Entertainment

Cosby lawyer: Unsealing court docs ‘terribly embarrassing’

Published

11 years ago

June 27, 2015

Comedian Bill Cosby performs at the Buell Theater in Denver, Saturday, Jan. 17, 2015. Cosby, 77, is facing sexual assault accusations from at least 15 women, with some of the claims dating back decades. He has denied the allegations through his attorney and has never been charged with a crime. (AP Photo/Brennan Linsley)

MARYCLAIRE DALE, Associated Press

PHILADELPHIA (AP) — A lawyer for Bill Cosby argued Friday that it would be “terribly embarrassing” for the comedian if documents from a 2005 sex-assault lawsuit were unsealed.

Cosby is fighting efforts by The Associated Press to unseal motions from a lawsuit he settled with a former Temple University employee.

The lawsuit accused Cosby of drugging and sexually assaulting the woman at Cosby’s home. The settlement is confidential.

Cosby’s lawyer argued that his client’s deposition could reveal details of Cosby’s marriage, sex life and prescription drug use.

“It would be terribly embarrassing for this material to come out,” lawyer George M. Gowen III argued.

He said the public should not have access to what Cosby was forced to say as he answered questions under oath from the accuser’s lawyer nearly a decade ago.

“Frankly, … it would embarrass him, (and) it would also prejudice him in eyes of the jury pool in Massachusetts,” Gowen said.

More than a dozen women have since accused Cosby of sexually assaulting them, and three have a defamation lawsuit pending against him in Massachusetts. They allege that he defamed them when his agents said their accusations were untrue. Cosby is trying to get their case thrown out before discovery. He has never been charged with any related crimes.

U.S. District Judge Eduardo Robreno asked Friday why Cosby would be embarrassed by the release of his sworn testimony, given that the accusations in the Temple woman’s lawsuit are already in the public eye.

“Why would he be embarrassed by his own version of the facts?” Robreno asked.

The lawyers also argued over whether Cosby was a public figure entitled to a lesser degree of privacy.

Lawyer Gayle Sproul, representing the AP, called him “an icon” particularly in Philadelphia, who “held himself out as someone who would guide the public in ways of morality.”

Robreno had never decided whether the temporary seal on some filings should be made permanent before the case settled in 2006. Under local court rules, Cosby has the burden to show why seals should not be lifted after two years, the AP argued.

Gowen argued that Cosby might not have forged the confidential settlement if he thought his deposition testimony and other motions would someday get out.

The judge did not indicate when he would rule. He could side with Cosby, with the AP, or strike a middle ground and release some of the documents, perhaps with redactions negotiated between Cosby and a lawyer for the ex-Temple employee, Andrea Constand.

“Every case about sex and drugs involves a certain amount of embarrassment,” Robreno noted.

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Oakland Post: Week of July 1 – 7, 2026

The printed Weekly Edition of the Oakland Post: Week of July 1 – 7, 2026

Published

7 days ago

July 5, 2026

Oakland Post

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Arts and Culture

Prescott Circus Theatre Presents Free Summer Performance Series

Now in its 41st year, the Prescott Circus Theatre is a nationally recognized performing arts education program for Oakland youth. The circus offers safe environments that challenge Oakland youth, through circus arts training, to develop the skills and confidence to thrive on stage, in school, and in life.

Published

2 weeks ago

June 26, 2026

Oakland Post

Prescott Circus showcase pathways pyramid. Photo courtesy of Prescott Circus.

By Post Staff

The Prescott Circus, Oakland’s longest-running youth circus, is returning this summer with its free shows. Join the Prescott Circus’s young stars as they share their joys and talents through stilt-dancing, tumbling, juggling, and more.

At the heart of this one-hour show, which demonstrates teamwork, pride, and joy, are Oakland Unified School District students ages 8 – 17 from more than 10 different schools

This is accomplished through no-cost school and community programs for more than 300 Oakland youth each year. Performing company members from Prescott, where the program began, perform and make appearances at as many as 40 Bay Area events each year.

