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Superintendent Aleesia Johnson talks growth, racial equity at IPS ‘State of the District’

INDIANAPOLIS RECORDER — Indianapolis Public Schools Superintendent Aleesia Johnson delivered the first “State of the District” speech Oct. 9 at Shortridge High School, where she highlighted increased student enrollment and reiterated her priorities that include racial equity and being transparent with families.

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Indianapolis Public Schools Superintendent Aleesia Johnson delivered the first "State of the District" address Oct. 9 at Shortridge High School. (Photo by: Tyler Fenwick)

By Tyler Fenwick

Indianapolis Public Schools Superintendent Aleesia Johnson delivered the first “State of the District” speech Oct. 9 at Shortridge High School, where she highlighted increased student enrollment and reiterated her priorities that include racial equity and being transparent with families.

Johnson, the first African American woman to lead the state’s largest school district, made racial equity one of the most prominent themes when she was the interim superintendent earlier this year and vying for the permanent job.

About 44% of IPS students in the 2018-19 school year were Black, according to data from the Indiana Department of Education. In numerous achievement standards, including recently released ILEARN scores, Black students lag behind their white and Asian peers.

In the 2015-16 school year, Black students in IPS made up well over half of in-school suspensions, out-of-school suspensions and expulsions, despite enrollment being less than 50%, according to data from the U.S. Department of Education Office for Civil Rights.

“IPS is not unique in this regard,” Johnson told the audience. “It holds true for most districts across our state and country, and it should not be so. This is why having a racial equity mindset is a non-negotiable for our district.”

Johnson recognized Dr. Patricia Payne, who leads the district’s Racial Equity Initiative, and Francis W. Parker Montessori School 56 principal Christine Rembert, who couldn’t attend the event because she was at a racial equity conference.

After a steady decline in enrollment for at least the last 15 years, IPS is projecting a second straight year of increased enrollment, up to more than 32,000 this year. The state’s next largest district, Fort Wayne Community Schools, had an enrollment of 29,404 last year, according to the state.

“We will never consent to being viewed as a second-class school district,” Johnson said. “We will never consent to our students being defined as less than the brilliant, resilient and capable young people that they are. We are inferior to no one.”

Those 32,000 students are spread out across multiple school models. IPS operates 48 schools and is partnered with 21 Innovation Network Schools, which have autonomy but are still considered part of IPS in exchange for the district getting to count their enrollment and academic data.

About 25% of IPS students attended innovation schools at the start of this school year.

Once IPS began approving partnerships with innovation schools in 2015, district parents became frustrated with what they felt was a lack of transparency and communication about how the district was changing. It was a major theme in the 2018 general election, when two critics of the district’s direction were elected to the school board.

Johnson emphasized this year’s theme for the district — “Stronger Together” — throughout her speech and highlighted that what used to be the newly branded Office of Communications and Engagement. The school board also approved the creation of the Family and Community Engagement team, part of the Office of Communications and Engagement, which will work with families and local organizations.

“We have renewed and re-energized our drive to engage families, team members and the community in authentic and collaborative partnerships to improve student outcomes,” Johnson said.

Contact staff writer Tyler Fenwick at 317-762-7853. Follow him on Twitter @Ty_Fenwick.

This article originally appeared in The Indianapolis Recorder.

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Venus Williams Calls a Sabalenka Exit a Tragedy

ROLLING OUT — Crucially, Williams did not read the comment as a real farewell. She said she did not believe Sabalenka truly wanted to leave, calling such an outcome a loss for both the player and the sport.
The post Venus Williams Calls a Sabalenka Exit a Tragedy appeared first on BlackPressUSA.

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Venus Williams at Taste of Tennis New York 2015. Photo: Ayssports / Wikimedia Commons.

The seven-time major champion read frustration, not a real goodbye, in the world No. 1’s words

By David Kesiena | Rolling Out

When the world’s top-ranked player said she wanted to walk away from the sport, Venus Williams chose empathy over alarm.

Aryna Sabalenka’s blunt remark after her French Open quarterfinal collapse rattled plenty of fans, but Williams heard something different in it. The seven-time Grand Slam champion treated the comment as the raw reaction of a hurting athlete rather than a serious signal about her future.

The collapse that triggered the comment

Sabalenka looked headed for a routine win over Diana Shnaider. She took the opening set 6-3 and built a commanding lead in the second, climbing to 4-1 and later serving for the match at 5-4 while sitting just two points from victory.

