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COMMENTARY: #CancelMichaelJackson? — It’s Not That Easy

NNPA NEWSWIRE — “Jackson’s estate has sued HBO for $100 million claiming that the network entered into an agreement with the singer in 1992 that prohibited them from disparaging Jackson. HBO called the suit meritless and said it would air the documentary [“Leaving Neverland’] as planned.

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By Stacy M. Brown, NNPA Newswire Correspondent
@StacyBrownMedia

After a riveting documentary that revisited some of the alleged crimes by R&B superstar R. Kelly – even before his high-profile arrest on child pornography and other sex-related acts – a major social media movement got underway to #MuteRKelly and #CancelRKelly.

Now, a possibly equally explosive documentary about the late Michael Jackson has led some to wonder if it’s time to “#Mute” or “#Cancel” the late King of Pop.

“I don’t care about toppling Michael Jackson,” said the documentary’s filmmaker Dan Reed, whose “Leaving Neverland” is set to air over two nights on HBO beginning Sunday, March 3.

“The question we should be asking is, ‘Should I trust my children to this stranger?’ The question that child sexual abuse victims should be asking is, ‘Is this the time for me to come out and tell my story to those around me? Can I tell my mum?’”

Reed continued:

“I don’t care whether people listen to Michael Jackson’s music or not. It’s about the man and not the music. But the man appears as a much different figure after watching the film. He hurt a lot of people. He was cruel. He was vicious. How you reconcile that with the music is a private matter.”

The film centers on two men who say that Jackson sexually assaulted them when they were children.

Choreographer Wade Robson met Jackson when he was 7.

James Safechuck said he began sharing a bed with the singer when he was only 10.

In their younger years, both men denied Jackson molested them, but after Jackson’s death in 2009, both have detailed in graphic fashion the sex they said took place at various hotels and at the star’s famed Neverland Ranch in Santa Ynez, Calif.

Jackson’s estate has sued HBO for $100 million claiming that the network entered into an agreement with the singer in 1992 that prohibited them from disparaging Jackson.

HBO called the suit meritless and said it would air the documentary as planned.

Some Twitter users have weighed in on whether there should be a “#Mute” or “#Cancel” Michael Jackson movement. “If you can #MuteRKelly you can also #mutemichaeljackson. Death has nothing to do with the situation,” wrote Twitter user Krissiekris7331.

“#MichaelJackson doc #LeavingNeverland follows his serial rape of boys just like #SurvivingRKelly documents his serial abuse of girls,” Twitter user Robbie Woliver wrote. “Jackson’s music should be muted from playlists just like #RKelly. No difference just because the victims are boys. #MuteMichaelJackson.”

Because fans of the late singer arguably are the most loyal for any entertainer and his estate is a cash cow that rakes in hundreds of millions each year, muting or canceling Michael Jackson poses many challenges.

It’s also a fact that Jackson’s music represents the soundtrack of the lives of so many and his songs are a staple at weddings, anniversaries, and just about any social event imaginable.

Oliver Keens, the Music & Nightlife editor of Time Out London, tackled that conundrum.

“DJs I’ve spoken to recently have already started saying goodbye to their disco edits of ‘Rock with You,’ pruning ‘Off The Wall’ out of their record boxes, deleting ‘PYT’ from their memory sticks. I can’t stress how much this is for your own good. After this film, you will not want to listen to Michael Jackson on the dance floor, at a wedding, at a club, anywhere.

“I think it’s essential that ‘Leaving Neverland’ sparks so much outrage that a movement for change begins straight away. Yet outrage itself is a complicated issue in 2019. Take a common reaction to any artist accused of wrongdoing, which goes: ‘But this is hypocritical. If we censor X, then surely we should censor Y and Z too?’

“If you’ve read all this and think I’m overreacting, see the film and make up your own mind. If you’re cynically minded and instinctively think the two men are liars (or just after money, a picture Jackson habitually tried to paint of any accuser), see the film and make up your own mind. Yes, Michael Jackson made some of the finest music ever recorded, but it’s not enough anymore. Letting his songs stay ingrained in the fabric of our society says that our society is morally dead.”

Still, Jackson’s family and fans argue that, like R. Kelly in his 2008 trial, the King of Pop was acquitted of charges in 2005 that he molested a young boy.

Critics counter that both men paid out substantial settlements in other cases, including Jackson’s more than $20 million payout to a young accuser who said Jackson molested him in 1993.

As for the claims that “Leaving Neverland” is a “pathetic attempt to cash in on Michael Jackson,” Reed told the Independent: “Of course it’s all about money. It’s about the estate’s money. It made $400m last year [and] is trying to protect its main asset.

“I’m not making any allegations, but I think the question remains: how much did the family know?” Reed said. “When did they know it? It’s clear that a lot of people in the Jackson household saw things. On the record, they testified to that,” he said.

