National

Black Union Soldier Buried in Nevada Finally Honored

Published

11 years ago

June 8, 2015

John Riggs of the Sons of Union Veterans of the Civil War, left, and Linda Clements of the Historical Society of Dayton Valley pay their respects to Pvt. Scott Carnal of the 1st Kansas Colored Infantry during a ceremony Sunday, June 7, 2015, at his grave in Dayton, 30 miles south of Reno, Nev. (Lynne Ballatore/Historical Society of Dayton Valley, via AP)

Martin Griffith, ASSOCIATED PRESS

RENO, Nev. (AP) — A runaway slave who joined the Union Army during the Civil War and lost a leg after being wounded in battle finally received recognition Sunday, nearly 100 years after he died in Nevada.

Nevada historians say they decided to hold a military funeral for Pvt. Scott Carnal of the 1st Kansas Colored Infantry because it’s unlikely he received any recognition after his death in 1917 in Dayton, about 40 miles south of Reno.

Carnal was long forgotten until modern researchers discovered that he belonged to the United States Colored Troops and was severely wounded in the Battle of Honey Springs in what is now Oklahoma on July 17, 1863. He was roughly 73 when he died, and no obituary on him has surfaced.

Over 200 people, many of them wearing Civil War-era attire, paid tribute to Carnal and other unsung veterans at the Dayton Cemetery during the ceremony staged by the Sons of Union Veterans of the Civil War, the Historical Society of Dayton Valley and several other groups. Firing squads and a bugler stood to offer three-volley salutes and play taps. A riderless horse led by a man circled Carnal’s grave.

John Riggs of the Sons of Union Veterans said Carnal was a hero for putting his life on the line to preserve the Union and abolish slavery. The Virginia-born Carnal joined the Union Army in Kansas in March 1863, shortly after running away from his slave master in Missouri. He was about 19 at the time.

“Can you imagine being a slave out on some plantation and seeing the Civil War going on and you say, ‘Well, I need to be part of that?'” Riggs said. “For somebody that young to volunteer to go out in the field to fight and then get shot in combat, he had to be a hero. He did his duty as a volunteer for freedom.”

Christopher Price, director of the Honey Springs Battlefield, said Carnal’s brigade played a major role in the battle, which was a turning point for the Union in the campaign west of the Mississippi River. The soldiers who fought it were mostly of African-American and American-Indian ancestry.

The United States Colored Troops made up over 10 percent of the Union Army, while only 1 percent of the North’s population was black, according to the African American Civil War Memorial and Museum in Washington, D.C. After President Abraham Lincoln’s Emancipation Proclamation took effect on Jan. 1, 1863, the War Department publicly authorized the recruiting of blacks.

“Without the military help of the black freedmen, the war against the South could not have been won,” Lincoln said.

After Carnal was hit in the thigh by a musket ball at the Battle of Honey Springs, his wound festered until doctors amputated his leg nine years later, according to his military records. His physical struggles continued, and he eventually was awarded a military pension by the government.

He married after the Civil War and had a daughter. He later headed west to mine gold and silver in Colorado and Nevada. A likely grandson, Anatole Cornell, died in New York City’s Harlem neighborhood in 2007, and no descendants have turned up so far.

Linda Clements, president of the Historical Society of Dayton Valley, said she’s baffled how Carnal ended up in Dayton. She will serve as his “surrogate mother” and tend his grave until any descendants or other family can be found, she said.

“For now Scott is my adoptive ancestor … I am fascinated by his story and I hope somehow in the great equalizer of death he’s found the comfort that was so often denied him in life,” she wrote by email.
Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
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Oakland Post: Week of May 6 – 12, 2026

The printed Weekly Edition of the Oakland Post: Week of may 6 – 12, 2026

Published

4 days ago

May 10, 2026

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Published

2 weeks ago

May 3, 2026

Oakland Post

The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.

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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

Published

2 weeks ago

May 3, 2026

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.