Black History

369th Experience Band Ties HBCU Musicians to WWI Black History

VOICE AND VIEWPOINT — In 1919 when the Treaty of Versailles ended WWI, two years after the U.S. entered the fight with France and Great Britain against Germany, 44 Black colleges existed. Today, 100 years later, there are 101 public and private HBCUs, and they and their students are playing an important part in reclaiming the role African American soldiers and artists played in that conflict.

Published

7 years ago

July 20, 2019

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By Leonard E. Colvin

In 1919 when the Treaty of Versailles ended WWI, two years after the U.S. entered the fight with France and Great Britain against Germany, 44 Black colleges existed.

Today, 100 years later, there are 101 public and private HBCUs, and they and their students are playing an important part in reclaiming the role African American soldiers and artists played in that conflict.

Thanks to the United States World War I Centennial Commission, Coca Cola and the network of Historically Black Colleges and Universities (HBCUs), a band of 42 accomplished musicians from HBCUs are traveling around the country playing the sounds of the 369th Infantry Regimental Band that made its mark in history during WWI and WWII.

The old wartime regimental band was reincarnated four years ago in the form of the 369th Experience. Most of the new band’s 42 members are current students or pending graduates of the HBCUs.

Its namesake, the 369th Infantry Regimental Band of WWI and WWII, used musical instruments and its artists with a flair for Jazz, originated by African Americans, to establish its legacy, and introduce the art form to the Europeans.

The WWI band was formed to accompany the 369th Infantry Regiment, a group of Black fighting troops. Its assignment was to boost the morale of the Black troops comprising the 369th Infantry Regiment, formerly known as the 15th New York National Guard Regiment and commonly referred to as the Harlem Hellfighters.

The Black soldiers in the field fought valiantly with their grit and guns to help the allies win WWI and show that Black men could fight for freedom.

The accompanying band was led by and composed of established musical professionals. In the process of performing their assignment, they also exported Jazz music,crafted by African Americans to the allied nations.

One of the band’s leaders, James Reese Europe was a respected artist in Harlem music circles before he was assigned to the military band. He went on to direct the regimental band to great acclaim.

In February and March 1918, James Reese Europe and his military band traveled over 2,000 miles in France, performing for British, French and American military audiences as well as French civilians. Europe’s “Hellfighters” also made their first recordings in France for the Pathé brothers.

According to the key organizers of the current project involving HBCU students, The 369th Experience is designed to introduce people of all cultures, especially the band members, to the band’s legacy and the role it and the fighting soldiers of the 369th played in WWI.

Also, a goal is to use the band to display the Jazz music art form to audiences domestically and abroad.

It is taking place at a time when HIP-HOP and Neo-soul are overshadowing Jazz as an art form among Black people, despite efforts since the 1970s, to repackage Jazz as a popular and “profitable” genre of music to the masses.

“We chose HBCU band students because we knew we would get the best students in terms of music and marching formation!” said Stephany B. O’Neal, publicity director for the outfit. “We had to use HBCUs to even come close to representing the Harlem Hellfighters and James Reese Europe.

“This is a totally historic event,” she continued. “Bringing the Harlem Hellfighters full circle. They won all kinds of awards from the French and totally changed the music industry in Europe.

“Like the Black soldiers who fought on the battlefield, after the war, the band suffered many slights, despite the respect the French soldiers and later the governments bestowed upon them,” O’Neal said.

She said after the war, in Paris, France, the band was not allowed to join in the victory parade with the Americans when they marched down the Champs Elysees.

To right that wrong, plans are in the works for the 369th Experience Band to travel to Versailles, France at the upcoming International observance of the Centennial of the signing of the Treaty which ended WWI.

During the 2019 Memorial Day Weekend, in conjunction with New York’s annual Fleet Week Observance, the band performed at Rockefeller Center, Marcus Garvey Park, the Liberty Park, and in New Jersey at Harlem One Stop, a historical site.

The effort to recreate the 369th Infantry Regimental Band was launched in 2013.

After the plea was made before the House Appropriation Committee, it took several years before funding for the project was first submitted.

The U.S. Army School of Music, and their PR Personnel, Noble Sissle, Jr., son of one of the original band members, and O’Neal, even before the funding was secured, hammered together the framework andfoundation of the band’s operation.

They developed the audition criteria, auditioned the students online, hired a band leader who worked at Ohio State and once all the students were selected, began rehearsing.

“We could not get all the students in one place to rehearse and engage them,” said O’Neal, “so we did it online and in sections and we had some problems. But Coke funded a better online conferencing system, so we managed to do a lot of work even before the band members and directors met each other in person.”

Although there were 65 members of the original 365th Infantry Regimental Band, currently there are 42 members from HBCUs and 1 historically white school.

Prairie View, Florida A&M and Southern University, all southern HBCUs, have the most representatives on the band.