“[They] gave evidence in court. But the only noise I’m hearing from the Jackson camp is the estate hurling abuse at children who were raped by Michael Jackson. I think that’s shameful.”

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Books

BOOK REVIEW: ‘Laws of Solomon’ Reveals Tender Heart of Former Child Soldier

The monsters that came to him early in his sleep were the easy ones. It was the later demons that stole Solomon Nangobi’s sleep, the spirits of all the people he killed when he was a child soldier in Uganda, and when he was a fixer in New York as an adult. Their ghosts called to him with urgent voices, though he left that life behind long ago.

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Book cover of “Laws of Solomon.” Courtesy of Poisoned Pen Press

Author: Eriq La Salle, Copyright: c.2026, Publisher: Poisoned Pen Press, SRP: $18.99, Page Count: 304 pages

Finally, after so much work, you’ve left your past behind.

That’s what you tell yourself: what’s done is done and you can’t undo history. It’s over. You try not to think about last month, last year, a decade back because what does it matter? As in the new novel, “Laws of Solomon” by Eriq La Salle, remembering is too full of pain.

The monsters that came to him early in his sleep were the easy ones. It was the later demons that stole Solomon Nangobi’s sleep, the spirits of all the people he killed when he was a child soldier in Uganda, and when he was a fixer in New York as an adult. Their ghosts called to him with urgent voices, though he left that life behind long ago.

Now, his days were filled working the soil in gardens near Malibu, and he loved the quiet life.

Still, he kept his guns.

And he was glad: when Solomon recognized two Zeta gunmen stalking a well-dressed man, woman, and child through the gardens, he couldn’t walk away. He stopped the gangsters with bullets, but not before the adults and their bodyguards were dead. The child, an 8-year-old boy named Gaby, was safe, but Gaby couldn’t tell Solomon what was going on.

What became quickly certain, however, was that Solomon was now Gaby’s guardian, and the Zeta crime boss wanted them dead, too.

When he was the same age as Gaby, Solomon saw unspeakable things, the murder of his parents, the destruction of his homeland, and the atrocities that Uganda dictator Idi Amin’s soldiers committed. He learned to kill, he observed, and he was hardened, understanding as a small boy that revenge was often necessary and needed, and that blood would shed at those times.

But Gaby was pure, an innocent, a child.

Solomon reached out to his contacts to try to get the boy to safety, but being a contact of a marked man was likewise a dangerous thing: the monsters outside were worse than the ones inside him.

Two words for you: ‘Whoo weee.’ That’s what you’re going to say when you close the back cover of “Laws of Solomon,” knowing that you’ve just been taken on a wild up-and-down, around-and-round ride.

La Salle makes it impossible not to like Solomon, an African man who has, over time, lost nearly everything dear to him and who has no faith in much of anything. Readers get that part of the story eventually, and there’s historical authenticity in some of it, but we never really get to know Solomon, which makes the book feel dark and dangerous. Along the way, we meet and get to know his helpers, which buoys Solomon’s chase to find safety for the boy, and your heart won’t stop pounding.

Keep in mind that this is a thriller partially set in 1970s Uganda, so expect lots of violence but don’t expect a lot of people to live. If you’re up for that, find “Laws of Solomon.” You won’t be able to leave it behind.

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Commentary

OPINION: The New American Fear – From 9-11 to AI

The terrorists didn’t invent American racism, xenophobia or political paranoia. We shouldn’t give 19 hijackers that much credit. But after 9/11, America built an enormous security structure around fear. Surveillance expanded. Wars followed. Congress created the Department of Homeland Security. TSA transformed airports. Immigration enforcement was reorganized and ICE was created.

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I was quiet about 9/11 until this week, when terrorism got an upgrade.

Artificial intelligence.

I have taken 9/11 seriously every year. Twenty-five years later, I was all “feeled out.”

I’ve gone to Ground Zero. I’ve written about the dead, the survivors, the first responders and those who survived that day only to become sick years later.

But this isn’t another column about where we were.

It’s about what America became.

For me, September 11, 2001, marks the beginning of a New America. Not the diverse, multicultural America I hoped was emerging.

This is the America that fear built.

I was 3,000 miles away in the Bay Area watching CNBC.

Then the planes hit.

The markets shut down.

And something else opened.

Fear.

At first, fear brought us together. We had a common enemy and, briefly, rediscovered a common good.

But fear is a terrible foundation for democracy.

The person we feared was initially the terrorist.

Then the Muslim.

Then the Arab.

Then the Sikh mistaken for an Arab.

Then the immigrant. The undocumented. The person at the border.

The category continues to expand.

Maybe that’s the real 25-year story of 9/11.

We went from finding common ground to looking for flaws that prove somebody doesn’t belong.

