By Emil Amok Guillermo

I was quiet about 9/11 until this week, when terrorism got an upgrade.

Artificial intelligence.

I have taken 9/11 seriously every year. Twenty-five years later, I was all “feeled out.”

I’ve gone to Ground Zero. I’ve written about the dead, the survivors, the first responders and those who survived that day only to become sick years later.

But this isn’t another column about where we were.

It’s about what America became.

For me, September 11, 2001, marks the beginning of a New America. Not the diverse, multicultural America I hoped was emerging.

This is the America that fear built.

I was 3,000 miles away in the Bay Area watching CNBC.

Then the planes hit.

The markets shut down.

And something else opened.

Fear.

At first, fear brought us together. We had a common enemy and, briefly, rediscovered a common good.

But fear is a terrible foundation for democracy.

The person we feared was initially the terrorist.

Then the Muslim.

Then the Arab.

Then the Sikh mistaken for an Arab.

Then the immigrant. The undocumented. The person at the border.

The category continues to expand.

Maybe that’s the real 25-year story of 9/11.

We went from finding common ground to looking for flaws that prove somebody doesn’t belong.

The terrorists didn’t invent American racism, xenophobia or political paranoia. We shouldn’t give 19 hijackers that much credit.

But after 9/11, America built an enormous security structure around fear.

Surveillance expanded. Wars followed. Congress created the Department of Homeland Security. TSA transformed airports. Immigration enforcement was reorganized and ICE was created.

Temporary emergency became permanent infrastructure.

Recently, Anthropic researcher Jacob Coxon quit his job and warned that people building advanced AI genuinely believe it could kill humanity by the end of this decade.

He walked away two months before his Anthropic equity vested.

That’s credibility.

President Trump has taken a different view. On Sept. 14 he called fears of AI destroying humanity a “HOAX” and declared, “WHOEVER WINS AI, WINS!” He said the only guardrail AI needs is a “STRONG AND SMART (High IQ!) PRESIDENT.”

We have built the threat.

We finance it. We feed it our words, photographs, voices, art and knowledge. We invite it into our homes and carry it in our pockets.

Americans are confronting something genuinely frightening.

AI could eliminate or transform jobs. And its increasingly powerful systems raise questions even some of their creators say they cannot fully answer.

So, the question what do we do with fear without surrendering our common humanity.

That requires real leadership and oversight from Congress, if not the president.

Trump insists Iran can’t have a nuclear weapon. But on AI, his emphasis is winning the race, especially against China.

That’s the trap.

Fear of China becomes the argument for going full speed ahead.

Twenty-five years after 9/11, we have another chance to get fear right.

Be smart enough to know what to be afraid of.

And make sure we stay in control of the tech.

We’ve got to be smarter than the machines.

About the Author

Emil Amok Guillermo is an award-winning journalist, commentator and comic monologist. He hosts a micro-talk show on YouTube. See him at Comedy Day at Robin Williams Meadow in San Francisco’s Golden Gate Park, on Sept. 20, around 2:45 p.m. Free.

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By Carla Thomas

Oakland Mayor Barbara Lee is mourning the death of her longtime friend Gloria Steinem, remembering the feminist icon as a devoted ally who understood that the struggles for racial justice and gender equality were inseparable.

Steinem died Sept. 2 in New York City at the age of 92. A pioneering journalist, author and political activist, she spent more than six decades advocating for women’s equality and reproductive choices. She also co-founded Ms. magazine and the National Women’s Political Caucus. 

“I called her recently and could hear the weakness in her voice,” Lee said. “She was also very fragile at my New York event, but she remained supportive.”

The friendship between Lee and Steinem grew from their connections to the late U.S. Rep. Shirley Chisholm, the first Black woman elected to Congress and the first Black candidate to seek a major political party’s presidential nomination.

Chisholm was Lee’s mentor and inspired her to enter politics. Lee worked on Chisholm’s historic 1972 presidential campaign and served as one of her delegates at the Democratic National Convention.

According to Lee, Chisholm helped Steinem deepen her understanding of racial inclusion and recognize that the women’s movement could not succeed without addressing the experiences of Black women and other women of color.

