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COMMENTARY: #CancelMichaelJackson? — It’s Not That Easy

NNPA NEWSWIRE — “Jackson’s estate has sued HBO for $100 million claiming that the network entered into an agreement with the singer in 1992 that prohibited them from disparaging Jackson. HBO called the suit meritless and said it would air the documentary [“Leaving Neverland’] as planned.

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By Stacy M. Brown, NNPA Newswire Correspondent
@StacyBrownMedia

After a riveting documentary that revisited some of the alleged crimes by R&B superstar R. Kelly – even before his high-profile arrest on child pornography and other sex-related acts – a major social media movement got underway to #MuteRKelly and #CancelRKelly.

Now, a possibly equally explosive documentary about the late Michael Jackson has led some to wonder if it’s time to “#Mute” or “#Cancel” the late King of Pop.

“I don’t care about toppling Michael Jackson,” said the documentary’s filmmaker Dan Reed, whose “Leaving Neverland” is set to air over two nights on HBO beginning Sunday, March 3.

“The question we should be asking is, ‘Should I trust my children to this stranger?’ The question that child sexual abuse victims should be asking is, ‘Is this the time for me to come out and tell my story to those around me? Can I tell my mum?’”

Reed continued:

“I don’t care whether people listen to Michael Jackson’s music or not. It’s about the man and not the music. But the man appears as a much different figure after watching the film. He hurt a lot of people. He was cruel. He was vicious. How you reconcile that with the music is a private matter.”

The film centers on two men who say that Jackson sexually assaulted them when they were children.

Choreographer Wade Robson met Jackson when he was 7.

James Safechuck said he began sharing a bed with the singer when he was only 10.

In their younger years, both men denied Jackson molested them, but after Jackson’s death in 2009, both have detailed in graphic fashion the sex they said took place at various hotels and at the star’s famed Neverland Ranch in Santa Ynez, Calif.

Jackson’s estate has sued HBO for $100 million claiming that the network entered into an agreement with the singer in 1992 that prohibited them from disparaging Jackson.

HBO called the suit meritless and said it would air the documentary as planned.

Some Twitter users have weighed in on whether there should be a “#Mute” or “#Cancel” Michael Jackson movement. “If you can #MuteRKelly you can also #mutemichaeljackson. Death has nothing to do with the situation,” wrote Twitter user Krissiekris7331.

“#MichaelJackson doc #LeavingNeverland follows his serial rape of boys just like #SurvivingRKelly documents his serial abuse of girls,” Twitter user Robbie Woliver wrote. “Jackson’s music should be muted from playlists just like #RKelly. No difference just because the victims are boys. #MuteMichaelJackson.”

Because fans of the late singer arguably are the most loyal for any entertainer and his estate is a cash cow that rakes in hundreds of millions each year, muting or canceling Michael Jackson poses many challenges.

It’s also a fact that Jackson’s music represents the soundtrack of the lives of so many and his songs are a staple at weddings, anniversaries, and just about any social event imaginable.

Oliver Keens, the Music & Nightlife editor of Time Out London, tackled that conundrum.

“DJs I’ve spoken to recently have already started saying goodbye to their disco edits of ‘Rock with You,’ pruning ‘Off The Wall’ out of their record boxes, deleting ‘PYT’ from their memory sticks. I can’t stress how much this is for your own good. After this film, you will not want to listen to Michael Jackson on the dance floor, at a wedding, at a club, anywhere.

“I think it’s essential that ‘Leaving Neverland’ sparks so much outrage that a movement for change begins straight away. Yet outrage itself is a complicated issue in 2019. Take a common reaction to any artist accused of wrongdoing, which goes: ‘But this is hypocritical. If we censor X, then surely we should censor Y and Z too?’

“If you’ve read all this and think I’m overreacting, see the film and make up your own mind. If you’re cynically minded and instinctively think the two men are liars (or just after money, a picture Jackson habitually tried to paint of any accuser), see the film and make up your own mind. Yes, Michael Jackson made some of the finest music ever recorded, but it’s not enough anymore. Letting his songs stay ingrained in the fabric of our society says that our society is morally dead.”

Still, Jackson’s family and fans argue that, like R. Kelly in his 2008 trial, the King of Pop was acquitted of charges in 2005 that he molested a young boy.

Critics counter that both men paid out substantial settlements in other cases, including Jackson’s more than $20 million payout to a young accuser who said Jackson molested him in 1993.

As for the claims that “Leaving Neverland” is a “pathetic attempt to cash in on Michael Jackson,” Reed told the Independent: “Of course it’s all about money. It’s about the estate’s money. It made $400m last year [and] is trying to protect its main asset.

“I’m not making any allegations, but I think the question remains: how much did the family know?” Reed said. “When did they know it? It’s clear that a lot of people in the Jackson household saw things. On the record, they testified to that,” he said.

