Before some of us knew Dolly Parton as the Queen of Country Music, we knew her as the woman behind Whitney Houston’s song. We knew the blonde hair, the rhinestones, and that unmistakable Tennessee voice. But somewhere along the way, Black America came to understand something deeper about Dolly; when she said she loved people, she had the receipts to prove it.

The community is now left to mourn the icon who passed away at the age of 80, on Aug. 25, after dealing with an unknown medical condition. Known for her chart-topping country music hits, Dolly never felt as though she belonged only to one genre, or one kind of person. She showed up with humor, humility and a generosity that did not ask who you voted for before offering a helping hand. She made room for people, and in return, people from every corner of the culture made room for her.

The Song That Brought Dolly and Whitney Together

For Black audiences, the bridge to Dolly will always run through Whitney Houston. Parton wrote “I Will Always Love You” as she prepared to leave Porter Wagoner’s television show and released it in 1974. The original was tender and restrained, a country goodbye delivered with grace. Then Whitney got hold of it.

Houston’s 1992 rendition for “The Bodyguard” did not merely update the record. She took it to church, then carried it around the world. That opening a cappella moment, the controlled stillness and the key change that made everybody reach for a note they had no business trying to hit turned Parton’s country ballad into a global anthem. The single spent 14 consecutive weeks at No. 1 on the Billboard Hot 100, became the best-selling physical single by a woman and earned two Grammy Awards.

And instead of trying to deny contribution or rush to remind everyone who wrote the song, she celebrated the way Houston’s voice transformed it. In an industry with a long history of taking from Black artists while denying them proper credit, Dolly understood that acknowledging Whitney’s greatness did not diminish her own. One woman wrote an extraordinary song. Another woman revealed everything else that song could become.

“This is the house that Whitney built.”

— Dolly Parton

Parton later shared that she used some of the royalties from Houston’s recording to purchase commercial property in a predominantly Black Nashville neighborhood. She called it “the house that Whitney built.” There was something beautiful about that acknowledgment. Whitney’s voice had generated wealth, and Dolly wanted part of that wealth rooted among people she described as Whitney’s people, and her people, too.

Dolly’s relationship with Black America was not built on pretending she did not see color. She saw us. In a 2020 Billboard interview, she made her position plain: “Of course Black lives matter. Do we think our little white asses are the only ones that matter? No!”

It was blunt, funny, and completely on brand. But Dolly also understood that allyship could not stop with a quote. After learning why the word “Dixie” was offensive and painful to many people, she removed it from the name of her Civil War-themed dinner attraction. She called her previous understanding “innocent ignorance.” More important, she fixed it.

That willingness to listen mattered. Dolly did not perform perfection or become defensive when someone pointed out harm. She showed that loving people means caring enough to learn, change and do better. In a time when public figures often double down just to avoid admitting they were wrong, Dolly simply chose not to be cruel.

Dolly’s love also arrived in the mail. Inspired by her father, who could not read or write, she launched the Imagination Library in 1995. The program began in Sevier County, Tennessee, sending one free, age-appropriate book each month to enrolled children from birth to age 5. What started in the rural community that raised her grew into an international literacy movement. By the end of 2025, the program had distributed more than 300 million books and was mailing about 3.4 million books each month.

Those books found their way into homes in big cities as well as small towns. In New York City, the Imagination Library has been promoted through public schools and community organizations in the Bronx. For urban families navigating tight budgets, limited bookstore access or neighborhoods where children’s books are not always easy to find, a brand-new book addressed directly to a child can mean more than one package. It tells that child, “This belongs to you. Your imagination matters.”

That was Dolly’s kind of giving: personal, useful and rooted in dignity. She also funded scholarships, supported hospitals, invested in medical research and helped families recover from disasters. Her $1 million donation to Vanderbilt University Medical Center supported research connected to the Moderna COVID-19 vaccine. She turned the money she made entertaining people into opportunities to help them live, learn and rebuild.

A preschooler opening one of Dolly’s books in the Bronx did not need to know “Jolene.” A parent reading that book at bedtime did not need to be a country music fan. Her generosity crossed racial and economic lines because it met families in real life, at the mailbox, in a hospital room or after the unthinkable happened.

A Legacy That Felt Like Love

Dolly Parton leaves behind thousands of songs, beloved films, major businesses and enough rhinestones to keep heaven sparkling for a while. But her greatest legacy may be the way she made strength feel soft without ever making it weak. She knew exactly who she was, yet she never needed anyone else to become smaller so she could shine.

For Black listeners, her bond will always be part of that story. “I Will Always Love You” was never about choosing between the white woman who wrote it and the Black woman who took it somewhere new. Dolly gave the world the words. Whitney gave those words wings. Together, they created a piece of American music that refuses to stay inside one genre or belong to only one community.

That is why this loss feels personal, even to people who never met her. Dolly reminded us that tenderness can be powerful. She showed us that changing your mind can be a sign of character, that celebrating another woman’s brilliance does not steal your light and that love means very little if it never becomes action.