Eventually, the band’s membership will be expanded to 65, O’Neal said. She said that recruiting for future membership is ongoing. She said HBCU veteran band members alert and recruit band members from their respective schools to apply to be a member.

People who are interested should go to the 369th website to apply for an audition, O’Neal said.

This article originally appeared in the Voice and Viewpoint.

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Black History

Oakland Protesters Rally to Defend Haitian Immigrants and TPS

The Haiti Action Committee traces its roots to the international movement that emerged following Haiti’s 1991 military coup, which overthrew the nation’s first democratically elected president, Jean-Bertrand Aristide. Political violence sent thousands of Haitians fleeing the country, while U.S. policies resulted in refugees being intercepted at sea, repatriated, or detained at Guantanamo Bay.

Published

2 days ago

August 20, 2026

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Activists Gerald Smith and Romaine Charite at 14th and Broadway in downtown Oakland near City Hall protest in support of Haitian immigrant rights. Photo by Carla Thomas

By Carla Thomas

Protesters gathered in downtown Oakland near City Hall at 14th Street and Broadway on Thursday, Aug. 13, calling for protections for Haitian immigrants and an end to deportation policies affecting Haitian communities across the United States.

Organized as a call to action by the Legalization for All Network and supported by the Haiti Action Committee and other community organizations, the demonstration carried a clear message: “Defend TPS! Legalization, Not Deportation!”

Participants focused attention on the termination of Temporary Protected Status, or TPS, for Haiti and immigration policies protesters described as continuing attacks on Haitian immigrants under the Trump administration.

Haitian Romaine Charite of the Freedom Road Socialist Organization urged demonstrators to stand with Haitian families and led chants:

“When Haitians are under attack, what do we do? We fight back.”

Injustice to one is an injustice to us all.”

“Dump Trump!”

Charite and other protesters condemned the federal government’s treatment of Haitian immigrants, describing the policies as an attack on a population already facing extraordinary hardship.

Haiti’s TPS designation was terminated effective July 27, 2026, removing temporary deportation protections and work authorization for hundreds of thousands of Haitian beneficiaries who lacked another legal basis to remain in the United States.

Gerald Smith, a protester and former member of the Black Panther Party during the 1970s, said Haitians were being unfairly targeted and warned that ending TPS would have a devastating impact on Haitian families and communities.

“These policies are racially motivated and unfair,” Smith said. “Everyone deserves the right to self-determination and protection from persecution.”

The Haiti Action Committee cited the continuing political, economic and humanitarian crisis in Haiti as evidence that returning large numbers of immigrants to the country could place already vulnerable people at greater risk.

The Oakland gathering, which drew about 20 participants, reflected a decades-long history of Bay Area activism surrounding Haitian democracy, refugee rights and U.S. immigration policy.

Those policies sparked protests involving Haitian communities, Black activists, artists, college students, churches, labor organizations and human rights advocates. Prominent figures, including dancer and activist Katherine Dunham, tennis champion Arthur Ashe, and TransAfrica leader Randall Robinson, joined campaigns challenging the treatment of Haitian refugees.

In 1992, Haiti Action Committee joined other Bay Area organizations in a dramatic demonstration on San Francisco Bay. Boats carrying Haitian participants were intercepted by the U.S. Coast Guard while supporters gathered along the waterfront and reportedly chanted, “Let Them Land!”

More than three decades later, protesters have returned to the streets of Oakland, centering on protecting Haitian immigrants, opposing deportation and pressing for immigration policies that provide families with a pathway toward permanent legal residency.

For more information, visit Haitisolidarity.net.

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Black History

NABJ Convention Brings Black Journalists, Civic Leaders Together in Atlanta

Among the conference’s most closely watched sessions was Thursday’s Newsmaker Plenary, where House Democratic Leader Hakeem Jeffries discussed the national political climate with NABJ President Errin Haines. Journalist Joy-Ann Reid later led a fireside conversation with legal scholar Kimberlé Crenshaw, creator of the term “intersectionality,” and Pulitzer Prize-winning journalist Nikole Hannah-Jones, author of the 1619 Project.

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2 days ago

August 20, 2026

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Civil Rights Attorney Ben Crump (left), House Majority Leader Hakeem Jeffries (middle), Rev. Al Sharpton (right) stand at the NABJ conference in Atlanta on Aug. 13 with Elmore and Christine Wonsley, the parents of Nolan Wells, a Black 18-year-old who died July 4th weekend in Mississippi

By Brandon Patterson

ATLANTA—The 52nd National Association of Black Journalists conference brought thousands of journalists, students, media executives and civic leaders to Atlanta Aug. 12-16 for its 2026 Convention and Career Fair, a five-day gathering centered on the theme “Our Revolution: Truth, Power and Black Journalism.”

The plenary also turned toward grief, accountability and justice as the parents of 18-year-old Nolan Wells, Christine Wells-Wonsley and Elmore Wonsley, appeared with civil rights attorney Ben Crump and the Rev. Al Sharpton. Crump was also the attorney for Trayvon Martin’s, Michael Brown’s, and Tamir Rice’s families. Moderated by journalist Tiffany Cross, the Wells family’s appearance focused on unanswered questions surrounding Nolan’s July death in Mississippi and calls for a federal review.