Then everything unraveled. Shnaider stormed back to steal the second set 7-5 and bageled the world No. 1 in the third, with Sabalenka dropping 12 of the final 13 games in gusty conditions that reached around 26 mph. The 3-6, 7-5, 6-0 result sent Shnaider into her first Grand Slam semifinal and extended Sabalenka’s long wait for a maiden Roland Garros title.

In the aftermath, Sabalenka did not soften her feelings. She told reporters she had no thoughts and no emotions left and felt like quitting on the spot. She described being stuck in a deep, dark mental hole during the match, unable to find her way back.

What Venus Williams said about Sabalenka

Williams reacted with understanding. She admitted the moment made her sad and said she had been swept up in Sabalenka’s emotions, feeling a surge of empathy for her. She praised the Belarusian for laying everything bare on court, where every feeling shows.

Crucially, Williams did not read the comment as a real farewell. She said she did not believe Sabalenka truly wanted to leave, calling such an outcome a loss for both the player and the sport. Rather than scold her, Williams offered a gentle observation about the rhythm of professional tennis. She suggested players might benefit from a little more time to gather themselves before stepping in front of the cameras, a quiet acknowledgment that athletes are routinely asked to dissect painful defeats before the sting has faded.

Sabalenka walks it back

The story did not end on that bleak note. Within days, Sabalenka signaled she was not actually quitting, framing the press-conference outburst as heat-of-the-moment honesty rather than a plan. At the time of the loss she had also left the door open, saying she would see how she felt in a few days and hoped to get back on track mentally. The walk-back lined up with how Williams had read the situation from the start.

It is not the first time a Paris quarterfinal has pushed Sabalenka to her limit. In 2024 she exited at the same stage and skipped her press conference entirely because of illness, with the tour later releasing her quotes on her behalf. The pattern underscores how heavily this particular tournament has weighed on her despite deep runs in recent years.

For now, attention shifts to the grass. Wimbledon offers Sabalenka a quick chance to reset, and a strong showing there would turn this French Open meltdown into a footnote rather than a turning point.

Originally published by Rolling Out — https://rollingout.com



The post Venus Williams Calls a Sabalenka Exit a Tragedy appeared first on BlackPressUSA.

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COMMENTARY: Using Art, Healing, And Community to Transform Mental Health Dialogue

THE CAROLINIAN — Operating at the intersection of the arts and mental health, Darkness RISING uses music, storytelling, wellness programming, and community engagement to inspire healing while addressing barriers that have historically prevented many Black Americans from accessing mental health support.
The post COMMENTARY: Using Art, Healing, And Community to Transform Mental Health Dialogue appeared first on BlackPressUSA.

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Photo courtesy Darkness Rising Project, https://www.darknessrisingproject.org.

By Judaea Ingram | Special to The Carolinian

RALEIGH, N.C. – Music filled the air as families danced through the crowd, children gathered around activity stations, and community members explored wellness resources from local organizations. Black-owned businesses lined the streets while people stopped for chair massages, conversations, and moments of connection inside the wellness suite.

At the center of the event stood a simple but powerful reminder:

“You Matter.”

For Darkness RISING, those words represent far more than a slogan. They reflect the organization’s mission to break the stigma surrounding mental health in the Black community while creating spaces centered on healing, honesty, and hope.

Operating at the intersection of the arts and mental health, Darkness RISING uses music, storytelling, wellness programming, and community engagement to inspire healing while addressing barriers that have historically prevented many Black Americans from accessing mental health support.

The organization hosts a variety of programs and events throughout the year, including block parties, wellness workshops, mixers, kickoff events, community classes, and Darkness RISING: Live — a free annual arts and wellness festival now celebrating its ninth year.

The festival combines entertainment with healing-centered resources, featuring live music, dancing, singing, food trucks, Black vendors, children’s activities, mental health resources, wellness spaces, and opportunities for open conversations about mental health.

While the events may feel celebratory on the surface, organizers say the deeper purpose is creating safe spaces where people can feel comfortable discussing mental health without fear of judgment.

Darkness RISING also provides free nationwide resources, including a Black Mental Health Resource Packet, a Black Mental Health Provider Database, and its “Find Me a Therapist” initiative, which helps connect individuals with culturally competent care.

The organization’s work is rooted in addressing longstanding inequities that continue impacting mental health access within Black communities.

Historically, segregation, redlining, racial discrimination, incarceration, poverty, and unequal healthcare access have contributed to higher rates of behavioral health challenges while simultaneously limiting access to proper treatment and support. Darkness RISING approaches those issues through what organizers describe as a transformative justice lens, focusing on healing rather than punishment and creating equitable wellness opportunities for marginalized communities.

