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FILM REVIEW: Rocketman

NNPA NEWSWIRE — The music of Elton John, and lyrics by his writing partner Bernie Taupin, have set music industry records, including the #1 single of all time, “Candle in the Wind.” They’ve sold 250 million records in a streak that has lasted from 1970 to now. This R-rated, bio/musical/fantasy covers John’s innocent youth, personal life, career, drug addiction, sexual dalliances, love life, relationships and rehabilitation—from 1960 to 1990.

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By Dwight Brown, NNPA Newswire Film Critic

Young pianist/songwriter Reginald Dwight (Targon Egerton) gets some good advice from a very wise soul singer (Jason Pennycooke, Mister Lonely): “Kill the person you were born to be, to become the person you want to be.” If that couldn’t goad the very staid Dwight into creating his new flamboyant Elton John persona, nothing could.

Taron Egerton as Elton John in Rocketman from Paramount Pictures.

Taron Egerton as Elton John in Rocketman from Paramount Pictures.

The music of Elton John, and lyrics by his writing partner Bernie Taupin, have set music industry records, including the #1 single of all time, “Candle in the Wind.” They’ve sold 250 million records in a streak that has lasted from 1970 to now. This R-rated, bio/musical/fantasy covers John’s innocent youth, personal life, career, drug addiction, sexual dalliances, love life, relationships and rehabilitation—from 1960 to 1990.

Director Dexter Fletcher (Eddie the Eagle and co-director of Bohemian Rhapsody) along with screenwriter Lee Hall (Billy Elliot) took a risk when they decided to not only show John singing in studios, clubs or concert halls. Their strategy involved the pop icon and other characters breaking into song at home, in the middle of conversations and in odd places. This gimmick, off-putting at first, takes a while to get used to. But, after you do, it’s fun.

Watch the screen for more than 10 minutes and you get the feeling that you are viewing a midnight-movie cult classic. There are quirky, indelible scenes that will stick in your mind: Elton jumps into a pool, plastered out of his head and at the bottom he sees a younger version of himself playing a piano and looking up at him innocently. The colors are well saturated, the lighting luminescent and the cinematography impeccable (George Richmond, Snow White and the Huntsman).

Whether John is in his family’s modest home, lounging in his palatial L.A. mansion or dancing in a club, his surroundings look larger than life: Credit the set decorators Kimberly Fahey and Judy Farr for the ornateness. Kudos to production designers Peter Francis and Marcus Rowland for the majesty. The colors, textures and attention to detail by art directors Sophie Bridgman, Steve Carter, Emily Norris, Astrid Sieben and Alice Walker are impressive.

Taron Egerton as Elton John in Rocketman from Paramount Pictures.

Taron Egerton as Elton John in Rocketman from Paramount Pictures.

Scenes are pulled together tightly (editor Chris Dickens) and erratically, like you’re flipping through someone’s jumbled scrap book or viewing objects in a kaleidoscope. Yet, the plotline moves forward with a clarity that is astonishing, considering a format in which songs and singing represent thoughts and feelings that would normally be rendered in dialogue. The pacing never lags as you watch John’s life unfurl. You realize his music is a soundtrack to our lives, especially if you’re a baby boomer or an adult.

Early scenes depict Reginald Dwight in the Pinner area of London, with his parents: His very stern and aloof father Stanley (Steve Mackintosh) and partially nurturing/partially dismissive mother Sheila (Bryce Dallas Howard, Jurassic World) instilling an ambivalence in their kid that gave him lifelong complexes. His transition from child piano prodigy to fledgling songwriter with lyricist Taupin (Jamie Bell, Billy Elliot), to anxious performer and then outrageous pop/rocker seems fated.

If clothes make the man (costume designer Julian Day, Bohemian Rhapsody), sequins, feathers, metallic costumes with matching shoes and gigantic glasses gave John a signature brand. Yet, it also confined him. Depending on his mood swing, he considered his eccentric and very recognizable facade both a blessing and a curse. That, coupled with his fluid sexuality, added to his inner turmoil. It tested him.

