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The Black Repertory Group Cites Broken Promises from City of Berkeley

On March 22, the Berkeley City Council passed its first phase of reparations to descendants of slaves. According to City Council, the reparations bill was passed to address past economic inequities to descendants of enslaved Africans.

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The 2017 Wiz production at the Black Rep was attended by youth from Camp Sweeney, a juvenile detention facility. After release some of the youth came back to the theater and joined as volunteer help. Photo by Elise Evan.
The 2017 Wiz production at the Black Rep was attended by youth from Camp Sweeney, a juvenile detention facility. After release some of the youth came back to the theater and joined as volunteer help. Photo by Elise Evan.

Part 1

By Tanya Dennis

 

On March 22, the Berkeley City Council passed its first phase of reparations to descendants of slaves.  According to City Council, the reparations bill was passed to address past economic inequities to descendants of enslaved Africans.

Led by City Councilmember Ben Bartlett, the reparations legislation was co-sponsored by Mayor Jesse Arreguin who said, “The time for reparations is long overdue. By beginning this process, Berkeley can become a leader in righting the wrongs of our history.”

Another co-sponsor, City Councilmember Sophie Hahn said, “We are overdue to confront the many ways our city has been active and complicit in discrimination against African Americans and launch a new path forward for the equitable future we all yearn for.”

Black Repertory Group owners Dr. Mona Scott and her son, Sean Scott, question the politician’s words when those speakers have ignored their commitment to fund the theater $25,000 a year for “maintenance and upkeep.” For 23 years the city has failed to keep its promise to the oldest black-owned theater west of the Mississippi located at 3201 Adeline Ave.

Sean Scott, grandson of theater founders, Nora and Birel Vaughn, says that the theater has been under assault by the city of Berkeley for years, and cites gentrification as the engine trying to drive them out of their location.

“The City Council general fund budget allocated the Black Rep $25,000 a year for upkeep and maintenance almost 30 years ago,” Scott said. “They haven’t kept that promise for 23 years, and don’t even pick up the trash from our location. Now they want to do a safety walk through to assure we’re compliant.”

Scott says this is not the first time they have experienced issues with the city, from whom they lease the building for $1.00.  “They broke into our building last year, prying the side door open to assure we are ADA compliant.  My grandparents built this facility to be ADA compliant and the city knows this.  We filed a police report but have heard nothing. They’re coming back on Sept. 15 looking for a reason to shut us down.”

 

In 1993, the Scotts were told to suspend all plays, then the city reneged on the Rep’s mortgage, set the news against them, and attempted to give the theater to the Shotgun Players.

 

Berkeley Rep Executive Director Mona Scott says that there were times the city supported them: during Gus Newport’s term as mayor of Berkeley from 1979 to 1986 and Mayor Shirley Dean from 1994 to 2002.

 

“Since then, there have been major disparities in funding between us and white theaters.   Berkeley Repertory in 2001 received $4 million from the city to build their theater, which they sold back to the city and the city even help them build an artist-in-residence facility.  In contrast our theater survives through sheer grit and sacrifice.”

Mona, who is Sean’s mother, frequently uses her Social Security check to pay theater expenses, and Sean works two jobs and says he contributes a portion of his wages toward theater operations.

After explaining the large scope of plans for reparations, Bartlett responded to questions about Black Rep. “There are plans that the theater will remain a Black theater, we’re just not sure about the current owners with whom we’re currently in litigation because they have not paid certain fees and maintained the building.”

When asked if he was aware the city had not paid $25,000 a year for 23 years for maintenance, Bartlett says he had heard that but was not fully aware of the situation and understood that to be an issue in the litigation.

American playwright, novelist and poet Ishmael Reed, a Black Rep board member says, “the city bends over backwards for white theater groups while we get nothing. They even cut our free lunch program.

“We were feeding kids lunch and snacks, a federal program that paid the city $25 for each lunch.  They cut us saying we didn’t meet census requirements and that if our kids wanted food they’d have to go to Strawberry Canyon, miles away from us.  If that isn’t systemic racism, I don’t know what is.”