The summer program is funded in part by Oakland Fund for Children and Youth, California Arts Council, Port of Oakland, and the West Davis & Bergard Foundation.

Performances will be held Tuesday, July 14, 11 a.m. and 1:30 p.m. (ASL interpreted) and Wednesday, July 15, 11 a.m., at the Malonga Casquelourd Center for the Arts, 1428 Alice St., Oakland. For free reservations go to

https://PrescottCircusSummerShows.eventbrite.com

For group reservations for camps, childcare centers, senior centers, go to www.prescottcircus.org

A community show will be held Saturday, July 18, 2 p.m. to 3 p.m., at DeFremery Park,1651 Adeline St., Oakland.

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50 Years Later, ‘Wake Up Everybody!’ Still Resonates During Black Music

The words of the song, “Wake Up Everybody,” debuted by Harold Melvin & The Blue Notes in 1975, still resonate today as those words are just as relevant more than a half century later.

Published

2 weeks ago

June 26, 2026

Oakland Post

iStockphoto.

By Hazel Trice Edney, Special to The Post

Hazel Trice Edney

“Wake up, everybody, No more sleepin’ in bed

No more backward thinkin’. Time for thinkin’ ahead

The world has changed so very much from what it used to be.

There is so much hatred, war, and poverty.

“The world won’t get no better If we just let it be.

Naw, naw, naw, naw, naw, naw, naw.

The world won’t get no better. We gotta change it, yeah– just you and me.”

The words of the song, “Wake Up Everybody,” debuted by Harold Melvin & The Blue Notes in 1975, still resonate today as those words are just as relevant more than a half century later.

In a rare, nearly somber moment, the group’s celebrated lead singer, Teddy Pendergrass, introduced the song on Soul Train, the weekly dance and live performance TV show that aired roughly between 1971 and 2006. Pendergrass told the attentive live audience and thousands watching by television that Wake Up Everybody, the title tune of their most recent album, was intended to inspire people to take action with a goal to change America for the better.

“I’m sure that you will all agree that there are things that need to be done in this country today,” he said. “So, what I’d like for you to do is listen very carefully to see what you can do to lend a hand.”

The song’s appeal worked.

“I played that song over and over and over again because it was a constant warning to keep ourselves prepared for the society that we were living in,” says A. Peter Bailey, then a 37-year-old former aide to Malcolm X.

When “Wake Up Everybody” hit the airwaves, Bailey was working as an associate editor of Ebony Magazine. “It was a call to be aware of what we were dealing with in the country that we lived in, the world we lived in, the neighborhood we lived in, the cities that we lived in,” Bailey said in an interview with the Trice Edney News Wire.

He concluded that during Black Music Month 2026, such songs should be recalled and celebrated as a key to changes for the good across America; especially because such songs successfully encouraged people to deal with the issues that might otherwise denigrate the promises of America, including the promise that “All men are created equal,”as stated in the Declaration of Independence.

“The rhythms and blues expressed our joys, our sorrows and our fears,” Bailey recalls. “It was those songs and the singing of those songs by our people that attracted us to the campaigns for justice.”

With his life inspired by that song and others, Bailey, now 88, went on to establish and teach a Black Press class at Virginia Commonwealth University. Also, he has since written three books, including a memoir, “Witnessing Brother Malcolm X, the Master Teacher,” in which he expounded upon successful principles of social justice, some of which are reflected in “Wake Up Everybody.”

Long before the term “woke” became associated with campaigns for justice, Pendergrass led the song that reverberated across America and still holds deep meaning.

The ‘wake up’ call exhorts teachers to ‘teach a new way,’ doctors to heal elders, and builders to ‘build a new land… we can do it if we all lend a hand.”

The song concludes:

“The world won’t get no better if we just let it be. Naw, naw, naw, naw, naw, naw, naw. The world won’t get no better. We gotta change it, yeah – just you and me.”

Hazel Trice Edney wrote this story as part of a four-part series powered by AARP in commemoration of Black Music Month, June 2026.