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369th Experience Band Ties HBCU Musicians to WWI Black History

NNPA NEWSWIRE — Thanks to the United States World War I Centennial Commission, Coca Cola and the network of Historically Black Colleges and Universities (HBCUs), a band of 42 accomplished musicians from HBCUs are traveling around the country playing the sounds of the 369th Infantry Regimental Band that made its mark in history during WWI and WWII.

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By Leonard E. Colvin, Chief Reporter, New Journal and Guide

In 1919 when the Treaty of Versailles ended WWI, two years after the U.S. entered the fight with France and Great Britain against Germany, 44 Black colleges existed.

Today, 100 years later, there are 101 public and private HBCUs, and they and their students are playing an important part in reclaiming the role African American soldiers and artists played in that conflict.

WWI 369 Infantry Regimental Band (Photo: Courtesy)

WWI 369 Infantry Regimental Band (Photo: Courtesy)

Thanks to the United States World War I Centennial Commission, Coca Cola and the network of Historically Black Colleges and Universities (HBCUs), a band of 42 accomplished musicians from HBCUs are traveling around the country playing the sounds of the 369th Infantry Regimental Band that made its mark in history during WWI and WWII.

The old wartime regimental band was reincarnated four years ago in the form of the 369th Experience. Most of the new band’s 42 members are current students or pending graduates of the HBCUs.

Its namesake, the 369th Infantry Regimental Band of WWI and WWII, used musical instruments and its artists with a flair for Jazz, originated by African Americans, to establish its legacy, and introduce the art form to the Europeans.

The 369th Experience, a WWI tribute band sponsored by the U.S WWI Centennial Commission, performs in Rockefeller Center during Fleet Week New York, which this year is commemorating WWI, Saturday, May 25, 2019, in New York. The band, which is made up of music students from Historically Black Colleges and Universities across the U.S., play the musical repertoire of New York's legendary 369th Regiment "Harlem Hellfighters" Regimental Jazz Band. (Jason DeCrow/AP Images for U.S. WWI Centennial Commission)

The 369th Experience, a WWI tribute band sponsored by the U.S WWI Centennial Commission, performs in Rockefeller Center during Fleet Week New York, which this year is commemorating WWI, Saturday, May 25, 2019, in New York. The band, which is made up of music students from Historically Black Colleges and Universities across the U.S., play the musical repertoire of New York’s legendary 369th Regiment “Harlem Hellfighters” Regimental Jazz Band. (Jason DeCrow/AP Images for U.S. WWI Centennial Commission)

The WWI band was formed to accompany the 369th Infantry Regiment, a group of Black fighting troops. Its assignment was to boost the morale of the Black troops comprising the 369th Infantry Regiment, formerly known as the 15th New York National Guard Regiment and commonly referred to as the Harlem Hellfighters.

The Black soldiers in the field fought valiantly with their grit and guns to help the allies win WWI and show that Black men could fight for freedom.

The accompanying band was led by and composed of established musical professionals. In the process of performing their assignment, they also exported Jazz music, crafted by African Americans to the allied nations.

One of the band’s leaders, James Reese Europe was a respected artist in Harlem music circles before he was assigned to the military band. He went on to direct the regimental band to great acclaim.

The 369th Experience, a WWI tribute band sponsored by the U.S WWI Centennial Commission, performs in Rockefeller Center during Fleet Week New York, which this year is commemorating WWI, Saturday, May 25, 2019, in New York. The band, which is made up of music students from Historically Black Colleges and Universities across the U.S., play the musical repertoire of New York's legendary 369th Regiment "Harlem Hellfighters" Regimental Jazz Band. (Jason DeCrow/AP Images for U.S. WWI Centennial Commission)

The 369th Experience, a WWI tribute band sponsored by the U.S WWI Centennial Commission, performs in Rockefeller Center during Fleet Week New York, which this year is commemorating WWI, Saturday, May 25, 2019, in New York. The band, which is made up of music students from Historically Black Colleges and Universities across the U.S., play the musical repertoire of New York’s legendary 369th Regiment “Harlem Hellfighters” Regimental Jazz Band. (Jason DeCrow/AP Images for U.S. WWI Centennial Commission)

In February and March 1918, James Reese Europe and his military band traveled over 2,000 miles in France, performing for British, French and American military audiences as well as French civilians. Europe’s “Hellfighters” also made their first recordings in France for the Pathé brothers.

