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IN MEMORIAM: Cassandra Griffen, Renowned Documentary Photographer, Dies at 75

BIRMINGHAM TIMES — Cassandra Griffen was born on Jan. 25, 1950 in Wilson, N.C. Her parents, Charles Richard Griffen and Bertha Baynes Griffen, were educators in the state’s public school system. Mrs. Griffen started taking photographs at family gatherings when she was 11. Over the decades, she continued to develop her craft and merge her talent for photography and storytelling with her passion for social justice. In New York, Mrs. Griffen took on roles as a gerontologist and an ombudsman, advocating for the rights of elders in nursing homes.

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By Shauna Stuart
The Birmingham Times

Cassandra Griffen, an activist and renowned documentary photographer whose many notable images included the Civil Rights Movement as well as Sun Ra Arkestra, was celebrated on Sunday by a host of Birmingham artists, historians, and musicians. Mrs. Griffen died on Oct. 23. She was 75.

Family and friends filed into East Village Arts, the neighborhood’s avant-garde nonprofit artist collective, a little before 2 p.m. The gathering was jovial and full of music. Griffen was a longtime photographer of the nation’s cultural and political scene. Her family outfitted the vibrant community arts space as a testament to her life’s work.

Rene Kemp-Rotan, an urban designer and master planner, was hosting an outdoor civic engagement presentation in 2004 about the plans for Railroad Park, when Mrs. Griffen approached her after the speech. The two women, along with Carol Clarke, then Director of the Birmingham Department of Economic Development, would later bond over a mutual love of art, jazz, New York, and cultural preservation.

“She was literally recording life as it happened,” said Kemp-Rotan. “Particularly in the Black political community.”

Birmingham native Wilhelmina Thomas, a textile artist and historian, remembered Mrs. Griffen as a person with a wealth of information. “A lot of the anecdotal stories that I got, I got from her. I got ideas of where to research … and she is a debutante. She just went out and was an ambassador to the world for Birmingham, of what out African American potential is.”

A montage of portraits of Mrs. Cassandra Griffen. (Larry Gay Photography)

A montage of portraits of Mrs. Cassandra Griffen. (Larry Gay Photography)

At the celebration, a gallery of Mrs. Griffen’s photographs lined the front of East Village Arts. One table sported a 2016 image of Black Lives Matter demonstrations, alongside colorful portraits of members of SunRa’s Arkestra.

Nearby sat black and white photographs of singer and Civil Rights icon Nina Simone, outfitted in a one-shoulder dress and holding a shekere above her head as she danced. Another part of the gallery was dedicated to Mrs. Griffen’s photographs of revered Alabama icons– black and white portraits of legendary blues musician Henry “Gip” Gipson, Civil Rights leader Fred Shuttlesworth, and a candid side profile of lauded poet Sonia Sanchez in conversation with a small group.

Near the back, a quartet of beloved Birmingham jazz musicians– Bo Berry, Willie Jackson, Bernard McQueen, and John Nuckols played jazz standards to welcome attendees as they settled into their seats.

Cassandra Griffen was born on Jan. 25, 1950 in Wilson, N.C. Her parents, Charles Richard Griffen and Bertha Baynes Griffen, were educators in the state’s public school system. Mrs. Griffen started taking photographs at family gatherings when she was 11. Over the decades, she continued to develop her craft and merge her talent for photography and storytelling with her passion for social justice. In New York, Mrs. Griffen took on roles as a gerontologist and an ombudsman, advocating for the rights of elders in nursing homes.

Griffen also served as a member of the New York state human rights commission, working to draft fair housing policies. During her tenures in New Jersey and New York, she photographed the arts and culture scenes. In the late 1970s, while living in New York City, she frequented the famed CBGB music club in New York when she met the SunRa Arkestra.

Mrs. Griffen developed a bond with the group and eventually developed a reputation as the collective’s documentary photographer. Griffen was also the only woman allowed to spend the night in the Arkestra house in Philly’s Germantown neighborhood. Sun Ra, the Arkestra’s pioneering– but notoriously strict– bandleader, famously barred women from spending the night in the compound. That rule is a fact Sun Ra Arkestra saxophonist and composer Knoel Scott recalls with detail.

“Sun Ra didn’t want women staying with us. He said they break up bands,” but he trusted Cassandra, Scott said with a laugh, during a recent phone call from London. “ … Cassandra could stay the night. She was the only woman who Sun Ra didn’t mind staying with us.”

