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IN MEMORIAM: Garth C. Reeves, Sr., Retired Miami Times Publisher, Dies

CHICAGO CRUSADER — Regarded as a titan in the Black Press, Reeves was widely respected in Miami for using his power and influence to advance the agenda of the city’s Black community. After experiencing the pain and humiliation of segregation in parks, schools and the U.S. military, Reeves grew into an uncompromising crusader who smashed racial barriers in some of the most prominent organizations in Miami and the nation.

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Retired publisher, Garth C. Reeves, Sr., of The Miami Times’, died on Monday, November 25. He was 100.

By Erick Johnson, Chicago Crusader

Garth C. Reeves, Sr.

Garth C. Reeves, Sr., The Miami Times’ retired publisher who became the enduring patriarch of a family newspaper dynasty after decades of fighting the political establishment and while guiding the Black community through the city’s racial problems, died on Monday, November 25. He was 100.

Regarded as a titan in the Black Press, Reeves was widely respected in Miami for using his power and influence to advance the agenda of the city’s Black community. After experiencing the pain and humiliation of segregation in parks, schools and the U.S. military, Reeves grew into an uncompromising crusader who smashed racial barriers in some of the most prominent organizations in Miami and the nation.

During his lifetime, Reeves’ newspaper got a police chief fired, ended the career of a a Miami Mayoral, supported a boycott that cost Miami Beach’s tourism industry millions, and unapologetically called riots “protests” or rebellions. He stared down Miami’s political establishment that for decades had been accused of shutting out Blacks in government as Hispanics rose to power in the city’s political and business establishments.

THE MIAMI TIMES became the “Voice of the Black Community” after publishing stories that advocated for people of color during the Civil Rights Movement. (Courtesy of the University of Florida/Miami Times Archives)

He urged his journalists to write from a Black perspective, one that saw the struggle through a different lens than white newspapers.

His newspaper career spanned at least eight decades. At the height of Reeves’ leadership, The Miami Times earned the name, “The Voice of Miami’s Black Community.” One of the last great Black publishers, Reeves’ death closes a significant chapter in The Miami Times’ illustrious history.

Reeves was born February 12, 1919 in Nassau, Bahamas. That same year, Reeves’ father, Harry Ethelbert Sigismund Reeves, moved to Miami where he founded the Magic Printing Company in Overtown, the city’s historic Black, once-thriving neighborhood near downtown. Harry Ethelbert Sigismund Reeves in 1920 founded the Miami Sun, which closed because of a paper shortage during World War I. In 1923, The Miami Times was founded. Reeves was just four years old.

Garth C. Reeves, Sr. was among many Blacks who attended Miami’s esteemed Booker T. Washington Senior High School, the city’s oldest predominately Black high school that was built when students of color were not accepted at white public schools. Black students at Booker T. were given secondhand text books and football gear that came from white schools.

THE MIAMI TIMES iconic headquarters. The newspaper moved four times before settling in Miami’s predominately Black Liberty City neighborhood.

In 1923, Harry Reeves started The Miami Times at NW 8th Street and 3rd Avenue. It would move four more times in the Overtown neighborhood. When Interstate-95 was built through Overtown, it displaced thousands of Blacks. Many fled north to the Liberty City community, where The Miami Times sits at its present location, 900 NW 54 Street.

In 1940, Reeves graduated from Florida A&M University, a major, historically Black school in Tallahassee, FL. In 1942, Reeves was drafted to serve in the Army during World War II. During an interview in 1999, Reeves recalled a trip on a train to the Pacific coast to go overseas. Despite repeated requests, a white train conductor refused to give Reeves something to eat in spite of him having meal coupons. Reeves went to the military police, who told him to do what the white conductor said, or face being locked up on the train. Reeves was forced to pay for his meal because he could not go into the segregated dining car.

Experiences like those would fuel Reeves’ passion for Black journalism’s role in exposing racial injustices while advocating for the needs of disenfranchised people of color.

After completing his service in 1946, Reeves returned to The Miami Times. By then, Blacks could not sit at segregated diners downtown. Members of the Klu Klux Klan would often parade through Miami’s bustling downtown. Parks and schools did not accept Blacks either and living conditions among Blacks worsened as slums in Overtown increased.

Reeves joined Reverend Theodore Gibson, the president of the local NAACP Chapter and began leading protests for better conditions for Blacks in Miami. Out of 28 beaches, only Virginia Key Beach was open to Blacks. On November 7, 1957, Reeves led a group of seven Black leaders to Crandon Park, a segregated white beach near Miami. Reeves and the men earlier talked to several county commissioners, saying that as taxpayers they had the right to frequent Crandon Park or any segregated beach. Wearing their bathing suits under their clothes, Reeves and the men took off their slacks and went into the water while several police officers watched. Blacks began frequenting other white beaches after the incident.

Blacks were not allowed to play at city-owned golf-courses in the 1940s. But that changed when Reeves and Gibson filed a lawsuit that went all the way to the U.S. Supreme Court. In a landmark case, Rice v. City of Miami, the Supreme Court ruled that the city could not continue accepting tax money to build and maintain golf courses while denying its use to all residents.

In an interview on the History Miami Museum website, Reeves recalled an experience he had when Dr. Martin Luther King came to Miami during the Civil Rights Movement.

