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Grammy and Emmy award-winning CEO Rikki Hughes takes producing to new heights

ROLLINGOUT — Rikki Hughes is a veteran Emmy- and Grammy Award-winning film producer and entrepreneur. As the founder of Magic Lemonade, a production company specializing in television, film and new media, Hughes has managed to successfully grow her company to sustain offices in Hollywood and Atlanta. Her company has been responsible for producing several memorable television specials and series including Kat Williams: It’s Pimpin’ Pimpin’, BET’s ABFF Honors, HBO’s All Def Comedy series and most recently, Dave Chappelle’s Netflix special Sticks & Stones and Epilogue: The Punchline. In addition, Hughes has also been tapped to serve as executive producer of the 2019 Trumpet Awards hosted by Wanda Sykes, alongside David Hudson.

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Rikki Hughes (Courtesy Photo)

By Porsha Monique

Rikki Hughes is a veteran Emmy- and Grammy Award-winning film producer and entrepreneur. As the founder of Magic Lemonade, a production company specializing in television, film and new media, Hughes has managed to successfully grow her company to sustain offices in Hollywood and Atlanta. Her company has been responsible for producing several memorable television specials and series including Kat Williams: It’s Pimpin’ Pimpin’, BET’s ABFF Honors, HBO’s All Def Comedy series and most recently, Dave Chappelle’s Netflix special Sticks & Stones and Epilogue: The Punchline. In addition, Hughes has also been tapped to serve as executive producer of the 2019 Trumpet Awards hosted by Wanda Sykes, alongside David Hudson.

Known as “the woman behind the laughs,” Hughes’ biggest accomplishment included making history last year as the first African American female recipient of an Emmy for “Outstanding Variety Special” for her role as producer of Chappelle’s Equanimity & The Bird Revelation specials, which she also won a Grammy for “Best Comedy Album.”

Rolling out recently spoke with the award-winning producer to find out more about her work with Dave Chappelle, her latest projects and what it takes to be a producer in today’s day and age.

You recently produced Dave Chappelle’s newest Netflix special Sticks and Stones, which was a resounding hit among fans. Do you have a magic formula for how you select new projects?

It’s really what resonates with me. I learned early what my calling was and it’s to get my arms around a voice and protect it. So, whether it’s comedy or music, I know that I’m here to create a safe space for the magic to happen.

In selecting projects, I have to believe in them and it’s not always popular. I mean, when we first started doing Dave’s show, he had been gone for 12 years, so when we got the call saying he was ready to come back, Stan Lathan and myself took the leap of faith because we believed in Dave. There was no deal on the table. We believed in him. We believed in his genius.

How did you decide to work in the comedy arena?

One, it was my entry place. Two, it’s such a relief from the world. I mean, it’s a drug that we can use and abuse as much as possible and it won’t hurt us. I think it’s an important and necessary retreat. I love to be a part of making that happen.

If a person wants to be a producer, what would you recommend?

I think you should always be of service first. If you are truly dedicated to it, do your research. Know the room that you walk into, no matter what it is. Be prepared when you walk into that room.

The second thing is to be ready to learn all you can. Find out what’s needed and identify how can you fill those needs. There’s almost no one who will say that you can’t come work for [them] for free. Decide who you want to emulate your career after or what type of projects you want to be involved in and get next to those people. Be humble. Once you get in, do your best, smile, have a good time, and always feel like everything’s possible.

Let’s talk about your latest projects. How did the vision for The Next Big Thing on BET come about and how were the judges selected?

Tina Davis had an idea for a show and she said “I’m seeing all these kids that come in and one thing that’s missing in the music industry is the development process.” We realized that 24% of the market share was in hip hop, urban music, and R&B. Yet, there was no show that really catered to that. This was how we decided to come up with the show.

We spoke to a lot of people to get the temperament right for our judges. We needed someone who was going to be brutally honest and had the pedigree. That was Dame Dash. No one else is more outspoken and brutally honest.

Zaytoven is definitely the ear to the street and can speak to a lot from R&B. Most people don’t know he’s really a church guy, so he has a strong musical background and not to mention, we know him as being the godfather of trap.

And of course, Tina, she created the show. With her background from Chris Brown to Neo to her current position it at Empire. It just made sense.

Why was it important for you to do this show in particular?

We wanted to make sure that we had something that kids in middle America could watch and understand that it’s more to just having one song that goes viral. There’s a building of a career that comes with it. We treated the show as a bit of a boot camp, so everyone could see it and say, oh, I can’t just put a record out. I need to figure out what’s my team, how am I going to have sound, or how can I perform, and all of those things that come with it.