Country music will forever call Dolly Parton one of its queens. But Black culture recognized something in her, too: a woman who respected our greatness, spoke up for our humanity and invested in our children. She did not simply leave this world loved. In the ways that mattered most, Dolly loved us back.

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By Carla Thomas

Protesters gathered in downtown Oakland near City Hall at 14th Street and Broadway on Thursday, Aug. 13, calling for protections for Haitian immigrants and an end to deportation policies affecting Haitian communities across the United States.

Organized as a call to action by the Legalization for All Network and supported by the Haiti Action Committee and other community organizations, the demonstration carried a clear message: “Defend TPS! Legalization, Not Deportation!”

Participants focused attention on the termination of Temporary Protected Status, or TPS, for Haiti and immigration policies protesters described as continuing attacks on Haitian immigrants under the Trump administration.

Haitian Romaine Charite of the Freedom Road Socialist Organization urged demonstrators to stand with Haitian families and led chants:

“When Haitians are under attack, what do we do? We fight back.”

Injustice to one is an injustice to us all.”

“Dump Trump!”

Charite and other protesters condemned the federal government’s treatment of Haitian immigrants, describing the policies as an attack on a population already facing extraordinary hardship.

Haiti’s TPS designation was terminated effective July 27, 2026, removing temporary deportation protections and work authorization for hundreds of thousands of Haitian beneficiaries who lacked another legal basis to remain in the United States.

Gerald Smith, a protester and former member of the Black Panther Party during the 1970s, said Haitians were being unfairly targeted and warned that ending TPS would have a devastating impact on Haitian families and communities.

“These policies are racially motivated and unfair,” Smith said. “Everyone deserves the right to self-determination and protection from persecution.”

The Haiti Action Committee cited the continuing political, economic and humanitarian crisis in Haiti as evidence that returning large numbers of immigrants to the country could place already vulnerable people at greater risk.

The Oakland gathering, which drew about 20 participants, reflected a decades-long history of Bay Area activism surrounding Haitian democracy, refugee rights and U.S. immigration policy.

The Haiti Action Committee traces its roots to the international movement that emerged following Haiti’s 1991 military coup, which overthrew the nation’s first democratically elected president, Jean-Bertrand Aristide. Political violence sent thousands of Haitians fleeing the country, while U.S. policies resulted in refugees being intercepted at sea, repatriated or detained at Guantanamo Bay.

Those policies sparked protests involving Haitian communities, Black activists, artists, college students, churches, labor organizations and human rights advocates. Prominent figures, including dancer and activist Katherine Dunham, tennis champion Arthur Ashe, and TransAfrica leader Randall Robinson, joined campaigns challenging the treatment of Haitian refugees.

In 1992, Haiti Action Committee joined other Bay Area organizations in a dramatic demonstration on San Francisco Bay. Boats carrying Haitian participants were intercepted by the U.S. Coast Guard while supporters gathered along the waterfront and reportedly chanted, “Let Them Land!”

More than three decades later, protesters have returned to the streets of Oakland, centering on protecting Haitian immigrants, opposing deportation and pressing for immigration policies that provide families with a pathway toward permanent legal residency.

For more information, visit Haitisolidarity.net.

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By Brandon Patterson

ATLANTA—The 52nd National Association of Black Journalists conference brought thousands of journalists, students, media executives and civic leaders to Atlanta Aug. 12-16 for its 2026 Convention and Career Fair, a five-day gathering centered on the theme “Our Revolution: Truth, Power and Black Journalism.”

Among the conference’s most closely watched sessions was Thursday’s Newsmaker Plenary, where House Democratic Leader Hakeem Jeffries discussed the national political climate with NABJ President Errin Haines. Journalist Joy-Ann Reid later led a fireside conversation with legal scholar Kimberlé Crenshaw, creator of the term “intersectionality,” and Pulitzer Prize-winning journalist Nikole Hannah-Jones, author of the 1619 Project.

The plenary also turned toward grief, accountability and justice as the parents of 18-year-old Nolan Wells, Christine Wells-Wonsley and Elmore Wonsley, appeared with civil rights attorney Ben Crump and the Rev. Al Sharpton. Crump was also the attorney for Trayvon Martin’s, Michael Brown’s, and Tamir Rice’s families. Moderated by journalist Tiffany Cross, the Wells family’s appearance focused on unanswered questions surrounding Nolan’s July death in Mississippi and calls for a federal review.

Reid and journalist Don Lemon also joined a separate discussion with Cross, columnist Michael Harriot and journalist Chandra Whitfield about career disruption, resilience and building independent platforms as Black journalists face layoffs and wider media industry upheaval.

Across generations, attendees exchanged ideas about sustaining careers and serving Black communities.

The gathering reflected NABJ’s long-standing role as both professional home and public forum for Black journalists. For Black-owned legacy newspapers, including ours, the Atlanta convention reinforced a familiar mandate: defend truth, elevate Black voices and connect national debates over politics, justice and media power to the communities most affected.

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