According to the key organizers of the current project involving HBCU students, The 369th Experience is designed to introduce people of all cultures, especially the band members, to the band’s legacy and the role it and the fighting soldiers of the 369th played in WWI.

Also, a goal is to use the band to display the Jazz music art form to audiences domestically and abroad.

It is taking place at a time when HIP-HOP and Neo-soul are overshadowing Jazz as an art form among Black people, despite efforts since the 1970s, to repackage Jazz as a popular and “profitable” genre of music to the masses.

“We chose HBCU band students because we knew we would get the best students in terms of music and marching formation!” said Stephany B. O’Neal, publicity director for the outfit.  “We had to use HBCUs to even come close to representing the Harlem Hellfighters and James Reese Europe.

“This is a totally historic event,” she continued. “Bringing the Harlem Hellfighters full circle.  They won all kinds of awards from the French and totally changed the music industry in Europe.

“Like the Black soldiers who fought on the battlefield, after the war, the band suffered many slights, despite the respect the French soldiers and later the governments bestowed upon them,” O’Neal said.

She said after the war, in Paris, France, the band was not allowed to join in the victory parade with the Americans when they marched down the Champs Elysees.

To right that wrong, plans are in the works for the 369th Experience Band to travel to Versailles, France at the upcoming International observance of the Centennial of the signing of the Treaty which ended WWI.

During the 2019 Memorial Day Weekend, in conjunction with New York’s annual Fleet Week Observance, the band performed at Rockefeller Center, Marcus Garvey Park, the Liberty Park, and in New Jersey at Harlem One Stop, a historical site.

The effort to recreate the 369th Infantry Regimental Band was launched in 2013.

After the plea was made before the House Appropriation Committee, it took several years before funding for the project was first submitted.

The U.S. Army School of Music, and their PR Personnel, Noble Sissle, Jr., son of one of the original band members, and O’Neal, even before the funding was secured, hammered together the framework and foundation of the band’s operation.

They developed the audition criteria, auditioned the students online, hired a band leader who worked at Ohio State and once all the students were selected, began rehearsing.

“We could not get all the students in one place to rehearse and engage them,” said O’Neal, “so we did it online and in sections and we had some problems. But Coke funded a better online conferencing system, so we managed to do a lot of work even before the band members and directors met each other in person.”

Although there were 65 members of the original 365th Infantry Regimental Band, currently there are 42 members from HBCUs and 1 historically white school.

Prairie View, Florida A&M and Southern University, all southern HBCUs, have the most representatives on the band.

Eventually, the band’s membership will be expanded to 65, O’Neal said. She said that recruiting for future membership is ongoing. She said HBCU veteran band members alert and recruit band members from their respective schools to apply to be a member.

People who are interested should go to the 369th website to apply for an audition, O’Neal said.

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Black Americans Still Face Deep Retirement Gaps Despite Higher Incomes

BLACKPRESSUSA NEWSWIRE — Debt remains a significant barrier. 63% of higher-income Black households said debt is a problem, while just 45% of non-Black households at the same income level said the same. Nearly half of upper-income Black respondents said debt affects their ability to save or live comfortably in retirement.

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By Stacy M. Brown
Black Press USA Senior National Correspondent

A report from the Employee Benefit Research Institute shows that Black Americans continue to face serious challenges in saving for retirement, even as their incomes grow.