Reid and journalist Don Lemon also joined a separate discussion with Cross, columnist Michael Harriot and journalist Chandra Whitfield about career disruption, resilience and building independent platforms as Black journalists face layoffs and wider media industry upheaval.

Across generations, attendees exchanged ideas about sustaining careers and serving Black communities.

The gathering reflected NABJ’s long-standing role as both professional home and public forum for Black journalists. For Black-owned legacy newspapers, including ours, the Atlanta convention reinforced a familiar mandate: defend truth, elevate Black voices and connect national debates over politics, justice and media power to the communities most affected.

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Black History

$5 Billion Coliseum Vision Puts Oakland Jobs, Businesses at Center

Reynolds said Black and Brown contractors have historically lacked the bonding, insurance, equipment and staffing required to compete for large contracts because they were denied opportunities to expand.

Published

2 days ago

August 19, 2026

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At SpringHill Suites by Marriott Oakland Airport, AASEG President Ray Bobbitt with Loop Capital Vice President Al Dinwiddie, OAACC President Cathy Adams, and Loop Capital President James “Jim” Reynolds, Jr. Photo by Carla Thomas.

By Carla Thomas

OAKLAND – A sweeping, multiphase redevelopment of the Oakland Coliseum site led by Ray Bobbitt, president of the African American Sports and Entertainment Group (AASEG), and businessman James “Jim” Reynolds Jr., could eventually attract between $3 billion and $5 billion in investment.

Reynolds said the first phase, estimated at $1 billion to $1.5 billion, could include housing, hotels, restaurants, entertainment venues, open space and opportunities for local small businesses.

“We are going to transform the entire area with housing, hotels, with an infrastructure that benefits the community,” Reynolds said.

He also wants to attract major entertainment partners and position Oakland to compete with venues in San Francisco and San Jose. Reynolds said the city already possesses natural assets that other cities spend fortunes trying to create.

“One of the most naturally beautiful cities I’ve ever been to,” he said. “In Oakland, if you do nothing, it’s beautiful naturally: lakes, the mountains, the scenery, the open space, the weather.”

Reynolds’ vision, however, extends beyond buildings and entertainment. He is also focused on which businesses receive contracts and which residents benefit from the jobs and economic opportunities the project creates.

“Why would you build a big business when you know no one was going to hire you to do the job?” Reynolds asked.

He recalled working with longtime business partner Earvin “Magic” Johnson to encourage minority-owned firms to compete for larger contracts. About 1,000 businesses attended one outreach event after receiving assurances that opportunities to serve as prime contractors were real.

Reynolds wants to bring the same approach to Oakland.

“I don’t need goals and set-asides to figure out how to give Black companies a chance to be a prime,” he said.

He also wants Black businesses to move beyond seeking only small portions of projects or subcontracting roles.

At SpringHill Suites by Marriott Oakland Airport, Post News Group Publisher Paul Cobb, OAACC President Cathy Adams, and Loop Capital President James "Jim" Reynolds, Jr. Photo by Carla Thomas. — At SpringHill Suites by Marriott Oakland Airport, Post News Group Publisher Paul Cobb, OAACC President Cathy Adams, and Loop Capital President James “Jim” Reynolds, Jr. Photo by Carla Thomas.

“When we run the concessions, we pick who has a concession,” Reynolds said, citing partnerships involving Johnson, LL Cool J and Stephen A. Smith.

The same principle should apply to construction, entrepreneurship and workforce development, he said.

“Job training and opportunities to have Blacks lead something like this matter,” Reynolds said.

Reynolds also wants young Oakland residents connected to the jobs and career pathways created by the redevelopment.

“They’re going to have jobs, job training, and opportunities to work,” Reynolds said.

He rejects assumptions that Black youth and Black-owned companies cannot manage major responsibilities.

“I’m not going to sit here like others who have been in positions like this and doubt that Black people can do certain things,” Reynolds said.

For Reynolds and Bobbitt, the Coliseum redevelopment is an opportunity to create more than a replacement for the professional sports teams Oakland lost. Bobbitt contributes deep Oakland roots, community relationships and years of persistence, while Reynolds brings capital-market experience, global business relationships and a record of structuring enormous transactions.

Together, they envision a destination that attracts visitors while creating jobs, businesses and ownership opportunities for Oakland residents.

“Thank you, Jim, for believing in Oakland and investing,” Bobbitt said.

CEO of the Oakland African American Chamber of Commerce Cathy Adams, who wrote a letter of support for AASEG at a time when many doubted the feasibility of their goals, said the Coliseum area development plan will become the example of how Black-owned businesses and contractors can help close the disparity gap in Oakland.

Next week, Part 2: Len Turner and local business owners can benefit.