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Bill Cosby: The Fight, The Legacy, The Flowers He’s Earned

BLACKPRESSUSA NEWSWIRE — Six years ago this month, Bill Cosby was sentenced to prison. For some, it was the spectacle of a fallen idol. For others, it was the raw proof that this nation, still drunk on its own lies, can summon racism from the judge’s bench, let it seep into the prosecutor’s chair, and finally stain the jury box.

Published

9 months ago

September 17, 2025

Stacy M. Brown

By Stacy M. Brown
Black Press USA Senior National Correspondent

Six years ago this month, Bill Cosby was sentenced to prison. For some, it was the spectacle of a fallen idol. For others, it was the raw proof that this nation, still drunk on its own lies, can summon racism from the judge’s bench, let it seep into the prosecutor’s chair, and finally stain the jury box. What was lost, what was deliberately hidden, is that Cosby—blind, wealthy, eighty years old—could have walked out untouched if he had only bent his back, signed a paper, confessed to a sin he swore he did not commit. He refused. He chose prison over surrender, isolation over capitulation. That act alone, in a country that has always demanded Black men bow their heads, ought to have been recognized as a radical declaration of dignity.

Refusing the Easy Way Out

Cosby remembered, on Let It Be Known, how they dangled freedom like meat before a starving man. “My lawyer came to me and said, the district attorney is offering you to sign a paper saying you did it… and that you wouldn’t have to do prison time,” he said. “I told my lawyer to continue with the trial… I wasn’t signing any papers or anything.” Even when caged, blind, and stripped of freedom, they offered him release if only he would renounce himself. “Sign the paper and go to these classes, and then we will let you go. Well, my signature would be in a sealed envelope, and nobody could open it.” Again, he refused. He could have chosen the coward’s path. He could have lived out his days in comfort. Instead, he chose to carry innocence as a burden, fully believing that he might never walk free again.

A Courtroom Steeped in Racism

Bill and Camille Cosby, at right, arrive at the Montgomery County Courthouse in Norristown, Pa., on June 12, 2017. Cosby is on trial for sexual assault. (POOL PHOTO)

And in those courtrooms, the poison was naked. Black jurors were denied with cynical ease. A Black woman police officer was struck from service, not because she was unfit, but because she had once beaten back a false charge laid against her. At the retrial, when one Black juror was finally seated, a prosecutor spat, “You got your one.” Another juror declared Cosby guilty before hearing a single word and was still allowed to sit in judgment. And the judge—who should have been the steward of justice—was said to have whistled the theme from Kill Bill outside the jury room before the verdict in the retrial was returned.

The first trial ended in a mistrial, the jury grinding nearly 60 hours before breaking. They had leaned toward acquittal, but the judge forced them back. After the second trial ended in conviction, and when prosecutors argued he might flee because “he has a plane,” Cosby exploded once jurors left the room: “He doesn’t have a plane, you a–hole! I’m sick of him!” Never forget that prosecutors across jurisdictions passed on every other accusation. Only one case was carried forward—and even that was not about rape. The alleged victim admitted to bitterness when Valentine’s Day passed without a call. She later dialed Cosby to ask for tickets to his show for her parents. But facts were never the point. The performance of guilt was the only script the court was willing to stage.

With the Media, The Lie had No Rival.

Camille Cosby walked through those halls like a prophetess, entering a place fouled with racial contempt. She smiled, spoke softly to her husband, and left. That smile, quiet yet defiant, seemed to say: I know exactly what is happening here. And the media, hungry and complicit, huddled with the prosecutor’s mouthpiece to make certain every headline sang the same hymn of untruth. With no cameras in the room, the lie had no rival. The mention of Quaaludes covered newspapers and flooded television news, but the case was about Benadryl, 1 and a half tablets. Fiction and made-up lies were the norm at Cosby’s trials. Mainstream media pushed the narrative that Cosby “slipped” drugs into an unsuspecting woman’s beverage. However, no evidence of such was presented at trial.

Not discussed was how prevalent Quaalude use was among both sexes. The pill they called a disco biscuit was never just a drug but a mirror of America’s hunger for escape, a hunger dressed in sequins and sweat beneath the lights of Studio 54. Hugh Hefner reportedly handed them out like candy in his mansion; a promise wrapped in velvet but steeped in surrender. Andy Warhol scribbled about them in his diaries; the artist turned witness to a culture stumbling between decadence and decay. Later, Jordan Belfort made them infamous in a Wall Street gone wild, his intoxication filmed and sold as entertainment. Notably, during the second trial, when the judge stunningly allowed as many as 20 women to testify, an accuser swore she had already ingested a Quaalude before she visited Cosby with a friend in the 1970s. Another witness testified that she left her boyfriend on an exotic island after Cosby called with a job offer in Nevada, only to be miffed about Cosby’s indifference.

