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1970s Throwback, Lenora — Helping Fans to ‘Relax’ with her Music

NNPA NEWSWIRE — By every definition, Lenora is a throwback. For “Relax,” she introduces an alter-ego, “Suga’ Love,” an afro-wearing “Foxy Brown” like character whose looks underscore the fad-happy decade of the 1970s. “I’m a ’90s baby, but at heart, I’m like a child of the ’70s. That era of music heavily influences me,” she notes. (Photography, beauty and styling by RIOT MUSE)

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For “Relax,” she introduces an alter-ego, “Suga’ Love,” an afro-wearing Foxy Brown-like character whose looks underscore the fad-happy decade of the 1970s.

By Stacy M. Brown, NNPA Newswire Correspondent
@StacyBrownMedia

Chelsea Lenora White – simply Lenora to her family and fans – is proving herself to be one of the most exciting rising singers in the music industry.

The Houston-based crooner has released, “Relax,” a smooth tune with a languid feel that gives listeners a carefree, letting go, sensual experience.

Unintentionally reminiscent of Diana Ross’ “Love Hangover,” Lenora’s “Relax” counts as a throwback to the 1970s with enough appeal to make lasting impressions throughout the next decade.

“Just relax,” Lenora sings on the track. “You could do it if you put your mind to it.”

When asked about the connection to Ms. Ross, Lenora said she’s a fan, and “Love Hangover” happens to be a song she loves.

“It probably was subconscious for sure,” Lenora says of the similarity the opening of “Relax” has to “Love Hangover.”

“When I work with producers, I always will give them something that I have listened to and something that I like, and ‘Love Hangover’ is a song that I like,” she stated.

The single contains a bass guitar riff that is also a nod to Marvin Gaye’s, 1976 hit, “I Want You.”

By every definition, Lenora is a throwback.

For “Relax,” she introduces an alter-ego, “Suga’ Love,” an afro-wearing Foxy Brown-like character whose looks underscore the fad-happy decade of the 1970s.

“I’m a ’90s baby, but at heart, I’m like a child of the ’70s. That era of music heavily influences me,” she notes.

While the ’70s is known for the lack of boundaries, Lenora understands that modern-day artists are under more of a microscope, mostly because of social media.

“I’m cautious. I love that era of music, but it always has to be fresh and new,” Lenora stated.

“Even with the cover art we use for the single, I thought was tasteful.”

In the cover art, Lenora is in her underwear, but unlike the penchant today to photograph sexy women in thongs and G-strings, she’s decked out in full bottom briefs. She’s also facing away from the camera, so only the back of her bra is revealed.

It’s just another way in which Lenora gets her message across for people to “Relax.”

“I draw a parallel between blue cheese and ranch,” Lenora stated regarding the line she chooses not to cross when displaying such sensuality in her music.

“A lot of people don’t like blue cheese, but I love blue cheese. But ranch is agreeable to everyone. So, with ‘Relax” I was like okay; this record is like my ranch dressing. Everybody can get on board with this.”

Lenora and her team, which includes the influential Houston-based producers, Beanz n Kornbread, and award-winning songwriter Dustin “Dab” Bowie, wrote the hit single in one hour.

Lenora said she just so happened to be in the same studio as Bowie one night, and she eventually played some music for him.

It was a Saturday night in Los Angeles, Lenora explained.

A flight she had scheduled to leave two days later was delayed, so Lenora returned to the studio, and that’s where she and Bowie co-wrote “Relax.”

Already, the song has touched listeners in ways Lenora found surprising.

“I feel like music is therapy, music is escapism. I always hope my music will heal and provide therapy,” Lenora noted. “A girl told me that the song saved her life. She said that in the song, I remind people to breathe. Some people’s lives are so hectic that they want something for themselves to be able to get away even if they can’t afford to get away physically, the music can provide some of that escapism for them.”

Lenora started singing in Kindergarten and has wowed audiences from her church to local venues in Houston and on into college where she’s classically trained, and where her golden voice mastered the Opera.

It might surprise most who have heard her sing that Lenora went through a period of self-doubt and stopped performing.

“I think it was like six years that I didn’t put music out. It was 2017 when I finally started singing again,” Lenora said.

After a self-imposed hiatus, Lenora returned to the spotlight for a special performance in Washington, D.C.

