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COMMENTARY: My Fair Lady

TEXAS METRO NEWS — Before becoming a Broadway box office musical, My Fair Lady was a 1913 play and a 1938 film, Pygmalion, produced by George Bernard Shaw. “Eliza Doolittle” was the lead character. Audrey Hepburn and Julie Andrews were the most famous actresses cast in the several iterations of My Fair Lady. But for today’s purposes, neither Shaw, Andrews, or Hepburn ever knew a more fair or genteel lady than my Birtie Preston.
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Quit Playin’

By Vincent L. Hall | Texas Metro News

“The difference between a lady and a flower girl is not how she behaves but how she is treated.”

– Eliza Doolittle, My Fair Lady.

Just as I was gazing at the beautiful sights across the harbor from my hotel in Long Beach, California, last week, I received a call from my sister. She told me that the most beautiful woman I had ever known was now gazing into the eyes of our Lord. Birtie Christine Beard Preston had transitioned, and a voice said to me with clarity and conviction, My Fair Lady. I can’t tell you whether it was Casper the Friendly Ghost or Christ the Holy Ghost, but that was my first impression.

CUT! Explain My Fair Lady.

Before becoming a Broadway box office musical, My Fair Lady was a 1913 play and a 1938 film, Pygmalion, produced by George Bernard Shaw. “Eliza Doolittle” was the lead character. Audrey Hepburn and Julie Andrews were the most famous actresses cast in the several iterations of My Fair Lady. But for today’s purposes, neither Shaw, Andrews, or Hepburn ever knew a more fair or genteel lady than my Birtie Preston.

She was the model and mold of aesthetic and spiritual beauty. She was, in all things, a purist! Paul Beard and his wife, the former Marie Clark, witnessed the birth of their daughter, Birtie Christine Beard, on October 20, 1937. She was born near their home in Arkadelphia, Arkansas (Clark County). Birtie Christine was perfectly beautiful inside and out. After graduating from Peake High School, Birtie met the love of her life, Mr. Vernon L. Preston.

Vernon often noted that Birtie was “the prettiest girl in Arkadelphia.” They married on August 26, 1956, and remained inseparable until Vernon’s passing in December 2021. After moving to Dallas, the young couple, joined the Shiloh Missionary Baptist Church in Dallas’s historic “Bottom District.” She served as a faithful leader of the church usher board and as a deaconess.

Birtie and Vernon deeply invested their time, talent, and treasure in the church. Two children were born to their union, Regenia Dena and Reginald Dewayne. The doting parents poured all of their material, spiritual, and emotional estate into their lives and the subsequent generations.

CUT! Get to the point quickly, this column is 700 words or less.

Birtie Preston became my mother-in-law, and no man deceased, living or yet to be born, could have been more fortunate than me. Birdie loved lavishly and cared deeply about family. No one other than my birth mother could have loved me so much. However, nothing illustrated Birtie’s love better than being in her presence on Christmas morning. The ritual, and I do mean ritual, began in late September. We knew the season was near when she started stashing shopping bags.

Once Thanksgiving was spent, the whole of her house would be transformed. If red and green are the colors of any sorority, she was undoubtedly the president.

Back in the day, when our children were a priority, Birtie encouraged Vernon to join his neighbors in creating a festival of lights. Penguin Street was one of the best in Oak Cliff. The endless offerings of ornaments featured sleighs, Black Santas, talking mechanical minstrels, and other relics of a traditional Winter Wonderland. Drivers sat in long lines during nightly processionals and waited their turn. Bertie enjoyed watching parents and children of all ages leap from the passenger side to take precious snapshots.

These days preceded cell phone photos, which were indeed “Kodak/Polaroid” moments.

CUT! Birtie is displaying her Love Language.

Christmas Morning. We knew the drill. Vernon, their children, grandchildren, and I would sit in our appointed seats. Mrs. Preston would hand you your gift, one by one. The joy of her life was watching with pride as you opened that beautifully wrapped package. Over time she handed me my first London Fog, Bass Weejuns, and monogrammed sweater. You couldn’t fake it either. She could read your expression, and if you weren’t sufficiently “wowed,” she would say, “I have the receipt baby!” But we knew better. She poured love and pride into every choice. All Mr. Preston could do was calculate how much overtime he would need. A Birtie Preston gift was the best, most thoughtful, and most expensive. Birtie Preston respected others and demanded respect. She was no Flower Girl; she was My Fair Lady and a gift in her own right!

CUT!

Vincent L. Hall is an author, activist, and an award-winning columnist.

