Connect with us

#NNPA BlackPress

Touch of Keys: A MAJOR Asset to the Community

ABOVE: Grammy Award and NAACP Image Award nominated, platinum selling artist, MAJOR, with Eric Gordon Wright at Touch of Keys Music Fine Arts Annual Scholarship Award Fundraiser Dinner  Local organization that helped launch the career of Grammy-nominated and platinum selling artist, MAJOR, continues to expose underserved youth to music and fine arts. Making a difference […]
The post Touch of Keys: A MAJOR Asset to the Community first appeared on BlackPressUSA.

Published

on

ABOVE: Grammy Award and NAACP Image Award nominated, platinum selling artist, MAJOR, with Eric Gordon Wright at Touch of Keys Music Fine Arts Annual Scholarship Award Fundraiser Dinner 

Local organization that helped launch the career of Grammy-nominated and platinum selling artist, MAJOR, continues to expose underserved youth to music and fine arts.

Making a difference in the world is a meaningful thing. Doing it, while empowering young people in the process, is an even more transformational and significant undertaking.

Empowering the youth is what 21st century musician and philanthropist Eric Gordon Wright has been doing for more than 25 years in the Greater Houston area.

Drummer Dylan Lipkins, who will be attending Southern University, was awarded the 2023 Touch of Keys Music Fine Arts Scholarship from E. Gordon Wright and the Board of Directors

Known as “Touch of Keys” for his electrifying touch on the keyboard and piano, E. Gordon Wright has displayed a combined 50 years’ worth of excellence, to his credit, in music education and performance across the world.

A native Houstonian, Wright began his music career at an early age, playing for the local church. He studied music privately at the Ruthie School of Music, and later participated as a band member at Hartman Middle School. Wright continued his growth as a leader and musician by becoming the drum major for the Jesse H. Jones High School Falcon Marching Band. After graduating from Jones, he matriculated to Texas Southern University (TSU), where he became a member of the TSU “Ocean of Soul” Marching Band.

After attending TSU, Wright launched Wright’s Music Studio, and subsequently founded Touch of Keys Music Fine Arts—a 501(c)(3) non-profit organization that was established in 2008, to enhance the fundamental education experience with an exposure to music and fine arts. The nucleus of the program is music education, making it possible for children and youth to explore the art of learning music, piano, guitar, percussion, voice, dance, and more. The organization provides music arts for after-school music programs, as well as summer music fine arts camps, primarily to underserved children from low-to moderate-income families.

Touch of Keys Music Fine Arts Student Performer

Wright has been able to organize and write curriculum to allow students to learn the art of music and theory through group lessons as well as private. Students under his tutelage have been able to enhance their skills with music lessons in piano, percussion, guitar, voice, and more.

Wright is a humble man, but his impact on the youth, particular in the area of music, cannot be understated or ignored. He has been able to share his talent of music with many participants in his afterschool and summer programs, several of which have gone on to do major things.

Wright points to one of his most successful proteges—Grammy Award and NAACP Image Award nominated, platinum selling artist, MAJOR, as well as music educator Dr. Anthony McBeth, local R&B artist Amin Moore, and many more, who were once a part of his organization and a part of his successful youth gospel group—Sounds of Creation.

“Through the programs I launched, I have had the opportunity to jumpstart many people’s music careers,” said Wright.

This past Sunday, April 16th, Wright held his Touch of Keys Music Fine Arts Annual Scholarship Award Fundraiser Dinner at The Houston Club, located in downtown Houston. The event, emceed by Praise 92.1’s Anthony Valary, honored notable individuals for their great accomplishments and services to the music and fine arts community, and acknowledged them for sharing their gifts with youth through music programs across the country.

Honorees included Ben Tankard—legendary keyboardist, artist, music mogul, and who has 17 Stellar Awards, Dove, Grammy, Soul Train, and NAACP Image Award nominations; Dr. Kitra Williams—film producer, singer, actress, playwright, and life coach, who starred in Oprah Winfrey’s Broadway musical, “The Color Purple,” co-starring Fantasia, and also starred in Tyler Perry’s “Diary Of A Mad Black Woman” & T.D. Jakes “Woman Thou Art Loosed”; saxophonist Dean James; Lady Beatrice Ward; Stephanie Wright; and Willie “WC” Brown Jr.