The 2025 Retirement Confidence Survey, which included a special oversample of Black workers and retirees, found that the wealth gap remains wide at every income level. Among households earning $75,000 or more, only 33% of Black Americans reported having $250,000 or more in savings and investments, compared with 63% of non-Black Americans. Debt remains a significant barrier. 63% of higher-income Black households said debt is a problem, while just 45% of non-Black households at the same income level said the same. Nearly half of upper-income Black respondents said debt affects their ability to save or live comfortably in retirement.

While many Black Americans expressed confidence managing day-to-day budgets, fewer felt prepared to invest or plan for the long term. The study showed that Black Americans with higher incomes were less likely to have personally saved for retirement, 77%, compared with 87% of non-Black Americans. Retirement experiences also differed sharply. Forty-four percent of Black retirees said they retired earlier than planned because of a health problem or disability, compared with 32% of non-Black retirees. After leaving their main jobs, Black retirees were more likely to work for pay to make ends meet, and more often said their retirement lifestyle was worse than expected. Access to financial advice and planning remains uneven. Just 31% of Black respondents reported currently working with a financial advisor, although nearly half expect to do so in the future. Black Americans were more likely to seek help with reducing debt, creating wills or estate plans, and arranging life insurance than simply determining if they had saved enough to retire.

Researchers Craig Copeland and Lisa Greenwald wrote, “Black Americans reported disproportionately lower financial resources, and how they feel about retirement and financial security is clearly impacted by having less resources.” They continued, “In particular, Black retirees are struggling with higher likelihoods of their retirement lifestyle being worse than expected and having to retire earlier than planned because of a health problem or disability.” “Still,” the researchers concluded, “there are some modifications in the financial system that could help improve their prospects, such as increased assistance in balancing competing financial priorities like debt reduction, supporting family, and building long-term savings.”

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Scorching Heat Sparks Bipartisan Climate Alarm

BLACKPRESSUSA NEWSWIRE — As record-breaking heat waves sweep across the country this summer, a new national poll reveals an overwhelming majority of Americans are linking the punishing temperatures to climate change — and voicing deep concern about the government’s ability to respond.

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By Stacy M. Brown
Black Press USA Senior National Correspondent

As record-breaking heat waves sweep across the country this summer, a new national poll reveals an overwhelming majority of Americans are linking the punishing temperatures to climate change — and voicing deep concern about the government’s ability to respond.

The American Climate Perspectives Survey 2025, conducted by ecoAmerica, found that 86% of Americans say rising temperatures have increased their concern about climate change, with more than half reporting they are “a lot” more concerned. The sentiment cuts across demographic and political lines, with 97% of Democrats, 83% of Independents, and 79% of Republicans expressing heightened worry about the climate crisis. “Americans are connecting extreme heat to climate change, their health, and government inaction,” said Meighen Speiser, Executive Director of ecoAmerica.

Nearly nine in ten respondents recognize the toll heat is taking on public health, with 58% saying extreme heat affects health “a lot.” This awareness is remarkably consistent across racial, age, and income groups.  Among Black Americans, 91% said rising temperatures have intensified their concern about climate change, reflecting some of the highest concern levels among any group surveyed. Those concerns are not abstract. Decades of research by the Brookings Institution, NOAA, and others show Black communities often face the greatest exposure to extreme heat and the fewest resources to adapt. Studies have documented that historically redlined neighborhoods, where many Black Americans live, are routinely up to 10 degrees hotter than wealthier, predominantly white neighborhoods nearby.

In cities such as Atlanta and Baltimore, Black homeowners are significantly more likely to face heat risks and energy insecurity, limiting their ability to cool their homes as temperatures rise. Nationally, Black renters experience higher rates of energy insecurity, with over half struggling to afford adequate cooling during heat waves. Meanwhile, the latest study also points to a notable shift in how Americans perceive the link between climate change and extreme weather. Eighty-two percent now believe that climate change is making extreme events, such as floods, wildfires, and hurricanes, more frequent and severe, up six points since 2021. The most dramatic change is among Republicans: the share who recognize that climate change is fueling extreme weather surged 17 points over four years, from 58% in 2021 to 75% in 2025.