You also have a new show coming out with viral comedic sensation Emmanuel J. Hudson: “The Mind of an EP”. Tell us more about that.

Emmanuel and Phillip Hudson are brothers that started out years ago. They’ve been on Nick Cannon’s Wild N Out and more. I’ve been managing Emmanuel for about two and a half years. No one can really understand these young Black guys from the inner city of Atlanta, having off-the-style humor that’s smart and quirky. Once again, I wrapped my arms around the creative to say guys, I’m going to create a safe environment for you to create this. I’ll give you the supporting and producing points, but I want your creative to lead. So that’s what it is. They’re poking fun at so much of what happens in our world through their lens. We’re really excited about it.

Where can people keep up with you on social media?

My website is www.magiclemonade.com and they can follow me on FaceBook at Magic Lemonade, and on Instagram at Magic_Lemonade.

This article originally appeared in RollingOut.com.

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Beloved Actor and Activist Louis Cameron Gossett Jr. Dies at 87

NNPA NEWSWIRE — Louis Gossett Jr., the groundbreaking actor whose career spanned over five decades and who became the first Black actor to win an Academy Award as Best Supporting Actor for his memorable role in “An Officer and a Gentleman,” has died. Gossett, who was born on May 27, 1936, in Brooklyn, N.Y., was 87. Recognized early on for his resilience and nearly unmatched determination, Gossett arrived in Los Angeles in 1967 after a stint on Broadway.
The post Beloved Actor and Activist Louis Cameron Gossett Jr. Dies at 87 first appeared on BlackPressUSA.

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By Stacy M. Brown
NNPA Newswire Senior National Correspondent

@StacyBrownMedia

Louis Gossett Jr., the groundbreaking actor whose career spanned over five decades and who became the first Black actor to win an Academy Award as Best Supporting Actor for his memorable role in “An Officer and a Gentleman,” has died. Gossett, who was born on May 27, 1936, in Brooklyn, N.Y., was 87. Recognized early on for his resilience and nearly unmatched determination, Gossett arrived in Los Angeles in 1967 after a stint on Broadway.

He sometimes spoke of being pulled over by law enforcement en route to Beverly Hills, once being handcuffed to a tree, which he remembered as a jarring introduction to the racial tensions of Hollywood. In his memoir “An Actor and a Gentleman,” Gossett recounted the ordeal, noting the challenges faced by Black artists in the industry. Despite the hurdles, Gossett’s talent shone brightly, earning him acclaim in groundbreaking productions such as “A Raisin in the Sun” alongside Sidney Poitier. His Emmy-winning portrayal of Fiddler in “Roots” solidified his status as a trailblazer, navigating a landscape fraught with racial prejudice.

According to the HistoryMakers, which interviewed him in 2005, Gossett’s journey into the limelight began during his formative years at PS 135 and Mark Twain Junior High School, where he demonstrated early leadership as the student body president. His passion for the arts blossomed when he starred in a “You Can’t Take It With You” production at Abraham Lincoln High School, catching the attention of talent scouts who propelled him onto Broadway’s stage in “Take A Giant Step.” His stellar performance earned him the prestigious Donaldson Award for Best Newcomer to Theatre in 1952. Though initially drawn to sports, Gossett’s towering 6’4” frame and athletic prowess led him to receive a basketball scholarship at New York University. Despite being drafted by the New York Knicks in 1958, Gossett pursued his love for acting, honing his craft at The Actors Studio under the tutelage of luminaries like John Sticks and Peggy Fury.

In 1961, Gossett’s talent caught the eye of Broadway directors, leading to roles in acclaimed productions such as “Raisin in the Sun” and “The Blacks,” alongside legends like James Earl Jones, Cicely Tyson, Roscoe Lee Brown, and Maya Angelou. Transitioning seamlessly to television, Gossett graced small screens with appearances in notable shows like “The Bush Baby” and “Companions in Nightmare.” Gossett’s silver screen breakthrough came with his role in “The Landlord,” paving the way for a prolific filmography that spanned over 50 movies and hundreds of television shows. From “Skin Game” to “Lackawanna Blues,” Gossett captivated audiences with his commanding presence and versatile performances.

However, his portrayal of “Fiddler” in Alex Haley’s groundbreaking miniseries “Roots” earned Gossett critical acclaim, including an Emmy Award. The HistoryMakers noted that his golden touch extended to the big screen, where his role as Sergeant Emil Foley in “An Officer and a Gentleman” earned him an Academy Award for Best Supporting Actor, making him a trailblazer in Hollywood history.