Still another wrote glowing words about Cosby in her autobiography, yet completely changed the story on the witness stand. When Cosby’s team wanted to put forth a witness who allegedly was with the primary accuser when the woman had come up with a ruse to “set Cosby up,” the judge refused to allow her to tell the jury. Striking was the one person who seemed, by far, the most credible witness. A chef who worked for Cosby was present on the night of the alleged incident. That chef, a meticulous older man, testified that the visit by the accuser for which Cosby was on trial occurred on his last night in Cosby’s employ. Significantly, it proved that even if something nefarious took place, which Cosby vehemently denied, it happened well outside the statute of limitations. Among other things, the state Supreme Court agreed. The justices said the trial was illegal, should never have taken place, and the verdict was wrong. The justices ordered that prosecutors refrain from going after Cosby again.

Inside Prison Walls

Behind walls meant to break him, Cosby spoke to men the world had abandoned. At SCI–Phoenix, he joined Man Up, blind, in a wheelchair, addressing those whose bodies bore chains. After speaking of his heroes, one inmate told him, “I will be your hero, Mr. Cosby.” He spoke to Men of Valor, too. “I noticed that in the Bible, the parts about Jesus, Jesus never smiled. And I want you, if you are going to do what you say you are going to do in your turnaround, make Jesus smile.”

Pound Cake Then and Now

In 2004, Cosby thundered about a boy shot dead for stealing pound cake. “And then we all run out and are outraged, the cops shouldn’t have shot him. What the hell was he doing with the pound cake in his hand?” He called out the rot of absent parenting. Now, with years and prison behind him, he said again: “They are putting us under siege.” At Phoenix, sagging pants and untied laces were forbidden. To him, these were not fashion, but chains disguised as choice. “They would rather have a picture of a youth doing nothing, not studying, and have his pants lowered.”

Camille’s Strength

It was Camille who preserved him. “My wife, Camille, is not only a very intelligent woman, but she is a woman who saved my mother’s life, and she has saved my life by continuously saying, it’s what you put in your mouth,” he said. “She makes sure that we eat like that, and that’s why, at age 88, I’m cancer-free, and I don’t have any ailments of forgetting things.” From prison, when he phoned, Camille silenced his weakness. “Whenever I called her, I just badly wanted to tell her how I felt,” Cosby said. “And she would say, ‘Just be quiet.’” He had called her strength “love and the strength of womanhood. And you could reverse it, the strength of womanhood and love.”

Giving Back

Cosby and Camille poured more than $200 million into higher education, including $20 million to Spelman College, at that time the largest gift ever given to an HBCU. Those gifts were not simply donations. They were lifelines—scholarships, endowments, futures carved from generosity.

Television and Film Legacy

Cosby broke into I Spy, the first Black co-lead in a drama. He created Fat Albert, a mirror for Black children. He built The Cosby Show, which for five years reigned supreme, showing Cliff and Clair Huxtable as what America insisted could not exist: a Black family whole, professional, and loving. A Different World sent young people surging toward HBCUs. And with Sidney Poitier, he made Uptown Saturday Night, Let’s Do It Again, A Piece of the Action—comedies still treasured in Black homes, still testaments to resilience and wit when Hollywood offered little but caricature. Cosby demanded truth on screen. When told to strip a poster from Theo’s wall—one that read “Abolish Apartheid”—he warned them: “If you do, you can take the show with it.”

The Black Press

Unlike so many others who rose to fame, Cosby never turned his back on the Black Press. His only prison interview was with the Black Press. His first long interview after release was again with the Black Press. In 2014, he said, “I only expect the black media to uphold the standards of excellence in journalism, and when you do that, you have to go in with a neutral mind.”

Deserving a Parade

Cosby’s path has been strewn with glory, grief, and betrayal. Yet what remains is a record that cannot be erased. He shattered television’s barriers, poured hundreds of millions into education, gave film and television back to his people, and stood on innocence when it would have been so easy to surrender. Through it all, he was held by Camille, and he never abandoned the Black Press. We say, give flowers to the living. Bill Cosby has earned more than flowers. For what he has given Black culture, he deserves a parade. And somewhere, the ticker tape waits.

Stacy M. Brown

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Published

1 month ago

May 3, 2026

Oakland Post

The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.

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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

Published

1 month ago

May 3, 2026

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

Published

1 month ago

May 3, 2026

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

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