The terrorists didn’t invent American racism, xenophobia or political paranoia. We shouldn’t give 19 hijackers that much credit.

But after 9/11, America built an enormous security structure around fear.

Surveillance expanded. Wars followed. Congress created the Department of Homeland Security. TSA transformed airports. Immigration enforcement was reorganized and ICE was created.

Temporary emergency became permanent infrastructure.

Recently, Anthropic researcher Jacob Coxon quit his job and warned that people building advanced AI genuinely believe it could kill humanity by the end of this decade.

He walked away two months before his Anthropic equity vested.

That’s credibility.

President Trump has taken a different view. On Sept. 14 he called fears of AI destroying humanity a “HOAX” and declared, “WHOEVER WINS AI, WINS!” He said the only guardrail AI needs is a “STRONG AND SMART (High IQ!) PRESIDENT.”

We have built the threat.

We finance it. We feed it our words, photographs, voices, art and knowledge. We invite it into our homes and carry it in our pockets.

Americans are confronting something genuinely frightening.

AI could eliminate or transform jobs. And its increasingly powerful systems raise questions even some of their creators say they cannot fully answer.

So, the question what do we do with fear without surrendering our common humanity.

That requires real leadership and oversight from Congress, if not the president.

Trump insists Iran can’t have a nuclear weapon. But on AI, his emphasis is winning the race, especially against China.

That’s the trap.

Fear of China becomes the argument for going full speed ahead.

Twenty-five years after 9/11, we have another chance to get fear right.

Be smart enough to know what to be afraid of.

And make sure we stay in control of the tech.

We’ve got to be smarter than the machines.

About the Author

Emil Amok Guillermo is an award-winning journalist, commentator and comic monologist. He hosts a micro-talk show on YouTube. See him at Comedy Day at Robin Williams Meadow in San Francisco’s Golden Gate Park, on Sept. 20, around 2:45 p.m. Free.

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Commentary

Barbara Lee Mourns Gloria Steinem, Remembers a Friendship Rooted in Equality

Steinem became one of the country’s most recognizable advocates for women’s rights, reproductive alternatives and political representation. Lee said one of the most persistent inequities confronting Black women was inadequate access to reproductive healthcare, an issue Lee addressed throughout her years in the California Legislature and Congress.

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Barbara Lee greets longtime friend Gloria Steinem in undated photo. Facebook image.

Oakland Mayor Barbara Lee is mourning the death of her longtime friend Gloria Steinem, remembering the feminist icon as a devoted ally who understood that the struggles for racial justice and gender equality were inseparable.

Steinem died Sept. 2 in New York City at the age of 92. A pioneering journalist, author and political activist, she spent more than six decades advocating for women’s equality and reproductive choices. She also co-founded Ms. magazine and the National Women’s Political Caucus. 

“I called her recently and could hear the weakness in her voice,” Lee said. “She was also very fragile at my New York event, but she remained supportive.”

The friendship between Lee and Steinem grew from their connections to the late U.S. Rep. Shirley Chisholm, the first Black woman elected to Congress and the first Black candidate to seek a major political party’s presidential nomination.

Chisholm was Lee’s mentor and inspired her to enter politics. Lee worked on Chisholm’s historic 1972 presidential campaign and served as one of her delegates at the Democratic National Convention.

According to Lee, Chisholm helped Steinem deepen her understanding of racial inclusion and recognize that the women’s movement could not succeed without addressing the experiences of Black women and other women of color.

“Gloria really understood what racial equity was about as a white woman and knew the value of building coalitions,” Lee said.

Steinem became one of the country’s most recognizable advocates for women’s rights, reproductive alternatives and political representation. Lee said one of the most persistent inequities confronting Black women was inadequate access to reproductive healthcare, an issue Lee addressed throughout her years in the California Legislature and Congress.

Lee considered Steinem a genuine ally who recognized the intersections of race, gender, healthcare and economic opportunity. Steinem also understood the importance of elevating women into leadership positions and encouraging them to claim their rightful places at decision-making tables.

Their relationship extended beyond politics and public advocacy. Lee recalled joining Steinem and her husband for dinner in Manhattan Beach with Lee’s son, Tony.

“It was beautiful to see how she could be a wonderful wife, feminine and be a strong woman,” Lee said.

Tony Lee also had a professional connection to Steinem through the rerelease of “The Road to Galveston,” the 1996 television film he wrote about the life of his grandmother, Mildred Parish Massey. The film starred Cicely Tyson.

“My son’s tribute to Gloria on Facebook is very touching,” Lee said.

Lee expressed profound heartbreak over losing her friend and gratitude for Steinem’s support throughout her political career, including during reelection campaigns. 

As Lee continues carrying forward the lessons of Chisholm and Steinem, she has also helped encourage a new generation of women leaders, including U.S. Reps. Lateefah Simon and Jasmine Crockett.

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