By Ken Epstein and Post Staff

Earlier this year, two Oakland parents formed a new Political Action Committee (PAC), which they describe as an “Oakland parent-led effort working towards better public schools” focused on electing new leaders in Oakland Unified School District (OUSD) Districts 2 and 6, opposing progressive incumbents.

So far, the Parent PAC has donated to Arielle Fleisher in District 2 and Alexandra Williams in District 6.

According to the latest filing with the City of Oakland, the PAC raised a total of $45,540 but received just 12 individual contributions from Oaklanders who appear to be OUSD parents, totaling $2,100, less than 5% of the total.

Most of this ‘parent’ PAC money came from two sources: San Francisco billionaire Michelle Boyers and the “Champions for Quality Education,” a PAC run by two long-time charter industry advocates in Oakland, Kimi Kean and Hae-Sin Thomas.

Besides charter advocates, the Champions PAC was funded by real estate developers and crypto executives and was active in the 2024 District 3 election. These two contributions totaled $37,120 and, together with a $5,000 contribution from former Oakland Mayor Libby Schaaf’s failed state treasurer campaign, make up 92% of the total contributions received by this PAC.

Candidates running against the incumbents and supported by the Champions PAC favor closing more schools in Oakland, claiming in public meetings that this is the only way to balance the budget permanently. However, they have provided no evidence that school closings over the past 20 years have strengthened OUSD’s financial position or improved educational and budget conditions in other districts that have gone that route.

The current school board majority, including the incumbents in District 2, Jennifer Brouhard, and District 6, Valarie Bachelor, strongly oppose school closings.

Importantly, while many advocates of reducing the number of schools maintain that closing more schools is the road to fiscal health, almost as an article of faith, they do not examine nor even mention the consequences that follow as a result of the many schools that OUSD has already closed over the years.

To name only a few, Oakland has lost Roots International Academy, an East Oakland middle school that was closed over broad community opposition in 2019; Lakeview Elementary School near Lake Merritt, which, despite protests, was closed in 2012; and Santa Fe Elementary in West Oakland, also closed in 2012.

Several Oakland parents have expressed concerns over the new Champions PAC and the misleading name it gave itself.

“It’s pretty disheartening to see a PAC branding itself as ‘parent-led’ when over 95% of its funding came from wealthy non-parent donors and charter-aligned PACs — before most Oakland parents even had a chance to weigh in,” said Journey Meadows.

“Our schools deserve advocates who reflect our community and truly care about our children, not a well-funded campaign to reshape the board from the outside,” she said.

Stefanie Parrott also had harsh words for PACs that push to close schools.

“It is upsetting and insulting when a parent group lobbies for the closure of someone else’s schools, especially without ever engaging actual families of the schools they want to close and without a true understanding of, or with a cruel indifference to, the devastation school closures have on poor Black and Brown communities,” she said.

“This is especially true when the parent group is funded by outside interests like charter industry leaders and out-of-town billionaires,” she continued.

“Instead of dismissing the impacted students and families, they might actually talk to us in West and East Oakland before their ‘advocacy’ harms our communities. I am an OUSD parent, and they don’t speak for me,” Parrott said.

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By Bo Tefu, California Black Media

Gov. Gavin Newsom announced eight appointments Aug. 19, including a new state chief technology officer and the reappointment of a Sacramento State outreach coordinator who works with formerly incarcerated students.

Ayushi Roy, of San Francisco, was appointed state chief technology officer at the California Department of Technology. Roy has taught at Harvard Kennedy School since 2022 and previously held technology and policy roles with New America, the U.S. General Services Administration, and the U.S. Office of Management and Budget 

Roy’s policy work has focused on the gap between government programs and the people they are intended to serve. In a Harvard course inspired by Beyoncé’s “Cowboy Carter,” she teaches students to examine how administrative and implementation barriers can undermine social safety-net programs.

“I do know as a practitioner, having served in the government for over a dozen years, that the building of technology is the easy part; managing the political feasibility and the implementation is the hard part,” Roy said.

Roy’s appointment requires Senate confirmation and carries compensation of $214,692.

Newsom also reappointed Michael Love, of Sacramento, to the State Rehabilitation Council, where he has served since 2025. Love has been an outreach coordinator at California State University, Sacramento since 2024 and previously held several roles at the university, including administrative services coordinator for Project Rebound and teacher’s associate.

Project Rebound supports formerly incarcerated students as they pursue higher education, making Love’s appointment relevant to the council’s work involving vocational rehabilitation services.

Love earned bachelor’s and master’s degrees in communication studies from Sacramento State. He is a Democrat.

Newsom also appointed Eric De La Cruz of Sacramento as executive director of the Racial Equity Commission. De La Cruz has served as chief of the Office of Civil Rights at the Department of Toxic Substances Control since 2022. The position pays $146,220 and does not require Senate confirmation.

The governor additionally appointed Christine Aurigemma to the State Rehabilitation Council and reappointed Lisa Weiler, Michelle Bello and Matthew Asner. The council positions are unpaid and do not require Senate confirmation.

