Opinion

Opinion: State Needs to Help Maintain, Not Close, Oakland Schools

Published

8 years ago

December 27, 2018

The Oakland school district is considering closing 24 more public schools. Oakland has already closed 15 schools, even though the city population is growing.
An extensive study of public school closures, conducted by the National Education Policy Center, indicates that closing schools in urban communities does not save money and causes the greatest harm to the lowest income students.
Closures do not save money on buildings, because the district may be forced to give the closed facility to a charter school, and the school to which students are transferred often needs renovation to accommodate the transferring students.
Closing schools disrupts the lives of children and drives more students out of the district, resulting in lower enrollment and further budget problems. A 2012 audit of Washington, D.C.’s closure of 23 schools found that the cost of the closures was $39 million, four times what the district was expected to save.
In Oakland, the school closings are especially unfair. Of the 24 threatened schools, all are in the low-income flatland neighborhoods; zero are in the affluent hill area; and zero are charter schools. The 15 schools that were already closed are also in the lower-income areas. When these facts are raised the hand-wringing begins. “We know these are difficult decisions, but…”
These are not difficult decisions. They are wrong and unnecessary decisions. So, who is making them?
In 2003 the state took over the Oakland school district, a step which has since been condemned by many. The district argued that it did not need a loan because it could borrow from its own construction bonds, a step which had been taken by other districts. At the insistence of then-state Sen. Don Perata, the state imposed a $100 million loan which was three times more than the highest estimate of the district deficit.
The power of the elected school board was removed; a series of state administrators had total authority over the funds with no input from anyone in Oakland. Most of the money was spent on items that had nothing to do with the stated purpose of the takeover — correcting the finances. And, by the end of the takeover period, the district’s finances were in worse shape than before the state took control.
Yet the state continued its power over the district through the non-elected, Bakersfield-based Fiscal Crisis Management and Assistance Team and a state trustee. With all this “help,” the district now owes $40 million, which is more than the highest estimate of what Oakland needed in 2003.
There are other ways that the state makes both the financial and educational situation difficult. The state is in charge of who gets to teach. Its nonelected, nearly invisible Commission on Teacher Credentialing increases bureaucratic requirements, tests and fees almost every year, leading to an artificial teacher shortage, particularly of Latino and African American teachers who are least likely to afford the extra time and money required to jump through the ever-expanding series of hoops. A school with a constantly rotating set of temporary teachers is unlikely to be the first choice of parents.
And then there are the charter school laws, which do not allow a district to control how many charters open within its jurisdiction and will not allow districts to close any of them.
The State of California is the fifth largest economy in the world. It has a super-majority of Democrats in its Legislature and a large budget surplus. Yet for 15 years, it has played the role of hostile mortgage-holder to the Oakland schools.
The State of California needs to rescind the remaining debt, help the district maintain rather than close its community schools, and reform the laws that make quality education for non-affluent Californians impossible. We hope that newly elected State Superintendent of Public Instruction Tony Thurmond will take up that task.
Kitty Kelly Epstein is an education professor and the author of two books about Oakland. This column was first published on Dec. 19 in the San Francisco Chronicle.

Kitty Kelly Epstein

Posts by Kitty Kelly Epstein

Activism

Oakland Post: Week of June 17 – 23, 2026

The printed Weekly Edition of the Oakland Post: Week of June 17 – 23, 2026

Published

1 week ago

June 20, 2026

Oakland Post

To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

Oakland Post

Posts by Oakland Post

Activism

Oakland Post: Week of June 10 – 16, 2026

The printed Weekly Edition of the Oakland Post: Week of June 10 – 16, 2026

Published

3 weeks ago

June 12, 2026

Oakland Post

To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

Oakland Post

Posts by Oakland Post

Arts and Culture

COMMENTARY: Black Music is the Sound of Black Freedom: Let Us Reclaim Both This Juneteenth

Black Music Month started when Black Music Association members Ed Wright, Kenny Gamble and his wife, journalist and radio host Dyanna Williams were able to persuade President Jimmy Carter to establish the observation on June 7, 1979.

