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Don’t Criminalize Domestic Violence Survivors, Advocates Say

Problems plaguing people affected by domestic violence are often compartmentalized when law enforcement officers – as well as criminal justice and social welfare authorities — try to solve them. 

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Female activist with a hand print on her mouth, demonstrating violence on women. Woman protesting against domestic violence and abuse with group in background./iStock

Problems plaguing people affected by domestic violence are often compartmentalized when law enforcement officers – as well as criminal justice and social welfare authorities — try to solve them. 

That is a fragmented approach, advocates argue, which helps neither victims nor perpetrators, and it does not lead to lasting solutions to the problem.

Instead, those advocates say, domestic violence must be approached wholistically. Every aspect of the issue must be considered. That not only helps to end the criminalization of people who survive it, they explain. It is also a better path to ending the cycle of trauma and dysfunction that triggers and sustains it.

One of those advocates Democratic is state Sen. Sydney Kamlager (D-Los Angeles), who introduced AB 118, or the “CRISES ACT,” in December 2020 while she was still serving in the Assembly. 

The acronym CRISES stands for “Community Response Initiative to Strengthen Emergency Systems.”

AB 118 seeks to implement a pilot program that would empower community-based organizations to serve as first responders instead of the police. That would place domestic violence advocates, mental and public health professionals on the frontlines, responding to calls when there are incidents of intimate partner abuse or other acts of violence in people’s homes.

Kamlager initially introduced the CRISES Act as AB 2054 in February 2020.

AB 2054 passed in the Legislature unanimously, but Gov. Gavin Newsom vetoed it, saying the Office of Emergency Services was not the appropriate location for the pilot program as proposed in legislation.

However, its legislative successor AB 118 also passed unanimously in the Assembly and is currently being considered in the Senate Appropriations Committee.

Cat Brooks, co-founder of the Anti Police-Terror Project in Oakland, thinks the bill will pass this time around. She bases her optimism on the pressure elected officials may be feeling due to a growing movement in the streets of cities, and states across the country, that is pushing for alternatives to badges and guns responding to community crisis.

The Anti Police Terror Project is a Black-led, multi-racial, intergenerational coalition that seeks to build a replicable and sustainable model to eradicate police terror in communities of color.

“This current political moment sort of creates the perfect storm for bills like the CRISIS Act to make it through, so I’m hopeful,” said Brooks.

The organization worked with others to create the Mental Health First Oakland program, a non-911 mobile crisis response to domestic violence, interpersonal violence, substance abuse, mental health and other community crisis, according to Brooks.

“I’m a survivor of domestic violence, and the police came. And following my husband having beat-the-you-know-what out of me, I’m the one who ended up going to jail,” she recalled.

She was 19, Black, and a woman in Las Vegas, she says. Under the city’s Primary Aggressor Law, police can decide who is mainly responsible for the domestic violence.

“That’s how they took me to jail, even though my husband had not a scratch on him, and I was covered in scratches and bruises and bleeding,” said Brooks. “I was targeted as a Black woman by White law enforcement, and I was sent to jail, and that happens to women over and over and over again.”

Unfortunately, her story is not an exception, she said. She believes race had less to do with her arrest than gender. 

“We have to remember that we live in a patriarchy, and we also have to remember that the least believed human being walking America’s streets is the Black woman. The most stereotyped is the Black woman. The image that is portrayed of us is loud-mouthed, crazy, out-of-control, angry, violent,” said Brooks.

How those stereotypes factor into how law enforcement officers treat Black women is not discussed nearly enough in public discourse. But far too often those interactions are deadly or violent, she argued.

Brooks’ personal ordeal, she says, led her to start disbelieving that police officers are her friends or that they would help her. In fact, quite the opposite, they could actually end up making things much worse, she said.

For the duration of that relationship, she had no one to call, so she said she just took the abuse, which, she says, is true for so many Black, Brown and Indigenous women.

“They don’t call anyone because they don’t want the police to kill them. They don’t want the police to kill their partners. They don’t want to go to jail,” said Brooks.