As Elton John fleshes out tunes, based on Taupin’s poetic lyrics, it’s an illuminating experience. When he croons the words to “Your Song,” it’s heartwarming: “It’s a little bit funny this feeling inside, I’m not one of those who can easily hide…” So many of his songs are moving, beautiful, enduring and will peak your emotions.

Taron Egerton as Elton John in Rocketman from Paramount Pictures.

Taron Egerton as Elton John in Rocketman from Paramount Pictures.

Unlike Remy Malek in Bohemian Rhapsody, Targon Egerton sings all the songs in Rocketman. There are times when he sounds like himself. Times when he sounds like a hybrid of John and him. And then there are those golden moments when you’re looking at Egerton and hearing the purest echoes of Elton’s voice:  e.g. “Don’t Let the Sun Go Down on Me.”  Though his vocals are just close to perfect, his interpretation of John is perfect. Targon looks like him so much, it’s as if he’s stolen John’s aura. His fits of anger, fear, depression, humiliation, self-love and self-hate are as authentic as they can be.

Jamie Bell as John’s rain-or-shine friend Bernie plays the enabler, savior and brother-from-another-mother quite well. The lyricist and the musician had a famous bromance that has to be one of the first straight/gay friendships ever put before the media.

Howard, as John’s mom, strikes the right balance of mentor and homophobe. Sheila says to Elton: “You’re choosing a life of being alone. You’ll never be loved.” The second most interesting performance, next to Egerton’s, is by Richard Madden (TV’s Bodyguard) as John Reid, Elton’s smarmy manager and opportunistic lover. Every drama needs a villain, and Madden is that man.

The potpourri styling in this film will leave you with a barrage of unforgettable images that cover several eras. Keep an eye out for the aforementioned pool scene; also look out for the rockets bursting into space and the “Benny and the Jets” disco scene that looks like it’s straight out of a Pier Paolo Pasolini film.

Rocketman is a fun, trippy hallucinogen. It’s like dropping a tab of LSD and having 1970s flashbacks.

Visit NNPA Newswire Film Critic Dwight Brown at DwightBrownInk.com and BlackPressUSA.com.

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Study: Waiting Lists for Child Care Assistance Nearly Doubled

BLACKPRESS USA NEWSWIRE — “Since the expiration of tens of billions of dollars in federal child care funding in 2023 and 2024, an already fragile child care system has been pushed even closer to the brink.”
The post Study: Waiting Lists for Child Care Assistance Nearly Doubled appeared first on BlackPressUSA.

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By National Women’s Law Center

The National Women’s Law Center released its annual State Child Care Assistance Policies report, finding that the number of children placed on waiting lists for federally funded child care assistance nearly doubled between 2024 and 2025 — and that number has only continued to grow.

The report serves as a key resource for state lawmakers, advocates, and policymakers by tracking state child care assistance policies and identifying where states are strengthening support for families and early educators — or falling behind.

“This deeply troubling increase in the number of children on child care waiting lists is the result of a failure to invest in this crucial sector,” said Karen Schulman, senior director of state child care policy and author of the report. “Since the expiration of tens of billions of dollars in federal child care funding in 2023 and 2024, an already fragile child care system has been pushed even closer to the brink.”

Key findings in the report related to waiting lists for child care assistance include:

• 17 states had waiting lists or a freeze on intake for child care assistance in February 2025, up from 13 states in February 2024.

• Approximately 106,700 children nationwide were added to waiting lists between February 2024 and February 2025, bringing the total to 225,500 children in February 2025 — a 90 percent increase compared to February 2024.

• The numbers climbed even further between February 2025 and summer/fall 2025, with more than 175,000 additional children added to state waiting lists in just a few months — a 78 percent increase.

• At least seven states newly began placing families on waiting lists or freezing intake, while at least 10 additional states saw their waiting lists grow, after February 2025.