These findings arrive as proposals to slash funding for the Federal Emergency Management Agency (FEMA) and the National Oceanic and Atmospheric Administration (NOAA) advance in Washington. The agencies are widely seen as the nation’s front-line defense against disasters and a critical source of weather forecasting and emergency relief. The risks are particularly acute for Black communities already facing disproportionate impacts from hurricanes and flooding, as seen in the devastation of New Orleans after Hurricane Katrina and more recent storms that have repeatedly displaced predominantly Black neighborhoods in the Gulf Coast and Southeast.

The survey shows Americans are not just worried about rising temperatures — they’re anxious about the government’s readiness to protect communities. Seventy-nine percent said cuts to FEMA and NOAA make them more concerned about the federal government’s ability to respond to climate impacts. That includes 92% of Democrats, 76% of Independents, and 69% of Republicans, underscoring that the anxiety is bipartisan.

Generational divides are also apparent. While 95% of young adults reported that extreme heat has boosted their concern about climate change, the figure was lower — but still significant — among adults over 65, at 70%. However, across all age groups, majorities agree that the crisis is escalating and requires immediate action. “These findings show it’s time to drop partisan politics and rather meet this moment with urgency, leadership, and protection,” Speiser said.

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Michael Jackson Estate Files Court Petition Alleging $213 Million Extortion Plot by Frank Cascio

BLACKPRESSUSA NEWSWIRE — The court action, exclusively obtained by Black Press USA, reveals in unprecedented detail how the estate contends that Cascio and unnamed associates used their proximity to Jackson—once proudly touted in books and interviews—to demand a fortune from the most successful celebrity estate in history.

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By Stacy M. Brown
Black Press USA Senior National Correspondent

The Estate of Michael Jackson has filed an explosive petition in Los Angeles Superior Court accusing Frank Cascio, a man once described as Jackson’s “second family,” of masterminding a $213 million extortion plot to force payouts by threatening to flip decades of public support into salacious allegations about the King of Pop. The court action, exclusively obtained by Black Press USA, reveals in unprecedented detail how the estate contends that Cascio and unnamed associates used their proximity to Jackson—once proudly touted in books and interviews—to demand a fortune from the most successful celebrity estate in history. “For over 30 years, these individuals held themselves out as Michael Jackson’s most passionate defenders,” the petition states, quoting Cascio’s repeated assertions—under oath and on national television—that Jackson never harmed him or any child. “It was a shakedown,” the estate’s lawyers charged.

A Decades-Long Public Defense

As recently as 2011, Cascio promoted his memoir My Friend Michael, describing a warm, fatherly relationship with Jackson. “I want to be precise and clear, on the record, so that everyone can read and understand,” he wrote. “Michael’s love for children was innocent, and it was profoundly misunderstood.” He doubled down in dozens of interviews. During a 2005 ABC Primetime Live broadcast, Cascio—then using the name Frank Tyson—declared: “If Michael ever laid a finger on me, I would not be in this chair right now.” In a 2011 sit-down with Wendy Williams, he said with conviction, “Nothing at all. And that’s what makes me so upset,” when asked whether Jackson had ever acted inappropriately. Even years later, one of the respondents continued to insist Jackson was a target of “liars,” telling Oprah Winfrey during a televised interview: “Michael couldn’t harm a fly. He’s such a kind and gentle soul. Michael was a target.” In 2019, when HBO’s controversial Leaving Neverland documentary ignited a fresh wave of criticism and threatened multiple Jackson-related projects—including Cirque du Soleil’s “Michael Jackson ONE”—estate co-executors John Branca and John McClain, along with the Michael Jackson Company, sought Cascio’s support. Instead, they say, Cascio turned on them.