In addition to several youth displaying the talent that they learned as part of the Touch of Keys Music Fine Arts organization, Wright was shocked to receive a surprise appearance from MAJOR, who rearranged his schedule and flew from Los Angeles to be at the scholarship event.

Touch of Keys Music Fine Arts Student Performer

“It’s an honor to be here,” said MAJOR, who passionately shared his firsthand experiences of being positively impacted by Wright and his organization. “I’ve always dreamt of opportunities to pour back into the folks who saw something in me before everyone else caught on. If my life has impressed you by any means, let that be the evidence and the testimony of this work, that is Touch of Keys Music Fine Arts, and that is Wright’s Music Studio. Their legacy has made the difference in my life, and I never fail to mention them, from radio to interviews, whatever I do. I always say, Touch of Keys and Wright’s Music Studio was first. I want to salute the work of Eric Wright, and I’m honored to be a part of this legacy. This world is truly better because of Eric Wright. My name is MAJOR, and I approve this message.”

MAJOR also announced that he had donated to support the event and the organization.

Proceeds from the Touch of Keys Music Fine Arts Annual Scholarship Award Fundraiser Dinner will benefit the Touch of Keys Music Fine Arts Summer and afterschool music program.

During the summer music enrichment program, youth ages 6 through 14 are provided an opportunity to explore music and musical instruments.  The summer music program has been held in Third Ward, Fifth Ward, Sunnyside, Pearland, and the surrounding communities. At the end of the summer program, participants are excited to participate in the Summer Music Showcase. These presentations continue to enhance the foundation of ambition, encouragement, and self-discovery developed through each youth participant.

Wright states that he is proud of what he has accomplished and will continue to advocate for and support youth in the area of music.

“After the death of my father in 2004, I was motivated to build a legacy by reaching out to children and youth that are less fortunate and underserved, because of how I was blessed to have parents that were able to sow into my life, the opportunity to learn music at an early age,” said Wright. “I realized that everyone did not have this opportunity and I saw that there was a need to offer opportunities to youth who are less fortunate and underserved in our Black communities.”

Wright states that the biggest challenge he has faced on this decades-long journey has been identifying resources to support the operation of the organization’s programs.

“It takes resources to grow and sustain your programs,” said Wright. “We have been able to operate for 15 years with contributions from our private donors and small business supporters. We appreciate those who have chosen to sow into the programs we administer.”

Wright states he is motivated to do more, sharing that parents should not stifle their children who are talented and interested in music.

“My advice to parents is to embrace the musical gifts in your child by supporting and being involved in their learning, such as with private lessons, school music programs, church, and music ministry that is available to them,” said Wright. “Every area of opportunity brings growth and development. I would encourage parents to invest in their children, in music, and in their talents, because what you sow into them will benefit their future.”

Currently as a national recording artist, Wright leads the Touch of Keys Jazz Band, and tours locally and nationally. He currently serves as Music Director (MD) for Dr. Kitra Williams, Preferred Leading Lady, and he also serves as Minister of Music at St. Mark Missionary Baptist Church. Wright is proficient in all dimensions of jazz, R&B, pop, rock, blues, country, gospel, classical, oldies, movie hits, or easy listening. He is a recording artist, writer, composer, producer, and can be heard weekly as the host of Music Power Hour Radio Show, AEGRADIO, and VTV NETWORK, which is broadcasted nationally. His music can be heard on radio and on television, nationally and internationally. His latest singles, Soul Reflection and He Loves Me, are available on all music platforms.

For more information on Touch Of Keys Music Fine Arts please visit http://www.TouchofKeys.com, and for more information about E. Gordon Wright and the Touch of Keys Jazz Band, please visit https://tokepk.com/.

The post Touch of Keys: A MAJOR Asset to the Community appeared first on Houston Forward Times.

The post Touch of Keys: A MAJOR Asset to the Community first appeared on BlackPressUSA.

Forward Times Staff

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

#NNPA BlackPress

Beloved Actor and Activist Louis Cameron Gossett Jr. Dies at 87

NNPA NEWSWIRE — Louis Gossett Jr., the groundbreaking actor whose career spanned over five decades and who became the first Black actor to win an Academy Award as Best Supporting Actor for his memorable role in “An Officer and a Gentleman,” has died. Gossett, who was born on May 27, 1936, in Brooklyn, N.Y., was 87. Recognized early on for his resilience and nearly unmatched determination, Gossett arrived in Los Angeles in 1967 after a stint on Broadway.
The post Beloved Actor and Activist Louis Cameron Gossett Jr. Dies at 87 first appeared on BlackPressUSA.

