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PRESS ROOM: PGA WORKS Collegiate Championship Heads to Whistling Straits

BLACKPRESSUSA NEWSWIRE — The 2025 PWCC features 27 teams plus 45 individuals for a total of 180 players representing Historically Black Colleges and Universities, Hispanic-serving institutions, and other Minority-serving institutions who will compete across five divisions in the 54-hole, stroke-play event.

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The 38th edition of the PWCC starts Monday with 27 teams and 45 individuals taking on the Straits and Irish courses

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KOHLER, Wisconsin (April 29, 2025) 一 The list of PGA of America champions crowned at Whistling Straits will grow next week as the 38th edition of the PGA WORKS Collegiate Championship, presented by Chase and Kohler, takes place May 5-7 on the Straits and Irish courses. Whistling Straits—site of three PGA Championships and the 43rd Ryder Cup in 2021—will host the “Most Culturally Significant Championship in Collegiate Golf” for the first time. The 2025 PWCC features 27 teams plus 45 individuals for a total of 180 players representing Historically Black Colleges and Universities, Hispanic-serving institutions, and other Minority-serving institutions who will compete across five divisions in the 54-hole, stroke-play event. The five divisions are a Women’s Team Division, Division I Men’s Team, Division II Men’s Team, Women’s Individual Division and Men’s Individual Division. Alabama State University and Howard University highlight a talented Women’s Team Division. Alabama State is fresh off its second-consecutive Southwestern Athletic Conference (SWAC) Women’s Golf title. The Lady Hornets registered a final-round 320 (+32) to win by an impressive 20 shots. Sophomore Lucia Ibanez and freshmen Kierra Williams and Yaiza Fernandez captured All-SWAC First Team honors, while junior Thayika Kittiyanaruewat was named All-SWAC Second Team. “I am very proud of our ladies,” said Quincy Heard, PGA, Alabama State University Head Coach. “Finishing with three wins and eight top-three finishes, we are on a great trajectory to continue improving. Having all but one player returning next year certainly puts us in a position to advance into the NCAA postseason going forward.”

Howard University’s Women’s Team recently finished runner-up by a single stroke in this year’s Northeast Conference (NEC) Championship. Sophomore Paris Fieldings became the first player in school history to win the conference’s title with a 54-hole score of 227 (+11); Senior and 2024 PWCC Women’s Team Medalist Kendall Jackson finished T-4 (17-over-par 233). Howard University finished runner-up in the 2024 PWCC at TPC Sawgrass. In the Men’s DI Team Division, the University of Arkansas at Pine Bluff earned a second-place finish in the 2025 SWAC Championship with all five players in the top 15. Sophomore Jose Berenguel led the team with a runner-up individual finish at 1-over-par 217. He was named to the All-SWAC First Team while sophomore Timur Alalin and freshman Juan Melida earned All-SWAC Second Team nods. UAPB will be making its PWCC debut at Whistling Straits. “Overall, I think we did a great job this season,” said Roger Totten, UAPB Head Golf Coach. “Our team is young, playing two freshmen and three sophomores. We won three tournaments and finished second in the SWAC tournament. The highlight of the season is Jose Berenguel, a sophomore who shot 7-under in the TSU Big Blue Classic. I’m very proud of the three young men who made all-conference.” Defending Men’s Division II Champion Chaminade University of Honolulu returns four players from its 2024 PWCC title team, including junior Ethan Alexander, who was Men’s Division II medalist runner-up last May. Earlier this season, Alexander shot a school-record low of 5-under-par 67 during the final round of the Hot Dirt Desert Shootout in Goodyear, Ariz. “It goes without saying that Whistling Straights is known for the Dye-designed, links-style golf course and has a reputation of many, many bunkers and cold winds that can set any player back,” said Renee Yuen, Head Men’s Golf Coach at Chaminade. “Coming all the way from Hawaii again, we want to just take in this experience in spite of how intimidating it may seem. I want the team to not only compete but to enjoy this singular experience.”

The men’s and women’s individual divisions will feature 45 competitors representing 37 schools. For a complete list of the individual divisions, visit here.  Exemptions into Epson Tour and Korn Ferry Tour events will be granted for the fifth consecutive year. The top three finishers and ties in the Women’s Team and Individual Divisions will be eligible to apply for an exemption into the Epson Tour’s Hartford HealthCare Women’s Championship, scheduled for July 10-13, at Great River Golf Club in Milford, Connecticut. The Championship Tournament Committee will review applications and award one exemption.  The top three finishers and ties in the Men’s Division I, Men’s Division II, and Men’s Individual Division will be eligible to apply for one sponsor exemption into the Korn Ferry Tour’s 2025 Blue Cross and Blue Shield of Kansas Wichita Open, taking place June 19-22, at Crestview Country Club in Wichita, Kansas. NBC Sports will once again provide live broadcast coverage of the PWCC on the GOLF Channel. The Championship rounds contested at the Straits course will be broadcast live on Golf Channel Monday through Wednesday from 4:00 to 7:00 pm ET.

For more information on the PGA WORKS Collegiate Championship, visit http://www.PGAWORKSCollegiate.org.

About PGA of America REACH Foundation

The PGA of America REACH Foundation is the 501(c)(3) charitable foundation of the PGA of America. The mission of the Foundation is to positively impact the lives of youth, military, and diverse populations by enabling access to PGA of America Golf Professionals, PGA Sections, and the game of golf. For more information on the PGA of America REACH Foundation, visit PGAREACH.org, follow @PGAREACH on Instagram, X and find us on Facebook.

Media Contacts

Greg Dillard, PGA of America, 561-308-8013, gdillard@pgahq.com

Jesse Dodson, PGA of America, 801-995-0684, jdodson@pgahq.com

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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