She belted out another Diana Ross tune, “Reach Out and Touch (Somebody’s Hand)” during the enshrinement ceremony of her late grandmother and former Houston Forward Times Publisher, Lenora “Doll” Carter.

The ceremony inducted Carter into the Gallery of Distinguished Black Publishers.

“I knew I couldn’t stay away from music,” Lenora stated. “But, I had management and people telling me to do things that I didn’t necessarily agree with. When I did come back out, I did a performance called ‘Motown and More,’ and it’s a huge deal. There are 40,000 people there over the weekend for that show, and I had never done it before 2017. When I did the audition, they were like, “Who are you?” “Where have you been?” And I realized that this style of music is who I am.”

With a hot new single and tens of thousands of followers on social media, Lenora is on the fast track to superstardom.

“That Motown show opened doors for me in terms of people knowing what I do. ‘Relax’ is the biggest so far for me, it’s getting a lot of radio play,” Lenora stated.

“It’s trending in the West Indies and London, and that’s crazy because I’ve never been to any of those places yet. I’m not a brand-new artist, but essentially I am a new artist because I’ve rebranded, I’ve taken a step back.”

“Relax” is available on all streaming platforms.

Download “Relax”: https://song.link/relax

Connect with Lenora:

Facebook: Facebook.com/SincerelyLenora

Instagram: @SincerelyLenora

Twitter: @SincerelyLenora

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#NNPA BlackPress

COMMENTARY: Jim Crow 2.0 at the Pentagon

BLACKPRESSUSA NEWSWIRE — The American people are expected to believe that one extraordinary officer after another suddenly fails to meet some undefined standard of excellence. We are expected to ignore impeccable service records while accepting that political appointees alone possess the wisdom to determine who is worthy of advancement.

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Photo: iStockphoto / NNPA.

Pete Hegseth insists that he is restoring “merit” to the United States military. But after months of dismissals, blocked promotions, and ideological purges, the evidence tells a different story. His campaign against so-called “diversity, equity, and inclusion” has become something far more dangerous: an assault on equal opportunity that falls with particular force on African Americans, while also targeting women, Latinos, gay Americans, and transgender service members.

The latest example is both troubling and infuriating.

Once again, Defense Secretary Pete Hegseth has reportedly blocked the promotion of an exceptionally qualified woman—Rear Admiral Amy Bauernschmidt. Bauernschmidt is no ordinary officer. She became the Navy’s first woman to command a nuclear-powered aircraft carrier, one of the most demanding leadership assignments in the world. Her career reflects decades of exemplary performance, operational excellence, and leadership under extraordinary pressure.

Yet once again, a distinguished military career appears to have been subordinated to an ideological agenda masquerading as “merit.”

I call BS!

The American people are expected to believe that one extraordinary officer after another suddenly fails to meet some undefined standard of excellence. We are expected to ignore impeccable service records while accepting that political appointees alone possess the wisdom to determine who is worthy of advancement.

The pattern has become impossible to ignore.

General Charles Q. Brown Jr., only the second African American to serve as Chairman of the Joint Chiefs of Staff, was dismissed despite a career that placed him among the most accomplished military leaders of his generation.

Admiral Lisa Franchetti, the first woman ever to serve as Chief of Naval Operations, was removed despite decades of distinguished command experience.

Reports have documented interventions that blocked or delayed the promotions of Black officers and women selected through the military’s rigorous promotion system.

Now Rear Admiral Amy Bauernschmidt joins the growing list of highly accomplished officers whose careers have been derailed for reasons that have never been persuasively explained.

Where is Congress?

Its silence has become deafening.

Congress has an independent constitutional responsibility to oversee the armed forces. Instead, too many lawmakers have watched silently while one of the nation’s most respected institutions is subjected to ideological litmus tests and political interference.

This is not military reform.  It is testosterone-fueled performative masculinity disguised as a philosophy of military excellence.

The irony is impossible to miss. Hegseth repeatedly invokes “merit,” yet his rhetoric begins with the assumption that Black officers, women, and other historically excluded Americans must somehow justify their achievements in ways that white male officers are rarely required to do.

That is not meritocracy.  It is prejudice wrapped in patriotic language.