“Gloria really understood what racial equity was about as a white woman and knew the value of building coalitions,” Lee said.

Steinem became one of the country’s most recognizable advocates for women’s rights, reproductive alternatives and political representation. Lee said one of the most persistent inequities confronting Black women was inadequate access to reproductive healthcare, an issue Lee addressed throughout her years in the California Legislature and Congress.

Lee considered Steinem a genuine ally who recognized the intersections of race, gender, healthcare and economic opportunity. Steinem also understood the importance of elevating women into leadership positions and encouraging them to claim their rightful places at decision-making tables.

Their relationship extended beyond politics and public advocacy. Lee recalled joining Steinem and her husband for dinner in Manhattan Beach with Lee’s son, Tony.

“It was beautiful to see how she could be a wonderful wife, feminine and be a strong woman,” Lee said.

Tony Lee also had a professional connection to Steinem through the rerelease of “The Road to Galveston,” the 1996 television film he wrote about the life of his grandmother, Mildred Parish Massey. The film starred Cicely Tyson.

“My son’s tribute to Gloria on Facebook is very touching,” Lee said.

Lee expressed profound heartbreak over losing her friend and gratitude for Steinem’s support throughout her political career, including during reelection campaigns. 

As Lee continues carrying forward the lessons of Chisholm and Steinem, she has also helped encourage a new generation of women leaders, including U.S. Reps. Lateefah Simon and Jasmine Crockett.

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By Dr. Y’Anad Burrell

“Fashion vs. Fascism” (FVF) is a visually immersive evening of fashion, music and political theater exposing the rise of fascism in the U.S. and the need to resist. Democracy is under siege, and culture is one of our most potent defenses, organizers say.

Called a live “runway revolution,” FvF premieres Oct. 3 at The Rotunda, 300 Frank Ogawa Plaza in downtown Oakland.

A play that is part fashion show, part protest, part performance art, FvF stages five runway collections spotlighting the pillars of contemporary fascist politics and the urgent need to resist: the myth of a “glorious past,” the manufactured emergencies used to justify surveillance and crackdowns, and the oligarchs and grifters profiting from it all. Runway fashion shares the stage with political theater and live music, with a closing call to action.

“We need lawsuits, ballots and mass protests, but none of it lands if we’re not also fighting for people’s imagination,” says Linda Burnham, co-producer of the show. “People are exhausted and scared. FvF will expose the absurdities of fascist mythology and ideology in ways a news headline cannot and spark new ideas about how to resist.”

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“Fascism doesn’t win by policy alone. It wins by telling a story. A myth about a ‘Golden Age.’ A permanent emergency that makes cruelty seem necessary. That’s not an accident, it’s a strategy, and it works on the same terrain as culture: image, spectacle, emotion,” says Aya De León, the show’s playwright.

“Every piece on this runway translates what is happening under fascism into a feeling,” explains Erica Furlong, the FVF creative director. “One designer’s trench coat is covered in pockets stamped ‘TRUTH,’ ‘MEMORY,’ ‘HOPE,’ ‘VOTE,’ ‘FUTURE,’ because that’s literally what gets seized first, pocket by pocket, under fascist decline. Fashion can hold grief and hope in the same silhouette, and that tension is exactly what this moment needs.”

At its best, fashion is about creativity, diversity, innovation, experimentation and the free exchange of ideas. Fascism, by contrast, demands conformity and control, while suppressing dissent.

FVF was created, organizers say, because democracy should always be in style.

Featured designers include Erica Varize, Rickie Lee, Tianna Charity, Julie Wong, and Maria Flores. The evening features a script by lead playwright Aya De León, musical performances by Mindeullae Project and DJ Emancipation, and other special guests.

FvF is designed to travel. Following the Oakland premiere, FvF will extend its reach through a documentary short, a curriculum on contemporary fascism in the U.S., and a full replication playbook — design templates, script, and curriculum — so organizers in other cities can stage their own version of the show.

Get more details at www.fashionvfascism.org.

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