From left: Germaul Barnes, Yogi Dada, and Carol Clarke came to celebrate Mrs. Cassandra Griffen. (Larry Gay Photography)

From left: Germaul Barnes, Yogi Dada, and Carol Clarke came to celebrate Mrs. Cassandra Griffen. (Larry Gay Photography)

To the Arkestra, Mrs. Griffen was more than a documentarian and friend. She was also committed to preserving the artistic legacy of Sun Ra and ensuring that his message of liberation for Black people didn’t get erased as more audiences embraced Sun Ra’s music and image.

“I really appreciated that,” said Scott. “She celebrated Sun Ra as one of the legends in the African American community and African American culture and the continuation of the African American tradition.”

In 1999, after more than 40 years in the northeast, Griffen moved to Birmingham to be close to her uncle, JT McKinney, one of the first African American jitney bus owners in Alabama, said Mrs. Griffen’s daughter Oneika Brooks DeJoy.

“She moved to Birmingham to take care of him and write a story about him,” said DeJoy.

In the South, Mrs. Griffen continued to photograph art, culture, and historic scenes in Alabama and around the region. As she developed a rapport and relationships with mayors, Civil Rights luminaries, and city leaders, her portfolio expanded to include photographs of Fred Shuttlesworth, Coretta Scott King, and former Birmingham Mayor William Bell. Griffen frequented jazz clubs and Gip’s Place, the historic juke joint in Bessemer. She also regularly photographed artist Joe Minter and his African Village in America.

The connections would eventually lead to exhibitions at storied Birmingham institutions, including the Birmingham Civil Rights Institute’s Odessa Woolfolk Gallery.

From left: David Stewart, Wilma Stewart (Note: Wilma Stewart is Sun Ra’s niece), Burgin Mathews, Oneika Brooks DeJoy, Rene Kemp-Rotan, and Stephonia Taylor McLinn pose for a photograph at Cassadra Griffen’s memorial service at East Village Arts on Nov. 9, 2025. (Shauna Stuart, For The Birmingham Times)

From left: David Stewart, Wilma Stewart (Note: Wilma Stewart is Sun Ra’s niece), Burgin Mathews, Oneika Brooks DeJoy, Rene Kemp-Rotan, and Stephonia Taylor McLinn pose for a photograph at Cassadra Griffen’s memorial service at East Village Arts on Nov. 9, 2025. (Shauna Stuart, For The Birmingham Times.

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#NNPA BlackPress

OP-ED: The Dream Cannot be Realized Without Financial Freedom

NNPA NEWSWIRE — Dr. King spent the final chapter of his life pushing the country to face economic injustice. The day before he was tragically assassinated, Dr. King stood with sanitation workers in Memphis to call for economic equality. He helped launch the Poor People’s Campaign because he knew freedom hollowed out by poverty is not freedom at all. Dr. King kept pushing America to match its promises with practical pathways.

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By Ben Crump

We honor Dr. Martin Luther King Jr. each January with speeches, service projects, and by reciting powerful quotes we know by heart.

But too many Black families will spend much of MLK Day the same way they spend most Mondays.

With the gas tank hovering near empty, hoping the car can go until the next paycheck arrives. With a prescription waiting at the pharmacy counter because they cannot afford the cost.

With a paycheck that has to stretch further than what seems possible.

Dr. King understood that true dignity means being able to afford and build a good life. In one of his clearest reminders, he asked what it means to “eat at an integrated lunch counter” if you cannot “buy a hamburger and a cup of coffee.”

That question still carries weight for many. Personal freedom will not be achieved without financial freedom.

Dr. King spent the final chapter of his life pushing the country to face economic injustice. The day before he was tragically assassinated, Dr. King stood with sanitation workers in Memphis to call for economic equality. He helped launch the Poor People’s Campaign because he knew freedom hollowed out by poverty is not freedom at all. Dr. King kept pushing America to match its promises with practical pathways.

That is the part of his legacy we should sit with this MLK Day.

This work has never been more important or needed. The cost of groceries, rent, and childcare have become an increased burden. And many families go from stable to scrambling with just one unexpected expense.

These realities are on display in a recent national survey commissioned by DreamFi, echoing what so many families already feel so deeply. More than one in four respondents told us they used check-cashing services in the past year. This finding makes it clear that too many households still need simpler and more accessible options for moving money.

The survey also shows how unexpected expenses impact families. Only 41% of Black respondents said they could cover a $1,000 emergency, compared with 56% of white respondents. When a tire blows out, when a child gets sick, when hours get cut, the question is not theoretical. The question is immediate and the impact is real.