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Before some of us knew Dolly Parton as the Queen of Country Music, we knew her as the woman behind Whitney Houston’s song. We knew the blonde hair, the rhinestones, and that unmistakable Tennessee voice. But somewhere along the way, Black America came to understand something deeper about Dolly; when she said she loved people, she had the receipts to prove it.

The community is now left to mourn the icon who passed away at the age of 80, on Aug. 25, after dealing with an unknown medical condition. Known for her chart-topping country music hits, Dolly never felt as though she belonged only to one genre, or one kind of person. She showed up with humor, humility and a generosity that did not ask who you voted for before offering a helping hand. She made room for people, and in return, people from every corner of the culture made room for her.

The Song That Brought Dolly and Whitney Together

For Black audiences, the bridge to Dolly will always run through Whitney Houston. Parton wrote “I Will Always Love You” as she prepared to leave Porter Wagoner’s television show and released it in 1974. The original was tender and restrained, a country goodbye delivered with grace. Then Whitney got hold of it.

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Houston’s 1992 rendition for “The Bodyguard” did not merely update the record. She took it to church, then carried it around the world. That opening a cappella moment, the controlled stillness and the key change that made everybody reach for a note they had no business trying to hit turned Parton’s country ballad into a global anthem. The single spent 14 consecutive weeks at No. 1 on the Billboard Hot 100, became the best-selling physical single by a woman and earned two Grammy Awards.

And instead of trying to deny contribution or rush to remind everyone who wrote the song, she celebrated the way Houston’s voice transformed it. In an industry with a long history of taking from Black artists while denying them proper credit, Dolly understood that acknowledging Whitney’s greatness did not diminish her own. One woman wrote an extraordinary song. Another woman revealed everything else that song could become.

“This is the house that Whitney built.”

— Dolly Parton

Parton later shared that she used some of the royalties from Houston’s recording to purchase commercial property in a predominantly Black Nashville neighborhood. She called it “the house that Whitney built.” There was something beautiful about that acknowledgment. Whitney’s voice had generated wealth, and Dolly wanted part of that wealth rooted among people she described as Whitney’s people, and her people, too.

Dolly’s relationship with Black America was not built on pretending she did not see color. She saw us. In a 2020 Billboard interview, she made her position plain: “Of course Black lives matter. Do we think our little white asses are the only ones that matter? No!”

It was blunt, funny, and completely on brand. But Dolly also understood that allyship could not stop with a quote. After learning why the word “Dixie” was offensive and painful to many people, she removed it from the name of her Civil War-themed dinner attraction. She called her previous understanding “innocent ignorance.” More important, she fixed it.

That willingness to listen mattered. Dolly did not perform perfection or become defensive when someone pointed out harm. She showed that loving people means caring enough to learn, change and do better. In a time when public figures often double down just to avoid admitting they were wrong, Dolly simply chose not to be cruel.

Dolly’s love also arrived in the mail. Inspired by her father, who could not read or write, she launched the Imagination Library in 1995. The program began in Sevier County, Tennessee, sending one free, age-appropriate book each month to enrolled children from birth to age 5. What started in the rural community that raised her grew into an international literacy movement. By the end of 2025, the program had distributed more than 300 million books and was mailing about 3.4 million books each month.

Those books found their way into homes in big cities as well as small towns. In New York City, the Imagination Library has been promoted through public schools and community organizations in the Bronx. For urban families navigating tight budgets, limited bookstore access or neighborhoods where children’s books are not always easy to find, a brand-new book addressed directly to a child can mean more than one package. It tells that child, “This belongs to you. Your imagination matters.”

That was Dolly’s kind of giving: personal, useful and rooted in dignity. She also funded scholarships, supported hospitals, invested in medical research and helped families recover from disasters. Her $1 million donation to Vanderbilt University Medical Center supported research connected to the Moderna COVID-19 vaccine. She turned the money she made entertaining people into opportunities to help them live, learn and rebuild.

A preschooler opening one of Dolly’s books in the Bronx did not need to know “Jolene.” A parent reading that book at bedtime did not need to be a country music fan. Her generosity crossed racial and economic lines because it met families in real life, at the mailbox, in a hospital room or after the unthinkable happened.

A Legacy That Felt Like Love

Dolly Parton leaves behind thousands of songs, beloved films, major businesses and enough rhinestones to keep heaven sparkling for a while. But her greatest legacy may be the way she made strength feel soft without ever making it weak. She knew exactly who she was, yet she never needed anyone else to become smaller so she could shine.

For Black listeners, her bond will always be part of that story. “I Will Always Love You” was never about choosing between the white woman who wrote it and the Black woman who took it somewhere new. Dolly gave the world the words. Whitney gave those words wings. Together, they created a piece of American music that refuses to stay inside one genre or belong to only one community.

That is why this loss feels personal, even to people who never met her. Dolly reminded us that tenderness can be powerful. She showed us that changing your mind can be a sign of character, that celebrating another woman’s brilliance does not steal your light and that love means very little if it never becomes action.

Country music will forever call Dolly Parton one of its queens. But Black culture recognized something in her, too: a woman who respected our greatness, spoke up for our humanity and invested in our children. She did not simply leave this world loved. In the ways that mattered most, Dolly loved us back.

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