The report also includes state-by-state data on key child care assistance policies, including income eligibility limits, parent copayments, provider payment rates, and eligibility policies for parents searching for work.

Click the link to learn more: Warning Signs: State Child Care Assistance Policies 2025.

The post Study: Waiting Lists for Child Care Assistance Nearly Doubled appeared first on BlackPressUSA.

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Venus Williams Calls a Sabalenka Exit a Tragedy

ROLLING OUT — Crucially, Williams did not read the comment as a real farewell. She said she did not believe Sabalenka truly wanted to leave, calling such an outcome a loss for both the player and the sport.
The post Venus Williams Calls a Sabalenka Exit a Tragedy appeared first on BlackPressUSA.

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The seven-time major champion read frustration, not a real goodbye, in the world No. 1’s words

By David Kesiena | Rolling Out

When the world’s top-ranked player said she wanted to walk away from the sport, Venus Williams chose empathy over alarm.

Aryna Sabalenka’s blunt remark after her French Open quarterfinal collapse rattled plenty of fans, but Williams heard something different in it. The seven-time Grand Slam champion treated the comment as the raw reaction of a hurting athlete rather than a serious signal about her future.

The collapse that triggered the comment

Sabalenka looked headed for a routine win over Diana Shnaider. She took the opening set 6-3 and built a commanding lead in the second, climbing to 4-1 and later serving for the match at 5-4 while sitting just two points from victory.

Then everything unraveled. Shnaider stormed back to steal the second set 7-5 and bageled the world No. 1 in the third, with Sabalenka dropping 12 of the final 13 games in gusty conditions that reached around 26 mph. The 3-6, 7-5, 6-0 result sent Shnaider into her first Grand Slam semifinal and extended Sabalenka’s long wait for a maiden Roland Garros title.

In the aftermath, Sabalenka did not soften her feelings. She told reporters she had no thoughts and no emotions left and felt like quitting on the spot. She described being stuck in a deep, dark mental hole during the match, unable to find her way back.

What Venus Williams said about Sabalenka

Williams reacted with understanding. She admitted the moment made her sad and said she had been swept up in Sabalenka’s emotions, feeling a surge of empathy for her. She praised the Belarusian for laying everything bare on court, where every feeling shows.

Crucially, Williams did not read the comment as a real farewell. She said she did not believe Sabalenka truly wanted to leave, calling such an outcome a loss for both the player and the sport. Rather than scold her, Williams offered a gentle observation about the rhythm of professional tennis. She suggested players might benefit from a little more time to gather themselves before stepping in front of the cameras, a quiet acknowledgment that athletes are routinely asked to dissect painful defeats before the sting has faded.

Sabalenka walks it back

The story did not end on that bleak note. Within days, Sabalenka signaled she was not actually quitting, framing the press-conference outburst as heat-of-the-moment honesty rather than a plan. At the time of the loss she had also left the door open, saying she would see how she felt in a few days and hoped to get back on track mentally. The walk-back lined up with how Williams had read the situation from the start.

It is not the first time a Paris quarterfinal has pushed Sabalenka to her limit. In 2024 she exited at the same stage and skipped her press conference entirely because of illness, with the tour later releasing her quotes on her behalf. The pattern underscores how heavily this particular tournament has weighed on her despite deep runs in recent years.

For now, attention shifts to the grass. Wimbledon offers Sabalenka a quick chance to reset, and a strong showing there would turn this French Open meltdown into a footnote rather than a turning point.

Originally published by Rolling Out — https://rollingout.com

The post Venus Williams Calls a Sabalenka Exit a Tragedy appeared first on BlackPressUSA.

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COMMENTARY: Using Art, Healing, And Community to Transform Mental Health Dialogue

THE CAROLINIAN — Operating at the intersection of the arts and mental health, Darkness RISING uses music, storytelling, wellness programming, and community engagement to inspire healing while addressing barriers that have historically prevented many Black Americans from accessing mental health support.
The post COMMENTARY: Using Art, Healing, And Community to Transform Mental Health Dialogue appeared first on BlackPressUSA.