We must shine a light on this struggle and work to equip families with tools to build better futures. We must recognize Dr. King’s wisdom and acknowledge that financial stability is a civil rights issue, because financial instability limits the ability to have choices.

The survey also found hope that can guide how we move forward.

Black families are not turning away from the idea of building stability. In fact, they are reaching for it. In the survey, 79% of Black respondents said they sought out financial education in the past six months. Ours is a community hungry for tools and a fair shot at creating a better tomorrow.

So, what does it mean to honor Dr. King right now?

It means we get practical.

It means we expand access to clear, trustworthy financial education that respects people’s time and speaks to real solutions. It means we support savings pathways that help families prepare for emergencies before emergencies arrive. It means we encourage options that make routine transactions easier and less costly, so a family is not paying extra simply to manage their own money.

Most of all, it means we stop treating financial instability as normal. Because normal is not the same as acceptable.

Dr. King asked America to make its promises real. The best way to honor him now is to provide opportunities for everyone to achieve Dr. King’s dream.

Ben Crump is a nationally renowned civil rights attorney and founder of Ben Crump Law. Known as “Black America’s attorney general,” he has represented families in some of the most high-profile civil rights cases of our time, including those of George Floyd, Breonna Taylor, Tyre Nichols, and Ahmaud Arbery. He is also co-founder of DreamFi, a financial empowerment platform focused on helping everyday people build stability through practical resources.

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#NNPA BlackPress

Four Stolen Futures: Will H-E-B Do The Right Thing?

BLACKPRESSUSA – An 18-wheeler carrying H-E-B merchandise struck a disabled car on US 87 near Dalhart, resulting in the deaths of four young Texas women. Dashcam footage shows their hazard lights flashing before impact. As H-E-B points to subsidiary distance, families wait for accountability.

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By TotallyRandie
Social Media Correspondent, BlackPressUSA

Eighty thousand pounds of steel doesn’t just collide—it obliterates. While corporate lawyers hide behind the sterile jargon of liability and subsidiaries, four Houston families are left haunted by viral footage of a tragedy that should never have happened. On November 5, 2025, a stretch of US 87 became a crime scene of corporate negligence, claiming four vibrant Texan futures in a heartbeat.

The dashcam footage is a nightmare in real-time. A black Nissan Altima, hazards blinking in a desperate plea for space, crawls along the right lane near Dalhart. The four young women inside did exactly what we are taught to do during an emergency: slowed down and put on hazards. They were then met by an 18-wheeler hauling H-E-B merchandise. The truck plowed into them at full speed—no brakes, no swerve, no mercy.

The lives of Breanna Brantley, Taylor White, Myunique Johnson, and Lakeisha Brown were not just lost; they were stolen. To understand the gravity of this loss, you have to realize these women were just starting their lives.

  • Breanna Brantley (30): A woman entering the prime of her life, a new chapter of wisdom and growth.

  • Taylor White (27): A wanderlust traveler and the “glue” for her younger siblings; she was their primary mother figure.

  • Myunique Johnson (20): Affectionately known as Mimi. Her life was just starting to bloom

  • Lakeisha Brown (19): A basketball standout set for Blinn College this spring—the beacon of hope meant to rewrite her family’s financial history.

In Texas, political math often attempts to cap the value of a human life, but the $250,000 ceiling suggested by current tort reform is an insult to these families. Breanna, Taylor, Myunique, and Lakeisha were more than just Black women; they were daughters, sisters, and athletes whose lives were abruptly taken away. They deserved milestones—graduations, weddings, and the simple right to grow old—not to be reduced to an apology for a “tragic loss.”

While the dashcam footage suggests an open-and-shut case, Attorney Rodney Jones of Rodney Jones Law Group P.C. revealed in our exclusive interview that reality is far more tangled. The road to justice could be a long, drawn-out process depending on how HEB decides to handle the case.

“This is a senseless accident that could have easily been prevented,” Jones says. “They had the right to possess that lane, and that truck driver had the responsibility to pay attention”. H-E-B is a Texas institution, but its response has triggered deep public outcry. While issuing an apology, the company quickly distanced itself, claiming the carrier wasn’t a “direct” H-E-B truck—despite hauling H-E-B products and being operated by Parkway, a known H-E-B subsidiary.

The driver, Guadalupe Villarreal, reportedly has a history of speeding and prior rear-end accidents. Jones is firm: “I’m looking strictly at his ability to be behind that 18-wheeler. This is a simple matter of a grossly negligent driver and the companies that put him on the road being held accountable.”

