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Riots and Police Shootings Not Just a National Problem

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The faces of the men and women pictured above are some who have died at the hands of or during encounters with police from 1999-2014. This list was tweeted by the NAACP Legal Defense Fund last December.

The faces of the men and women pictured above are some who have died at the hands of or during encounters with police from 1999-2014. This list was tweeted by the NAACP Legal Defense Fund last December.

Special to the NNPA from The Miami Times

While America and the rest of the world watch with shock and dismay as Black citizens are gunned down one after the other by rouge police officers, Miami-Dade County has remained almost silent.

Bobby Worthy, president of Justice League United, staged a rally against police brutality May 7 in front of the Miami-Dade County Richard Gerstein Justice Building and it produced more media than participants and spectators.

Michael “Black Jesus” of the Black Man’s Movement and four spectators on a blistering hot afternoon joined Worthy.

“I’m shocked and disappointed that no people are here,” said Worthy, last Thursday. “We had 10,000 people come out in Ferguson, Mo. I just came from Baltimore, Md. I’ve been to North Charleston, S.C., all over the country. Never have I seen so few people interested in justice for Black people.”

But the apathy shown at this rally does not reflect national efforts. The rallying cry against the unaccountability of Black lives has been happening in pockets across the nation. Civil rights leaders rushed to the site of the dead and asked for justice on TV and radio, shouting to stopped-up ears of the justice system. But social media and mobile phone cameras have unlocked the eyes and ears of Americans, particularly the young, and a new civil rights movement has been born.

76 DEAD

The NAACP Legal Defense Fund had been documenting the death of unarmed Black men and women by the police — sometimes when they were already in police custody — from 1999-2014. The first on the list: 23-year-old Amadou Diallo, who was killed in New York after a hail of bullets was fired by police from outside his apartment. Nineteen bullets hit him. The officers were acquitted.

On Dec. 3, 2014, the day it was announced that New York Police Department Officer Daniel Pantaleo would not be indicted, the Legal Defense Fund tweeted 76 names of men and women killed by the police and known by the fund.

Since then, several unarmed Black men have been killed during encounters with police — some of them documented on cameras by witnesses. The latest to set off a literal firestorm was the death of Freddie Gray, who, after his arrest by Baltimore Police April 12, died of a spinal cord injury April 19 while still in police custody. Police said Gray was initially arrested because he ran from police in an area known for violent crime and drug sales.

Baltimore erupted, people flooded the streets and civil unrest continues, even after Prosecutor Marilyn Mosby indicted six police officers on charges ranging from second-degree murder to manslaughter and assault.

The Justice League United staged the Miami rally against police brutality, according to Worthy, as an awakening in the aftermath of the recent deaths of Gray, Walter Scott, Eric Courtney Harris, Laval Hall, Michael Brown, Kajieme Powell, Jack Lamar Roberson, Antonio Whetstone and other Blacks at the hands of police.

The North Charleston State Attorney has since indicted Michael Slager, the North Charleston police officer accused of shooting Scott eight times in the back, on a first-degree murder charge.

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Oakland Post: Week of May 6 – 12, 2026

The printed Weekly Edition of the Oakland Post: Week of may 6 – 12, 2026

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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