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By Judaea Ingram | Special to The Carolinian

RALEIGH, N.C. – Music filled the air as families danced through the crowd, children gathered around activity stations, and community members explored wellness resources from local organizations. Black-owned businesses lined the streets while people stopped for chair massages, conversations, and moments of connection inside the wellness suite.

At the center of the event stood a simple but powerful reminder:

“You Matter.”

For Darkness RISING, those words represent far more than a slogan. They reflect the organization’s mission to break the stigma surrounding mental health in the Black community while creating spaces centered on healing, honesty, and hope.

Operating at the intersection of the arts and mental health, Darkness RISING uses music, storytelling, wellness programming, and community engagement to inspire healing while addressing barriers that have historically prevented many Black Americans from accessing mental health support.

The organization hosts a variety of programs and events throughout the year, including block parties, wellness workshops, mixers, kickoff events, community classes, and Darkness RISING: Live — a free annual arts and wellness festival now celebrating its ninth year.

The festival combines entertainment with healing-centered resources, featuring live music, dancing, singing, food trucks, Black vendors, children’s activities, mental health resources, wellness spaces, and opportunities for open conversations about mental health.

While the events may feel celebratory on the surface, organizers say the deeper purpose is creating safe spaces where people can feel comfortable discussing mental health without fear of judgment.

Darkness RISING also provides free nationwide resources, including a Black Mental Health Resource Packet, a Black Mental Health Provider Database, and its “Find Me a Therapist” initiative, which helps connect individuals with culturally competent care.

The organization’s work is rooted in addressing longstanding inequities that continue impacting mental health access within Black communities.

Historically, segregation, redlining, racial discrimination, incarceration, poverty, and unequal healthcare access have contributed to higher rates of behavioral health challenges while simultaneously limiting access to proper treatment and support. Darkness RISING approaches those issues through what organizers describe as a transformative justice lens, focusing on healing rather than punishment and creating equitable wellness opportunities for marginalized communities.

Its REBUILD program specifically supports justice-involved and formerly incarcerated people of color through free therapy and wellness support, while the REBUILD Youth program focuses on young people impacted by Adverse Childhood Experiences, also known as ACEs.

For Rudolph, therapy became life-changing after decades of incarceration and years of rejection after returning home.

“Came home in 2015, started my own computer company, investing in real estate, did the normal thing and got some jobs here and there and was met with rejection after rejection and people telling me I am not a good person,” Rudolph shared. “Even had a rejection in church.”

He said one of the hardest battles became overcoming the mental barriers created during incarceration.

“I got in touch with a couple of friends, and they explained to me how I had to get over the mental hurdles and get rid of the way my prison mindset was in order to survive and become successful,” he said.

Rudolph later moved to North Carolina hoping for a fresh start, but the struggle continued.

“Things were looking bad,” he said. “Could not get a job. The struggle was real.”

Eventually, therapy and support through organizations like Darkness RISING helped begin his healing process. He said working alongside other justice-involved men through therapy gave him the ability to rebuild mentally while finding community with people who understood his experiences.

Stories like Rudolph’s reflect the foundation behind Darkness RISING’s mission: ensuring people feel seen, supported, and worthy of healing regardless of their background or circumstances.

Community members who attend the organization’s events often describe them as emotionally transformative.

Some participants say Darkness RISING encouraged them to seek therapy for the first time, while others say the organization gave them a safe space to openly discuss struggles they previously kept hidden.

“I have been encouraged by the beautiful, generous, brave and open individuals who come together and use their talents to create art, share personal experiences and provide hope to those who may be struggling with mental health,” one participant shared.

By combining art, wellness, education, and community outreach, Darkness RISING continues changing how mental health conversations happen within the Black community.

Not through silence.

But through healing, honesty, connection, and joy.

Originally published by The Carolinian — https://caro.news

The post COMMENTARY: Using Art, Healing, And Community to Transform Mental Health Dialogue appeared first on BlackPressUSA.

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