Its REBUILD program specifically supports justice-involved and formerly incarcerated people of color through free therapy and wellness support, while the REBUILD Youth program focuses on young people impacted by Adverse Childhood Experiences, also known as ACEs.

For Rudolph, therapy became life-changing after decades of incarceration and years of rejection after returning home.

“Came home in 2015, started my own computer company, investing in real estate, did the normal thing and got some jobs here and there and was met with rejection after rejection and people telling me I am not a good person,” Rudolph shared. “Even had a rejection in church.”

He said one of the hardest battles became overcoming the mental barriers created during incarceration.

“I got in touch with a couple of friends, and they explained to me how I had to get over the mental hurdles and get rid of the way my prison mindset was in order to survive and become successful,” he said.

Rudolph later moved to North Carolina hoping for a fresh start, but the struggle continued.

“Things were looking bad,” he said. “Could not get a job. The struggle was real.”

Eventually, therapy and support through organizations like Darkness RISING helped begin his healing process. He said working alongside other justice-involved men through therapy gave him the ability to rebuild mentally while finding community with people who understood his experiences.

Stories like Rudolph’s reflect the foundation behind Darkness RISING’s mission: ensuring people feel seen, supported, and worthy of healing regardless of their background or circumstances.

Community members who attend the organization’s events often describe them as emotionally transformative.

Some participants say Darkness RISING encouraged them to seek therapy for the first time, while others say the organization gave them a safe space to openly discuss struggles they previously kept hidden.

“I have been encouraged by the beautiful, generous, brave and open individuals who come together and use their talents to create art, share personal experiences and provide hope to those who may be struggling with mental health,” one participant shared.

By combining art, wellness, education, and community outreach, Darkness RISING continues changing how mental health conversations happen within the Black community.

Not through silence.

But through healing, honesty, connection, and joy.

Originally published by The Carolinian — https://caro.news



The post COMMENTARY: Using Art, Healing, And Community to Transform Mental Health Dialogue appeared first on BlackPressUSA.

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Uptown Music Theatre Summer Camp Returns to Inspire the Next Generation of Performers

LA DATA NEWS WEEKLY — The 2026 UMT Summer Camp runs from June 1st through July 10th and is open to young people ages 8 to 18. Camp activities will take place Monday through Friday from 9 a.m. to 3 p.m. at the Contemporary Arts Center.
The post Uptown Music Theatre Summer Camp Returns to Inspire the Next Generation of Performers appeared first on BlackPressUSA.

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Photo courtesy LA Data News Weekly.

Edwin Buggage, Editor-in-Chief | New Orleans Data News Weekly

For 25 years, Uptown Music Theatre (UMT) has helped young people across New Orleans discover their talents, build confidence, and develop a love for the performing arts. This summer, the organization will once again open its doors to aspiring performers through its Annual Summer Camp Program.

Founded by renowned New Orleans Jazz Musician and Educator Delfeayo Marsalis, Uptown Music Theatre has become a cornerstone of arts education in the city. The program provides youth with professional-level training in musical theater while creating a supportive environment where creativity, teamwork, and self-expression can flourish.

The 2026 UMT Summer Camp runs from June 1st through July 10th and is open to young people ages 8 to 18. Camp activities will take place Monday through Friday from 9 a.m. to 3 p.m. at the Contemporary Arts Center.

Participants will receive instruction in acting, singing, dancing, stage movement, and performance techniques from experienced theater professionals and educators. Throughout the Six-Week Program, students will work together to develop their skills and prepare for a culminating stage production that showcases what they have learned.

Marsalis founded Uptown Music Theatre with a vision of providing young people with opportunities that extend beyond the classroom. Over the years, the organization has helped hundreds of students develop discipline, leadership skills, and confidence while exposing them to the transformative power of the arts.

The Summer Camp continues that mission by offering youth a chance to spend part of their summer immersed in a creative environment that encourages artistic growth and personal development.

As New Orleans continues to celebrate its rich cultural heritage, programs like Uptown Music Theatre play an important role in ensuring that the next generation of performers, artists, and community leaders have the opportunity to learn, grow, and shine on stage.

Originally published by Data News Weekly — https://www.ladatanews.com


The post Uptown Music Theatre Summer Camp Returns to Inspire the Next Generation of Performers appeared first on BlackPressUSA.

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