By Tamara Shiloh

Walter Francis White was one of the most important civil rights leaders of the first half of the 20th century. For more than three decades, he helped transform the National Association for the Advancement of Colored People (NAACP) into one of the nation’s most powerful organizations fighting racial discrimination, segregation, and violence against African Americans.

Walter White was born in Atlanta, Georgia, in 1893 and grew up in a middle-class African American family. His parents, George and Madeline White, had been born into slavery. Although Walter had blond hair, blue eyes, very light skin and could easily have passed as white, he firmly identified as Black. As a teenager, he witnessed the Atlanta Race Massacre of 1906, when white mobs attacked African Americans throughout the city. The experience strengthened his determination to fight racial hatred and injustice.

After graduating from Atlanta University in 1916, White worked in insurance and became active in the Atlanta branch of the NAACP. His abilities caught the attention of NAACP leader James Weldon Johnson, who recruited him to the organization’s national staff in 1918.

He soon became known for his extraordinarily dangerous investigations of lynchings. Because many white Southerners assumed he was white, he was able to enter communities where Black investigators would have faced immediate danger. He spoke with witnesses, law enforcement officials, and even members of lynch mobs, often pretending to share their racial attitudes so they would reveal information.

White personally investigated 41 lynchings and eight race riots. On several occasions, his identity was discovered, forcing him to flee for his life. The evidence he collected helped the NAACP expose the brutality of lynching to Americans and strengthen its campaign for federal anti-lynching legislation. His experiences also influenced his 1929 book, “Rope and Faggot: A Biography of Judge Lynch.”

By the early 1930s, Walter had risen to the NAACP’s top administrative position. As executive secretary, he helped build the organization into a major national political and legal force. Under his leadership, the NAACP challenged discrimination in voting, employment, education, transportation, the military, and other areas of American life.

White also recruited attorney Charles Hamilton Houston to lead the NAACP’s legal strategy. Houston and his protégé, Thurgood Marshall, developed the courtroom campaign that eventually helped produce the Supreme Court’s historic 1954 decision in Brown v. Board of Education, declaring racial segregation in public schools unconstitutional.

White used his relationships with national political leaders as another weapon against discrimination. He worked with First Lady Eleanor Roosevelt, President Franklin D. Roosevelt, and President Harry S. Truman. He supported efforts to end employment discrimination and encouraged Truman to establish the President’s Committee on Civil Rights.

Walter White remained an NAACP leader until his death in 1955. His courage, political skill, investigative work, and relentless commitment to equality helped establish the foundation upon which the modern Civil Rights Movement would build.

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By Carla Thomas

Oakland Mayor Barbara Lee is mourning the death of her longtime friend Gloria Steinem, remembering the feminist icon as a devoted ally who understood that the struggles for racial justice and gender equality were inseparable.

Steinem died Sept. 2 in New York City at the age of 92. A pioneering journalist, author and political activist, she spent more than six decades advocating for women’s equality and reproductive choices. She also co-founded Ms. magazine and the National Women’s Political Caucus. 

“I called her recently and could hear the weakness in her voice,” Lee said. “She was also very fragile at my New York event, but she remained supportive.”

The friendship between Lee and Steinem grew from their connections to the late U.S. Rep. Shirley Chisholm, the first Black woman elected to Congress and the first Black candidate to seek a major political party’s presidential nomination.

Chisholm was Lee’s mentor and inspired her to enter politics. Lee worked on Chisholm’s historic 1972 presidential campaign and served as one of her delegates at the Democratic National Convention.

According to Lee, Chisholm helped Steinem deepen her understanding of racial inclusion and recognize that the women’s movement could not succeed without addressing the experiences of Black women and other women of color.

“Gloria really understood what racial equity was about as a white woman and knew the value of building coalitions,” Lee said.

Steinem became one of the country’s most recognizable advocates for women’s rights, reproductive alternatives and political representation. Lee said one of the most persistent inequities confronting Black women was inadequate access to reproductive healthcare, an issue Lee addressed throughout her years in the California Legislature and Congress.

Lee considered Steinem a genuine ally who recognized the intersections of race, gender, healthcare and economic opportunity. Steinem also understood the importance of elevating women into leadership positions and encouraging them to claim their rightful places at decision-making tables.

Their relationship extended beyond politics and public advocacy. Lee recalled joining Steinem and her husband for dinner in Manhattan Beach with Lee’s son, Tony.

“It was beautiful to see how she could be a wonderful wife, feminine and be a strong woman,” Lee said.

Tony Lee also had a professional connection to Steinem through the rerelease of “The Road to Galveston,” the 1996 television film he wrote about the life of his grandmother, Mildred Parish Massey. The film starred Cicely Tyson.

“My son’s tribute to Gloria on Facebook is very touching,” Lee said.

Lee expressed profound heartbreak over losing her friend and gratitude for Steinem’s support throughout her political career, including during reelection campaigns. 

As Lee continues carrying forward the lessons of Chisholm and Steinem, she has also helped encourage a new generation of women leaders, including U.S. Reps. Lateefah Simon and Jasmine Crockett.

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By Dr. Y’Anad Burrell

“Fashion vs. Fascism” (FVF) is a visually immersive evening of fashion, music and political theater exposing the rise of fascism in the U.S. and the need to resist. Democracy is under siege, and culture is one of our most potent defenses, organizers say.

Called a live “runway revolution,” FvF premieres Oct. 3 at The Rotunda, 300 Frank Ogawa Plaza in downtown Oakland.

A play that is part fashion show, part protest, part performance art, FvF stages five runway collections spotlighting the pillars of contemporary fascist politics and the urgent need to resist: the myth of a “glorious past,” the manufactured emergencies used to justify surveillance and crackdowns, and the oligarchs and grifters profiting from it all. Runway fashion shares the stage with political theater and live music, with a closing call to action.

“We need lawsuits, ballots and mass protests, but none of it lands if we’re not also fighting for people’s imagination,” says Linda Burnham, co-producer of the show. “People are exhausted and scared. FvF will expose the absurdities of fascist mythology and ideology in ways a news headline cannot and spark new ideas about how to resist.”

“Fascism doesn’t win by policy alone. It wins by telling a story. A myth about a ‘Golden Age.’ A permanent emergency that makes cruelty seem necessary. That’s not an accident, it’s a strategy, and it works on the same terrain as culture: image, spectacle, emotion,” says Aya De León, the show’s playwright.

“Every piece on this runway translates what is happening under fascism into a feeling,” explains Erica Furlong, the FVF creative director. “One designer’s trench coat is covered in pockets stamped ‘TRUTH,’ ‘MEMORY,’ ‘HOPE,’ ‘VOTE,’ ‘FUTURE,’ because that’s literally what gets seized first, pocket by pocket, under fascist decline. Fashion can hold grief and hope in the same silhouette, and that tension is exactly what this moment needs.”

At its best, fashion is about creativity, diversity, innovation, experimentation and the free exchange of ideas. Fascism, by contrast, demands conformity and control, while suppressing dissent.

FVF was created, organizers say, because democracy should always be in style.

Featured designers include Erica Varize, Rickie Lee, Tianna Charity, Julie Wong, and Maria Flores. The evening features a script by lead playwright Aya De León, musical performances by Mindeullae Project and DJ Emancipation, and other special guests.

FvF is designed to travel. Following the Oakland premiere, FvF will extend its reach through a documentary short, a curriculum on contemporary fascism in the U.S., and a full replication playbook — design templates, script, and curriculum — so organizers in other cities can stage their own version of the show.

Get more details at www.fashionvfascism.org.

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