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Motown Founder Berry Gordy Retires

NNPA NEWSWIRE — “Berry Gordy paved the way for minorities in a way that had never been seen before. His Motown Sound is now known as the sound that changed America, helping to bring together the nation then divided by race and segregation. As an African-American leader, businessman, entrepreneur, and important and historical agent of change, Berry Gordy is an inspiration and role model especially for African-Americans like myself,” stated Music Producer Linnette A. Harrigan.

Published

7 years ago

October 5, 2019

Oakland Post

Known as “The Chairman,” Berry Gordy, the founder and architect of Motown Records — an American original that arguably featured the most exceptional assembly of talent in music history — has retired. (Photo: Screen capture / YouTube.com)

By Stacy M. Brown, NNPA Newswire Correspondent
@StacyBrownMedia

From the Miracles, Supremes, Marvin Gaye, Lionel Richie, and the shaping of the original Little Steven, to being the genius behind the launch of the man that would become known as “the King of Pop,” Berry Gordy long ago indelibly cemented his place as one of the true legends of popular music.

Known as “The Chairman,” Gordy is the founder and original architect of Motown Records — an American original that arguably featured the most exceptional assembly of talent in music history — has retired.

He announced his retirement during the 60th-anniversary celebration of Motown that took place in Detroit last month. “I have come full circle, and it’s only appropriate [to make the announcement] while here in Detroit, the city where my fairy tale happened with all of you,” Gordy said.

Sixty years ago, long before the lottery’s slogan of “A Dollar and a Dream,” was appropriated to describe “rags to riches” success, Gordy put up what little cash he had and launched Motown Records, forever and better known by its simpler singular moniker: “Motown,” out of his small Motor City home.

The determined businessman demanded the best from everyone passing through the illustrious halls of Motown.

Among his initial signings was The Miracles featuring Smokey Robinson. Smokey would go on to become a recording legend, but he is also the songwriting genius who penned tunes for artists like Diana Ross and Marvin Gaye.

In 2001, Gordy told this reporter that the secret to success was, in part, understanding who to trust. Gordy made no bones that the foremost person he believed in is himself. However, he also knew when to comply.

“Her recollection is absolutely correct,” Gordy said with a respectful laugh when relayed a story told by Lula Mae Hardaway. Hardaway, who died in 2006, said she was probably the most hardened person Gordy had ever negotiated with. The negotiation involved her young son who would soon become known to the entire world as Stevie Wonder.

“For a year, I refused to sign a contract to let Steve work for Motown because I wasn’t sure if they’d provide a proper tutor for him to get a good education,” said Hardaway, who penned her life story in the 2002 book, “Blind Faith: The Miraculous Journey of Lula Hardaway, Stevie Wonder’s Mother.”

“We were poor, but I wasn’t stupid, and I wouldn’t be taken advantage of,” Hardaway told this reporter.

“We could certainly use the money Berry was offering, which really wasn’t much, but it wasn’t about the money, even though when we did finally agree to sign, it was a whole lot more than what he originally offered,” Hardaway stated.

Gordy said he knew he was getting a genius in the young Stevie Wonder, and a decade after his initial signing, Gordy and Wonder would ink what at the time was the largest contract in Motown history.

Along with Robinson and Wonder, Motown would produce an extensive roster of hitmakers.

From Marvin Gaye’s groundbreaking “What’s Going On?” to the Diana Ross and the Supremes “Ain’t No Mountain High Enough,” the hits came nearly every day.

Perhaps Gordy’s most shrewd signing was that of the Jackson Five.

While the group never won a Grammy Award and enjoyed a handful of No. 1 hits, it was its lead singer that Gordy took a particular interest in.

“When people ask, ‘Did I know that Michael Jackson would become as big as he did?’ I tell them, ‘Why of course,’” Gordy stated. “Why wouldn’t I believe he’d break records and set new standards? No one worked harder, and no one worked as often as Michael Jackson.”

Even though his solo success came under a different record label, Jackson would rock the world with the ultra-successful “Off The Wall” album. The singer would then cement himself as perhaps the greatest pop music star in history with the release of his 1982 album, “Thriller.”

Two years after “Thriller,” Lionel Richie [former lead singer of the Commodores] released “Can’t Slow Down.”

The recording became the biggest selling album in Motown history.

It was the last major record under Gordy’s leadership.

He sold the label in 1988, and until this year, Gordy remained in the entertainment industry producing Broadway musicals and feature films.

“Motown records is one of the most successful Black-owned record labels of all time,” said Aaron Douglas of R.E.A.L. Music Entertainment.

“Its history is in concrete because of the mega artists and because Berry Gordy had an eye for up-and-coming talent. …a Black owner giving a Black up-and-coming talented artists a chance to show their talent to the world and to be a proven success over and over again. This would be a blueprint for other young aspiring Black people. Seeing is believing,” Douglas stated.

Gordy made a difference not just in the music industry, but also in the world, said music producer Linnette A. Harrigan.

“The Motown Sound has impacted millions worldwide, and it has influenced the popular music we hear even to this day.

“Berry Gordy paved the way for minorities in a way that had never been seen before. His Motown sound is now known as the sound that changed America, helping to bring together the nation then divided by race and segregation.

“As an African-American leader, businessman, entrepreneur, and important and historical agent of change, Berry Gordy is an inspiration and role model especially for African-Americans like myself,” Harrigan stated.

She added: “His legacy should and could never be forgotten.”

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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2 weeks ago

May 3, 2026

Oakland Post

The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.

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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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2 weeks ago

May 3, 2026

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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2 weeks ago

May 3, 2026

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

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