“H-E-B can’t bring them back, but they can make sure this never happens again,” Jones argues. “There is no price for a life, but there must be a price for negligence. It’s time for H-E-B to stop pointing fingers and start vetting their drivers properly to protect the public.”

While the public demands criminal charges, Jones notes that the legal wheel turns slowly. However, in the civil arena, H-E-B’s silence is deafening; the company has yet to contact the families directly.

“We desire a speedy resolution so we don’t have to drag this out,” Jones concluded. “H-E-B is a beloved chain here in Texas. Hopefully, they come to the table to resolve this fast. I feel like the longer they make these families wait for closure, the more it should cost.”

The ball is in H-E-B’s court. Will they live up to the Texas-strong values they advertise, or will they let a legal loophole define their legacy?




Bell @TotallyRandie
Multimedia Correspondent & Digital Creator
BlackPressUsa.Com/TotallyRandie.com /Stylemagazine.com

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Travis Scott Teaches Us How to Give Forward

BLACKPRESSUSA NEWSWIRE It’s not just about the gift under the tree in December; it’s about the skills, the confidence, and the opportunities provided in the months leading up to it.

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By TotallyRandie

The fourth quarter of the year is often dubbed “giving season,” and for good reason. As October fades into November, the cultural zeitgeist shifts toward gratitude and the spirit of the holidays. For most, this means making a yearly donation to a local food bank or participating in a toy drive for the less fortunate. But for Houston’s own Travis Scott, “giving season” isn’t a seasonal trend—it’s a sophisticated, year-round blueprint for community empowerment.

Since launching the Cactus Jack Foundation in November 2020 alongside his sister, Jordan Webster, Scott has moved beyond the traditional celebrity check-writing model. While the world watches his every move on global stages, his foundation has been quietly and consistently pouring into the soil that raised him. Whether it’s supporting SWAC baseball athletes or funding the Waymon Webster Scholarship Fund for HBCU students, the mission is clear: provide the resources for the next generation to not just survive, but to lead.

From the Streets to the Stars

This past fall, the foundation took its most ambitious leap yet. In October 2025, Cactus Jack partnered with Space Center Houston—the official visitor center of NASA Johnson Space Center—to launch a first-of-its-kind STEM incubator.

The program was specifically designed for students within the Houston Independent School District (HISD), many of whom come from underserved communities where a career in aerospace often feels like a light-year away. For eight weeks, these middle schoolers weren’t just reading about science; they were living it.

Through a mix of virtual workshops and hands-on sessions at the Cact.Us Design Center and TXRX Labs, students were paired with actual NASA engineers. They weren’t tasked with busywork; they were challenged to solve real-world problems of space habitation, including:

  • Lunar Water Filtration: Designing systems to purify water on the moon.
  • Space Habitats: Creating structures designed for food preservation in extreme environments.
  • Robotics: Developing rovers capable of navigating uneven lunar terrain.

The Power of Being Present

The program culminated in a private showcase at Space Center Houston this past December. Standing alongside retired NASA astronaut and Chief Science Officer Megan McArthur, Scott watched as HISD students presented high-fidelity prototypes. In that room, the disparity usually associated with these neighborhoods vanished, replaced by the technical language of CAD modeling and systems thinking.

But the work didn’t stop at the laboratory. The 6th Annual “Winter Wonderland Toy Drive” at Texas Southern University took place the very next day, showcasing the foundation’s dual-threat approach to philanthropy. While the STEM program looked toward the future, the toy drive took care of the present, putting smiles on the faces of thousands of Houston families with toys, groceries, and essential goods.

“Opportunities like this are being offered to help enrich our students’ lives and inspire them to pursue careers in fields where they can not only thrive but also bring back solutions to their communities.” — Travis Scott

More Than a Headline

Critics and social media skeptics often tweet that “Travis Scott is everywhere but Houston.” The data and the faces of the students at Space Center Houston suggest otherwise. While his music may be a global export, his legacy is being built brick by brick (and circuit by circuit) in HISD classrooms.

By bridging the gap between hip-hop culture and NASA’s high-tech corridors, the Cactus Jack Foundation is teaching us a vital lesson in giving forward. It’s not just about the gift under the tree in December; it’s about the skills, the confidence, and the “out of this world” opportunities provided in the months leading up to it.

Travis Scott may be a global icon, but in Houston, he’s becoming something much more important: a catalyst for the next generation of innovators.

Bell @TotallyRandie
Multi-Media Correspondent & Digital Creator
BlackPressUsa.Com/TotallyRandie.com /Stylemagazine.com

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