The tragedy helped propel her into activism and advocacy. Now, the Anti Police-Terror Project is on the verge of releasing its model for responding to interpersonal violence without police, she told California Black Media.

Members have worked closely with many organizations on the frontlines doing domestic violence work, because solutions must be local, said Brooks.

The organization provides principles and structures, but ultimately, the community must come together, identify where the safe house is, who the trauma responders are going to be, who are going to deal with the perpetrator in a way that’s not violent, and force accountability, without involving law enforcement, she explained.

According to Brooks, the Anti Police-Terror Project does a lot of educational work in the community, and they have found it interesting that mainstream media’s portrayal of abusers is like the 1984 movie, “The Burning Bed” starring Farrah Fawcett. In the movie, after nearly a decade of abuse, Fawcett’s character Francine Hughes douses gasoline over her sleeping husband and lights their bed on fire.

“They don’t think about that some families actually want to stay together, that some families actually want help for everybody. And for us, whether the family decides to stay together or not, we know that services and support and trauma work need to be done with both the perpetrator and the survivors.  So, those are the kinds of things that we’re advocating for,” said Brooks.

The Oakland Post’s coverage of local news in Alameda County is supported by the Ethnic Media Sustainability Initiative, a program created by California Black Media and Ethnic Media Services to support community newspapers across California.

Charlene Muhammad

Charlene Muhammad






Nat'l Correspondent for The Final Call Newspaper - Founder-Host- Liberated Sisters on KPFK.org & Liberated Sisters Radio - Wife/Mom/Sister



Nat'l Correspondent for The Final Call Newspaper - Founder-Host- Liberated Sisters on KPFK.org & Liberated Sisters Radio - Wife/Mom/Sister

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Activism

Oakland Post: Week of June 12-18, 2024

The printed Weekly Edition of the Oakland Post: Week of June 12-18, 2024

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Antonio‌ ‌Ray‌ ‌Harvey‌

More Segregated Than Deep South: ACLU Releases Report on Calif. Public Schools

The 2024 State of Black Education: Report Card was recently published by the American Civil Liberties Union California Action (ACLU California Action). It states that California is the third most segregated state for Black students.  Co-author of the report, policy counsel Amir Whitaker from ACLU Southern California explained the criteria the ACLU use to rank California during the commemoration of the 70th anniversary of the landmark 1954 U.S. Supreme Court decision Brown vs. Board of Education held at the State Capitol the day after the Memorial Day holiday.

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Asm. Mia Bonta (D-Alameda) was a guest speaker at the State of Black Education report card briefing at the State Capitol on May 29. CBM Photo by Antonio Ray Harvey.
Asm. Mia Bonta (D-Alameda) was a guest speaker at the State of Black Education report card briefing at the State Capitol on May 29. CBM Photo by Antonio Ray Harvey.

By Antonio‌ ‌Ray‌ ‌Harvey‌, California‌ ‌Black‌ ‌Media‌

The 2024 State of Black Education: Report Card was recently published by the American Civil Liberties Union California Action (ACLU California Action). 

It states that California is the third most segregated state for Black students.

Co-author of the report, policy counsel Amir Whitaker from ACLU Southern California explained the criteria the ACLU use to rank California during the commemoration of the 70th anniversary of the landmark 1954 U.S. Supreme Court decision Brown vs. Board of Education held at the State Capitol the day after the Memorial Day holiday.

“For every state in the Deep South, California (schools) are more segregated,” Whittaker said. “People often think that California is not segregated or unequal as Deep South states and others. The inequalities here (in California) are actually wider.”

New York and Illinois are ahead of California regarding the racial diversity of their student bodies. According to a report May 2022 report by Stanford Graduate School of Education, the Los Angeles, Philadelphia, and New York City school districts are in the top 10 most racially segregated districts for White-Black, White-Hispanic, and White-Asian segregation based on the average levels from 1991-2020.

In bigger school districts, segregation between low-income (students who are eligible for free lunch) and non-low-income students increased by 47% since 1991, according to the Stanford Graduate School’s report.

“That’s why it’s important to look at this data,” Whitaker said. “When you have millions of people living in places like Los Angeles, Chicago, and New York, the urban areas are a lot more segregated than the south. That’s a big part of it.