Beyond the glitz and glamour of Hollywood, Gossett was deeply committed to community activism. In 1964, he co-founded a theater group for troubled youth alongside James Earl Jones and Paul Sorvino, setting the stage for his lifelong dedication to mentoring and inspiring the next generation. Gossett’s tireless advocacy for racial equality culminated in the establishment of Eracism, a nonprofit organization dedicated to combating racism both domestically and abroad. Throughout his illustrious career, Gossett remained a beacon of strength and resilience, using his platform to uplift marginalized voices and champion social change. Gossett is survived by his children, Satie and Sharron.

The post Beloved Actor and Activist Louis Cameron Gossett Jr. Dies at 87 first appeared on BlackPressUSA.

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COMMENTARY: D.C. Crime Bill Fails to Address Root Causes of Violence and Incarceration

WASHINGTON INFORMER — The D.C. crime bill and so many others like it are reminiscent of the ‘94 crime bill, which produced new and harsher criminal sentences, helped deploy thousands of police and surveilling methods in Black and brown communities, and incentivized more states to build prisons through a massive infusion of federal funding. While it is not at the root of mass incarceration, it significantly accelerated it, forcing a generation of Black and brown families into a never-ending cycle of state-sanctioned violence and incarceration.
The post COMMENTARY: D.C. Crime Bill Fails to Address Root Causes of Violence and Incarceration first appeared on BlackPressUSA.

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By Kaili Moss and Jillian Burford | Washington Informer

Mayor Bowser has signed the “Secure DC” omnibus bill passed by the D.C. Council last month. But we already know that this bill will be disastrous for all of D.C., especially for Black and brown residents.

While proponents claim that this legislation “will make D.C. residents safer and more secure,” it actually does nothing to address the root of the harm in the first place and instead maintains a cycle of violence, poverty, and broken community ties. The omnibus bill calls for increased surveillance, drug-free zones, and will expand pre-trial detention that will incarcerate people at a significantly higher rate and for an indeterminate amount of time before they are even tried. This bill will roll back decades of nationwide policy reform efforts and initiatives to keep our communities safe and whole, which is completely contradictory to what the “Secure” D.C. bill claims it will do.

What is unfolding in Washington, D.C., is part of a dangerous national trend. We have seen a resurrection of bad crime bills in several jurisdictions across the country — a phenomenon policy experts have named “zombie laws,” which are ineffective, costly, dangerous for communities of color and, most importantly, will not create public safety. Throwing more money into policing while failing to fund preventative measures does not keep us safe.

The D.C. crime bill and so many others like it are reminiscent of the ‘94 crime bill, which produced new and harsher criminal sentences, helped deploy thousands of police and surveilling methods in Black and brown communities, and incentivized more states to build prisons through a massive infusion of federal funding. While it is not at the root of mass incarceration, it significantly accelerated it, forcing a generation of Black and brown families into a never-ending cycle of state-sanctioned violence and incarceration. Thirty years later, despite spending billions each year to enforce these policies with many of these provisions remaining in effect, it has done very little to create long-term preventative solutions. Instead, it placed a permanent moving target on the backs of Black people, and the D.C. crime bill will do the same.

The bill calls for more pretrial detention. When our loved ones are held on pretrial detention, they are held on the presumption of guilt for an indeterminate amount of time before ever seeing a judge, which can destabilize people and their families. According to experts at the Malcolm Weimer Center for Social Policy at Harvard University, just one day in jail can have “devastating consequences.” On any given day, approximately 750,000 people are held in jails across the nation — a number that beats our nation’s capital population by about 100,000. Once detained, people run the risk of losing wages, jobs, housing, mental and health treatments, and time with their families. Studies show that pretrial detention of even a couple of days makes it more likely for that person to be rearrested.

The bill also endangers people by continuing a misguided and dangerous War on Drugs, which will not get drugs off the street, nor will it deter drug use and subsequent substance use disorders (SUDs). Drug policies are a matter of public health and should be treated as such. Many states such as Alabama, Iowa and Wisconsin are treating the current fentanyl crisis as “Crack 2.0,” reintroducing a litany of failed policies that have sent millions to jails and prisons instead of prioritizing harm reduction. Instead, we propose a simple solution: listen to members of the affected communities. Through the Decrim Poverty D.C. Coalition, community members, policy experts and other stakeholders formed a campaign to decriminalize drugs and propose comprehensive legislation to do so.