Published

on

By Stacy M. Brown
NNPA Newswire Senior National Correspondent

@StacyBrownMedia

Louis Gossett Jr., the groundbreaking actor whose career spanned over five decades and who became the first Black actor to win an Academy Award as Best Supporting Actor for his memorable role in “An Officer and a Gentleman,” has died. Gossett, who was born on May 27, 1936, in Brooklyn, N.Y., was 87. Recognized early on for his resilience and nearly unmatched determination, Gossett arrived in Los Angeles in 1967 after a stint on Broadway.

He sometimes spoke of being pulled over by law enforcement en route to Beverly Hills, once being handcuffed to a tree, which he remembered as a jarring introduction to the racial tensions of Hollywood. In his memoir “An Actor and a Gentleman,” Gossett recounted the ordeal, noting the challenges faced by Black artists in the industry. Despite the hurdles, Gossett’s talent shone brightly, earning him acclaim in groundbreaking productions such as “A Raisin in the Sun” alongside Sidney Poitier. His Emmy-winning portrayal of Fiddler in “Roots” solidified his status as a trailblazer, navigating a landscape fraught with racial prejudice.

According to the HistoryMakers, which interviewed him in 2005, Gossett’s journey into the limelight began during his formative years at PS 135 and Mark Twain Junior High School, where he demonstrated early leadership as the student body president. His passion for the arts blossomed when he starred in a “You Can’t Take It With You” production at Abraham Lincoln High School, catching the attention of talent scouts who propelled him onto Broadway’s stage in “Take A Giant Step.” His stellar performance earned him the prestigious Donaldson Award for Best Newcomer to Theatre in 1952. Though initially drawn to sports, Gossett’s towering 6’4” frame and athletic prowess led him to receive a basketball scholarship at New York University. Despite being drafted by the New York Knicks in 1958, Gossett pursued his love for acting, honing his craft at The Actors Studio under the tutelage of luminaries like John Sticks and Peggy Fury.

In 1961, Gossett’s talent caught the eye of Broadway directors, leading to roles in acclaimed productions such as “Raisin in the Sun” and “The Blacks,” alongside legends like James Earl Jones, Cicely Tyson, Roscoe Lee Brown, and Maya Angelou. Transitioning seamlessly to television, Gossett graced small screens with appearances in notable shows like “The Bush Baby” and “Companions in Nightmare.” Gossett’s silver screen breakthrough came with his role in “The Landlord,” paving the way for a prolific filmography that spanned over 50 movies and hundreds of television shows. From “Skin Game” to “Lackawanna Blues,” Gossett captivated audiences with his commanding presence and versatile performances.

However, his portrayal of “Fiddler” in Alex Haley’s groundbreaking miniseries “Roots” earned Gossett critical acclaim, including an Emmy Award. The HistoryMakers noted that his golden touch extended to the big screen, where his role as Sergeant Emil Foley in “An Officer and a Gentleman” earned him an Academy Award for Best Supporting Actor, making him a trailblazer in Hollywood history.

Beyond the glitz and glamour of Hollywood, Gossett was deeply committed to community activism. In 1964, he co-founded a theater group for troubled youth alongside James Earl Jones and Paul Sorvino, setting the stage for his lifelong dedication to mentoring and inspiring the next generation. Gossett’s tireless advocacy for racial equality culminated in the establishment of Eracism, a nonprofit organization dedicated to combating racism both domestically and abroad. Throughout his illustrious career, Gossett remained a beacon of strength and resilience, using his platform to uplift marginalized voices and champion social change. Gossett is survived by his children, Satie and Sharron.

The post Beloved Actor and Activist Louis Cameron Gossett Jr. Dies at 87 first appeared on BlackPressUSA.