A number of factors contribute to the segregation of schools in California such as parents sending their children to private schools, others optioning for homeschooling, and other reasons, Whitaker said.

The Brown v. Board of Education case declared that separating children in public schools based on race was unconstitutional. However, Whitaker pointed to cases after the landmark decision that circumvented that federal law.

According to a 2014 report by the Civil Rights Project, in the 1990s, decisions by the U.S. Supreme Court decision ended federal desegregation orders in San Francisco and San Jose. In addition, court decisions in the state that ordered desegregation in the 1970s were overturned by the 1990s. Legally, California has no school integration policy to adhere to.

“This is why we did this report. There needs to be a report just on this issue (of school segregation),” Whitaker told California Black Media. “Right now, there’s no task force or anything addressing it. I have never seen the California Department of Education talk about it. This is a pandemic (and) a crisis.”

ACLU Northern California hosted an overview of the report and panel discussion at the State Capitol on May 29. California Black Legislative Caucus member Assemblymember Mia Bonta (D-Alameda) and Sen. Steven Bradford were the guest speakers. Parents, students, educators, and Black education advocates from all over the state attended the 90-minute presentation at the State Capitol.

School segregation is the No. 1 issue listed in among the report’s “24 areas of documented inequality,along with problematic trends of racial harassment, a continuous decline of Black student enrollment, school closures, connection with school staff, chronic absenteeism, low Black teacher representation, and parent participation.

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Art

Mayor Breed, Actor Morris Chestnut Attend S.F.’s Indie Night Film Festival

On June 1, the acclaimed Los Angeles-based Indie Night Film Festival arrived at the Kabuki Theater in San Francisco. San Francisco native Dave Brown, Founder and CEO of the Indie Night Film Festival, has a vision for the film industry that is squarely focused on promoting the many talented producers, actors, and designers contributing to this billion-dollar industry. The festival has been running for 12 years and it’s only up from here, he says.

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(Left to Right) Dave Brown, CEO, Indie Night Festival, San Francisco Mayor London Breed, and actor Morris Chestnut. Photo by Y’Anad Burrell
(Left to Right) Dave Brown, CEO, Indie Night Festival, San Francisco Mayor London Breed, and actor Morris Chestnut. Photo by Y’Anad Burrell

By Y’Anad Burrell

On June 1, the acclaimed Los Angeles-based Indie Night Film Festival arrived at the Kabuki Theater in San Francisco.

San Francisco native Dave Brown, Founder and CEO of the Indie Night Film Festival, has a vision for the film industry that is squarely focused on promoting the many talented producers, actors, and designers contributing to this billion-dollar industry.  The festival has been running for 12 years and it’s only up from here, he says.

A weekly celebration of cinematic artistry designed to elevate emerging talent while providing a platform for networking and collaboration, entrepreneur Dave Brown created Indie Night to bridge gaps within the filmmaking community by fostering connections between like-minded individuals worldwide. The Indie Film Festival currently has over 450 film submissions worldwide, and its cinematic vault only continues to grow.

The festival showcased over 10 short films and trailers, and featured Faces of the “City: Fighting for the Soul of America,” produced by veteran actor Tisha Campbell.  This film is about the vibrancy and legacy of San Francisco. The festival also previewed “When It Reigns,” a trailer by Oakland’s burgeoning filmmaker Jamaica René.

Indie films have not just challenged traditional cinematic norms; they’ve shattered them. These films offer unique storytelling perspectives and push creative boundaries in truly inspiring ways. With their smaller budgets and independent spirit, they often tackle unconventional subjects and portray diverse characters, providing a refreshing alternative to mainstream cinema. As a result, indie films have resonated with audiences seeking an escape from formulaic blockbusters and are increasingly celebrated for their authenticity and originality.

Organizers say the mission of Indie Night is to elevate the craft of independent artists and creators. It also provides a venue for them to showcase their work, network, and exchange information with new and established creatives. It creates a community that values and supports independent art.

For more about the Indie Night Film Festival, visit www.indienightfilmfestival.com.

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