National

Report: Blacks, Hispanics Doing Better but Still Lag Whites

Published

11 years ago

March 19, 2015

Oakland Post

(AP Photo)

JESSE J. HOLLAND, Associated Press

WASHINGTON (AP) — Despite high-profile concern over issues underscored by the racial unrest in Ferguson, Missouri, African Americans and Hispanics are faring well in certain areas, including better health care and reductions in violent crime, the latest State of Black America report from the National Urban League says.

The National Urban League derives its numbers from an “equality index” that is based on nationally collected data from federal agencies including the Census Bureau, the Bureau of Labor Statistics, the National Center for Education Statistics and the Centers for Disease Control and Prevention.

With full equality with whites in economics, health, education, social justice and civic engagement set at 100 percent, the National Urban League said this year’s equality index for blacks stands at 72.2 percent, an improvement over a revised index of 71.5 percent from last year. The equality index for Hispanics improved to 77.7 percent, compared with 75.8 percent last year.

The Urban League will release the full report on Thursday.

The greatest increases for blacks came in health care and social justice, the Urban League said. Improved health care — to 79.8 percent from 78.2 percent — resulted from increased health insurance coverage since the passage of the national health care law and a decrease in binge drinking by blacks.

An improvement in social justice — to 60.6 percent from 56.9 percent — is credited to fewer blacks becoming victims of violent crimes. In addition, the Urban League said there were fewer black high school students carrying weapons compared with white high school students.

The Urban League considered a number of areas to tally its social justice score, including homicide rates, average prison sentences, arrest rates, hate crime rates and the number of youth carrying weapons.

Relations between police and minorities have been under scrutiny since Michael Brown, who was black and unarmed, was killed in Ferguson, Missouri, by Darren Wilson, a white police officer. A grand jury declined to indict Wilson in November, and the U.S. Justice Department cleared Wilson of civil rights charges in a report released March 4. Wilson resigned from the department in November.

A separate Justice Department report found widespread racial bias in the city’s policing and in a municipal court system driven by profit extracted from mostly black and low-income residents.

“These challenges that we face in the justice area should be a call to action, a call for us to reform and fix and build and strengthen the relationship between police and communities,” National Urban League President Marc Morial said.

Areas with decreases for African Americans were education — to 76.1 percent from last year’s 76.7 percent — and civic involvement — 104 percent from last year’s 104.7 percent. Civic involvement also declined for Hispanics to 71 percent this year from 71.2 last year, the only area among Hispanics that decreased.

The highest increases for Hispanics were also in health care and social justice, the report said. A lower incarceration rate and fewer high school students carrying weapons contributed to the social justice increase for Hispanics — from 66.1 percent to 72.7 percent — while a lower death rate and better health care coverage under the nation’s health care law contributed to an increase to 106.9 percent from last year’s 102.4 percent.

Improvements in social justice for blacks came despite highly publicized incidents between police and African American men last year, including the deaths of Brown in Ferguson and Eric Garner in New York. Morial said that blacks and Hispanics are suffering through a “justice, jobs and education” crisis that needs to be addressed.

“If you solve one, you’re going to help move in the direction of solving the other,” Morial said.

____

Follow Jesse J. Holland on Twitter at http://www.twitter.com/jessejholland.

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Oakland Post: Week of May 6 – 12, 2026

The printed Weekly Edition of the Oakland Post: Week of may 6 – 12, 2026

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3 days ago

May 10, 2026

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Published

1 week ago

May 3, 2026

Oakland Post

The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.

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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

Published

1 week ago

May 3, 2026

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.