No one is asking that anyone be promoted because of race or gender. Americans simply expect that promotions be based on demonstrated competence, leadership, integrity, and service. The officers being targeted have already proven themselves repeatedly under one of the world’s most demanding evaluation systems.

Their records speak for themselves.

The attack on African American military leadership has been especially pernicious.

For generations, Black Americans fought in segregated units, earned decorations while denied equal treatment, and repeatedly demonstrated loyalty to a nation that often failed to extend them full citizenship. They broke barriers not because standards were lowered but because excellence finally overcame institutional discrimination.

Today’s campaign against “diversity” threatens to revive old assumptions under new slogans.

The implication that Black generals and admirals somehow owe their success to affirmative action rather than extraordinary performance echoes some of the ugliest stereotypes of the Jim Crow era. Yesterday’s segregationists claimed Black Americans were inherently less qualified. Today’s culture warriors simply employ more politically acceptable language while inviting the same suspicion about Black achievement.

That is why Hegseth’s campaign increasingly resembles Jim Crow 2.0.

The targets may now wear stars on their shoulders instead of military patches on segregated uniforms, but the underlying message is hauntingly familiar: Black excellence is presumed suspect, while white excellence is presumed earned.

America’s military became the finest fighting force in history because it opened its doors to talent wherever it could be found. It grew stronger after President Truman desegregated the armed forces. It became stronger when women assumed greater command responsibilities. It became stronger when every qualified American was given the opportunity to serve to the fullest extent of their abilities.

Diversity is not a concession.  It is a strategic advantage.

The nation’s adversaries do not fear an American military because it is racially homogeneous. They fear it because it draws upon the talents of more than 340 million Americans whose diverse experiences, perspectives, and abilities make our armed forces unmatched anywhere in the world.

Every politically motivated dismissal of a distinguished officer sends a chilling message throughout the ranks: excellence alone may no longer be enough if you belong to the wrong demographic group.

That weakens morale.  It weakens recruitment.  It weakens retention.

And ultimately, it weakens national security.

Pete Hegseth has every right to pursue military readiness. He has no right to redefine merit in ways that repeatedly cast suspicion upon the accomplishments of Black officers, women, and others who have devoted their lives to defending this nation.

America deserves better.  The men and women who wear the uniform deserve better.  The Constitution deserves better.

And unless Congress finds the courage to exercise meaningful oversight, history may well remember this period not as a restoration of military excellence, but as the moment political ideology attempted to resurrect, in modern form, the old poison of exclusion.

Jim Crow did not strengthen America.  Jim Crow 2.0 will not strengthen America’s military.  It will only diminish it

Wade Henderson
Strategic Advisor
Civil and Human Rights
wade@wadejhenderson.com

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New Judge Could Decide if Karmelo Anthony Gets a New Trial

By Emilie St. John (Contributor) Karmelo Anthony will return to court next month in his first step to overturn his murder conviction. Anthony was found guilty last month in the stabbing death of Austin Metcalf and sentenced to 35 years in prison. His new legal team has filed motions seeking the recusal of State District […]
The post New Judge Could Decide if Karmelo Anthony Gets a New Trial appeared first on BlackPressUSA.

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By Emilie St. John
(Contributor)

Karmelo Anthony will return to court next month in his first step to overturn his murder conviction.

Anthony was found guilty last month in the stabbing death of Austin Metcalf and sentenced to 35 years in prison. His new legal team has filed motions seeking the recusal of State District Judge John Roach Jr. from overseeing the appeals process.

Two hearings have been scheduled on the motion for Aug. 9 and 10 in the Collin County Courthouse in McKinney, Texas, according to Fox4 News.

On July 14, Senior Judge Sid L. Harle of the 226th District Court was assigned to preside over the defense’s motion to recuse Collin County Judge John Roach. The assignment took effect immediately and authorized Harle to handle all matters related to the recusal request, the filing read. 

The Collin County District Attorney’s Office continues to defend its handling of the case by issuing a statement to NBC 5 DFW.

“The defendant’s new lawyers have filed a motion containing several inaccurate characterizations of the trial proceedings. The entire prosecution team and I conducted this trial ethically and in full compliance with the Court’s rulings and any agreements with defense counsel. We look forward to addressing these claims thoroughly in a Court of law in the coming weeks. The jury heard extensive evidence over the course of the trial and returned a unanimous verdict. We remain confident in that verdict and the fairness of the proceedings.” 

