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Confirmation Hearings Begin for First Black Woman Supreme Court Nominee

The first day of hearings featured opening statements from the 22 members of the Judiciary Committee and opening remarks from Jackson. Democratic Senator Corey Booker noted the historic nature of Jackson’s nomination. “This is a ‘Jackie Robinson’ moment for our nation,” he said during prepared remarks. “For generations, America has been blessed with extraordinary legal talent in people of all backgrounds, but for the first time in our history an extraordinarily talented Black woman will serve on the Supreme Court. I’m profoundly moved by this. My heart aches with joy.”

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Judge Ketanji Brown Jackson, 52, currently serves as a federal judge in Washington, D.C. She will be the first Black woman ever to sit on the Supreme Court upon confirmation.
Judge Ketanji Brown Jackson, 52, currently serves as a federal judge in Washington, D.C. She will be the first Black woman ever to sit on the Supreme Court upon confirmation.

By Brandon Patterson

Confirmation hearings began last Tuesday in the Senate Judiciary Committee for Biden Supreme Court nominee Ketanji Brown Jackson. The hearings marked the fourth time that Jackson had come before the Judiciary Committee for confirmation, having done so three times previously when nominated for lower judiciary positions.

Jackson, 52, currently serves as a federal judge in Washington, D.C. She will be the first Black woman ever to sit on the Supreme Court upon confirmation.

The first day of hearings featured opening statements from the 22 members of the Judiciary Committee and opening remarks from Jackson. Democratic Senator Corey Booker noted the historic nature of Jackson’s nomination. “This is a ‘Jackie Robinson’ moment for our nation,” he said during prepared remarks. “For generations, America has been blessed with extraordinary legal talent in people of all backgrounds, but for the first time in our history an extraordinarily talented Black woman will serve on the Supreme Court. I’m profoundly moved by this. My heart aches with joy.”

Jackson was introduced by Thomas Griffith, a former conservative appeals judge, a decision likely made to underscore her willingness to be “impartial” in her decision-making, a theme which Jackson returned to throughout the hearings. In her opening remarks, she honored the role her family and mentors have played in supporting her judicial career. She also thanked Justice Stephen Breyer, whom she is nominated to replace, and whom she clerked for early in her career after law school.

Yet the first two days of the hearings were marked more by political theater than by serious questions about decisions Jackson made as a judge, or how she might rule in certain cases.

In one instance, Republican Senator Ted Cruz asked Jackson about the New York Times’ 1619 Project and her views on critical race theory.

“It doesn’t come up in my work as a judge. It’s never something that I’ve studied or relied on,” Jackson replied. “And it wouldn’t be something that I would rely on if I was on the Supreme Court.” Cruz later held up a copy of a book called “Antiracist Baby” and asked Jackson whether she believes that “babies are racist.” Jackson said she did not.

Jackson was also asked whether she supported expanding the Supreme Court beyond nine justices. She declined to say, citing then-Supreme Court nominee Amy Coney Barrett, who, during her confirmation hearing in October 2020, declined to answer the same question. “I agree with Justice Barrett in her response to that question when she was asked before this committee,” Jackson said. “Judges should not be speaking into political issues.”

Yet other questions shed meaningful light on Jackson’s approach to the law. In response to one question, Jackson said she was “reluctant” to use labels such as “originalism” to characterize her judicial philosophy, saying that the Constitution is “fixed in its meaning” but that sometimes, judges also need to look at history and context to make decisions.

A recent Gallup poll found that 58% of Americans support Jackson’s nomination to the Supreme Court. Jackson’s confirmation hearings continued throughout the week.

Sources: NBC News, Gallup News, office of New Jersey Senator Corey Booker.

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Oakland Post: Week of March 12 – 18, 2025

The printed Weekly Edition of the Oakland Post: Week of March 12 – 18, 2025

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Oakland Post: Week of March 5 – 11, 2025

The printed Weekly Edition of the Oakland Post: Week of March 5 – 11, 2025

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Arts and Culture

Beverly Lorraine Greene: A Pioneering Architect and Symbol of Possibility and Progress

Greene graduated from the University of Illinois at Urbana-Champaign in 1936 with a degree in Architecture — a remarkable accomplishment for an African American woman at the time. She was never discouraged by the racial and gender discrimination that saturated her field.

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Beverly Lorraine Greene. Public domain photo.
Beverly Lorraine Greene. Public domain photo.

By Tamara Shiloh

In the mid-20th century, Beverly Lorraine Greene was recognized as the first African American woman licensed to practice architecture in the United States.

Greene was born on Oct. 4, 1915, in Chicago during an era when opportunities for African Americans, particularly women, were severely limited.

Her parents, James and Vera Greene, were deeply invested in her education, instilling in her a belief in the power of intellect and perseverance. She grew up during the Great Migration that transformed Chicago starting in 1900.

Greene graduated from the University of Illinois at Urbana-Champaign in 1936 with a degree in Architecture — a remarkable accomplishment for an African American woman at the time. She was never discouraged by the racial and gender discrimination that saturated her field.

Greene continued her education, earning a master’s degree in City Planning and Housing in 1937, also from the University of Illinois. Her ambition was not merely to design structures but to shape spaces that fostered equity and community. In 1942, she became the first African American woman licensed as an architect in the United States, obtaining her credentials in Illinois. This groundbreaking achievement, however, did not translate immediately into job opportunities.

Early in her career, she faced significant discrimination from firms unwilling to hire a Black woman. However, her determination never wavered. In 1945, Beverly moved to New York City, a place she believed could offer broader professional opportunities.

She joined the architectural department of the New York City Housing Authority, focusing on affordable housing projects. Her work during this time reflected her commitment to using architecture as a tool for social justice, ensuring that marginalized communities had access to well-designed, dignified living spaces.

Greene’s talents soon drew the attention of prominent firms. She was hired by Isadore Rosenfield, a respected architect known for designing hospitals. She contributed to the design of healthcare facilities, including the modernization of Harlem Hospital. Her portfolio expanded in collaboration with architectural personalities such as Marcel Breuer and Edward Durell Stone.

Notably, she worked on the prestigious UNESCO headquarters in Paris — a landmark project that brought her skills to an international stage. Her involvement underscored her ability to navigate the intricacies of large-scale, global projects, proving that her talents transcended the limitations society sought to impose.

Greene’s career was tragically cut short when she passed away unexpectedly in 1957 at the age of 41. Though her life was brief, her impact was profound. She shattered entrenched barriers, paving the way for future generations of Black architects and women in the field.

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