Published

3 weeks ago

June 9, 2026

Oakland Post

Robert Johnson (1911-1938) is thought of as the godfather of blues music, especially Delta blues. The 29 songs recorded by him during his short life have been of massive inspiration to guitarists and musicians over the last 80 years. Public domain photo.

By Wanda Ravernell

Black Music Month and Juneteenth are inextricably linked – Black music is the sound of our freedom.

From the plaintive moans of the enslaved Africans’ ‘sorrow songs,’ to the fields of Civil War battle where Black soldiers picked up abandoned bugles, to the upright piano played in juke joints on Saturday night and churches come Sunday morning, our ancestors’ innovation in the face of want, fear, degradation, and hopelessness has yielded genres of music imitated ’round the world.

In 2000, Congress made it official. In 2009, Pres. Barack Obama changed the name to African American Music Heritage Month and in 2023, Pres. Joe Biden changed it back to Black Music Month, two years after he declared Juneteenth a national holiday, the result of a movement led by Opal Lee.

Our ancestors battle for freedom over these last 400 years and the music that allowed them expression of their humanity deserved to be honored.

But we may be losing sight of the value of their sacrifices.

‘Sing a Song Full of the Faith That the Dark past Has Taught Us…’

Along with the long-known exploitation of Black musicians whose recordings were stolen by record companies, the commercialization of Juneteenth feels like another kind of theft.

I had never heard of Juneteenth until I moved to the Bay Area from my hometown of Philadelphia. I didn’t know it was one of many freedom festivals celebrated by descendants of enslaved people in the United States.

Emancipation Day was Jan. 1 in Pennsylvania, April 16 in Wash., D.C., May 20 in Florida, and Aug. 8 in Kentucky. But Juneteenth, June 19, has the most renown, known in Texas as the ‘colored peoples’ Fourth of July.’

It was marked by parades, beauty pageants, rodeos, backyard barbecues and church picnics.

Yes, church.

The formerly enslaved began the day praying in thanks for their freedom just as they had prayed for Jubilee – the day of freedom – when they had chains on their feet and hands. They ‘testified’ about their past suffering and how they had managed to overcome.

And they sang.

Although, we will not hold it this year, Omnira Institute’s Juneteenth Ritual of Remembrance recalled this part of Juneteenth with prayers in the languages of the African captives. In the middle of the ceremony, a soloist would lead us in singing “Many Thousand Gone” while we took turns reciting portions of the Emancipation Proclamation, the news of freedom that took more than two years to reach Texas – two months after the Civil War ended.

“Many Thousand Gone” was famously recorded by Black luminary Paul Robeson in 1947:

“No more auction block for me,

No more, no more

No more auction black for me

Many thousand gone.”

Other verses refer to the ‘pint of salt’ and the ‘driver’s lash,’ the realities of enslavement that they had survived.

‘Sing a Song Full of the Hope That the Present has Brought Us’

All of the genres of African American music have at their root songs like that, the essence being, as Stevie Wonder, wrote, “the joy inside our pain.” So Black music is not just music. It is our story, our history, our very strength.

During the Civil Rights Movement, which peaked 100 years after slavery ended, the people testified that it was the freedom songs – based on spirituals – that gave them the heart to march, face attack dogs, fire hoses, beatings, and shootouts with vigilantes.

The music reminded them that power was in the people. That music, our music, can do so again. We don’t have to accept the commodification of the products of our culture.

The power of those songs is showing a resurgence across the South as we battle again for the right to self-determination through the ballot box.

Those songs are the voices of our ancestors, voices forged in their blood, their sweat, their tears, joy and, above all, faith. Those songs, those prayers live in our blood and our very breath.

This Juneteenth, let us reclaim those holy voices expressed in Black music for ourselves. It is our birthright. It can neither be bought nor sold. No more. Never again.

Wanda Ravernell is the executive director of Omnira Institute, sponsor for 18 years of the Juneteenth Ritual of Remembrance and Oakland’s 11^th Annual Black-Eyed Pea Festival, which will take place on Sept. 12.