Anthony’s new legal team, made up of appellate, civil rights, and criminal defense attorneys, was retained following Anthony’s conviction.

“Our responsibility is to determine whether a legal error occurred and to ensure that every issue supported by the record is fully and vigorously presented on appeal,” the team said in a statement.

“We recognize the profound loss suffered by one young man’s family and the uncertainty facing another, and we extend our respect to everyone whose lives have been forever changed by these events,” the release reads.

Anthony was charged with the stabbing death of Austin Metcalf during a track meet in Frisco, Texas, April 2, 2025. Anthony has long maintained it was an act of self-defense.

The attorneys are representing Anthony pro bono. The nearly 200-page notice of appeal seeks a new trial because his Sixth Amendment right to a public trial was violated.

“The cumulative and practical effect of these provisions was to exclude members of the public from proceedings at every stage,” the filing reads. 

The filing also focused on an alleged “handshake deal” that kept Anthony from taking the stand in his defense.

The defense filing said the agreement was that the jury would not hear that Metcalf and his twin brother had been accused of racism and bullying in the past. In exchange, they also would not see Anthony’s cellphone records or his school disciplinary record, according to court documents reported by the Dallas Morning News.

Anthony’s former defense attorney, Mike Howard, said the defense relied heavily on that deal. The team chose not to ask certain questions of witnesses or call on a separate expert witness based on that agreement. It also abandoned plans to introduce testimony and evidence about the allegations against Metcalf and his brother.

Appellate attorney Russell Wilson is now handling post-trial proceedings and Anthony’s appeal.  He recently sat down for an interview, stating, “The court committed multiple errors during the June murder trial, preventing him from receiving a fair trial.”

“You know, we file motions that we expect to prevail on, but we understand that there’s two sides to every story. And at the end of the day, it’ll be a judge that has to make these decisions, but we feel confident in the positions that we’re taking,” Wilson said during an interview with WFAA. “There were substantial issues that we thought a reviewing court needed to look at. We thought these were constitutional irregularities, and we could have them addressed now. And so, we put them into a motion for a new trial.”

Bree West, a former Dallas County Assistant District Attorney, found it startling that so little time was given to Anthony’s team for such a serious “life or death” situation.

“I do think that it’s really challenging that potentially a court decided that you have 10 minutes to make that level of decision when it has the potential of being life-altering,” said West during an interview with Fox 4 News.

Judge Harle is no stranger to high-profile cases, having presided over the prosecution of a police officer charged in connection with the 2022 mass shooting at Robb Elementary School in Uvalde.   

Anthony was convicted on June 9 of the murder of Austin Metcalf and sentenced to 35 years in prison.

The post New Judge Could Decide if Karmelo Anthony Gets a New Trial appeared first on BlackPressUSA.

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COMMENTARY: LSMFT! Lord Save Me from Trump!

WESTSIDE GAZETTE — The author criticizes Donald Trump’s rhetoric, noting his use of terms like “Dumbocrats” and “Communist” to describe Democrats and democracy. The column asserts that Trump’s current strategy involves creating doubt about midterm elections due to a lack of Republican agenda.
The post COMMENTARY: LSMFT! Lord Save Me from Trump! appeared first on BlackPressUSA.

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Frankly Speaking

Wow! Wow! Wow! The swamp drainers have truly stepped down to new levels of stupidity. You remember Weapons of Mass Destruction? We now have Weapons of Mass Distraction. Trump has introduced Dumbocrats and Communists into the conversation about Democrats and Democracy.

Trump lies so much, and his current strategy is to set up doubt about midterm elections because he and Republicans have no agenda!

He has no “Trump “ card, but Iran has a strait! He called it a skirmish; it’s now a War. He said five days; now it’s five months. He said few casualties; now it’s 18 deaths. He knew nothing about Project 2025 but hired its architects! Trump lies about the lies and often forgets these little inventions called cameras and phones

We see and hear and then see and hear the inconsistencies.

I didn’t like 45 and dislike 47 even more!

The post LSMFT! Lord Save Me From Trump! appeared first on The Westside Gazette.

Based on reporting by Westside Gazette.



The post COMMENTARY: LSMFT! Lord Save Me from Trump! appeared first on BlackPressUSA.

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