Continue Reading

#NNPA BlackPress

COMMENTARY: D.C. Crime Bill Fails to Address Root Causes of Violence and Incarceration

WASHINGTON INFORMER — The D.C. crime bill and so many others like it are reminiscent of the ‘94 crime bill, which produced new and harsher criminal sentences, helped deploy thousands of police and surveilling methods in Black and brown communities, and incentivized more states to build prisons through a massive infusion of federal funding. While it is not at the root of mass incarceration, it significantly accelerated it, forcing a generation of Black and brown families into a never-ending cycle of state-sanctioned violence and incarceration.
The post COMMENTARY: D.C. Crime Bill Fails to Address Root Causes of Violence and Incarceration first appeared on BlackPressUSA.

Published

on

By

By Kaili Moss and Jillian Burford | Washington Informer

Mayor Bowser has signed the “Secure DC” omnibus bill passed by the D.C. Council last month. But we already know that this bill will be disastrous for all of D.C., especially for Black and brown residents.

While proponents claim that this legislation “will make D.C. residents safer and more secure,” it actually does nothing to address the root of the harm in the first place and instead maintains a cycle of violence, poverty, and broken community ties. The omnibus bill calls for increased surveillance, drug-free zones, and will expand pre-trial detention that will incarcerate people at a significantly higher rate and for an indeterminate amount of time before they are even tried. This bill will roll back decades of nationwide policy reform efforts and initiatives to keep our communities safe and whole, which is completely contradictory to what the “Secure” D.C. bill claims it will do.

What is unfolding in Washington, D.C., is part of a dangerous national trend. We have seen a resurrection of bad crime bills in several jurisdictions across the country — a phenomenon policy experts have named “zombie laws,” which are ineffective, costly, dangerous for communities of color and, most importantly, will not create public safety. Throwing more money into policing while failing to fund preventative measures does not keep us safe.

The D.C. crime bill and so many others like it are reminiscent of the ‘94 crime bill, which produced new and harsher criminal sentences, helped deploy thousands of police and surveilling methods in Black and brown communities, and incentivized more states to build prisons through a massive infusion of federal funding. While it is not at the root of mass incarceration, it significantly accelerated it, forcing a generation of Black and brown families into a never-ending cycle of state-sanctioned violence and incarceration. Thirty years later, despite spending billions each year to enforce these policies with many of these provisions remaining in effect, it has done very little to create long-term preventative solutions. Instead, it placed a permanent moving target on the backs of Black people, and the D.C. crime bill will do the same.

The bill calls for more pretrial detention. When our loved ones are held on pretrial detention, they are held on the presumption of guilt for an indeterminate amount of time before ever seeing a judge, which can destabilize people and their families. According to experts at the Malcolm Weimer Center for Social Policy at Harvard University, just one day in jail can have “devastating consequences.” On any given day, approximately 750,000 people are held in jails across the nation — a number that beats our nation’s capital population by about 100,000. Once detained, people run the risk of losing wages, jobs, housing, mental and health treatments, and time with their families. Studies show that pretrial detention of even a couple of days makes it more likely for that person to be rearrested.

The bill also endangers people by continuing a misguided and dangerous War on Drugs, which will not get drugs off the street, nor will it deter drug use and subsequent substance use disorders (SUDs). Drug policies are a matter of public health and should be treated as such. Many states such as Alabama, Iowa and Wisconsin are treating the current fentanyl crisis as “Crack 2.0,” reintroducing a litany of failed policies that have sent millions to jails and prisons instead of prioritizing harm reduction. Instead, we propose a simple solution: listen to members of the affected communities. Through the Decrim Poverty D.C. Coalition, community members, policy experts and other stakeholders formed a campaign to decriminalize drugs and propose comprehensive legislation to do so.

While there are many concerning provisions within the omnibus bill, car chases pose a direct physical threat to our community members. In July 2023, NBC4 reported that the D.C. Council approved emergency legislation that gave MPD officers the ability to engage in vehicular pursuits with so-called “limited circumstances.” Sgt. Val Barnes, the head of MPD’s carjacking task force, even expressed concern months before the decision, saying, “The department has a pretty strict no-chase policy, and obviously for an urban setting and a major metropolitan city, that’s understandable. If our law enforcement officers themselves are operating with more concern than our elected officials, what does it say about the omnibus bill’s purported intention to keep us safe?

And what does it mean when the risk of bodily harm is posed by the pursuit itself? On Saturday, Feb. 10, an Eckington resident had a near-miss as a stolen car barreled towards her and her dog on the sidewalk with an MPD officer in pursuit. What responsibility does the city hold if this bystander was hit? What does restitution look like? Why are our elected officials pushing for MPD officers to contradict their own policies?