“When Martin Luther King came down, I attended some of his meetings. My friend was a good friend of King’s and I used to attend meetings where he would preach to us about nonviolence. I remember talking to Martin a few times and I said, “Martin, you really believe that if I was somewhere and a white guy spat on my face, you think I would walk away from that? I said I’d try and kill that son of a b—-. He said, ‘That’s why you’ve got to try to learn to control yourself.’ I liked him.”

That was Reeves the activist.

GARTH C. REEVES, SR. in 1981 reviews the front page of The Miami Times with son Garth C. Reeves Jr., who died in 1982. (Photo Courtesy of History Miami Museum/The Miami News).

Reeves, as the publisher of The Miami Times, was just as fierce. It was the only job Reeves would have throughout his life. He worked his way up the ranks as columnist, reporter, managing editor, and editor. When Reeves’ father died in 1970, Reeves became publisher.

By then The Miami Times had established itself as the Black newspaper of record.

During the 1960s The Miami Times ran a front-page story advocating for the termination of Miami Police Chief Walter Headly, whose Stop and Frisk policy of searching Blacks lit up racial tensions in the city. Headly was eventually fired and the Times readership grew.

When four Miami police officers were acquitted in May, 1980 of killing Arthur McDuffie, a Black salesman, Blacks took to the streets. White newspapers and local television stations described it as a riot. With Reeves at the helm, The Miami Times called the incident a “protest.” When another Miami police officer was acquitted in 1993 for killing two Black motorists in Overtown, The Miami Times called the civil unrest a rebellion.

There were other highlights under Reeves’ leadership at The Miami Times.

In 1985, Mayor Maurice Ferre lost the Black vote and was defeated in his re-election bid after The Miami Times ran a series of editorials criticizing the mayor for firing Howard Gary, Miami’s first Black city manager.

In 1993, Reeves and The Miami Times published editorials and stories supporting a boycott of Miami Beach hotels that cost the tourism industry millions of dollars.

Black leaders accused county leaders of snubbing Nelson Mandela after they withdrew plans to give him a proclamation and key to the city when the anti-apartheid leader publicly expressed his support for Cuban Dictator Fidel Castro.

The National Bar Association and ACLU were among many organizations that did not bring their conventions to Miami Beach in support of the boycott.

The boycott lasted three years and cost the tourism industry between $20 to $50 million. Mandela was given an official proclamation and the hotel industry implemented programs to boost Blacks in its facilities. Miami Beach got its first Black-owned luxury hotel, the Royal Palm Crowne Plaza.

“It was important that we had a communication outlet to get our message out,” said H.T. Smith, a prominent Miami attorney who spearheaded the boycott. “The mainstream media would not give us any coverage. The Miami Times was essential to the boycott’s success. The boycott would not have been successful without The Miami Times. And our friendship grew as a result of this partnership.”

Former Miami Times executive editor Mohamad Hamaludin, who worked for 15 years at the newspaper, said, “Reeves was a fine gentleman. By the time I got to The Miami Times, he and the staff had already established it as a voice for people who didn’t have a voice.”

Reeves was the first Black to serve on the boards of the Miami-Dade College, Barry University, the Greater Miami Chamber of Commerce, and the United Way of Dade County. He also served as organizing chairman of the board for National Industrial Bank, which was the first integrated bank in the State of Florida.

While serving on many of these boards, Reeves pushed them to hire more Blacks when they were reluctant to do so. As a board member of Miami-Dade College, Reeves threatened to lead a vote to stop doing business with the school’s law firm because it resisted his calls to hire Black attorneys in its offices.

Reeves assisted Crusader Publisher Dorothy R. Leavell in bringing the NNPA Annual Convention to Gary in 1983 after Black political power gained a foothold in the Steel City.

“He believed in the Black Press very deeply,” said Leavell who first met Reeves in 1962. “Whatever he did, he was always on the right side of the battle. He remained a forward thinker to the very end. He was truly one of the last of the great Black publishers from the old school in the Black Press.”

Today, The Miami Times is the oldest and largest Black newspaper in the Southeast. For the past two years it has been named Best Black Newspaper by the National Newspaper Publishers Association (NNPA), which represents over 200 Black newspapers across the country. In 2011, NNPA named Reeves Publisher of the Year. In 2017, Reeves was inducted into the National Association of Black Journalists Hall of Fame.

In 2017, Miami recognized Reeves with an honorary street sign at 6 Street and NW 2 Avenue near the Black Archives History and Research Foundation of South Florida where he was a board member.

Reeves was a life member of the National Association for the Advancement of Colored People, Sigma Pi Phi Fraternity, Inc., Omega Psi Phi Fraternity, Inc., and a founding member of the Episcopal Church of the Incarnation in Miami, Florida.

He was awarded honorary doctorate degrees from the University of Miami, Barry University and Florida Memorial University.

For years, Reeves had provided scholarships to aspiring journalism students at his high school alma mater, Booker T. Washington.

Reeves served for 10 years as president of the Amalgamated Publishers Inc. in New York City, which represented over one hundred African American-owned newspapers throughout the United States. He was also elected to serve two terms as president of the National Newspaper Publishers Association.

He retired in 1994 and assumed the role of publisher emeritus but Reeves remained active as a prominent leader in the Black community.

Reeves outlived both of his children. In 1982, Reeves’ son, Garth C. Reeves, Jr., died of colon cancer when just 30 years old. This past September, Reeves’ daughter, Rachel died at 68. His grandson, Garth Basil Reeves now heads the family newspaper dynasty at just 29.

This article originally appeared in The Chicago Crusader.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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