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COMMENTARY: The National Protest Must Be Accompanied with Our Votes

Just as Trump is gathering election data like having the FBI take all the election data in Georgia from the 2020 election, so must we organize in preparation for the coming primary season to have the right people on ballots in each Republican district, so that we can regain control of the House of Representatives and by doing so, restore the separation of powers and balance that our democracy is being deprived of.

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Dr. John E. Warren Publisher, San Diego Voice & Viewpoint
Dr. John E. Warren, Publisher San Diego Voice & Viewpoint Newspaper. File photo..

By  Dr. John E. Warren, Publisher San Diego Voice & Viewpoint Newspaper

As thousands of Americans march every week in cities across this great nation, it must be remembered that the protest without the vote is of no concern to Donald Trump and his administration.

In every city, there is a personal connection to the U.S. Congress. In too many cases, the member of Congress representing the people of that city and the congressional district in which it sits, is a Republican. It is the Republicans who are giving silent support to the destructive actions of those persons like the U.S. Attorney General, the Director of Homeland Security, and the National Intelligence Director, who are carrying out the revenge campaign of the President rather than upholding the oath of office each of them took “to Defend The Constitution of the United States.”

Just as Trump is gathering election data like having the FBI take all the election data in Georgia from the 2020 election, so must we organize in preparation for the coming primary season to have the right people on ballots in each Republican district, so that we can regain control of the House of Representatives and by doing so, restore the separation of powers and balance that our democracy is being deprived of.

In California, the primary comes in June 2026. The congressional races must be a priority just as much as the local election of people has been so important in keeping ICE from acquiring facilities to build more prisons around the country.

“We the People” are winning this battle, even though it might not look like it. Each of us must get involved now, right where we are.

In this Black History month, it is important to remember that all we have accomplished in this nation has been “in spite of” and not “because of.” Frederick Douglas said, “Power concedes nothing without a struggle.”

Today, the struggle is to maintain our very institutions and history. Our strength in this struggle rests in our “collectiveness.” Our newspapers and journalists are at the greatest risk. We must not personally add to the attack by ignoring those who have been our very foundation, our Black press.

Are you spending your dollars this Black History Month with those who salute and honor contributions by supporting those who tell our stories? Remember that silence is the same as consent and support for the opposition. Where do you stand and where will your dollars go?

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Activism

Dorothy Lee Bolden: Uniting Domestic Workers

Domestic work followed Bolden beyond high school. According to sources from the New York Times, Bolden said she would wake “at 4 a.m. to leave home by 6 a.m., and be on the job by 8 a.m., perform all those duties necessary to the proper management of a household for eight hours, leave there by 4 p.m. to be home by 6 p.m. where I would do the same things I’ve done all over again for my own family.”

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Dorothy Lee Bolden. File photo.
Dorothy Lee Bolden. File photo.

By Tamara Shiloh

Her first experience with domestic work was at the age of nine. For $1.25 per week, Alabama-born Dorothy Lee Bolden (1923–2005), alongside her mother, washed soiled diapers for a White employer. Little did anyone know that this profession would spur Bolden to spearhead the movement for basic dignity and respect for generations of domestic workers.

Domestic work followed Bolden beyond high school. According to sources from the New York Times, Bolden said she would wake “at 4 a.m. to leave home by 6 a.m., and be on the job by 8 a.m., perform all those duties necessary to the proper management of a household for eight hours, leave there by 4 p.m. to be home by 6 p.m. where I would do the same things I’ve done all over again for my own family.”

It was Bolden’s experiences working as a domestic in 1940’s Atlanta that inspired her civil rights activism. A White female employer demanded that Bolden remain beyond her shift and wash dishes. Bolden refused. She was arrested and held in a county jail because “she was crazy.” There was no other reason for disobeying an order from a White person.

Bolden was never sentenced or institutionalized, but this event was the seed that grew into organization that would protect domestic workers across the United States: the National Domestic Workers Union of America.