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Study: Waiting Lists for Child Care Assistance Nearly Doubled

BLACKPRESS USA NEWSWIRE — “Since the expiration of tens of billions of dollars in federal child care funding in 2023 and 2024, an already fragile child care system has been pushed even closer to the brink.”
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By National Women’s Law Center

The National Women’s Law Center released its annual State Child Care Assistance Policies report, finding that the number of children placed on waiting lists for federally funded child care assistance nearly doubled between 2024 and 2025 — and that number has only continued to grow.

The report serves as a key resource for state lawmakers, advocates, and policymakers by tracking state child care assistance policies and identifying where states are strengthening support for families and early educators — or falling behind.

“This deeply troubling increase in the number of children on child care waiting lists is the result of a failure to invest in this crucial sector,” said Karen Schulman, senior director of state child care policy and author of the report. “Since the expiration of tens of billions of dollars in federal child care funding in 2023 and 2024, an already fragile child care system has been pushed even closer to the brink.”

Key findings in the report related to waiting lists for child care assistance include:

• 17 states had waiting lists or a freeze on intake for child care assistance in February 2025, up from 13 states in February 2024.

• Approximately 106,700 children nationwide were added to waiting lists between February 2024 and February 2025, bringing the total to 225,500 children in February 2025 — a 90 percent increase compared to February 2024.

• The numbers climbed even further between February 2025 and summer/fall 2025, with more than 175,000 additional children added to state waiting lists in just a few months — a 78 percent increase.

• At least seven states newly began placing families on waiting lists or freezing intake, while at least 10 additional states saw their waiting lists grow, after February 2025.

The report also includes state-by-state data on key child care assistance policies, including income eligibility limits, parent copayments, provider payment rates, and eligibility policies for parents searching for work.

Click the link to learn more: Warning Signs: State Child Care Assistance Policies 2025.

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Venus Williams Calls a Sabalenka Exit a Tragedy

ROLLING OUT — Crucially, Williams did not read the comment as a real farewell. She said she did not believe Sabalenka truly wanted to leave, calling such an outcome a loss for both the player and the sport.
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The seven-time major champion read frustration, not a real goodbye, in the world No. 1’s words

By David Kesiena | Rolling Out

When the world’s top-ranked player said she wanted to walk away from the sport, Venus Williams chose empathy over alarm.

Aryna Sabalenka’s blunt remark after her French Open quarterfinal collapse rattled plenty of fans, but Williams heard something different in it. The seven-time Grand Slam champion treated the comment as the raw reaction of a hurting athlete rather than a serious signal about her future.

The collapse that triggered the comment

Sabalenka looked headed for a routine win over Diana Shnaider. She took the opening set 6-3 and built a commanding lead in the second, climbing to 4-1 and later serving for the match at 5-4 while sitting just two points from victory.

Then everything unraveled. Shnaider stormed back to steal the second set 7-5 and bageled the world No. 1 in the third, with Sabalenka dropping 12 of the final 13 games in gusty conditions that reached around 26 mph. The 3-6, 7-5, 6-0 result sent Shnaider into her first Grand Slam semifinal and extended Sabalenka’s long wait for a maiden Roland Garros title.

In the aftermath, Sabalenka did not soften her feelings. She told reporters she had no thoughts and no emotions left and felt like quitting on the spot. She described being stuck in a deep, dark mental hole during the match, unable to find her way back.

What Venus Williams said about Sabalenka

Williams reacted with understanding. She admitted the moment made her sad and said she had been swept up in Sabalenka’s emotions, feeling a surge of empathy for her. She praised the Belarusian for laying everything bare on court, where every feeling shows.

Crucially, Williams did not read the comment as a real farewell. She said she did not believe Sabalenka truly wanted to leave, calling such an outcome a loss for both the player and the sport. Rather than scold her, Williams offered a gentle observation about the rhythm of professional tennis. She suggested players might benefit from a little more time to gather themselves before stepping in front of the cameras, a quiet acknowledgment that athletes are routinely asked to dissect painful defeats before the sting has faded.

Sabalenka walks it back

The story did not end on that bleak note. Within days, Sabalenka signaled she was not actually quitting, framing the press-conference outburst as heat-of-the-moment honesty rather than a plan. At the time of the loss she had also left the door open, saying she would see how she felt in a few days and hoped to get back on track mentally. The walk-back lined up with how Williams had read the situation from the start.

It is not the first time a Paris quarterfinal has pushed Sabalenka to her limit. In 2024 she exited at the same stage and skipped her press conference entirely because of illness, with the tour later releasing her quotes on her behalf. The pattern underscores how heavily this particular tournament has weighed on her despite deep runs in recent years.