“[They] gave evidence in court. But the only noise I’m hearing from the Jackson camp is the estate hurling abuse at children who were raped by Michael Jackson. I think that’s shameful.”

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Oakland Post: Week of April 24 – 30, 2024

The printed Weekly Edition of the Oakland Post: Week of April 24 – 30, 2024

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Oakland Post: Week of April 17 – 23, 2024

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Commentary

Opinion: Surviving the Earthquake, an Eclipse and “Emil Amok.”

Last Friday, a 4.8 magnitude earthquake shook New York City, reported as the “biggest earthquake with an epicenter in the NYC area since 1884” when a 5.2 quake hit. A bit bigger. The last quake similar to Friday’s was a 4.9 in 1783.Alexander Hamilton felt it — 241 years ago. That’s why New Yorkers were freaking out on Friday. They were in the room where it happens.

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In New York City, the eclipse was about 90 percent visible. Good enough for me. Though a full solar eclipse is a celestial rarity, blockages of any sort aren’t generally celebrated. My one-man play is about growing up with the eclipsed history of American Filipinos and how I struggle to unblock all that.
In New York City, the eclipse was about 90 percent visible. Good enough for me. Though a full solar eclipse is a celestial rarity, blockages of any sort aren’t generally celebrated. My one-man play is about growing up with the eclipsed history of American Filipinos and how I struggle to unblock all that.

By Emil Guillermo

I’m a Northern Californian in New York City for the next few weeks, doing my one-man show, “Emil Amok, Lost NPR Host, Wiley Filipino, Vegan Transdad.”

I must like performing in the wake of Mother Nature.

Last Friday, a 4.8 magnitude earthquake shook New York City, reported as the “biggest earthquake with an epicenter in the NYC area since 1884” when a 5.2 quake hit. A bit bigger. The last quake similar to Friday’s was a 4.9 in 1783.

Alexander Hamilton felt it — 241 years ago.

That’s why New Yorkers were freaking out on Friday. They were in the room where it happens.

And it just doesn’t happen that often.

Beyonce singing country music happens more frequently.

When I felt New York shake last week, it reminded me of a time in a San Francisco TV newsroom when editors fretted about a lack of news an hour before showtime.

Then the office carpeting moved for a good ten seconds, and the news gods gave us our lead story.

On Friday when it happened in NYC, I noticed the lines in the carpeting in my room wiggling. But I thought it was from a raucous hotel worker vacuuming nearby.

I didn’t even think earthquake. In New York?

I just went about my business as if nothing had happened. After living near fault lines all my life, I was taking things for granted.

Considering the age of structures in New York, I should have been even more concerned about falling objects inside (shelves, stuff on walls) and outside buildings (signs, scaffolding), fire hazards from possible gas leaks, and then I should have looked for others on my floor and in the hotel lobby to confirm or aid or tell stories.

Of course, as a Californian who has lived through and covered quakes in the 4 to 6 magnitude range, I tried to calm down any traumatized New Yorker I encountered by taking full responsibility for bringing in the quake from the Bay Area.

I reassured them things would be all right, and then let them know that 4.8s are nothing.

And then I invited them to my consoling post-Earthquake performance of “Emil Amok, Lost NPR Host…”

It was the night of the eclipse.

ECLIPSING THE ECLIPSE

In New York City, the eclipse was about 90 percent visible. Good enough for me.  Though a full solar eclipse is a celestial rarity, blockages of any sort aren’t generally celebrated. My one-man play is about growing up with the eclipsed history of American Filipinos and how I struggle to unblock all that.

For example, did you know the first Filipinos actually arrived to what is now California in 1587? That’s 33 years before the Pilgrims arrived in America on the other coast, but few know the Filipino history which has been totally eclipsed.

I was in Battery Park sitting on a bench and there was a sense of community as people all came to look up. A young woman sitting next to me had a filter for a cell phone camera.  We began talking and she let me use it. That filter enabled me to take a picture of the main event with my iPhone.

For helping me see, I invited her and her boyfriend to come see my show.

Coincidentally, she was from Plymouth, Massachusetts, near the rock that says the year the Pilgrims landed in 1620.

In my show she learned the truth. The Pilgrims were second.

History unblocked. But it took a solar eclipse.

Next one in 2044? We have a lot more unblocking to do.

If you’re in New York come see my show, Sat. April 13th, 5:20 pm Eastern; Fri. April 19, 8:10 pm Eastern; and Sun. April 21st 5:20 pm Eastern.

You can also livestream the show. Get tickets at www.amok.com/tickets

About the Author

Emil Guillermo is a journalist and commentator. He does a mini-talk show on YouTube.com/@emilamok1.  He wishes all his readers a Happy Easter!

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