truth.
One teacher in particular had a profound impact on me. Leo Wringer was my Shakespeare teacher and mentor. He was like a drill sergeant and demanded we gave the class and our craft everything we had at all times, no exceptions. The same tongue he used to whip us in shape was the same one that licked our wounds. He was our biggest cheerleader, never failing to recognize and applaud our triumphs. Understanding and effectively communicating Shakespeare text is a strenuous task but so is anything worth accomplishing. He eradicated the word ‘impossible’ from my vocabulary and taught me to strive for success in anything that I commit to.
My diverse education at LDA touched on all aspects of theatre and taught us how to be a well-rounded human being. The London Dramatic Academy equipped me with vital tools and conditioned me not just for the stage but also for life.
Editor’s Note: For the past three years Chanelle Bell, a Bishop O’Dowd High School graduate, has also been an In- tern with the Post News Group and she created the “I Stay Posted” social media cam- paign.
Arts and Culture
Richmond Preps for Full Weekend of Cinco de Mayo Festivities
Cinco de Mayo festivities in Richmond and San Pablo are some of the bests in Bay, and organizers say that tradition will be alive and well at this weekend’s annual parade and festival. The action kicks off Saturday, May 4, with the 16th Annual Cinco de Mayo Richmond/San Pablo Peace & Unity Parade. The parade of floats, performances, and community organizations starts at 10 a.m. at 24th Street and Barrett Avenue and Richmond and ends at 12:30 p.m. at St. Paul’s Church, 1845 Church Lane in San Pablo.
By Mike Kinney
The Richmond Standard
Cinco de Mayo festivities in Richmond and San Pablo are some of the bests in Bay, and organizers say that tradition will be alive and well at this weekend’s annual parade and festival.
The action kicks off Saturday, May 4, with the 16th Annual Cinco de Mayo Richmond/San Pablo Peace & Unity Parade. The parade of floats, performances, and community organizations starts at 10 a.m. at 24th Street and Barrett Avenue and Richmond and ends at 12:30 p.m. at St. Paul’s Church, 1845 Church Lane in San Pablo.
The parade’s Grand Marshall this year will be community organizer Diego Garcia, owner of Leftside Printing.
The festivities continue Sunday with the Cinco de Mayo Festival along 23rd Street, which last year drew over 100,000 people, according to the 23rd Street Merchants Association. This year’s festival will again run from 10 a.m. to 5 p.m. between the intersections of Rheem Avenue and Clinton Avenue. It will feature two entertainment stages, one sponsored by La Raza 93.3 FM at 23rd and Rheem, and another sponsored by Radio Lazer FM at 23rd and Clinton.
Both events are important for the city and the region’s Latino community.
San Pablo Mayor Genoveva Calloway, who co-chairs the parade alongside John Marquez, president of the Contra Costa Community College District Board of Trustees, says Saturday’s festivities are about bringing the Richmond and San Pablo communities together in unity.
“This truly connects the spectators and people in the parade as one,” Calloway said. “The parade showcases the real communities of Richmond and San Pablo – our nonprofits, schools, horse riders, classic cars and trucks, our local businesses. All of these people represent the heartbeat of our community.”
Rigo Mendoza, vice president of the 23rd Street Merchants Association, said that at its heart, Richmond’s Cinco de Mayo Festival celebrates the date the Mexican army’s victory over France at the Battle of Puebla on May 5, 1862.
But John Marquez started up the popular festival to bring the community together and also to exhibit the community’s businesses and culture to visitors, Mendoza said. The gathering was also a way to promote peace in the community.
Art
Mario Van Peebles’ ‘Outlaw Posse’ Screened at Oakland’s Grand Lake Theatre
The Oakland International Film Festival hosted a screening of “Outlaw Posse” at the Grand Lake Theatre on Monday. Special guests included director/actor Mario Van Peebles and his co-star, Oakland native Scytorya Rhodes. The film is Peebles’ second western, the first being ‘Posse,’ 13 years ago.
By Carla Thomas
The Oakland International Film Festival hosted a screening of “Outlaw Posse” at the Grand Lake Theatre on Monday. Special guests included director/actor Mario Van Peebles and his co-star, Oakland native Scytorya Rhodes. The film is Peebles’ second western, the first being ‘Posse,’ 13 years ago. Filmmaker Van Peebles shared his passion for independent artistry and producing projects with his son, Mandela, who also starred in the film, along with Whoopi Goldberg and Cedric the Entertainer. Next week, The Post will publish an in-depth interview featuring Peebles’ reflections on his work, future projects, and continuing his father’s legacy and Rhodes on her grandfather, a real-life cowboy.
Arts and Culture
Kedrick Armstrong: New Music Director for the Oakland Symphony
The Oakland Symphony Announced Kedrick Armstrong as its Next Music Director. In addition to conducting the orchestra’s public concerts, Armstrong will also actively participate in the Oakland Symphony’s many education and community engagement programs, designed to inspire a love of music in people of all ages.
By Post Staff
The Oakland Symphony Announced Kedrick Armstrong as its Next Music Director.
In addition to conducting the orchestra’s public concerts, Armstrong will also actively participate in the Oakland Symphony’s many education and community engagement programs, designed to inspire a love of music in people of all ages.
Armstrong is the successor to previous music director and Conductor Michael Morgan, who passed away in 2021 after a 30-year tenure at the Symphony.
Armstrong will open the Oakland Symphony 2024-2025 season on October 18.
Armstrong, who is 29 and hails from Georgetown, South Carolina, is currently the creative partner and principal conductor of the Knox-Galesburg Symphony.
The Chicago Tribune has praised Armstrong for his ability to “simply let the score speak for itself.” He enjoys a wide range of repertoire, spanning early music to premiering new works, using his joy and curiosity for all music to cultivate understanding and collaboration within diverse communities.
“I am deeply honored and grateful for the opportunity to serve as the new music director of the Oakland Symphony,” Armstrong said. “As a Black conductor, I find it humbling to stand on the shoulders of both Michael Morgan and Calvin Simmons,” the most recent and the first African American music directors of the Symphony, respectively.
Armstrong led three programs at the Symphony between 2022 and early 2024, which showcased his broad knowledge of the classical repertoire and enthusiasm for spotlighting diverse voices.
On his Oakland Symphony subscription debut on Feb. 16, Armstrong led the world premiere of “Here I Stand: Paul Robeson,” an oratorio by Carlos Simon on a libretto by Dan Harder, commissioned by the Oakland Symphony.
Armstrong was selected unanimously by the Oakland Symphony’s board of directors and musicians after an extensive two-year search. “The search committee was overwhelmed by Kedrick’s scholarship and curiosity about all kinds of music, from classical and jazz to gospel and hip-hop,” said. Dr. Mieko Hatano, executive director of the Oakland Symphony. “We are thrilled to have him join us at the Oakland Symphony.”
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