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Cosby Has a ‘Wonderful Time’ as Returns to Stage in Canada

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Protestors gather outside the Centre in the Square theater in Kitchener, Ontario, Canada on Wednesday, Jan. 7, 2015 to protest Bill Cosby amid brewing tensions and mounting allegations of sexual assault. (AP Photo/The Canadian Press, Hannah Yoon)

Protestors gather outside the Centre in the Square theater in Kitchener, Ontario, Canada on Wednesday, Jan. 7, 2015 to protest Bill Cosby amid brewing tensions and mounting allegations of sexual assault. (AP Photo/The Canadian Press, Hannah Yoon)

ROB GILLIES, Associated Press

KITCHENER, Ontario (AP) — Bill Cosby said he had a “wonderful time” and got a standing ovation from polite Canadian fans at his first show following a string of cancellations in the wake of sexual assault allegations from more than 15 women.

But outside protesters braved below-freezing weather to shame the ticket-holders as they streamed in and are likely to do so again at the second of three performances in Ontario on Thursday.

Cosby’s show in Kitchener was his first show since November when the entertainer saw at least 10 performances get canceled on his North American tour.

Like his last show in Melbourne, Florida on Nov. 21 there were no disruptions during the performance and the crowd laughed throughout.

Wearing a sweater saying “hello friend,” Cosby climbed the stage decorated with two giant posters of him with Nelson Mandela.

“First of all thank you,” Cosby said to the audience before starting his routine with some cold weather jokes.

He left to a standing ovation that was somewhat slow to start.

“Dear Fans: I would like to personally thank you for giving me the opportunity to bring laughter back into your lives tonight. Also, I would like to applaud all of you and give you a standing ovation for respecting yourselves, the theatre (Centre In The Square) and the event organizers that produced a spectacular show for the Kitchener Community,” Cosby said in a statement issued by his publicist following the show.

Some ticket-holders had said they would boycott the performance, and the 2,000-seat venue was about two-thirds full. Several police officers and private security guards were posted throughout.

Outside the Centre in the Square, more than a dozen protesters carried signs saying “rape is no joke.” Some shouted “you support rape” and “shame on you” at fans. A few protesters blocked the doors of the venue until being asked to leave by security.

But fans defended Cosby as they arrived.

“I’m skeptical of all the accusations,” said Gerald Reinink. “I always loved Cosby, good family humor. Why are 20 women coming out now when it’s 20, 30 years ago?”

Dan Emerson said he was glad there were no hecklers inside the venue. “Innocent until proven guilty. I’m hoping it’s not true and until I know otherwise I love him to death,” Emerson said.

Cosby, 77, is also scheduled to appear at the Budweiser Gardens in London on Thursday and at the Hamilton Place Theatre in Hamilton on Friday

The comedian, who starred as Dr. Cliff Huxtable on “The Cosby Show” from 1984 to 1992, earning a reputation as “America’s Dad,” has never been charged in connection with any of the sexual assault allegations. A 2005 lawsuit by a Pennsylvania woman was settled before it went to trial, and he is being sued by a woman who claims he molested her in 1974 and by three other women who allege they were defamed by the comedian when his representatives denied some of the allegations.

Most of the women say he drugged them before he assaulted them.

Hours before Cosby took the stage, attorney Gloria Allred said three more women are accusing the comedian of drugging and sexually assaulting them in Las Vegas or Los Angeles between 1981 and 1996. Allred said at a news conference in Los Angeles that the accusations are too old for criminal charges or lawsuits.

Phylicia Rashad, who played Cliff Huxtable’s wife Claire on “The Cosby Show,” defended her co-star in an interview Wednesday with ABC World News Tonight. Rashad said she believed the allegations are part of a campaign to ruin Cosby’s legacy.

“He’s a genius. He is generous, he’s kind, he’s inclusive,” said Rashad, who first spoke to Roger Friedman earlier this week for his Showbiz911 blog. “This is not about the women. This is about something else. This is about the obliteration of legacy.”

Kitchener Mayor Berry Vrbanovic attended an alternative event that was organized to raise awareness of sexual assault at the same time as Cosby’s show.

Aatif Baskanderi said he put his six tickets up on the online site Kijiji after he and his family decided they couldn’t go in light of the allegations. He said six tickets that cost $600 went for just $220. He said they tried to get a refund but couldn’t.

___

Associated Press writer Frazier Moore in New York contributed to this story.

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Oakland Post: Week of January 28, 2025 – February 3, 2026

The printed Weekly Edition of the Oakland Post: Week of January 28, 2025 – February 3, 2026

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Oakland Post: Week of January 21 – 27, 2026

The printed Weekly Edition of the Oakland Post: Week of January 21 – 27, 2026

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OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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