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Living to Tell the Tale: 109-Year-Old Tulsa Race Massacre Survivor Releases Memoir

A memoir written by the oldest survivor of the Tulsa Race Massacre has assured that her testimony before the U.S. Congress two years ago won’t be the last we hear of Viola Ford Fletcher. In March, two months before the 102nd anniversary of an armed white mob’s destruction of Greenwood, a thriving Black community of Tulsa, Okla., Mocha Media Inc. proudly announced the release of Fletcher’s book, “Don’t Let Them Bury My Story: The Oldest Living Survivor of the Tulsa Race Massacre in Her Own Words.”

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Mocha Media Inc. image.
Mocha Media Inc. image.

By Tamara Shiloh

A memoir written by the oldest survivor of the Tulsa Race Massacre has assured that her testimony before the U.S. Congress two years ago won’t be the last we hear of Viola Ford Fletcher.

In March, two months before the 102nd anniversary of an armed white mob’s destruction of Greenwood, a thriving Black community of Tulsa, Okla., Mocha Media Inc. proudly announced the release of Fletcher’s book, “Don’t Let Them Bury My Story: The Oldest Living Survivor of the Tulsa Race Massacre in Her Own Words.”

This groundbreaking memoir marks the 102nd anniversary of the tragic event on May 30, 1921, that remains the worst incident of racial violence in U.S. history.

Co-authored by her grandson, Ike Turner, Mother Fletcher, as she is affectionately known, takes readers on a poignant and harrowing journey through her experiences as the oldest survivor and last living witness of the Tulsa Massacre of 1921.

From being a terrified 7-year-old awakened in the middle of the night to flee her burning Greenwood neighborhood, to her role as a 107-year-old matriarch testifying before Congress, Fletcher seeks justice for the families affected by this immense tragedy.

Fletcher’s vivid prose recounts the violence she witnessed and experienced during the massacre. Memories of the white mob, shootings of Black men, bodies in the streets, burning buildings, and the sound of airplanes overhead haunt her to this day. While the nation may have forgotten this history, Fletcher carries its weight, determined to ensure it is never buried or erased.

Tulsa in 1921 was deeply segregated but Greenwood’s ‘Black Wall Street’ thrived as a prosperous business district, home to 10,000 Black residents. However, dreams of generational wealth were shattered when racial violence claimed hundreds of Black lives. Survivors, who lost loved ones and millions of dollars in property, were forcibly interned in camps without accountability for the atrocities committed against them.

These traumatized citizens faced a hostile country that used military force against them and threatened their lives if they shared their stories. For 102 years, survivors patiently awaited acknowledgment, a voice, and restoration.

Fletcher lived in fear and silence until her grandson, Ike Howard, a retired military veteran, encouraged her to conquer her fears and share her truth. Recognizing the significance of her experiences, he believed her longevity was a blessing, enabling her to reveal the truth about Tulsa.

Published by Mocha Media Inc., a Black-woman-owned company committed to diverse content, “DON’T LET THEM BURY MY STORY” will be released on July 4, 2023, Fletcher’s 109th birthday.

Mocha Media Inc., CEO Margo Ochoa admires Mother Fletcher’s contribution to keeping the Tulsa Race Massacre’s survival story alive. The publishing model not only provides a platform for marginalized writers but also offers immediate royalties, contributing to Fletcher’s and her family’s economic restoration.

To celebrate the memoir’s release, Fletcher, Howard, and Van Ellis, Fletcher’s “baby brother” who wrote the foreword, embarked on a nationwide tour during spring and summer 2023. The tour allows audiences to engage with these survivors, hear their stories firsthand, and honor the resilience of those affected by the Tulsa Race Massac

“Don’t Let Them Bury My Story” is not just a memoir; it’s a testament to the power of storytelling and the preservation of history. Fletcher’s courage and determination inspire future generations, emphasizing our collective responsibility to confront past injustices and strive for a more equitable future.

Pre-order your copy now at www.multiculturalbookstore.com.

Activism

OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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Big God Ministry Gives Away Toys in Marin City

Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grow up.

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From top left: Pastor David Hall asking the children what they want to be when they grow up. Worship team Jake Monaghan, Ruby Friedman, and Keri Carpenter. Children lining up to receive their presents. Photos by Godfrey Lee.
From top left: Pastor David Hall asking the children what they want to be when they grow up. Worship team Jake Monaghan, Ruby Friedman, and Keri Carpenter. Children lining up to receive their presents. Photos by Godfrey Lee.

By Godfrey Lee

Big God Ministries, pastored by David Hall, gave toys to the children in Marin City on Monday, Dec. 15, on the lawn near the corner of Drake Avenue and Donahue Street.

Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grew up.

Around 75 parents and children were there to receive the presents, which consisted mainly of Gideon Bibles, Cat in the Hat pillows, Barbie dolls, Tonka trucks, and Lego building sets.

A half dozen volunteers from the Big God Ministry, including Donnie Roary, helped to set up the tables for the toy giveaway. The worship music was sung by Ruby Friedman, Keri Carpenter, and Jake Monaghan, who also played the accordion.

Big God Ministries meets on Sundays at 10 a.m. at the Mill Valley Community Center, 180 Camino Alto, Mill Valley, CA Their phone number is (415) 797-2567.

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