Just a few summers ago during the uprisings of 2020, we saw a shift in public perspectives on policing and led to legislation aimed at limiting police power after the highly-publicized murders of loved ones Breonna Taylor and George Floyd — both victims of War on Drugs policing and the powers gained from the ’94 crime bill. And yet here we are. These measures do not keep us safe and further endanger the health of our communities.  Studies show that communities that focus on harm reduction and improving material conditions have a greater impact on public safety and community health. What’s missing in mainstream conversations about violent crime is the violence that stems from state institutions and structures that perpetuate racial and class inequality. The people of D.C. deserve to feel safe, and that includes feeling safe from the harms enacted by the police.

Kaili Moss is a staff attorney at Advancement Project, a national racial justice and legal organization, and Jillian Burford is a policy organizer at Harriet’s Wildest Dreams.

The post COMMENTARY: D.C. Crime Bill Fails to Address Root Causes of Violence and Incarceration first appeared on BlackPressUSA.

Continue Reading

#NNPA BlackPress

Mayor, City Council President React to May 31 Closing of Birmingham-Southern College

THE BIRMINGHAM TIMES — “This is a tragic day for the college, our students, our employees, and our alumni, and an outcome so many have worked tirelessly to prevent,” Rev. Keith Thompson, chairman of the BSC Board of Trustees said in an announcement to alumni. “We understand the devastating impact this has on each of you, and we will now direct our efforts toward ensuring the smoothest possible transition for everyone involved.”
The post Mayor, City Council President React to May 31 Closing of Birmingham-Southern College first appeared on BlackPressUSA.

Published

on

By

By Barnett Wright | The Birmingham Times

Birmingham-Southern College will close on May 31, after more than a century as one of the city’s most respected institutions.

“This is a tragic day for the college, our students, our employees, and our alumni, and an outcome so many have worked tirelessly to prevent,” Rev. Keith Thompson, chairman of the BSC Board of Trustees said in an announcement to alumni. “We understand the devastating impact this has on each of you, and we will now direct our efforts toward ensuring the smoothest possible transition for everyone involved.”

There are approximately 700 students enrolled at BSC this semester.

“Word of the decision to close Birmingham Southern College is disappointing and heartbreaking to all of us who recognize it as a stalwart of our community,” Birmingham Mayor Randall Woodfin said in a statement. “I’ve stood alongside members of our City Council to protect this institution and its proud legacy of shaping leaders. It’s frustrating that those values were not shared by lawmakers in Montgomery.”

Birmingham City Council President Darrell O’Quinn said news of the closing was “devastating” on multiple levels.

“This is devastating for the students, faculty members, families and everyone affiliated with this historic institution of higher learning,” he said. “It’s also profoundly distressing for the surrounding community, who will now be living in close proximity to an empty college campus. As we’ve seen with other institutions that have shuttered their doors, we will be entering a difficult chapter following this unfortunate development …   We’re approaching this with resilience and a sense of hope that something positive can eventually come from this troubling chapter.”

The school first started as the merger of Southern University and Birmingham College in 1918.

The announcement comes over a year after BSC officials admitted the institution was $38 million in debt. Looking to the Alabama Legislature for help, BSC did not receive any assistance.

This past legislative session, Sen. Jabo Waggoner sponsored a bill to extend a loan to BSC. However, the bill subsequently died on the floor.

Notable BSC alumni include former New York Times editor-in-chief Howell Raines, former U.S. Sen. Howell Heflin and former Alabama Supreme Court Chief Justice Perry O. Hooper Sr.

This story will be updated.

The post Mayor, City Council President React to May 31 Closing of Birmingham-Southern College first appeared on BlackPressUSA.

Continue Reading

Subscribe to receive news and updates from the Oakland Post

* indicates required

CHECK OUT THE LATEST ISSUE OF THE OAKLAND POST

ADVERTISEMENT

WORK FROM HOME

Home-based business with potential monthly income of $10K+ per month. A proven training system and website provided to maximize business effectiveness. Perfect job to earn side and primary income. Contact Lynne for more details: Lynne4npusa@gmail.com 800-334-0540

Facebook

Trending

Copyright ©2021 Post News Group, Inc. All Rights Reserved.