A Secret Settlement

Facing mounting public pressure and what they describe as repeated threats to invent new claims, the estate entered into a confidential settlement on January 10, 2020. Under the agreement, Cascio and his associates would receive millions over five years—$3 million each, according to sources familiar with the negotiations—in exchange for comprehensive waivers, a sweeping nondisclosure clause, and an ironclad promise to arbitrate any disputes. The estate said it acted reluctantly to protect Jackson’s children and preserve projects that would cement the late artist’s legacy. “We have a fiduciary responsibility to maximize the income of the estate,” Branca said in an earlier interview. “Our counsel insisted we sign the agreement. They didn’t want it disclosed either because Michael’s fans would have gone after these people.” The settlement contained an unusually strict provision barring even the disclosure of the agreement’s existence.

The $213 Million Demand

Despite having collected payments under that deal, Cascio, through lawyers, allegedly re-emerged in July 2024 with a stunning ultimatum: Pay $213 million more, or face a media spectacle. According to the court filing, Cascio’s legal team—then led by attorney Howard King—threatened to “expand the circle of knowledge” and leak allegations to the buyer of Jackson’s $600 million music catalog if their demands were not met. In one email sent August 29, 2024, King wrote, “We expect a substantive response by the end of day tomorrow. Otherwise, we will be forced to expand the ‘circle of knowledge.’” The estate called this an extortionate threat designed to pressure them into paying for silence. The estate responded by initiating a confidential arbitration proceeding on September 17, 2024, accusing Cascio of civil extortion and anticipatory breach of contract. Days later, Cascio’s lawyers delivered draft lawsuits “riddled with outlandish scurrilous allegations” that directly contradicted his years of public statements.

The Geragos Factor

By January 2025, Cascio had replaced his counsel with Mark Geragos—ironically, Jackson’s former defense lawyer who had proclaimed to Good Morning America that “there’s nothing sexual going on” and that Jackson was “100 percent innocent.” In his 2013 book Mistrial, Geragos wrote of Jackson’s 2005 acquittal: “The evidence was overwhelming that he never touched this kid, and the entire thing was a huge shakedown.” He also appeared on The Megyn Kelly Show in December 2021 to blast Leaving Neverland, calling it “a complete rewrite of history” and an “absolute travesty.” However, now Geragos has taken the opposite stance, representing Cascio in a renewed effort to file public litigation. According to the estate’s filing, Geragos lowered the demand to $44 million but warned that if the estate refused, they would sue for defamation, emotional distress, and an alleged “cover-up.” The estate insists these claims are “bogus” and barred by the original settlement’s releases and arbitration clauses. The petition points out that the agreement explicitly requires arbitration for any disputes, even the question of whether a claim is arbitrable. “The question of arbitrability is itself a question to be resolved finally by the arbitrator,” the contract states.

The Estate’s Broader Mission

This latest legal battle comes as the Jackson estate continues to flourish. Since Jackson died in 2009, Branca and McClain have transformed a $500 million debt into an empire generating over $3 billion. Projects include the record-breaking concert film Michael Jackson’s This Is It, Cirque du Soleil productions, and the upcoming Antoine Fuqua biopic MICHAEL, starring Jackson’s nephew Jaafar. Yet Branca says managing the estate means protecting it from opportunistic attacks. “Michael was acutely aware of the racial undertones in how he was perceived,” Branca told Black Press USA in a prior interview, recalling Jackson’s lament: “Sinatra’s the chairman of the board. Elvis is the king. Springsteen is the boss. But what do they call me? The Gloved One…that’s racist.” Branca added, “I definitely believe there’s a racist element in the media coverage of Michael Jackson since the 1980s. Michael got so big many were jealous.” The estate has requested that the court order Cascio into arbitration and award legal fees. If the petition is granted, any subsequent proceedings would take place in private. For now, the estate is vowing not to yield. “We will continue to manage the estate with the integrity and dedication that Michael deserved,” Branca said. “Attempts like this to tarnish his memory for financial gain will not succeed.”

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