For now, attention shifts to the grass. Wimbledon offers Sabalenka a quick chance to reset, and a strong showing there would turn this French Open meltdown into a footnote rather than a turning point.

Originally published by Rolling Out — https://rollingout.com

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COMMENTARY: Using Art, Healing, And Community to Transform Mental Health Dialogue

THE CAROLINIAN — Operating at the intersection of the arts and mental health, Darkness RISING uses music, storytelling, wellness programming, and community engagement to inspire healing while addressing barriers that have historically prevented many Black Americans from accessing mental health support.
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By Judaea Ingram | Special to The Carolinian

RALEIGH, N.C. – Music filled the air as families danced through the crowd, children gathered around activity stations, and community members explored wellness resources from local organizations. Black-owned businesses lined the streets while people stopped for chair massages, conversations, and moments of connection inside the wellness suite.

At the center of the event stood a simple but powerful reminder:

“You Matter.”

For Darkness RISING, those words represent far more than a slogan. They reflect the organization’s mission to break the stigma surrounding mental health in the Black community while creating spaces centered on healing, honesty, and hope.

Operating at the intersection of the arts and mental health, Darkness RISING uses music, storytelling, wellness programming, and community engagement to inspire healing while addressing barriers that have historically prevented many Black Americans from accessing mental health support.

The organization hosts a variety of programs and events throughout the year, including block parties, wellness workshops, mixers, kickoff events, community classes, and Darkness RISING: Live — a free annual arts and wellness festival now celebrating its ninth year.

The festival combines entertainment with healing-centered resources, featuring live music, dancing, singing, food trucks, Black vendors, children’s activities, mental health resources, wellness spaces, and opportunities for open conversations about mental health.

While the events may feel celebratory on the surface, organizers say the deeper purpose is creating safe spaces where people can feel comfortable discussing mental health without fear of judgment.

Darkness RISING also provides free nationwide resources, including a Black Mental Health Resource Packet, a Black Mental Health Provider Database, and its “Find Me a Therapist” initiative, which helps connect individuals with culturally competent care.

The organization’s work is rooted in addressing longstanding inequities that continue impacting mental health access within Black communities.

Historically, segregation, redlining, racial discrimination, incarceration, poverty, and unequal healthcare access have contributed to higher rates of behavioral health challenges while simultaneously limiting access to proper treatment and support. Darkness RISING approaches those issues through what organizers describe as a transformative justice lens, focusing on healing rather than punishment and creating equitable wellness opportunities for marginalized communities.

Its REBUILD program specifically supports justice-involved and formerly incarcerated people of color through free therapy and wellness support, while the REBUILD Youth program focuses on young people impacted by Adverse Childhood Experiences, also known as ACEs.

For Rudolph, therapy became life-changing after decades of incarceration and years of rejection after returning home.

“Came home in 2015, started my own computer company, investing in real estate, did the normal thing and got some jobs here and there and was met with rejection after rejection and people telling me I am not a good person,” Rudolph shared. “Even had a rejection in church.”

He said one of the hardest battles became overcoming the mental barriers created during incarceration.

“I got in touch with a couple of friends, and they explained to me how I had to get over the mental hurdles and get rid of the way my prison mindset was in order to survive and become successful,” he said.

Rudolph later moved to North Carolina hoping for a fresh start, but the struggle continued.

“Things were looking bad,” he said. “Could not get a job. The struggle was real.”

Eventually, therapy and support through organizations like Darkness RISING helped begin his healing process. He said working alongside other justice-involved men through therapy gave him the ability to rebuild mentally while finding community with people who understood his experiences.

Stories like Rudolph’s reflect the foundation behind Darkness RISING’s mission: ensuring people feel seen, supported, and worthy of healing regardless of their background or circumstances.

Community members who attend the organization’s events often describe them as emotionally transformative.

Some participants say Darkness RISING encouraged them to seek therapy for the first time, while others say the organization gave them a safe space to openly discuss struggles they previously kept hidden.

“I have been encouraged by the beautiful, generous, brave and open individuals who come together and use their talents to create art, share personal experiences and provide hope to those who may be struggling with mental health,” one participant shared.

By combining art, wellness, education, and community outreach, Darkness RISING continues changing how mental health conversations happen within the Black community.

Not through silence.

But through healing, honesty, connection, and joy.

Originally published by The Carolinian — https://caro.news

The post COMMENTARY: Using Art, Healing, And Community to Transform Mental Health Dialogue appeared first on BlackPressUSA.

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