While there are many concerning provisions within the omnibus bill, car chases pose a direct physical threat to our community members. In July 2023, NBC4 reported that the D.C. Council approved emergency legislation that gave MPD officers the ability to engage in vehicular pursuits with so-called “limited circumstances.” Sgt. Val Barnes, the head of MPD’s carjacking task force, even expressed concern months before the decision, saying, “The department has a pretty strict no-chase policy, and obviously for an urban setting and a major metropolitan city, that’s understandable. If our law enforcement officers themselves are operating with more concern than our elected officials, what does it say about the omnibus bill’s purported intention to keep us safe?

And what does it mean when the risk of bodily harm is posed by the pursuit itself? On Saturday, Feb. 10, an Eckington resident had a near-miss as a stolen car barreled towards her and her dog on the sidewalk with an MPD officer in pursuit. What responsibility does the city hold if this bystander was hit? What does restitution look like? Why are our elected officials pushing for MPD officers to contradict their own policies?

Just a few summers ago during the uprisings of 2020, we saw a shift in public perspectives on policing and led to legislation aimed at limiting police power after the highly-publicized murders of loved ones Breonna Taylor and George Floyd — both victims of War on Drugs policing and the powers gained from the ’94 crime bill. And yet here we are. These measures do not keep us safe and further endanger the health of our communities.  Studies show that communities that focus on harm reduction and improving material conditions have a greater impact on public safety and community health. What’s missing in mainstream conversations about violent crime is the violence that stems from state institutions and structures that perpetuate racial and class inequality. The people of D.C. deserve to feel safe, and that includes feeling safe from the harms enacted by the police.

Kaili Moss is a staff attorney at Advancement Project, a national racial justice and legal organization, and Jillian Burford is a policy organizer at Harriet’s Wildest Dreams.

The post COMMENTARY: D.C. Crime Bill Fails to Address Root Causes of Violence and Incarceration first appeared on BlackPressUSA.

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Mayor, City Council President React to May 31 Closing of Birmingham-Southern College

THE BIRMINGHAM TIMES — “This is a tragic day for the college, our students, our employees, and our alumni, and an outcome so many have worked tirelessly to prevent,” Rev. Keith Thompson, chairman of the BSC Board of Trustees said in an announcement to alumni. “We understand the devastating impact this has on each of you, and we will now direct our efforts toward ensuring the smoothest possible transition for everyone involved.”
The post Mayor, City Council President React to May 31 Closing of Birmingham-Southern College first appeared on BlackPressUSA.

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By Barnett Wright | The Birmingham Times

Birmingham-Southern College will close on May 31, after more than a century as one of the city’s most respected institutions.

“This is a tragic day for the college, our students, our employees, and our alumni, and an outcome so many have worked tirelessly to prevent,” Rev. Keith Thompson, chairman of the BSC Board of Trustees said in an announcement to alumni. “We understand the devastating impact this has on each of you, and we will now direct our efforts toward ensuring the smoothest possible transition for everyone involved.”

There are approximately 700 students enrolled at BSC this semester.

“Word of the decision to close Birmingham Southern College is disappointing and heartbreaking to all of us who recognize it as a stalwart of our community,” Birmingham Mayor Randall Woodfin said in a statement. “I’ve stood alongside members of our City Council to protect this institution and its proud legacy of shaping leaders. It’s frustrating that those values were not shared by lawmakers in Montgomery.”

Birmingham City Council President Darrell O’Quinn said news of the closing was “devastating” on multiple levels.

“This is devastating for the students, faculty members, families and everyone affiliated with this historic institution of higher learning,” he said. “It’s also profoundly distressing for the surrounding community, who will now be living in close proximity to an empty college campus. As we’ve seen with other institutions that have shuttered their doors, we will be entering a difficult chapter following this unfortunate development …   We’re approaching this with resilience and a sense of hope that something positive can eventually come from this troubling chapter.”

The school first started as the merger of Southern University and Birmingham College in 1918.

The announcement comes over a year after BSC officials admitted the institution was $38 million in debt. Looking to the Alabama Legislature for help, BSC did not receive any assistance.

This past legislative session, Sen. Jabo Waggoner sponsored a bill to extend a loan to BSC. However, the bill subsequently died on the floor.

Notable BSC alumni include former New York Times editor-in-chief Howell Raines, former U.S. Sen. Howell Heflin and former Alabama Supreme Court Chief Justice Perry O. Hooper Sr.

This story will be updated.

The post Mayor, City Council President React to May 31 Closing of Birmingham-Southern College first appeared on BlackPressUSA.

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