Rosa Parks had made public transportation a major breeding ground for civil rights activism, so Bolden began organizing during the long bus rides her peers made to the wealthy neighborhoods. Many were fed up, working long hours for little pay, with little to no worker protections.

This organization of women would go on to fight for worker’s rights, create training programs, and teach workers to advocate for themselves. It was also important to Bolden to teach communication skills.

In the book Household Workers Unite, Bolden is quoted as saying: “You have to teach each maid how to negotiate… And this is the most important thing — communication. I would tell them it was up to them to communicate.”

But respect for Bolden’s activism was not shared by everyone. Although she consulted presidents Ford, Reagan, and Carter, she received several death threats from the Ku Klux Klan.

The New York Times reported that during the makings of an oral history project, Bolden said that “men claiming to be members of the KKK called her house and spoke about “whipping my behind,” but in coarser terms. “I told them any time they wanted to, come on over and grab it,” Bolden said during the interview. “It didn’t scare me, didn’t bother me. It made me angry. It made me determined to do what I had to do.”

Representative John Lewis of Georgia said that Bolden “spoke up, and she spoke out, and when she saw something that wasn’t fair, or just, or right, she would say something.”

The NDWU of America ran until the mid-1990s, but Bolden’s legacy lives on.

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Arts and Culture

Book Review: Books on Black History and Black Life for Kids

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

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Photo of Black History Month book covers by Terri Schlichenmeyer.
Photo of Black History Month book covers by Terri Schlichenmeyer.

By Terri Schlichenmeyer

Authors: Various, Copyright: c. 2025, 2026, Publishers: Various, SRPs: $17.99-$18.99, Page Counts: Various, 

Everybody in your family has stories to share.

Your parents have told you some, no doubt. Your grandparents have offered a few, too, and aunties and uncles have spun some good tales. But there’s so much more to know, so grab one of these great books and learn about Black History and Black life.

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

If someone said you couldn’t do something that you were clearly able to do, would you fight to do it anyhow?  In the new book, “Remember Her Name! Debbie Allen’s Rise to Fame” by Tami Charles, illustrated by Meredith Lucius (Charlesbridge, $17.99), a young girl in the Jim Crow South is told that she can’t dance because of the color of her skin.

She didn’t listen, though, and neither did her mother, who took her daughter to Mexico, where the girl soared! This is an inspiration for any 5-to-7-year-old; be sure to check out the back-of-the-book information, if you’re an adult fan.

Do you often hear your elders say things that sound like lessons?  They might be, so “Where There is Love: A Story of African Proverbs” by Shauntay Grant, illustrated by Leticia Moreno (Penguin Workshop, $18.99) is a book you’ll like. It’s a quick-to-read collection of short proverbs that you can say every day. Kids ages 4-to-6 will easily remember what they find in this book; again, look in the back for more information.

Surely, you love your neighborhood, which is why the tale inside “Main Street: A Community Story about Redlining” by Britt Hawthorne and Tiffany Jewell, illustrated by David Wilkerson (Penguin Kokila, $18.99) is a book for you.

Olivia’s neighborhood is having a block party, but she’s sad when no one shows up. That’s when she learns that “the government” is discriminating against the people and businesses near where she lives. So, what can she and her neighbors do? The answer might inspire 6-to-8-year-old kids to stand up to wrongs they see, and to help make their neighborhoods stronger and safer.

And finally, if a kid wants a book, where can they go to find it? In “I’m So Happy You’re Here: A Celebration of Library Joy” by Mychal Threets, illustrated by Lorraine Nam (Random House, $18.99) is a good introduction to the best of what a library has to offer. The freedom to walk into a library and borrow a book is the theme here, as is the sheer happiness of being welcomed, no matter who you are.  This is an easy book for kids as young as two and as old as five to enjoy.

On that note, if you want more, head to that library, or a nearby bookstore. They’ll be glad to see you. They’ve got stories to share.

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